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1995DADAX0739008846Alfred Music 1995-10-01. paperback. New. 7.87x5.51x1.57. Buy with confidence. Excellent Customer Service & Return policy. Alfred Music paperback
RO50036121HENRY LITOLFF'S verlag. Non daté. In-4. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 9 pages de partitions. . . . Classification Dewey : 780.26-Partitions
20061385Chemnitz: Edition Mobilis. 2006. Hard Cover. Fine/none. Octavo. Fine oblong octavo. 208 pp. From the Robert-Schumann-Haus in Zwickau the composer's birthplace. Hardcover the front cover is a convincing replica of the mother of pearl cover of the Perlmutt-Albums held by the Schumann Haus. Photographs are presented as cartes de visite and represent not only the Schumann family but friends and singers actors musicians composers conductors and music critics. A charming and informative publication. Edition Mobilis. hardcover
59 S. OKart. Faksim. Abb. auf Tafeln.
1914093059Dresden, Zahn & Jaensch, 1914. 427 S.; mit 13 SW-Ill.; 2., vermehrte u. verbesserte Aufl.; Passagen mit Randanstreichungen in Bleistift, Kapital etwas gestaucht, kleinere äussere Läsuren Leinen 21,6 cm Befriedigend
1956139853Weimar, Kiepenheuer, 1956. M. Portr. 371 S. OLwd.
195623542btWeimar, Kiepenheuer, 1956. Leinen, mit Goldschrift, etwas kl. DinA 5, 370 Seiten, 3 s/w-Kunstdruckbilder auf Tafeln, Einband mit Gebrauchsspuren, leicht fleckig und gebräunt, minimal schiefgelesen, eingefärbter Kopfschnitt, Schnitt und Seiten papierbedingt stark gebräunt, trotz der Gebrauchs- und/oder Altersspuren SEHR ordentlicher Zustand
1897MUSI0332Stuttgart u. Leipzig, Deutsche Verlags-Anstalt 1897. Front.-Portr., 3 Bl., 278 S., 1 Bl., OLn., Rücken u. Kanten berieben. Mit Bleistift-Anmerkungen vor dem Titelbl. sowie etlichen Markierstift-Anstreichungen des Cellisten Tobias Kühne Erste Ausgabe; enth. Namen- u. Sachregister [2 Warenabbildungen]
3638922065.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1905RO50027877Edition Peters. 1905. In-4. Broché. Bon état, Tâchée, Mors arrachés, Quelques rousseurs. 24 pages. Ornements en couverture et en page titre.. . . . Classification Dewey : 780.26-Partitions
RO60011581C.F.Peters. sans date. In-Folio. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 74 pages de partitions + texte. Première page annotée au stylo.. . . . Classification Dewey : 430-Langues germaniques. Allemand
1890140646Leipzig: Druck und Verlag von Fr. Richter 1890. XXIII, (1), 144, (2) Seiten. Frakturdruck. 8° (17,5-22,5 cm). Orig.-Leinenband mit goldgeprägtem Rückentitel sowie Deckelillustration. [Hardcover / fest gebunden].
313713Wien & Leipzig: Universal-Edition A. G. N.D. Hardcover. Very Good in boards. Published in German. Front hinge cracked. Shelfwear on spine crown and heel and panel corners. Foxing on text block edges.; Klassiker Der Tonkunst. Universal-Edition A. G. hardcover
1970497934. Auflage. Budapest, Corvina, ca. 1970. Kl.-8vo. 226 S., 1 Bl. Or.-Lwd. mit Schutzumschlag.
2010DADAX3640505441Grin Publishing 2010-01-09. paperback. New. 5.83x0.17x8.27. Buy with confidence. Excellent Customer Service & Return policy. Grin Publishing paperback
3640505441.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Z1-C-016-01300Grin Verlag. Used - Like New. Used - Like New. Ships from UK in 48 hours or less usually same day.Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. 100% money back guarantee. We are a world class secondhand bookstore based in Hertfordshire United Kingdom and specialize in high quality textbooks across an enormous variety of subjects. We aim to provide a vast range of textbooks rare and collectible books at a great price. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. We provide a 100% money back guarantee and are dedicated to providing our customers with the highest standards of service in the bookselling industry. Grin Verlag unknown
1973858231973. SCHUMANN Reinhold. AUTHORITY AND THE COMMUNE PARMA 833-1133 IMPERO E COMUNE PARMA 833-1133. Fonti e Studi - Serie Seconda - VIII. n.p. Presso la Deputazione di Storia Patria per le Province Parmensi 1973. xxi 5 397 pp. 9 charts some multi-page and some folding and 12 maps some folding and with pages of text notes the last folding map in rear pocket. 8vo. beige wrappers printed in brown and black. Several closed tears and light soil to wrappers faint crease to top front cover. Inscribed by the author on first blank recto. Ink ownership on first Contents page. Introduction in Italian text in English. Maps in b/w all in excellent condition. unknown books
20111390432NASA. New. 2011. Soft Cover. Reprint Edition . NASA paperback
19322862011932. unbound. very good. Uncommon autograph note signed "Ernestine Schumann-Heink" on brown ledger page 7.75" x 5" in German in full: "Gesegnet sei der Gott der die Music.and deu fruhling erschof!" With approximate translation amounting to: "Blessed be the God who created the music.and the greeting!" which she attributes to German composer Richard Wagner. Boldly signed and in fine condition. Includes photographic postcard bearing her portrait.<br/><br/> Czech-born German-American operatic contralto known for the tonal richness and range of her voice.<br/><br/> unknown books
503610"God bless our U.S.A. Navy - Army - Aviator Boys! 'Mother' Ernestine Schumann Heink." New York November 11 1918. Oblong 12mo stiff card mounting traces on verso. Fine. Signed by Authors. F. Soft cover. paperback books
24523On a slip of paper 68 x 109 mm. Dated London March 27 1909. In black ink.<br/><br/>Slightly creased; right edge slightly frayed not affecting signature.<br/><br/>Together with a three-quarter length vintage photograph of Schumann-Heink by the White Studio in New York ca. 177 x 126 mm. "Between 1897 and 1901 Schumann-Heink took part in four consecutive Covent Garden seasons and became a regular member of the Metropolitan company for a similar period 1898-1903 returning subsequently for single seasons only. By then she had begun the series of popular and profitable cross-country American concert tours that occupied much of the rest of her long career. In 1909 she returned to Dresden to sing the part of Clytemnestra in the première of Elektra. Although she could sing and very well virtually anything her English and American stage career centred on Wagner; and it was as Erda that she bade farewell to the Metropolitan in 1932 still captivating the audience as the American critic Olin Downes wrote with 'knowledge and imagination embodied in the tone and in every syllable of the text she delivered so memorably'. These words well describe the effect vividly conveyed by her Erda and Waltraute recordings made less than three years before. Although largely unrepresentative of her serious repertory her many other recordings made over a period of 25 years give a splendid impression of her powers: of her opulent and flexible tones from low D to high B the amazing fullness and evenness of her shake her artistic conviction dramatic temperament and vivid enunciation. Among them should be mentioned the brindisi from Lucrezia Borgia several versions all good the prison scene from Le prophète 'Parto parto' from La clemenza di Tito and the duet with Caruso 'Ai nostri monti' from Il trovatore." Desmond Shawe-Taylor in Grove Music Online. unknown books
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