SCHUMANN, Robert 1810-1856Biblio.com
43 résultats
186441093Leipzig: F. Whistling PN 429-431 1864. Octavo. Contemporary half dark green textured cloth with marbled boards titling gilt to spine. 1f. recto title verso blank 232 pp. Title lithographed music engraved. <br /> <br /> Provenance<br /> William Samuel Bambridge 1842-1923 conductor of the Marlborough Choral Society Marlborough College Wiltshire England with "W. S. Bambridge Marlborough College 1873" to front pastedown; publisher's handstamp to foot of title and handstamp in red ink "21451" to upper inner corner of title and first page of music.<br /> <br /> Binding worn rubbed and bumped; head of spine slightly frayed; hinges cracked. Slightly worn; some browning heavier to margins; occasional foxing; one signature partially detached. First Edition later issue; the first issue was published in November of 1847. McCorkle p. 269. Hofmann p. 137 "later issues bear the year to the title".<br /> <br /> "The Second Symphony coheres by virtue of a web of recurrent thematic strands. The technique of motivic recall is enhanced by Schumann's employment of contrapuntal combinations. Specifically the chorale theme introduced midway through the finale is integrated with the opening theme of the first movement also a chorale in the symphony's concluding passages. The displacement of the finale's initial march-like theme by a pair of interwoven chorales in essence lifts the Second Symphony from a secular to a quasi-religious plane." John Daverio and Eric Sams in Grove Music Online. F. Whistling [PN 429-431] unknown
188024798Leipzig: C. F. Peters PN 4441 1880. Folio. Attractively bound in quarter mid-tan calf with raised bands on spine in compartments tooled in gilt and black black leather label with titling gilt marbled boards. i lithographic title within olive green decorative border by F. Baumgarten i table of contents 1f. part title: Erster Theil 3-54 1f. part title: Zweiter Theil 57-154 part title: Dritter Theil 157-282 pp. Lithographic transfer from engraved plates.<br /> <br /> The title also advertises a piano-vocal score by Woldemar Bargiel a piano reduction without text by Theodor Kirchner and a reduction for piano four-hands by August Horn.<br /> <br /> Slightly worn browned and foxed; title slightly stained. Hoffmann p. 333. C. F. Peters [PN 4441] unknown
1900BOOKS030768ILeipzig: C. F. Peters. Nearly fine copies in the original gilt-decorated cloth. nd ca. 1900. Revised ed. hardcover. 4to 1071 pp. New edition revised by Alfred Dorfell provided with fingering by Richard Schmidt . C. F. Peters hardcover
188132877Brooklyn NY: Gaylord Watson / Moller & Schumann 1881. Very Good. Brooklyn NY: Gaylord Watson / Moller & Schumann 1881. Original engraved hand-colored map ca. 40.5x60cm folded into original blue-green pictorial card wrappers 16x10cm; map verso provides a complete catalog of the varnishes manufactured by Brooklyn company Moller & Schumann. Minor wear and scattered spotting to wrapper margins brief split to a couple map folds else a Very Good or better bright and sound example.<br /> <br /> Useful map to the New York City-holiday seeker with railway lines to all the surrounding resorts and hotels of the area. Issued as a sort of premium by the lacquer manufacturers in charmingly illustrated wrappers depicting a man surprised by a bulldog while pasting signs to a wooden fence--his bucket and brush are clattering to the ground as he hurdles over the fence in fright. The signs he has mounted all feature promotional text for Moller & Schumann products: baking varnishes and Japans turpentine lacquers for canned goods and tinware etc. The center sign reproduces a letter from the Department of State awarding the company a certificate from the Sydney International Exposition of 1879. Gaylord Watson / Moller & Schumann unknown
1888662491888. Ber. K. Sächs. Ges. Wiss. 40 1888. - Math.-Cl. - Leipzig bei S. Hirzel 1888 1 XX 167 1 mit 10 Holzschnitten Halbledereinband d.Zt.; St.a.Tit.; feines Expl. Erstdruck seiner Dissertation! "Die nachstehenden Untersuchungen enthält eine Discussion des Ganges welch die im Titel genannte und seit 1882 als Hauptuhr der Leipziger Sternwarte dienende Uhr in den Jahren 1883 bis 1887 gezeigt hat. Eine genauere Mittheilung darüber um so mehr von Interesse sein als es sich um die erste aus der Dencker'schen Werkstatt hervorgegangene Uhr handelt deren Verhalten einer schärferen Prüfung unterzogen worden ist." Richard Schumann 1864- 1945 war ein deutsch-österreichischer Astronom und Geodät. Neben seiner Lehrtätigkeit machte er sich um die Grundlagenvermessung Österreich-Ungarns verdient und führte u. a. hochpräzise Azimutmessungen im Netz 1. Ordnung durch die sich noch 80 Jahre später in einer Diplomarbeit als Nullmessungen für geodynamische Untersuchungen verwenden ließen. Er befasste sich - ähnlich wie Karl Friedrich Küstner in Bonn - mit genauen Untersuchungen der terrestrischen Polbewegung und ihrer Periodik siehe Chandler-Periode. unknown
186336562AB1863. 3. verbesserte und vermehrte Auflage Leipzig / New York Schuberth 1863 kl.4° 22 Textseiten sowie 112 S. mit zahlr. gestochenen Notendarstellungen Halbleinen-Einband der Zeit mit goldener Rückenbeschriftung minimal schief die Einbanddeckel zart berieben innen papierbedingt nachgedunkelt die Titelseite etwas mehr sonst gutes sauberes Exemplar mk2 Vorderdeckel mit dem Exlibris von Dr. Otto Eisen 29. Oktober 1834 in Frankfurt am Main; 27. April 1898 in Freiburg im Breisgau dem Arzt von Richard Wagner. Abholung im Ladengeschäft in Frankfurt am Main Nordend ggü. Musterschule möglich. Das spart die Portokosten. Pickup at the store in Frankfurt am Main Nordend close to Musterschule is possible. It saves the shipping costs. unknown
1895072403C. F. Peters 1895. Hardcover. Good. Large red hardcover sheet music with exterior gilt lettering within an ornate black border. Undated but with a 1895 handwritten notation on the first page. The condition is good: spine ends moderately frayed 3cm cloth tear at the upper spine boards exposed at lower corners endpaper gift inscription the 1895 notation on the first page otherwise unmarked. The music included opus with number if applicable: 25 39 42 48 24/9 35/3 35/4 36/1 36/4 45/2 49/1 51/2 51/3 53/1 53/3 64/1 79/14 127/2 138/5. All songs have the singer's treble line over the piano accompaniment. The numbers 7042 and 7043 appear on the back of the title page which may be Peters the publisher stock numbers. 27.5cm tall. 1.9 lbs C. F. Peters hardcover
1899333564Leipzig: C.F.Peters 1899. Early Edition. Hardcover. 3 Volumes. Fine copies in original gilt-blocked leather over buckram boards. Marble end papers. All edges gilt. Corners sharp with an overall tight bright and clean impression. Provenance: Lady Clarence Paset's copies with her gilt monogram. Date is suggested from inscription. Physical description: 3 volumes. Music score. Notes: language is in German. Subjects: Music scores. German music scores. 19th century music scores. Music score notes and lyrics. Leipzig: C.F.Peters hardcover
1849583030Boston: Geo. P. Reed & Co 1849. Softcover. Very Good. Unknown edition. Folio. Text in English and in German. Single bifolium making four pages. Notched and worn along the fold with several holes from once being bound within an album foxing and offsetting throughout still a very good and complete copy. For voice and piano. Plate imprint 2045. The lyrics to this song are from a poem by the German poet Robert Reineck who is not credited in the piece nor is a translator credited for the English lyrics. Unrecorded by OCLC and it appears to be equally scarce in the trade. Geo. P. Reed & Co unknown
190033green cloth wear at bindings front and rear covers. two previous owners name front fly leaf no other writing clean index of songs gold gilt lettering<br /> c.f.peters
19001150221.16C. F. Peters Leipzig No date: ca. 1900. Originalausgabe hohe Stimme. Hardcover. Fair. 4to hardcover no dj's. Complete 3-volume set bound in red quarter leather leather corners marbled paper-covered boards & endpapers spines in 6 compartments with 5 raised bands; top edge gilt. Fair condition. Volume 1's text-block detached from boards - boards themselves fully attached to spine so that spine/covers form a folder holding the text-block itself - with first 3 leaves front endpaper though frontis. portrait of Schumann loose laid in; text-block itself firmly bound no loose pages within. Both Volume 2 and Volume 3 front hinge split from front text-block edge - front board itself fully attached to spine leather. All volumes contents clean no foxing or smudging bindings firm. Boards of each volume moderately edge-rubbed corners rubbed through 2-inch tear to lower spine leather of Volume 1. 196 pp. & 215 pp. & 215 pp. appendices. C. F. Peters, Leipzig hardcover
1878C46059New York: Edward Schuberth & Co. 1878. Paperback . Very Good. Wraps somewhat worn and creased otherwise very good. Edward Schuberth & Co., paperback
1878C39195London 1878. First Edition. Wraps. Covers slightly worn with slight edge-chips and splitting at spine ends contents slightly foxed otherwise near very good. 8vo. pp 12. Pamphlet. paperback
189041110Leipzig: C. F. Peters PN 7018 1890. i series title within ornate architectural border printed in sepia 2-51 Symphony I Op. 38 52-107 Symphony II Op. 61 108-151 Symphony III Op. 97 152-189 Symphony IV op. 120 i thematic index pp. <br /> <br /> Bound with: <br /> Robert Schumann's Sämmtliche Werke. Quintett Op. 44 für Pianoforte zu 4 Händen arrangirt von Theodor Kirchner. Leipzig: C. F. Peters PN 7020 ca. 1890. i series title 2-45 i blank pp. <br /> <br /> With "J. Villant" in manuscript to upper outer corners of several leaves. Occasional annotations in pencil.<br /> <br /> Oblong folio. Half dark brown mottled calf with marbled boards spine in compartments gilt with titling gilt marbled endpapers.<br /> <br /> Binding slightly worn; head of spine chipped. Occasional small stains; some minor soiling to blank margins. "While best remembered for his piano music and songs and some of his symphonic and chamber works Schumann made significant contributions to all the musical genres of his day and cultivated a number of new ones as well. His dual interest in music and literature led him to develop a historically informed music criticism and a compositional style deeply indebted to literary models. A leading exponent of musical Romanticism he had a powerful impact on succeeding generations of European composers." John Daverio and Eric Sams in Grove Music Online. C. F. Peters [PN 7018] unknown
184339396Leipzig: Breitkopf & Härtel PN 6899 1843. Folio. Sewn. 1f. recto lithographic title with decorative border printed in purple verso:blank 3-31 i blank pp. String parts in plain paper wrappers with manuscript titling to uppers. 10 10 10 10 pp. each with early owner's signature of "J. Henrigues." Engraved throughout.<br /> <br /> Publisher's small circular stamp to lower margin of title.<br /> <br /> Some wear and minor marginal staining; soiling creasing and minor fraying to lower outer corners of piano part; one corner with old paper repair. First Edition probable later issue. Scarce. Hofmann pp. 102-03. McCorkle p. 194. Hoboken 15 84. <br /> <br /> The Piano Quintet ". remains one of Schumann's most enduringly popular compositions. . It was hailed in Berlin where Clara appeared during the 1846-1847 season of the Singakademie as 'one of the most important works of its kind since Beethoven." Daverio: Robert Schumann. Herald of a "New Poetic Age" p. 256. Breitkopf & Härtel [PN 6899 ] unknown
1890038425London: Various Heugel Joseph Williams Hopwood & Crew Edwin Ashdown and others 1890. Book. Very Good. Hardcover. Original. Folio. over 12 scores privately bound from various publishers two with colour lithographic title pages a mix of piano scores some with vocals. Bound in green cloth covered boards with fine gilt to the spine some light wear and marking to boards. Contents clean and tight a couple of inscriptions dated 1890 and 1892 owner's name Dennis Turner in ink a few discrete stamps of music circulation companies such as Mills no other marks. A very good copy. An interesting collection of piano pieces. . Various Heugel, Joseph Williams, Hopwood & Crew, Edwin Ashdown and others Hardcover
1887177309Leipzig: Verl. v. Abel & Müller/ Verl. v. Carl Reißner 1887. Hardcover. VG_ overall wear to boards spine is only attached to one side inscription in ink on ffep light foxing throughout age toning to pages as expected with age of book but text and illustrations are otherwise clear. Brown boards with 3/4 black cloth black spine with gilt ruling/design and gilt lettering. Three books bound in one. First book is 69 pp with bw illustrations throughout. Second book is 96 pp with bw illustrations. throughout. Third book is 86 pp with bw illustrations throughout. Text for all three books is in German. Contains three books by Gustav Schumann bound together. The first book is illustrated by O. Carelli. The second and third are illustrated by Otto Gerlach. Verl. v. Abel & Müller/ Verl. v. Carl Reißner hardcover
190023389London: Novello Ewer and Co 1900. Cloth. Near Fine. 2 v 162 2 ads pages. 8vo. Publisher's original pebbled cloth with copper/gilt title on front cover spine blank. Signature of Julia Houston West and her address on front pastedown. Stamp of Carl Profer on title page and note written at top "J.H.W. sang the Part of the Piri - first time given in Boston by the Parker Club at Chickering Hall". Otherwise clean internally. Binding sound. Cloth. The copy of Julia Houston West called by the The New England Magazine Volume 32 Boston's greatest oratorio singer. The Parker Club was an amateur vocalist association established by James Cutler Dunn Parker in 1864. Parker was also the organist for the Boston Handel and Haydn Society hymntime dot com. A brochure for the Handel and Haydn Society season of 1898/99 for the Paradise and the Peri laid in although not apparently Julia West's performance. Novello, Ewer and Co unknown
190023390London: Novello Ewer and Co 1900. Cloth. Very Good. 2 v 162 2 ads pages. 8vo. Publisher's original black pebbled cloth blank. Front endpaper lacking. Paper label of conductor B.J. Lang on front cover and title page. All edges gilt. Cloth. Conductor B.J. Lang's copy. He conducted this work at The Cecilia in Boston March 31 1892 copy of program laid in. Manuscript notations sporatically throughout presumably in his hand. "Ever since its founding in 1876 The Boston Cecilia has enjoyed a history remarkable for its many fine conductors. The great B.J. Lang in his 33 years of leadership established a pattern of introducing new works to Boston audiences alongside standard repertoire. Many of those unknown pieces joined the canon—the Bach Mass in B Minor and Brahms Requiem to name but two. Among his novel ideas and new pieces now forgotten Lang had the audacity to program Bach for a Victorian audience whose taste ironically found “antique†music decidedly old-fashioned. The Cecilia as it was then known has long held a central place in the performing arts in this city. Antonin Dvo ák led the chorus in Boston’s first performance of his Requiem in 1892. It premiered Beethoven’s Missa Solemnis here and later sang it under Max Fiedler at the dedication of Symphony Hall in 1900. Commissioned by countryman Serge Koussevitsky Igor Stravinsky composed his Symphony of Psalms for the Boston Symphony when Cecilia in 1930 sang the choral part in the American premiere six days after its world debut in Switzerland. During those years Arthur Fiedler brought Cecilia through the Depression and World War II as the official chorus of the Boston Symphony. Under Koussevitzy this was a period of prominence if not independence." website of Boston Cecelia. Novello, Ewer and Co unknown
19001BislCg0028London & New York: Novello & Company Ltd./Novello Ewer & Co. 1900. Book. Good. Decorative Hardcover Cloth. Novello's Original Octavo Edition. 8vo or 8° Medium Octavo: between 6" - 9" tall . 162 v pp. A rare hard-to-find out-of-print collectible gem! A great copy! Well bound copy with extensive wear and use. Copy with clean text and moderate browning/tanning/foxing on page edges not affecting text. Cover boards moderately detached from the spine and re-taped with adhesive tape. No publishing year given. Publishing year gleaned from other sources therefore it is an approximation. No dust jacket. Novello & Company Ltd./Novello, Ewer & Co. Hardcover
184424913Leipzig: Breitkopf & Härtel PN 7069 1844. Folio. Quarter mid-brown cloth with paper boards with octagonal paper label titled in manuscript to upper. 1f. title 1-4 text 3-133 i blank pp. Title lithographed text typeset music engraved.<br /> <br /> Handstamp "T. J. Roothaan & Co Muzijkhandel en biblioteek Amsterdam" to foot of title. With rhymed inscription in black ink to head of verso of title: "Der Tandler hatte kein Interessanteres / Drum schick ich dieses und kein Anderes! Haag im April 1932."<br /> <br /> Binding quite worn; spine frayed and partially lacking; last line of manuscript text to label crudely erased. Minor staining and foxing most noticeable to first leaves. With pencil markings to alto staves in part 3 pp. 77-83. First Edition variant issue distinguished by differently typeset text. Hofmann p. 115. McCorkle pp. 223-24. Hoboken 15 93 with original wrappers. The full score of the work was not published until 1845. <br /> <br /> The author of the inscription is unknown; the use of the word "Tandler" suggests that he is from either Austria or Bavaria.<br /> <br /> The text of the oratorio was translated from the English original by Emil Flechsig 1808-1878; Schumann made significant alterations. Breitkopf & Härtel [PN 7069] unknown
187224907Leipzig: Breitkopf & Härtel PNs 7834 7835 7836 1872. Octavo. Original publisher's dark pink printed boards. No. 1: 1f. title 39 i blank pp. No. 2: 1f. title 36 pp. Title lithographed music engraved. <br /> <br /> Publisher's catalogue with prices in both Reichsthaler and Neugroschen to verso of lower board.<br /> <br /> Binding worn spine reinforced with old tape; lower wrapper lacking. Title browned and quite brittle edges chipped; browned throughout; some leaves frayed at edges with slight loss to corners; one leaf detached; tear to final page; small publisher's handstamp to lower right corner of both titles. Later edition a Titelauflage printed from plates of the first edition; title page differs only by the added price in Marks. Not in Hofmann McCorkle or Hoboken.<br /> <br /> The publisher's catalogue lists works published up to 1865 Niels W. Gade's Seventh Symphony op. 45 and Wilhelm Taubert's overture Der Sturm op. 134. The prices in Reichsthaler only also point to a date before 1871. Apparently the catalogue was added without alterations although it was no longer current. Mark currency was introduced in 1872. Breitkopf & Härtel [PNs 7834, 7835, 7836] unknown
187224846Leipzig: Breitkopf & Härtel PN 7834 7835 7836 1872. Octavo. Half black cloth with original publisher's green printed upper wrapper laid down to upper board. No. 1: 1f. title 39 i blank pp.; No. 2: 1f. title 36 pp.; No. 3: 1f. title 39 i blank pp. Title lithographed music engraved. <br /> <br /> Binding worn; lower wrapper lacking. Slightly worn foxed creased and stained; several leaves frayed or with small tears; some leaves detached; small publisher's handstamp to lower right corner of all titles. First Edition later issue printed from plates of the first edition with new title adding price in marks. Not in Hofmann McCorkle or Hoboken. <br /> <br /> The first edition of all three quartets first appeared in 1848. Breitkopf & Härtel [PN 7834, 7835, 7836] unknown
187224095Leipzig: Breitkopf & Härtel PN 7834 1872. Octavo. Modern quarter mid-tan morocco with titling gilt to upper: "Schumann Quartetto Op. 41 N. 1" original dark yellow publisher's printed wrappers bound in. 1f. title 1-39 i blank pp. Title lithographed music engraved. <br /> <br /> Text to upper wrapper identical with title; publisher's catalog with prices in Marks and Pfennig to verso of lower.<br /> <br /> With handstamp: "E. Grandi Musica Pianoforti Strumenti musicali accesori Piazza Campo Marzio 3 Roma Telefono 11-444" to lower right corner of upper wrapper and title. Provenance: Small blindstamp of the noted American composer David Diamond 1915-2005 to upper right corner of title with "Roma Dicembre 1951" in his autograph to verso of rear endpaper.<br /> <br /> Some minor foxing; upper outer corner of upper wrapper and first three leaves slightly creased; small stains and paper imperfection to one leaf; small publisher's handstamp to lower right corner of title.<br /> <br /> A very good copy overall. First Edition later issue from plates of the first edition with new title adding price in Marks. Not in Hofmann McCorkle or Hoboken. <br /> <br /> The first edition first issue of all three quartets appeared in 1848. Breitkopf & Härtel [PN] 7834 unknown
189225036Leipzig Engelmann 1892. Cont. hcloth. X206 pp. and 6 lithographed plates with many figs. hardcover
