87 résultats
197635228New York: Dover 1976. Paperback. Very Good. Folio. Pictorial wrappers. 392 pp. Dover paperback books
195334721Bonn: Beethovenhaus 1953. Paperback. Very Good. 2 volumes. Small quarto. 58 pp. text 23ff. facsimile of the composer's textual autograph. In original publisher's ivory linen slipcase. Beethovenhaus paperback books
197635227New York: Dover 1976. Paperback. Very Good. Folio. Pictorial wrappers. 368 pp. Dover paperback books
199036240Peer: Alamire 1990. Paperback. Very Good. Oblong folio. Wrappers. 23 pp.<br/>Facsimile of the first edition published in Leipzig by Hoffmeister & Kühnel in 1802. Alamire paperback books
179722914Bonn: N. Simrock PN 37 1797. Oblong folio. Disbound. 1 title within decorative oval border 2-51 i blank pp. Engraved. Watermark "Kiener Frères" and "Super Real." <br/><br/>With "Amsterdam: Conrad Raldenecker" overpaste to title covering Simrock imprint. Extensive fingering and occasional corrections in pencil to first trio pp. 2-17. <br/><br/>Very slightly worn and soiled; title leaf creased and slightly browned; small binder's hole to upper corners. Early edition first issue. LvBWV v. 1 p. 7. N. Simrock [PN 37] unknown books
186532306Leipzig: Breitkopf & Härtel PN B.257 1865. Folio. Unbound. 1 publisher's series title "Serie 24 no. 257 25 Schottische Lieder. Op. 108." 2-68 pp. piano; 8 pp. violin. III: 8 pp. violoncello. Engraved.<br/><br/>Publisher's handstamps to first page "B&H" and "G.Schirmer 701 Broadway New York."<br/><br/>Slightly browned and soiled; signature in pencil to upper corners of instrumental parts "E.J. Biederman. Breitkopf & Härtel [PN B.257] unknown books
182632299Wien: Tobias Haslinger PN S:u:C: 4603 1826. Folio. 19; 5; 5 pp. Engraved. <br/><br/>Small oval handstamp of Amsterdam musicsellers Jacob Eck & Lefebvre to first page of each part. <br/><br/>Outer leaves somewhat browned soiled and detached; remnants of paper tape to spine; margins slightly browned; small red and white label to upper left corner. First Edition second issue with Haslinger imprint the paper and slightly light impression suggest a printing date of after 1826. LvBWV v. 1 p. 777.<br/><br/>The "Kakadu Variations" are based on the song by Wenzel Müller "Ich bin der Schneider Kakadu. Tobias Haslinger [PN S:u:C: 4603] unknown books
182823013Vienna: Ant. Diabelli e Co. PN D. et C. No. 2819 1828. Oblong folio. Marbled wrappers. i title 2-11 i blank pp. Title lithographed music engraved. Price: "45 x C M." Printed note to foot of page 2: "Diese! unter L. v. Beethovens Nachlasse vollendet vorgefundene Capriccio ist im Manuscripte folgender Massen betitelt: Die Wuth über den verlornen Groschen ausgetobt in einer Caprice." <br/><br/>Spine of outer bifolium reinforced with marbled paper; spine of wrappers reinforced with matching dark green tape. Title browned; lower margin imperfectly trimmed; final leaf creased at upper right outer corner with very slight loss to lower right blank corner; one signature loose. First Edition. LvBWV v. 1 p. 851. Hoboken 2 514. Hirsch IV 401. Ant. Diabelli e Co., [PN] D. et C. No. 2819 unknown books
182732294Bonn: N. Simrock PNs 2516 2522 2528 1827. HEINZIUS Philipp Wilhelm arr. 3 volumes. Folio. Engraved.<br/><br/>Each volume in 4 parts:<br/>Violin I: 1 title 2-7 1 blank pp.<br/>Violin II: 1 blank 2-7 1 blank pp.<br/>Viola: 1 blank 2-7 1 blank pp.<br/>Violoncello: 1 blank 2-7 1 blank pp.<br/><br/>Slightly worn thumbed and soiled; spines reinforced with paper tape. Minor showthrough to titles; occasional light foxing and offsetting. First Edition of this arrangement. LvBWV v. 1 p. 66. 2 complete copies only located.<br/><br/>Beethoven's Violin Sonatas Op. 12 were premiered in 1798 and published shortly thereafter by Artaria. The present arrangement for string quartet was made by Philipp Wilhelm Heinzius who made several other arrangements of Beethoven's works. N. Simrock [PNs 2516, 2522, 2528] unknown books
183823017Wien: Tobias Haslinger PN T.H. 5141 1838. Folio. Early stiff blue wrappers with octagonal label titled in manuscript to upper. 1f. title 48 ii blank pp. Engraved. Price: "f 3._C.M." above "Reichsthaler sign 2._". Rehearsal letters A to O added in pencil with numerous performance annotations in red crayon. Penciled inventory of parts to last page related to a performance on October 13 1892 and signed "Felchner." <br/><br/>Spine reinforced with black cloth tape. Handstamp "Musikbibliothek der Universität Gießen" to upper wrapper and first page of music. Small yellow sticker to upper left corner of title with manuscript shelfmark "VI. 13" with same shelfmark also added in manuscript to label on upper wrapper. Printed titling "Ouverture" to first page of music extended in pencil: "zu" crossed out "Ele" "Leonore." Some pages slightly skewed. Some soiling and foxing.<br/><br/>A very good copy overall. First Edition. Rare. LvBWV v. 1 pp. 436-437. Hoboken 2 537. Hirsch IV 419. Beethoven-Haus C 138/1 and Van der Spek collection. The misspelling "Archin" for "Archiv" on the title seems to have gone unnoticed by Beethoven bibliographers though the two copies held at the Beethoven-Haus carry it as well.<br/><br/>Gustav Adolf Felchner 1832-96 was music director at the University of Gießen Germany from 1874 to his death; some of the annotations are most likely in his hand. <br/><br/>This overture is generally known as "Leonore no. 1." It is now dated 1807 and is chronologically the third of the three "Leonore" overtures. It was not performed during Beethoven's lifetime. Tobias Haslinger [PN T.H.] 5141 unknown books
184932279Hamburg & Leipzig: Schuberth & Co. PN 1355 1849. Folio. Original printed wrappers with series title "Oeuvres Choisies" within engraved highly decorative arboreal border to upper; opus number and price in contemporary manuscript to lower corners. 1 title 2-13 1 blank pp. <br/><br/>With bust-length engraved portrait of the composer by Moritz Lämmel after the drawing by Joseph Kreihuber to upper.<br/><br/>Partially disbound. Lightly thumbed. The Op. 14 piano sonatas were first published by T. Mollo in 1799. Schuberth & Co. [PN 1355] unknown books
182733106London: R. Cocks & Co. PN 142 1827. Folio. 1f. title 13 1 blank pp. Engraved. Watermark 1827. <br/><br/>Series statement to head of title: "No. 1 of a Selection of Duets for the Piano Forte and Flute" and with "N.B. This Sonata may likewise be had with a Violoncello or a Violin Accompaniment" to foot.<br/><br/>Disbound; trimmed and frayed at spine. Outer leaves somewhat soiled; light offsetting throughout. LvBWV v. 1 p. 94 one copy located.<br/><br/>Beethoven's Horn Sonata Op. 17 was premiered in 1800 and published the next year by T. Mollo. Many editions were published with the solo transcribed for flute violin clarinet or cello. R. Cocks & Co. [PN 142] unknown books
182933212Offenbach s/M: J. André PN 5266 1829. 1 title 2-27 1 blank pp. Lithographed.<br/><br/>First Edition. LvBWV v. 1 p. 107. Hoboken 2 110. Hirsch III 94.<br/><br/>Bound with:<br/>Op. 59 No. 2. Beethoven. Partitions des trois grands Quatuors . Offenbach s/M: J. André PN 5299 1830. 1 title 2-31 pp. Lithographed. First Edition. LvBWV v. 1 p. 331. Hirsch III 104.<br/><br/>Octavo. Full brown cloth titling gilt to spine. Bookplate of Charles Kensington Salaman to front endpaper with his signature and date of April 1834 to head of title. <br/><br/>Binding slightly scuffed and rubbed. Slightly browned throughout. Salaman 1814-1901 was a Jewish British composer and pianist acquainted with many of the leading composers of the day. J. André [PN 5266] unknown books
180633458Leipsic: chez A. Kuhnel PN 65 1806. Oblong folio. Unbound. 1 title 2-23 i blank pp. Engraved.<br/><br/>Outer leaves and margins quite soiled and with some staining split at head and tail with some paper loss to blank area; margins slightly frayed; minor foxing throughout.<br/><br/>Small circular publisher's blindstamp to first and last leaves. First Edition third issue distinguished from the first published in December 1801 in that the first line of the imprint "a Vienne chez Hoffmeister & Comp." has been deleted and "chez A. Kuhnel" added in its place. Rare. LvBWV v. 1 p. 114. Not in Hoboken or CPM. <br/><br/>Although Beethoven's first piano concerto the present concerto was published after the second. chez A. Kuhnel [PN 65] unknown books
184032285Offenbach: Joh. André 1840. Folio. Half dark brown leather with marbled boards cut paper label to upper. 1f. recto collective title printed in blue gold and red verso blank 1f. recto volume title verso blank followed by individual pieces each with separate pagination and plate number:<br/><br/>Op. 2 nos. 1-3: 15; 17; 23 pp. PN 1932<br/>Op. 7: 21 pp. PN 2044<br/>Op. 10 nos. 1-3: 13; 13; 19 pp. PN 3058 I-III<br/>Op. 13: 19 pp. PN 2045<br/>Op. 14 nos. 1-2: 11; 13 pp. PN 3059 I-II<br/>Op. 22: 23 pp. PN 5326<br/>Lithographed.<br/><br/>Binding somewhat worn rubbed and bumped; front free endpaper lacking. Moderate offsetting throughout. Re-issue of early editions. Joh. André unknown books
186032298Leipzig: Bureau de Musique de C.F. Peters PNs 110 111 1860. 2 volumes. Folio. Unbound as issued. Titling to Violin I parts. <br/>I: 8 4 4 4 4 pp. Engraved.<br/>II: 8 4 4 4 4 pp. Transfer.<br/><br/>Spines of Violin I parts reinforced with matching paper tape. Slight wear and soiling to blank margins. An arrangement of the Septet Op. 20. Bureau de Musique de C.F. Peters [PNs 110, 111] unknown books
180433093Bonn: N. Simrock PN 371 1804. 5 parts. Folio. Titling to Violin I part. Each part 7 i blank pp. Engraved. With overpaste of Berlin musicseller and new owner of Peters Jul. Friedländer. <br/><br/>Edges slightly worn and soiled; annotations in red pencil to title. Reissue of the 1803 Simrock edition. LvBWV v. 1 pp. 130-131. Hoboken 2 125. First published in Vienna in 1802. Friedländer purchased the firm of C.F. Peters in 1860. N. Simrock [PN 371] unknown books
181033103Leipzig: A. Kühnel Bureau de Musique PN 835 1810. Folio. Contemporary green boards with cut paper label with titling in manuscript to upper. Piano: 1 title 2-17 i blank; Violin: 1 blank with titling in manuscript 2-7 i blank pp.<br/><br/>Boards worn rubbed and bumped. Piano: Browned and soiled; outer edges with some small tears and chips; margins dampstained; contemporary owner's name in manuscript to lower outer corner of title "Fr. Reichardt" with small oval publisher's blindstamp to lower right corner; occasional light early pencilled fingering. Violin: Spine reinforced with early green paper binder's tape; browned and soiled; margins dampstained; first leaf stained; small overpaste with "Sonata" in manuscript to head of violin part; pp. 2-3 with bars numbered in blue ink. Revised version of the Zulehner edition. LvBWV v. 1 p. 144. A. Kühnel, Bureau de Musique [PN 835] unknown books
180226775Leipsic: Breitkopf & Härtel PN 94 1802. Folio. Unbound as issued. Preserved in a modern full dark green cloth folder with black leather label gilt to spine. 1 title 2-13; 9; 8; 8; 8 pp. Engraved. Early signature to title. <br/><br/>Slightly browned throughout; repairs to spine of first violin part with slight paper loss. First Edition. Rare. LvBWV v.1 p. 173. Hirsch IV 267. Dorfmüller-Weinhold p. 211. Hoboken 2 153. <br/><br/>"Between the Op. 18 Quartets and those of Op. 59 lie about six or seven years and the 'Eroica.' A whole world in Beethoven's terms. The bridge between the two worlds is built of works other than quartets and the only piece of chamber music for strings belonging to this interim stage is the splendid Quintet in C Op. 29 with two violas which lies nearer to the first than to the second period. This work which may be in some ways regarded as a crown to Op. 18 is still shamefully neglected. As a whole it has greater breadth and economy of line than even the F major Quartet Op. 18 No. 1. Although there is a sufficiency of accomplished five-part writing and one gets the strong impression for much of the time that the quintet is. an enriched quartet Beethoven contrives also to create from time to time an almost orchestral richness and weight especially in the vividly resourceful 'storm finale." Arnold and Fortune eds.: The Beethoven Reader p. 251. Breitkopf & Härtel [PN 94] unknown books
183033209Bonn: N. Simrock PN 1959 1830. Octavo. Half dark brown cloth with brown marbled boards oval dark yellow label with titling in contemporary manuscript to upper. 1f. lithographic title 162 pp. Engraved.<br/><br/>Contemporary owner's signature in ink to front free endpaper.<br/><br/>Binding worn rubbed and bumped; endpapers browned; hinges tender. Light scattered foxing and thumbing; price on title erased. First German edition second issue with revised title page. LvBWV v. 1 p. 211. Hoboken 2 195. Hirsch IV 278 first issue.<br/><br/>The full score was first published in an unauthorized edition by Cianchettini & Sperati in London in 1808. N. Simrock [PN 1959] unknown books
182222957Bonn et Cologne: N. Simrock PN 1959 1822. Octavo. Original publisher's printed wrappers. 1f. title ii blank 162 pp. Engraved. Price: "14 Frs." <br/><br/>Wrappers slightly defective spine mostly lacking upper laid down. Slight offsetting; staining to edges of outer margins; some paper imperfections. Some edges untrimmed. First German edition. LvBWV v. 1 p. 211. Hoboken 2 195. The full score was first published in an unauthorized edition by Cianchettini and Sperati in London in 1808. N. Simrock [PN] 1959 unknown books
183133457Paris: A. Farrenc PN A.F. 352 1831. Folio. Unbound. Sewn at upper inner margin as issued. 1f. recto title verso blank 1 blank 2-38 pp. 1f. blank. Engraved.<br/><br/>Slightly worn soiled and foxed; title leaf slightly soiled; sewing hole to upper inner corners. First French edition. LvBWV v. 1 p. 219. First published in 1804. A. Farrenc [PN A.F. 352] unknown books
180122960Vienna: Artaria e Comp. PN 872 1801. Oblong folio. Contemporary stiff blue wrappers. 1f. recto title verso blank 1 blank 2-56 pp. Engraved. Printed price: "3 fr. 30" corrected in ink in "4 fr 20." Early owner's signature to upper wrapper in ink: "Wilhelmine Maurer." <br/><br/>Two leaves trimmed at lower margin with no loss to music.<br/><br/>A very good copy with a strong impression on quality paper. First Edition first issue. The full score was not published until 1864. LvBWV v. 1 p. 235. Hoboken 2 215 and plate 8. <br/><br/>First performed in Vienna at the Burgtheater on March 28 1801 to a libretto by the noted Italian choreographer and dancer Salvatore Viganò 1769-1821.<br/><br/>"Die Geschöpfe des Prometheus The Creatures of Prometheus was an important work for Beethoven in two respects. It was the first major stage work by a composer hitherto known for his chamber music a symphony and two piano concertos; and with ballet highly regarded in Vienna at that time it was a considerable honour for Beethoven to receive this commission. Secondly the subject matter concerned with heroic action was close to Beethoven's heart. It is an allegorical story enacted by gods and a hero the legendary Prometheus demonstrating the goodness of Nature the potential of man and the loftiness of his destiny . The ballet containing an Overture Introduction and sixteen numbers was favourably received with sixteen performances in 1801 and nine in 1802." Cooper: The Beethoven Compendium p. 249. <br/><br/>"In the finale Beethoven used a melody that evidently came to assume a certain emotional importance for him perhaps even embodying something of his spirit of determination and heroism in battling against difficulties for he used it again as the theme for two important and challenging sets of variations completed in 1802 and 1803: the op. 35 piano variations and the variation-finale of the 'Eroica' Symphony." Douglas Johnson Scott G. Burnham William Drabkin Joseph Kerman and Alan Tyson in Grove Music Online. Artaria e Comp. [PN] 872 unknown books
186533109Leipzig: Breitkopf & Härtel PN 7457 1865. Oblong folio. 1 title 2-43 1 publisher's catalog pp. Engraved.<br/><br/>Handstamps of publisher "B&H" and musicseller "Edw. Schuberth & Co" to foot of title.<br/><br/>Spine frayed reinforced with brown paper tape. Lower margin of outer leaves slightly frayed; light browning to margins; occasional offsetting. Later edition later issue.<br/><br/>Beethoven's String Quintet Op. 4 was first published in 1796 by Artaria in Vienna. Breitkopf published a 4-hand piano arrangement by J. P. Schmidt in 1827 PN 4256. The present edition was first published in 1846 arranger unknown. Breitkopf & Härtel [PN 7457] unknown books
186133208Leipzig & Berlin: C. F. Peters PN 4251 1861. Octavo. Original publisher's green printed wrappers. 1f. lithographed title 110 pp. Engraved.<br/><br/>Common title page for violin and piano concertos lithographed by Krätzschmer. Bookseller's oval blindstamp "Carl Helf" to upper wrapper former owner's signature "August Pouhl" in ink to foot of title.<br/><br/>Wrappers worn soiled and creased spine reinforced with tape. Edges slightly worn and soiled; signatures split at pp. 40-41. Early edition. LvBWV v.1 p. 320. The full score was first published in 1857 by Richault in Paris. C. F. Peters [PN 4251] unknown books