87 résultats
197034712New York London: Columbia University Press 1970. Paperback. Good. Oblong folio. Original publisher's light blue printed wrappers. 1 p. textual commentary 18 pp. facsimile of the composer's autograph musical manuscript. Wrappers slightly worn and faded. Columbia University Press paperback books
182733061Leipzig: Breitkopf & Härtel PN 4612 1827. Oblong folio. Brown leather-backed marbled boards with oval paper label with titling in contemporary manuscript laid down to upper. 1f. recto title verso blank 1 cast list contents 2-130 pp. Lithographed.<br/><br/>Contemporary signature "Ernst Dieter" to title label and head of title; small circular publisher's handstamp to foot of title.<br/><br/>Binding somewhat worn rubbed and bumped; front free endpaper creased and torn repaired with archival tape. Light scattered foxing; minor dampstaining to final 25ff. Third edition of the third 1814 version of the work. LvBWV v. 1 p. 451. Not in Hoboken. Earlier editions of this version were published in Vienna 1814 Bonn 1815 and Paris 1826. <br/><br/>Beethoven's opera Leonore went through several revisions before the final version Fidelio premiered in Vienna on 23 May 1814. Breitkopf & Härtel [PN 4612] unknown books
186733277Braunschweig & New York: Henry Litolff's Verlag PN 2312 1867. Octavo. Half dark brown leather with marbled boards spine in gilt-ruled compartments with titling gilt. 1f. recto title verso contents 3-192 pp. Text in German and French.<br/><br/>Binding worn rubbed and bumped; scattered defects. Minor soiling to title otherwise clean throughout. Later edition of the third 1814 version of the work.<br/><br/>Fidelio an opera in two originally three acts by Beethoven to a libretto by Joseph von Sonnleithner 1805 with revisions by Stephan von Breuning 1806 and Georg Friedrich Treitschke 1814 after Jean-Nicolas Bouilly's French libretto Léonore ou L'amour conjugal. The first version of the work was first performed in Vienna at the Theater an der Wien on 20 November 1805; the second version at the Theater an der Wien on 29 March 1806; and the third and final version at the Kärntnertortheater on 23 May 1814. Henry Litolff's Verlag [PN 2312] unknown books
182833114Leipzig: Breitkopf & Härtel PN 4596 1828. SCHMIDT Johann Philipp 1779-1853 arranger. Oblong folio. Half black cloth with black textured boards. 1f. recto title verso blank 1 contents 2-63 i blank pp. Engraved.<br/><br/>Small oval handstamp of L.W. Bauer to blank lower outer corner of title with publisher's handstamp to blank lower margin.<br/><br/>Binding somewhat worn and rubbed; vertical crease to upper. Light foxing throughout mostly to margins; occasional offsetting; small annotation in red ink to upper outer corner of title; publisher's handstamp slightly cropped; inner margin of verso of front free endpaper and title reinforced with blue cloth tape. First Edition of this arrangement of the third 1814 version of the work. LvBWV v.1 p. 453 7 copies located. <br/><br/>Beethoven's opera Leonore went through several revisions before the final version Fidelio premiered in Vienna on 23 May 1814. Breitkopf published this first piano version of the complete opera in 1828 arranged by J. P. Schmidt. Breitkopf & Härtel [PN 4596] unknown books
190532302Leipzig: Breitkopf & Härtel 1905. Quarto. Full light brown cloth bevelled boards black title label gilt to spine upper edge gilt black endpapers ivory silk ribbon marker. 1f. recto title verso contents iii-x preface by Erich Prieger 276 pp. Text in German.<br/><br/>Binding slightly worn. Light uniform browning throughout. An attractive copy. First Edition of the first 1805 version of the work. Rare. LvBWV v. 1 p. 427. Hoboken 2 315. <br/><br/>A reconstruction by Erich Prieger of the original version of the opera published in a small print run 100 years after the first performance of the first version of the work in Vienna at the Theater an der Wien on 20 November 1805. Breitkopf & Härtel unknown books
189032501Paris: Heugel & Cie 1890. GEVAERT François-Auguste 1828-1908 arr. Large octavo. Original publisher's decorative wrappers printed in green and black. 4ff. title named cast list arranger's note contents 384 pp. Text in French and Italian.<br/><br/>Named cast list from the first performance of this version in Brussels 11 March 1889: Messrs. Chevallier Seguin Gardoni Gandubert and Renaud; Mme. Caron; and Mlle. Falize.<br/><br/>Wrappers worn and creased; spine reinforced with brown paper tape. Light browning to edges; a few pages creased. Later French edition of the third 1814 version. <br/><br/>Belgian composer and musicologist Gevaert had moderate success in both Paris and Belgium with his operas but is best known today for his scholarly and pedagogical works. Heugel & Cie unknown books
185033113Leipzig: Breitkopf & Härtel PN 4818 1850. EBERS Carl Friedrich 1770-1836 arr. Oblong folio. 1 title 2-9 i blank pp. Engraved.<br/><br/>Publisher's small oval handstamp to foot of title.<br/><br/>Light wear and soiling to edges; small tear to blank lower margin throughout with minor loss. Separate re-issue from the first four-hand piano arrangement of the third 1814 version of the work. LvBWV v. 1 p. 453. <br/><br/>Beethoven's opera Leonore went through several revisions before the final version Fidelio was premiered in Vienna on 23 May 1814. Breitkopf published the first four-hand piano version of the complete opera in 1828 arranged by Ebers. Breitkopf & Härtel [PN 4818] unknown books
184033094Leipzig: Breitkopf & Härtel PN 5787 1840. Oblong folio. 1 title 2-23 i blank pp. Title lithographed music engraved. <br/><br/>Slightly worn and browned; some leaves moderately foxed; ca. 100 mm crease to left edge of title; small oval Viennese bookseller's stamp to lower outer corner of title; small hole to last 5 leaves occasionally slightly affecting notation; spine reinforced with tape. Third revised edition second issue with additional lied noted at foot of title priced at 5 Ngr. LvBWV v. 1 p. 532. <br/><br/>Breitkopf published their first edition PN 1752 of the "Gesänge und Zwischenacte" from Egmont in 1812. A revised edition appeared in ca. 1826 PN 4190 followed by a fully engraved version in 1837. Breitkopf & Härtel [PN 5787] unknown books
183126611Leipsic: Breitkopf & Härtel PN 5140 1831. Large octavo. Original publisher's yellow wrappers with titling within decorative border. 1f. title 164 pp. Title lithographed music engraved. In a full custom-made modern black linen clamshell box with printed title label to spine.<br/><br/>Previous owner's signature to upper outer corner of wrapper and title.<br/><br/>Wrappers soiled with professional repairs to margins and spine. Minor foxing heavier to some leaves; slight browning to blank margins; edges slightly dusty. Quite a good copy overall. First Edition. LvBWV v.1 p. 533. CPM 4 p. 222. Hoboken 2 no. 371. Dorfmüller p. 222.<br/><br/>Egmont was first performed on June 15 1810.<br/><br/>"It had been decided to furnish Goethe's Egmont with incidental music and Beethoven was invited to supply it; he completed it by June 1810 and it was immediately performed. Apart from the excitement of the plot itself in which Count Egmont foresees the liberation of the Netherlands from Spanish rule but dies as a result of his own brave stand it is possible to suggest a deeper reason behind Beethoven's heartfelt response to it: it may represent his own delayed reaction to the conquest and occupation of his adopted city by the French and his hopes of being delivered from them." Joseph Kerman Alan Tyson and Scott G. Burnham in Grove Music Online. Breitkopf & Härtel [PN 5140] unknown books
184021493Wien: Tobias Haslinger 1840. Folio. Unbound. 1f. title 9; 8; 8 pp. Engraved. <br/><br/>Worn and soiled; title separated at spine; edges frayed. Series X No. 3 second issue in the series of Beethoven's works issued by Haslinger. Tobias Haslinger unknown books
181726784Wien: S.A. Steiner und Comp. PN C.D.S. 2364 1817. Oblong folio. Unbound as issued. Housed in a custom-made mid-tan leather-backed folder with titling gilt to spine. 1f. title 1 blank 2-39 iii blank pp. Engraved. The word "Preis" printed but neither amount nor currency added.<br/><br/>Extended printed note following imprint: "so wie auch zu haben and also available: in Leipzig bey Breitkopf und Härtel _ C.F. Peters _ Fr. Hoffmeister continuation in smaller print Bonn bey N. Simmrok !Simrock _ Offenbach bey J: Andrä !André _ Zürich bey Nägeli & Comp. _ Ettwill !Eltville bey C: Zulehner_ und in den Musikhandlungen zu Augsburg _ Berlin _ Braunschweig _ Frankfurth _ Hamburg _ München _ Mayland !Mailand _ Neapel _ Stuttgardt !Stuttgart."<br/><br/>Folder slightly worn and soiled. Some offsetting. <br/><br/>An uncut copy. In very good condition overall. First Edition of this arrangement second issue "Pränumerations-Anzeige" of first issue dropped from p. 1 but amount and currency of price printed from third issue on still lacking. LvBWV v. 1 p. 585. 3 copies in Germany and Austria. Hoboken 2 392 a later issue. <br/><br/>The arranger of this version is not known. <br/><br/>"Beethoven's 'Battle Symphony' more correctly entitled Wellington's Victory of the Battle of Victoria op. 91 came into being as the result of an idea by Maelzel that Beethoven should write a work for his latest invention the panharmonicon a sort of mechanical orchestra. The timing coincided with Wellington's defeat of Napoleon in 1813. It is a programmatic piece for a large orchestra with a battery of military and Turkish percussion instruments including cannons and muskets. The first section opens with an English bugle call followed by the patriotic tune Rule Britannia answered by a French bugle call and marching tune known in Britain as For he's a jolly good fellow. Then comes a depiction of the battle. Part 2 called 'Victory Symphony' begins and ends with martial music but is otherwise based largely on the British national anthem which is treated fugally." Cooper: The Beethoven Compendium p. 220. S.A. Steiner und Comp. [PN C.D.S. 2364] unknown books
182033095Wien: S.A. Steiner und Comp. PN S.u.C. 2366 1820. 5 parts. Folio. Unbound and untrimmed as issued. Engraved throughout.<br/><br/>Violin I: 1f. recto title verso blank 7 i blank pp. <br/>Violin II: 7 i blank pp. <br/>Viola I: 6 ii blank pp. <br/>Viola II: 6 ii blank pp. <br/>Violoncello: 6 ii blank pp. <br/><br/>Occasional minor spotting. A very good copy overall. <br/><br/>Lightly worn and browned; holes near spine from previous stab-binding now unbound; minor stain to margin of title; some leaves lightly foxed. First Edition of this arrangement second issue. LvBWV v. 1 p. 584. Hoboken 2 394 Haslinger reissue. S.A. Steiner und Comp. [PN S.u.C. 2366] unknown books
184533454Wien: Tobias Haslinger PN C.H. 2576 1845. Folio. Unbound. 1 title within sunburst printed in sepia 2-49 i blank pp. Engraved.<br/><br/>Circular publisher's handstamp "Veuve de J. Hoffmann" to final blank page.<br/><br/>Slightly worn and soiled; occasional tape repairs; spine and inner margins reinforced with tape. Later issue. LvBWV v.1 p. 607. Tobias Haslinger [PN C.H. 2576] unknown books
184233102Offenbach a/M: Johann André PN 6463 1842. Folio. Decorative lithographed title page printed in black and sepia. 1f. recto title verso blank 3 blank 4-29 pp.<br/><br/>Spine reinforced with burgundy paper tape. Moderate offsetting; light scattered foxing. Without separate violin part. A later edition.<br/><br/>Composed for a concert given by violinist Pierre Rode on the occasion of his visit to Vienna in December of 1812. <br/><br/>"The Violin Sonata op. 96 the tenth and last of Beethoven's sonatas for piano and violin was sketched and composed in 1812 following the Seventh and Eighth Symphonies to which it contrasts as a delicate pen-and-ink drawing to a set of major frescos. The G-major Sonata abandons the "stilo brillante molto concertante" of opus 47 in favor of a heartfelt and exquisite communicativeness thus providing a quietly imaginative coda to the middle period." Solomon: Beethoven p. 214. Johann André [PN 6463] unknown books
182622986Wien: Tobias Haslinger PN 2582 1826. Oblong folio and folio. Disbound. Piano: 1 title 2-50 pp. Violoncello: 12 pp. Engraved. Price printed in two currencies: "f. 5_C.M." above "Reichstthaler sign 3.8 gr." below. With "Amsterdam: Theune & Comp." overpaste to foot of title.<br/> <br/><br/>Decorative title with coat of arms surrounded by stylized sunrays and clouds. <br/><br/>Edges browned and slightly dampstained; slight offsetting and bleeding of imprint; lower outer corner of cello part slightly creased; violin part lacking. With header "221" added in manuscript to all pages. A later issue printed from plates of the first edition. LvBWV v. 1 p .625. Tobias Haslinger [PN] 2582 unknown books
200617701E2006. Original movie prop book used in the making of the film Copying Beethoven directed by Agnieszka Holland starring Ed Harris as German composer Ludwig van Beethoven Diane Kruger as his fictionalized copyist and muse Anna Holtz Joe Anderson Ralph Riach and Matthew Goode. The book is a beautifully bound oblong composition book 13†x 9 1/2†with dark green cloth at the spine and corners and marbled paper at the boards and endpapers of the score for Beethoven’s ‘Ninth Symphony.’ which is one of the two score books used by Ed Harris and Diane Kruger when she helped Harris conduct the world premiere of the 9th Symphony. The first page has a printed inscription from Beethoven to Anna: “My Dear Anna You are the angel of my soul. The only hand I trust to bear it across the tides of time.†Near fine copy.Enclosed in a morocco and cloth custom box. With a DVD of the film. hardcover books
196819324New York: Dover 1968. Oblong folio. Wrappers. 5 pp. textual commentary 82 pp. Autograph manuscript facsimile and transcription. <br/><br/>Minor wear. Dover unknown books
185033432London: Brain & Payne 1850. Image size 170 x 152 mm overall size ca. 410 x 280 mm. On wove paper. <br/><br/>Three-quarter length holding pen against dark background with floral decoration bordered with scrollwork. Excerpted from Payne's Universum ca. 1850.<br/><br/>Light browning and staining to margins. Albert Henry Payne 1812-1902 was an English engraver who worked in Leipzig. The company he founded produced numerous engravings of cities landscapes and portraits as well as printing music. Brain & Payne unknown books
185032108Hamburg Leipzig New York: Schuberth & Co. PN 1354 1850. Folio. Image size 90 x 80 mm. Bust-length; engraving. Pictorial border with arboreal motif with titles of six works within decorative circular floral border. <br/><br/>Worn; some staining; quite browned; edges slightly frayed and chipped not affecting image. Schuberth & Co. [PN 1354] unknown books
29257Leipzig: Breitkopf & Hartel n. d. Ca 1840s. Original publisher's blue-green cloth with gilt stamped lettering to front board professionally rebacked. Pale yellow eps. Bright title lettering to front board. Thin dampstain to fore-edge of last 10 leaves. Withal a VG copy. 47 1 pp. Scores printed via engraved plate. Oblong Folio. 10-3/8" x 12-7/8" <br/><br/>An early 19th C publication of this work which first appeared in 1806. Breitkopf & Hartel hardcover books
182113728Leipzig: Breitkopf & Härtel 1821. First edition of arrangement for piano 4 hands. Used; Like New/Used; Like New. Beethoven's string quartet no. 5 in A major op. 18 no. 5 arranged for piano four hands. Oblong folio. 24.5 x 33 cm.  Lithographed. PN 3221odd pages only.  Title; Music 2-35 pp. blank. Scattered foxing throughout especially to early and late pages light water stain to upper quarter of last 10 pages closely trimmed along the upper edge without losses to music.  <br style="">Beethoven published his first set of six quartets in 1801 and with them established himself firmly as the successor to Mozart and Haydn in the great school of Viennese quartets. His quartet no. 5 is a particularly clear homage to Mozart modeled on his A major quartet KV 464 and based on the same four-movement structure with a second movement scherzo and a third movement theme and variations. Yet his distinctive voice and exuberant imagination come through in the extended codas and strong dynamic and rhythmic contrasts which he adds into the traditional form. The work appears here as arranged byFr. Mockwitz. Kinsky-Halm: p. 44 Breitkopf & Härtel unknown books
1807302875Bonn: N: Simrock 1807. Engraved music plate number 560 in 4 parts engraved title. 4 vols. Folio. Uncut and loose. Light dampstains and foxing outer sheet of first gathering of first violin part split at spine early ownership inscription in pencil. Engraved music plate number 560 in 4 parts engraved title. 4 vols. Folio. An arrangement for string quartet of Beethoven's piano sonata no. 16 op. 31 in G major. OCLC: 926794675 1 copy N: Simrock unknown books
19191339398Paris: Durand & Cie 1919. No Edition Given. Hardcover. Octavo two vols.; VG-; contemporary quarter bindings of calf boards in marbled paper; spine with black labels and gilt lettering and design; some wear; corners shredded; front joint of vol. 1starting; upper panel with title missing from spine of vol. 1; bumping to upper edge of back board of vol. 1; small dark stain to front board of vol. 1; mild wear to vol. 2 joints; all edges stained red; marbled end papers; pages clean; shelved Case 12. Publication date presumed from copyright dates of first scores in both volumes; no publication date given for volumes. 1339398. Shelved Dupont Bookstore. Durand & Cie hardcover books
1802220649À Vienne: chez Hoffmeister & Comp; à Leipsic :; Chez Hoffmeister et Kühnel au Bureau de musique 1802. First edition thus. Publisher's Catalogue No 110 & 111. Price engraved titles: 1 Rthlr. 5 parts each for each section engraved throughout. Separate engraved title pages preceding each section for 1st Violin; others paginated separately but without title pages: 1st violin: 7 7 p. 2nd violin: 4 4 p. 1st viola: 4 4 p. 2nd viola: 4 3 p. Cello: 3 3 p. 1 vols. Folio 32 x 24 cm. Disbound first title page a bit soiled; occasional light soiling throughout. First edition thus. Publisher's Catalogue No 110 & 111. Price engraved titles: 1 Rthlr. 5 parts each for each section engraved throughout. Separate engraved title pages preceding each section for 1st Violin; others paginated separately but without title pages: 1st violin: 7 7 p. 2nd violin: 4 4 p. 1st viola: 4 4 p. 2nd viola: 4 3 p. Cello: 3 3 p. 1 vols. Folio 32 x 24 cm. Beethoven's septet for woodwinds arranged for string quintet by Hoffmeister and published thus for the first time. Kinsky p. 50 chez Hoffmeister & Comp; à Leipsic :; Chez Hoffmeister et Kühnel au Bureau de musique unknown books
1894LVB001New York: G. Schirmer 1894 Two volumes. Later edition. With a short biography of the composer by Theo Baker. Finely bound in three-quarter red morocco over light red marbled paper-covered boards five raised bands to spine lettered and stamped in gilt top edge gilt light red marbled endpapers. A very good set light toning and spotting to spines and some rubbing to extremities. Overall a beautiful set. Beethoven a German composer is recognized as one of the major driving forces of Romanticism in music and completed much of his work during the time of transition between the Classical and Romantic eras. After finding success as a composer and conductor Beethoven lost most of his hearing at only 44 years old but continued to compose. Today his works are some of the most widely performed amongst classical musicians. This set in particular contains his complete repertoire of sonatas for solo piano of which there are 32 including the famous Sonata Pathetique. Hard Cover. Very Good. New York: G. Schirmer hardcover books