87 résultats
184032285Offenbach: Joh. André 1840. Folio. Half dark brown leather with marbled boards cut paper label to upper. 1f. recto collective title printed in blue gold and red verso blank 1f. recto volume title verso blank followed by individual pieces each with separate pagination and plate number:<br/><br/>Op. 2 nos. 1-3: 15; 17; 23 pp. PN 1932<br/>Op. 7: 21 pp. PN 2044<br/>Op. 10 nos. 1-3: 13; 13; 19 pp. PN 3058 I-III<br/>Op. 13: 19 pp. PN 2045<br/>Op. 14 nos. 1-2: 11; 13 pp. PN 3059 I-II<br/>Op. 22: 23 pp. PN 5326<br/>Lithographed.<br/><br/>Binding somewhat worn rubbed and bumped; front free endpaper lacking. Moderate offsetting throughout. Re-issue of early editions. Joh. André unknown books
180633458Leipsic: chez A. Kuhnel PN 65 1806. Oblong folio. Unbound. 1 title 2-23 i blank pp. Engraved.<br/><br/>Outer leaves and margins quite soiled and with some staining split at head and tail with some paper loss to blank area; margins slightly frayed; minor foxing throughout.<br/><br/>Small circular publisher's blindstamp to first and last leaves. First Edition third issue distinguished from the first published in December 1801 in that the first line of the imprint "a Vienne chez Hoffmeister & Comp." has been deleted and "chez A. Kuhnel" added in its place. Rare. LvBWV v. 1 p. 114. Not in Hoboken or CPM. <br/><br/>Although Beethoven's first piano concerto the present concerto was published after the second. chez A. Kuhnel [PN 65] unknown books
182933212Offenbach s/M: J. André PN 5266 1829. 1 title 2-27 1 blank pp. Lithographed.<br/><br/>First Edition. LvBWV v. 1 p. 107. Hoboken 2 110. Hirsch III 94.<br/><br/>Bound with:<br/>Op. 59 No. 2. Beethoven. Partitions des trois grands Quatuors . Offenbach s/M: J. André PN 5299 1830. 1 title 2-31 pp. Lithographed. First Edition. LvBWV v. 1 p. 331. Hirsch III 104.<br/><br/>Octavo. Full brown cloth titling gilt to spine. Bookplate of Charles Kensington Salaman to front endpaper with his signature and date of April 1834 to head of title. <br/><br/>Binding slightly scuffed and rubbed. Slightly browned throughout. Salaman 1814-1901 was a Jewish British composer and pianist acquainted with many of the leading composers of the day. J. André [PN 5266] unknown books
182733106London: R. Cocks & Co. PN 142 1827. Folio. 1f. title 13 1 blank pp. Engraved. Watermark 1827. <br/><br/>Series statement to head of title: "No. 1 of a Selection of Duets for the Piano Forte and Flute" and with "N.B. This Sonata may likewise be had with a Violoncello or a Violin Accompaniment" to foot.<br/><br/>Disbound; trimmed and frayed at spine. Outer leaves somewhat soiled; light offsetting throughout. LvBWV v. 1 p. 94 one copy located.<br/><br/>Beethoven's Horn Sonata Op. 17 was premiered in 1800 and published the next year by T. Mollo. Many editions were published with the solo transcribed for flute violin clarinet or cello. R. Cocks & Co. [PN 142] unknown books
184932279Hamburg & Leipzig: Schuberth & Co. PN 1355 1849. Folio. Original printed wrappers with series title "Oeuvres Choisies" within engraved highly decorative arboreal border to upper; opus number and price in contemporary manuscript to lower corners. 1 title 2-13 1 blank pp. <br/><br/>With bust-length engraved portrait of the composer by Moritz Lämmel after the drawing by Joseph Kreihuber to upper.<br/><br/>Partially disbound. Lightly thumbed. The Op. 14 piano sonatas were first published by T. Mollo in 1799. Schuberth & Co. [PN 1355] unknown books
183823017Wien: Tobias Haslinger PN T.H. 5141 1838. Folio. Early stiff blue wrappers with octagonal label titled in manuscript to upper. 1f. title 48 ii blank pp. Engraved. Price: "f 3._C.M." above "Reichsthaler sign 2._". Rehearsal letters A to O added in pencil with numerous performance annotations in red crayon. Penciled inventory of parts to last page related to a performance on October 13 1892 and signed "Felchner." <br/><br/>Spine reinforced with black cloth tape. Handstamp "Musikbibliothek der Universität Gießen" to upper wrapper and first page of music. Small yellow sticker to upper left corner of title with manuscript shelfmark "VI. 13" with same shelfmark also added in manuscript to label on upper wrapper. Printed titling "Ouverture" to first page of music extended in pencil: "zu" crossed out "Ele" "Leonore." Some pages slightly skewed. Some soiling and foxing.<br/><br/>A very good copy overall. First Edition. Rare. LvBWV v. 1 pp. 436-437. Hoboken 2 537. Hirsch IV 419. Beethoven-Haus C 138/1 and Van der Spek collection. The misspelling "Archin" for "Archiv" on the title seems to have gone unnoticed by Beethoven bibliographers though the two copies held at the Beethoven-Haus carry it as well.<br/><br/>Gustav Adolf Felchner 1832-96 was music director at the University of Gießen Germany from 1874 to his death; some of the annotations are most likely in his hand. <br/><br/>This overture is generally known as "Leonore no. 1." It is now dated 1807 and is chronologically the third of the three "Leonore" overtures. It was not performed during Beethoven's lifetime. Tobias Haslinger [PN T.H.] 5141 unknown books
182732294Bonn: N. Simrock PNs 2516 2522 2528 1827. HEINZIUS Philipp Wilhelm arr. 3 volumes. Folio. Engraved.<br/><br/>Each volume in 4 parts:<br/>Violin I: 1 title 2-7 1 blank pp.<br/>Violin II: 1 blank 2-7 1 blank pp.<br/>Viola: 1 blank 2-7 1 blank pp.<br/>Violoncello: 1 blank 2-7 1 blank pp.<br/><br/>Slightly worn thumbed and soiled; spines reinforced with paper tape. Minor showthrough to titles; occasional light foxing and offsetting. First Edition of this arrangement. LvBWV v. 1 p. 66. 2 complete copies only located.<br/><br/>Beethoven's Violin Sonatas Op. 12 were premiered in 1798 and published shortly thereafter by Artaria. The present arrangement for string quartet was made by Philipp Wilhelm Heinzius who made several other arrangements of Beethoven's works. N. Simrock [PNs 2516, 2522, 2528] unknown books
182823013Vienna: Ant. Diabelli e Co. PN D. et C. No. 2819 1828. Oblong folio. Marbled wrappers. i title 2-11 i blank pp. Title lithographed music engraved. Price: "45 x C M." Printed note to foot of page 2: "Diese! unter L. v. Beethovens Nachlasse vollendet vorgefundene Capriccio ist im Manuscripte folgender Massen betitelt: Die Wuth über den verlornen Groschen ausgetobt in einer Caprice." <br/><br/>Spine of outer bifolium reinforced with marbled paper; spine of wrappers reinforced with matching dark green tape. Title browned; lower margin imperfectly trimmed; final leaf creased at upper right outer corner with very slight loss to lower right blank corner; one signature loose. First Edition. LvBWV v. 1 p. 851. Hoboken 2 514. Hirsch IV 401. Ant. Diabelli e Co., [PN] D. et C. No. 2819 unknown books
182632299Wien: Tobias Haslinger PN S:u:C: 4603 1826. Folio. 19; 5; 5 pp. Engraved. <br/><br/>Small oval handstamp of Amsterdam musicsellers Jacob Eck & Lefebvre to first page of each part. <br/><br/>Outer leaves somewhat browned soiled and detached; remnants of paper tape to spine; margins slightly browned; small red and white label to upper left corner. First Edition second issue with Haslinger imprint the paper and slightly light impression suggest a printing date of after 1826. LvBWV v. 1 p. 777.<br/><br/>The "Kakadu Variations" are based on the song by Wenzel Müller "Ich bin der Schneider Kakadu. Tobias Haslinger [PN S:u:C: 4603] unknown books
186532306Leipzig: Breitkopf & Härtel PN B.257 1865. Folio. Unbound. 1 publisher's series title "Serie 24 no. 257 25 Schottische Lieder. Op. 108." 2-68 pp. piano; 8 pp. violin. III: 8 pp. violoncello. Engraved.<br/><br/>Publisher's handstamps to first page "B&H" and "G.Schirmer 701 Broadway New York."<br/><br/>Slightly browned and soiled; signature in pencil to upper corners of instrumental parts "E.J. Biederman. Breitkopf & Härtel [PN B.257] unknown books
179722914Bonn: N. Simrock PN 37 1797. Oblong folio. Disbound. 1 title within decorative oval border 2-51 i blank pp. Engraved. Watermark "Kiener Frères" and "Super Real." <br/><br/>With "Amsterdam: Conrad Raldenecker" overpaste to title covering Simrock imprint. Extensive fingering and occasional corrections in pencil to first trio pp. 2-17. <br/><br/>Very slightly worn and soiled; title leaf creased and slightly browned; small binder's hole to upper corners. Early edition first issue. LvBWV v. 1 p. 7. N. Simrock [PN 37] unknown books
4805London Nd. ca.1830: VARIOUS. Hard Cover. Small Folio. A collection of 24 German songs and music by various composers; Beethoven Schubert Sphr Thalberg etc. Translated and engraved for English use. All bound in contemporary 3/4 brown calf over marbled paper covered boards raised bands red morocco spine label gilt brown endpapers. Wear to corners Contemprary name and manuscript list of songs including; Beethoven's "O Tu La Cui Dolce Possanza" "Aria from the opera of Fidelio" "Know'st Thou the Land" and "Oh What Dreary Gloom." Schubert's "Six Songs" with tape mends to closed tears on numbers 1 & 6 Thomas Moore's "A Canadian Boat Song" etc.and the last song with edge wear. A very nice collection. <br/><br/> VARIOUS hardcover books
46113Leipzig: Peters. 4to pp. 262. Score. Speckled paper over boards with leather spine. Marbled endpapers. Owner's name on title front flyleaf and blank little chipped edges of cover slightly worn but a VG tight copy. Peters unknown books
1991030050New York: Dover Publications 1991. 259p. musi stiff wrappers quarto format. Dover Publications unknown books
1850102458Leipzig: Breitkopf und Hartel 1850. contemporary red calf with marbled paper covered boards all edges gilt. 4to. contemporary red calf with marbled paper covered boards all edges gilt. Individually paginated with title page. Stimmen 54-58. Includes the first four trios and his Serenade of Series 7 played by the violin. From the reference library of the Zaehnsdorf Company with a commemorative booklabel loosely inserted. With the bookplate of the Zaehnsdorf Company. Wear along hinges. Breitkopf und Hartel unknown books
197514174New York: Dover 1975. Softcover. Very good. Two-volume set. Oversized paperbacks. Both volumes clean and tight with no internal markings. Volume I has moderate handling wear; Volume II has a crease in the front cover near the spine but is otherwise as-new. Due to size shipping cost will be more than standard for priority or international orders. Dover paperback books
197734597Berlin: Verlag Neue Musik 1977. Hardcover. Very Good. Large folio. In original publisher's white linen folder with paper flaps. Contains Beethoven und Wir by Walther Siegmund-Schultze; Das Beethovenbild der Konversationshefte by Karl-Heinz Köhler; Beethoven und der Fortschritt by Harry Goldschmidt; and 26 colour plates tipped-in.<br/><br/>Folder slightly worn and soiled; small tears to flaps. Issued to commemorate the 150th anniversary of Beethoven's death. Verlag Neue Musik hardcover books
13430NY PRAEGER 1970. FIRST AMERICAN EDITION VERY GOOD-FINE. 1st Edition. NY, PRAEGER, 1970 unknown books
194933353Paris: Éditions du Sablier 1949. Small quarto. Original publisher's dark ivory wrappers printed in dark green. 1f. recto half-title verso publisher's catalogue 1f. recto title verso limitation statement and copyright 1f. recto part title verso blank 11-121 i blank 1f. recto table of plates verso blank 1f. recto table of contents verso blank 1f. recto colophon verso blank. <br/><br/>Illustrative plates include:<br/>I. Beethoven by August Kloeber<br/>II. The last page of a letter from Beethoven to his "Immortal Beloved"<br/>III. Thérèse Malfatti by André Deslignières<br/>IV. Thérèse Brunsvik<br/>V. A view of Karlsbad<br/>VI. Giiulietta Guicciardi Countess Gallenberg<br/>VII. Bettina Brentano<br/>VIII. Amalie Sebald by André Deslignières. First Edition. Rare. Limited to 100 copies this stamped "28."<br/><br/>Rolland a French man of letters and writer on music authored both a single-volume life and a seven-volume study of Beethoven. "Stressing the importance of intuition rather than reason of a kind of intuitive penetration into the innermost nature of the creative individual and the time in which he lived Rolland saw history primarily in terms of the noble superior soul of a Beethoven triumphing over every adversity or Handel as the heroic embodiment of the popular spirit of his age. Because of its universality its profundity and spontaneity music he believed was often the first to give expression to fundamental changes in society that were then translated into words and only later into actions." Robert Henderson in Grove Music Online. Éditions du Sablier unknown books
20061333324Munich: G. Henle Verlag 2006. Softcover. Octavo; G Paperback; Navy Blue spine with Yellow text; Covers have slight edgewear some shelfwear heavy bending and creasing to rear cover bending to front covers; Textblock clean; 101 pp. 1333324. FP New Rockville Stock. G. Henle Verlag unknown books
199036240Peer: Alamire 1990. Paperback. Very Good. Oblong folio. Wrappers. 23 pp.<br/>Facsimile of the first edition published in Leipzig by Hoffmeister & Kühnel in 1802. Alamire paperback books
182413726Bonn and Cologne: N. Simrock 1824. First Edition of this arrangement. Used; Like New/Used; Like New. Beethoven's string quartet Op. 59 no. 1 the first of his "Razumovsky" quartets arranged for piano four hands. Oblong folio. Lithographed. Pn 2119. 39 pp. Closely trimmed lower right edges with significant handling wear and small losses from turning else fine.  Arrangement by C.D. Stegman Kinsky 142.<br style="">The op. 59 quartets were commissioned by the Russian ambassador to Vienna Count Andreas Razumovsky and are the first of what are now generally known as the "Middle Period" string quartets. In honor of the Russian dedicatee Beethoven uses a "Thème russe" as the principal theme of the last movement of op. 59 no. 1. The quartets were first published in Vienna in 1808.<br style=""> N. Simrock unknown books
197635227New York: Dover 1976. Paperback. Very Good. Folio. Pictorial wrappers. 368 pp. Dover paperback books
194020852NY: Adler 1940. 4to pp. 270. Blue cloth hinge tender good. Adler unknown books
1984030049New York: Dover Publications 1984. 269p. music stiff wrappers quarto format. Dover Publications unknown books
