Bellman, Carl Michael (Episteln & Songs)Biblio.com
372 résultats
5f921Edition Handpresse Gutsch Berlin West 1985. Ca. 48 unpaginierte S. mit farbigen Zeichnungen von Manfred Heckmann Blockbuch Englische-Broschur mit aufgezogenem Deckeltitel quart Einband gering fleckig/gering randgebräunt. - sonst gutes Exemplar / Ausgabe C im Impressum signiert und numeriert 300 Exemplare / Dieses Exemplar trägt die Nummer 212 / Nachdichtungen: Fritz Grasshoff - unknown
1994AME_9780412636400CHAPMAN 1994. 1st. Hardcover. New/New. CHAPMAN hardcover
19882090502113709564Not Available 1988. Soft Cover. Fine. The book is in fine condition. Not Available paperback
193138831Camden NJ: RCA Victor 1931. First edition. Softcover. g. Octavo. Original wrappers with illustrated pastedown to front cover and on inside of front cover. Set of three RCA Victor 78 RPM housed in Manilla sleeves. The records feature 11 songs on Raggedy Ann a character created in 1915 by American writer Johnny Gruelle 1880–1938 in a series of books he wrote and illustrated for young children. Raggedy Ann is a rag doll with red yarn for hair and has a triangle nose. In 1931 Charles Milton agreed with Victor Records to record Johnny Gruelle lyrics and Will Wooden music on three records 6 sides. 6 3/4" diameter 78 RPM's. Moderate rubbing along edges of wrappers. All three records are in fair condition and show some wear. However none of the records are cracked. Wrappers and interior in overall good records in fair to good condition. RCA Victor unknown
1333790414.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
19762090502113715152Not Available 1976. Soft Cover. Fine. The book is in fine condition. Not Available paperback
19402110502150406694record music company 1940. Soft Cover. Fine. Volume: 1 record music company paperback
181841243Berne: J. J. Burgdorfer 1818. Oblong quarto. Original publisher's mid-green printed wrappers. 1f. recto title verso blank 1f. "Inhalt" v-x "Préface de la seconde édition" xi-xxiv "Avant-propos de la troisième édition" 126 music 127-131 "Worterklärungen" 132-133 "Traduction Interlinèaire du Ranz des Vaches d'Appenzell p. 24" 134-135 "Verbesserungen in der Musik." 136 "Verbesserungen." pp. <br /> <br /> 55 songs in German/Swiss dialects with the exception of those to pp. 107-122 in French. Preface by Johann Rudolf Wyss noted Swiss editor writer and scholar. Typeset throughout. With illustration of Alphorn player to upper and Swiss female figure to lower wrapper.<br /> <br /> "Articles de Fonds en livres et objects d'arts concernant la Suisse qu'on trouve aussi chez les principaux libraires de la Suisse" to verso of upper and recto of lower wrapper. <br /> <br /> Scored mainly for voice and piano with instrumental selections for piano and unspecified treble instrument. <br /> <br /> Wrappers worn with several small stains and tears to edges; upper nearly detached with lower margin of verso repaired with ivory tape. Light uniform browning; occasional minor foxing and small stains; signatures loose. Third edition. OCLC 20912723. <br /> <br /> A compilation of traditional Swiss folk songs and occasional instrumental selections including music for the Alphorn and solo piano compositions many arranged by Ferdinand Fürchtegott Huber. <br /> <br /> The alphorn was a "wooden trumpet of pastoral communities in the Alps. . The commonest length of the alphorn is about 185 cm in which case its range extends to the 5th or 6th harmonic as quoted by Beethoven at the end of the Pastoral Symphony. . Alphorns were known best as herdsmen's calling instruments serving also in some areas to summon to church and formerly to war. They may also be numinous: among the Mari of Russia the long wooden trumpet is made for the spring festival and afterwards sacrificially burnt or hidden in a sacred place. Overall likeness in making and using alphorns and their distribution suggest that they possibly may have originated among post-Celtic peoples of the Migration Era. There is no firm evidence of prior existence; 'cornu alpinus' in Tacitus is less than proof of a wooden trumpet of which the earliest specimen from the 9th-century Oseberg ship Oslo Vikingskiphuset supports iconographic suggestions that wooden trumpets of moderate size were used as summoning and military instruments in early medieval northern Europe in addition to their pastoral functions." Anthony C. Baines revised by Max Peter Baumann in Grove Music Online. Rossini evoked the Alphorn in his iconic 1829 William Tell Overture. <br /> <br /> Of great importance to the preservation of the oral heritage of Swiss alpine herders. J. J. Burgdorfer unknown
19002224180518049RED FOLEYS SONGS OF INSPIRATION BOOK 1953 SHEET MUSIC FOLDER 525 1900-01-01. Sheet music. Very Good. Nice looking sheets has minor edge wear. has name on cover. . RED FOLEYS SONGS OF INSPIRATION BOOK 1953 SHEET MUSIC FOLDER 525 unknown
19001269120517087RED FOLEYS SONGS OF INSPIRATION BOOK 1953 SHEET MUSIC FOLDER 525 1900-01-01. Sheet music. Very Good. Nice looking book has minor edge wear. RED FOLEYS SONGS OF INSPIRATION BOOK 1953 SHEET MUSIC FOLDER 525 unknown
19932080502106503175Shoshi kisetsu-sha 1993. Soft Cover. Fine. Volume: 1 Shoshi kisetsu-sha paperback
19982080502106509179Reikan 1998. Soft Cover. Fine. Volume: 1 Reikan paperback
19902080502106503522Shoshi kisetsu-sha 1990. Soft Cover. Fine. Volume: 1 Shoshi kisetsu-sha paperback
19932080502106509180Shoshi kisetsu-sha 1993. Soft Cover. Fine. Volume: 1 Shoshi kisetsu-sha paperback
19922080502106502841Shoshi kisetsu-sha 1992. Soft Cover. Fine. Volume: 1 Shoshi kisetsu-sha paperback
19922080502106508039Shoshi kisetsu-sha 1992. Soft Cover. Fine. Volume: 1 Shoshi kisetsu-sha paperback
19932080502106503174Shoshi kisetsu-sha 1993. Soft Cover. Fine. Volume: 1 Shoshi kisetsu-sha paperback
19922080502106509181Shoshi kisetsu-sha 1992. Soft Cover. Fine. Volume: 1 Shoshi kisetsu-sha paperback
1332474136.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0259290629.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
19892090502126901604Tankosha 1989. Soft Cover. Fine. The book is in fine condition. Tankosha paperback
0428892914.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1968724106Germany: Edition Hansjorg Mayer 1968. First Edition. Paperback. Good. 7x4x0. No. 388 of 500. Light foxing to page edges. Covers a little marked. Edition Hansjorg Mayer paperback
17601182Chuer Dicey London 1760. Softcover in hardover folder. Good Condition. Book ESTC N13332. The ESTC reports two copies: The one at the Bodleian and one at UCLA. WorldCat shows the UCLA copy OCLC Number 15584159. Full Title: “Robin Hood’s Garland. Being a Compleat History of all the Notable and Merry Exploits perform’d by him and his Men on divers Occasions. To which is added A Preface giving a more full and particular Account of his Birth &c. than any hitherto published. Woodcut 6 lines of verse Adorn'd with Twenty-seven Neat and Curious Cuts proper to the Subject of each Song. London: Printed by Chuer Dicey in Bow-Church Yard: Sold also at his Wholesale Warehouse in Northampton.†Pagination: 4871 which matches the copy held by the Bodleian Library at Oxford University. Signatures: 2 leaves unsigned A-E⸠Fâ´. There are 27 traditional folk songs telling the story of Robin Hood plus one new song appended at the end. The first printing of a collection of folk songs about Robin Hood under this title appears to have been Gilbertson's London printing in 1663. It proved to be a popular work since there were around 30 editions by at least 13 printers in the 97 years between 1663 and 1760 which is the estimated year of publication of this edition. This lot also includes two recent UK-printed booklets about Robin Hood. Size: Around 7" or slightly taller - Duodecimo 12mo. 87 pages. Item Type: Book. The rag-based paper is supple and bright showing darkening around edges where the paper cut different sizes for different pages has been exposed. Eight of the woodcuts have been hand-colored. The booklet retains its original stitching into the paper wrapper the front cover of which is darker and tattered around the edges and the rear cover of which is blank with some notations in 18th century hands. The last leaf has a 2" tear at the bottom of the gutter and a 1" horizontal tear about at the middle of the page out from the gutter. The booklet is held by a red cord into a binder of red buckram over boards with the title "Robin Hood's Garland" in gilt on the front cover. Scattered foxing but text mostly clean. Deckled edges rough cut. Quantity Available: 1. Category: Antiquarian & Rare; Folk Music; Britain/UK; 18th century; Literature & Literary. Main Picture: Robin Hood's Garland London: Chuer Dicey 1760 - Front cover of the Binder holding the booklet. Picture 2: Robin Hood's Garland London: Chuer Dicey 1760 - Rear cover of the Binder holding the booklet. Picture 3: Robin Hood's Garland London: Chuer Dicey 1760 - Front cover of the booklet. Picture 4: Robin Hood's Garland London: Chuer Dicey 1760 - Note "To All Gentleman Archers" and first page of the Preface. Picture 5: Robin Hood's Garland London: Chuer Dicey 1760 - End of the Preface and first page of the text. Picture 6: Robin Hood's Garland London: Chuer Dicey 1760 - Page with a hand-colored woodcut with insets of examples of the colored cuts. Picture 7: Robin Hood's Garland London: Chuer Dicey 1760 - Last page of the text with a woodcut of a coffin. Picture 8: Robin Hood's Garland London: Chuer Dicey 1760 - List of the 27 songs with "A New Robin Hood Song" on the facing page. Picture 9: Robin Hood's Garland London: Chuer Dicey 1760 - UK-printed booklets about Robin Hood included with the 1760 booklet. Pictures of this item not already displayed here available upon request. Inventory No: 1182. . Chuer Dicey paperback
19297Headed Notepaper 23 Acacia Road NW8 25 April 1939. Two pages 8vo fold mark very good condition. " I feel I must write you & tell you how deeply I sympathise with you and your daughters in your very sad loss. Although I did not know your husband very well I was a great admirer of his work and I knew him well enough to realise what a really vital and lovable personality he had. I shall never forget his friendly and generous words when we first met some years ago. I know you must be inundated with letters and how really useless most letters are underlined when one is in great trouble - and of course you must not think of answering this - but I did want you to know how real and deep is my sympathy." [Headed Notepaper] 23 Acacia Road, NW8, 25 April 1939. unknown
