Oeuvres de BerangerBiblio.com
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I256<p>Presenting the first volume of "Oeuvres de Béranger" a truly exceptional piece of literary history. This rare edition beautifully bound in ornate leather showcases the timeless works of Pierre-Jean de Béranger France's revered poet and chansonnier. As the initial volume in the series it holds immense value not just for its pristine condition but for its significance as a cornerstone of French Romantic literature. This book is a treasure for discerning collectors embodying both cultural richness and historical importance.</p> Garnier Frères hardcover
18270475521827. Book. Very Good. Full-Leather. This is a one of a kind original handwritten working manuscript by the famous French chansonnier Pierre-Jean de Béranger. These chansons are dated 1827 and were subsequently published in his fourth collection of chansons the one which precipitated his punishment of nine months imprisonment in La Force Prison. In addition there is one page which seems to be a crossed out chanson that may not have been published. The manuscript is about 32 pages long with additional blank pages. The chansons are written in Béranger's hand and contain alterations and edits. It is a real working manuscript. This is really a museum quality piece that would also be the jewel of any private collection. Text in French. Rebound in flexible red leather boards with gold gilt titles. Leather boards have edge wear minor scratches minor scuffs rubbed/frayed corners/spine. Hardcover
05079Paris: Baudouin Frères Éditeurs 1828. Pierre-Jean de Béranger "The Most Popular French Songwriter of All Time" <br /> "The First Superstar of French Popular Music"<br /> A Superb Copy in the Publisher's Original Printed Wrappers <br /> Complete with Forty Hand Colored Lithograph Plates by Henri Monnier & a Duplicate Colored Suite.<br /> <br /> MONNIER Henri illustrator. Chansons de P.J. Béranger Anciennes Nouvelles et Inédites avec des vignettes de Devéria et des dessins coloriées d'Henri Monnier. Suivies des Procès Intentés a l'Auteur. Paris: Baudouin Frères Éditeurs 1828. <br /> <br /> First edition in the original ten parts - inscribed by the publisher/printer Rignoux. <br /> <br /> Octavo 8 7/8 x 5 3/4 inches; 225 x 147 mm. ii iv 1-96; 97-192; 193-272; 273-368; 369-439 1 blank; iv 1-96; 97-208; 209-288; 289-368; 369-438 2 blank pp. Forty superb hand colored lithograph plates by Henri Monnier and numerous charming black & white vignettes by Achille Devèria. With a duplicate suite of the forty colored plates. <br /> <br /> Publisher's pale green printed wrappers each with a different lithograph illustration on front cover. A very fine example of this exceptionally rare Monnier title in the original 'dix livraisons' complete with all forty hand colored plates and an additional duplicate suite. The two suites of plates are also in the publisher's pale green printed wrappers the first suite in a 2e Livraison wrapper and the duplicate suite in a 5e Livraison wrapper.<br /> <br /> Together with: BÉRANGER. Poniatowski. Hatons-Nous. Chansons Dédiées au Général Lafayette Premier Grenadier de la Garde Polonaise. Suivies 14 Juillet 1829 et des Couplets a mes Amis devenus Ministres. Poniatowski. Hate Us. Songs Dedicated to General Lafayette First Grenadier of the Polish Guard. Followed July 14 1829 and Couplets to my Friends who have become Ministers. Contains a biographical note on Joseph Prince Poniatowski by Leonard Chodzko.Paris: A l'agence du Comité. 1831. Octavo 8 7/8 x 5 3/4 inches; 225 x 147 mm. 1-23 1 blank. Publisher's blue printed wrappers. Chemised in a three-quarter green morocco clamshell case spine ruled and lettered in gilt in compartments. A truly exceptional example.<br /> <br /> "Monnier also illustrated Béranger's Chansons creating numerous series over time that reflect his admiration for Béranger's work. His lithographs and early watercolors despite their small size demonstrate his extreme finesse and simplicity. Monnier's bright flat colors encircled by precise pen or pencil strokes bring his subjects to life with values and shadows indicated by more or less dense hatching. Some watercolors from this period appear almost as pen drawings enhanced with color due to the prominence of the pen work." Marie.<br /> <br /> KVK locates no complete copies of the Chansons; OCLC locates just one complete copy in libraries and institutions worldwide: Paris-Est Marne-La-Vallee-Bu France.<br /> <br /> Pierre-Jean de Béranger 1780-1857 was a prolific French poet and chansonnier songwriter who enjoyed great popularity and influence in France during his lifetime but faded into obscurity in the decades following his death. He has been described as "the most popular French songwriter of all time" and "the first superstar of French popular music". The Chansons were composed with fastidious care and are most notable for their clarity wit and incisiveness however the socialist and revolutionary content of his songs resulted in several brushes with the authorities resulting in his nine month incarceration in La Force Prison.<br /> <br /> The plates:<br /> <br /> 1. Le Roi d'Yvetot<br /> 2. La Bacchante<br /> 3. Le Sénateur<br /> 4. La Gaudriole<br /> 5. Roger Bontemps<br /> 6. Ma Grand'Mère<br /> 7. Ma Mère Aveugle<br /> 8. Le Petit Homme Gris<br /> 9. La Bonne Fille<br /> 10. L'Éducation des Demoiselles<br /> 11. Madame Grégoire<br /> 12. Les Gueux<br /> 13. Le Vieux Célibataire<br /> 14. Le Commencement du Voyage<br /> 15. Requête des Chiens de Qualité<br /> 16. Vieux Habits! Vieux Galons!<br /> 17. Le Nouveau Diogène<br /> 18. Le Maitre d'École<br /> 19. La Chatte<br /> 20. Bon Vin et Fillette<br /> <br /> 21. L'Habit de Cour<br /> 22. Ce n'est plus Lisette<br /> 23. L'Hiver<br /> 24. la Bonne Vieille<br /> 25. La Vivandière<br /> 26. L'Exilé<br /> 27. La Bouquetière et le Croque-Mort<br /> 28. Le Bon Vieillard<br /> 29. L'Aveugle de Bagnolet<br /> 30. Les Cartes ou L'Horoscope<br /> 31. La Marquise de Pretintaille<br /> 32. Le Tailleur et la Fée<br /> 33. Le Violon Brisé<br /> 34. Les Hirondelles<br /> 35. La Fuite de l'Amour<br /> 36. Le Vieux Sergent<br /> 37. Le Voyageur<br /> 38. Le Grenier<br /> 39. Les Deux Grenadiers<br /> 40. Les Souvenirs du Peuple<br /> <br /> Champfleury Monnier p.364; Escoffier The Romantic Movement N°675; Marie 653-692; Vicaire I-402. Paris: Baudouin Frères, Éditeurs, 1828 unknown
04866Paris: Baudouin Frères Éditeurs 1828. Pierre-Jean de Béranger "The Most Popular French Songwriter of All Time" <br /> "The First Superstar of French Popular Music"<br /> A presentation copy inscribed by Béranger to Rangot accompanied by a one-page autograph letter from Rangot and an original pencil sketch of Béranger by Monnier<br /> <br /> MONNIER Henri illustrator. Chansons de Pierre Jean de Béranger Anciennes Nouvelles et Inédites avec des vignettes de Devéria et des dessins coloriées d'Henri Monnier. Suivies des Procès Intentés a l'Auteur. Paris: Baudouin Frères Éditeurs 1828. <br /> <br /> First edition. A presentation copy inscribed by Béranger to Rangot accompanied by a one-page autograph letter from Rangot dated 21 August 1831 and an original pencil sketch of Béranger by Henri Monnier dated 16 August 1831 pasted on the verso of the title-page.<br /> <br /> Extra-illustrated by the insertion of eighty-six engraved plates on India paper mounted throughout by or after such artists as Bellangé Boilly Boulanger Charlet Devéria Fragonard Grandville Grenier Isabey Johannot Monnier Scheffer Vernet and Delacroix.<br /> <br /> Two octavo volumes 8 13/16 x 5 1/2 inches; 225 x 140 mm. iv 1-192 iv preface 193-439 1 blank 2 2-7 Biographie du Citoyen Béranger; iv 1-433 1 blank 435-438 pp. With an original pencil sketch by Monnier pasted onto the verso of the first title-page.<br /> <br /> Illustrated with thirty-three of forty superb hand-colored lithographs by Henri Monnier and numerous vignette wood-engravings by Achille Devéria. Seven plates not included: nos. 21 26 28 31 35 37 and 39 as noted by Carteret III p.272 these particular plates are "very often missing". These seven missing plates are highlighted below within the listing of all 40 plates.<br /> <br /> Bound ca. 1828 by R. Hering & Muller volume 2 stamp-signed in gilt at foot of spine in half dark blue scored calf spines elaborately tooled and lettered in gilt marbled endpapers edges uncut. A wonderful and important copy.<br /> <br /> Provenance: With two bookplates of M.A. Tessier Architecte: his engraved ex-libris with oak wreath vol. I verso of front free endpaper and the Tessier family armorial bookplate Semper Progrediens - "Ever Forward" on the front pastedowns of both volumes.<br /> <br /> "The forty drawings by Henri Monnier lithographed with a pen on stone and colored with a brush are very rare complete. Seven of these lithographs are often missing they are: The Court Dress The Exile The Good Old Man The Marquise of Pretintaille The Flight of Love The Voyager The two Grenadiers." Carteret III p. 72.<br /> <br /> The signed presentation translated reads: "Nothing more ridiculous for an author than to write something at the head of his works; but an admirable obstinacy obliges me here to obey. - Béranger". An ironic comment on the absurdity of authors inscribing their own books.<br /> <br /> The Autograph Letter Signed "Rangot" 21 Aug. 1831 translated reads: "Dear and precious friend. the amiable good Béranger will do all you wish and has promised to honor me with a visit or two. I hope that the bonds of friendship will soon bring me the happiness of seeing you. Your poor very devoted but true friend Rangot. Paris 21 August 1831 Grande rue No. 81." With a postscript in Italian: "A thousand thousand respects to your amiable kind and good wife to whom I wish a child who in all things will resemble the father."<br /> <br /> The signatory to the Als. "Rangot" leaves open the possibility of "Ragot." No individual of that exact name is recorded among Béranger's principal circle of publishers chansonniers or correspondents. It is therefore probable that "Rangot" was a minor literary or personal acquaintance acting as an intermediary arranging introductions to the poet at a time 1831 just after the July Revolution when Béranger's fame and political sensitivity made such mediation necessary. While one could tentatively connect the name with Louis-François Ragot 1782-1857 a Parisian man of letters active in minor journals of the period this identification remains unverified in standard bibliographies Vicaire Escoffier Carteret or collections of Béranger's correspondence.<br /> <br /> The original Pencil Sketch of Béranger signed and captioned dated 16 August 1831 by Henri Monnier. Reads:<br /> "Béranger the poet looking at the statue of Guillaume le Conquérant by the sculptor Archereau at the Champs-Élysées." With annotation: "I made this sketch of Béranger with all the possible politeness and convenience; it was impossible for me to take his face but from the back he gave me a good profile. I placed myself in a corner where I could see him well hidden for a poet who deserves to be observed must be carefully preserved."<br /> <br /> "Monnier also illustrated Béranger's Chansons creating numerous series over time that reflect his admiration for Béranger's work. His lithographs and early watercolors despite their small size demonstrate his extreme finesse and simplicity. Monnier's bright flat colors encircled by precise pen or pencil strokes bring his subjects to life with values and shadows indicated by more or less dense hatching. Some watercolors from this period appear almost as pen drawings enhanced with color due to the prominence of the pen work." Marie.<br /> <br /> Pierre-Jean de Béranger 1780-1857 was a prolific French poet and chansonnier songwriter who enjoyed great popularity and influence in France during his lifetime but faded into obscurity in the decades following his death. He has been described as "the most popular French songwriter of all time" and "the first superstar of French popular music". The Chansons were composed with fastidious care and are most notable for their clarity wit and incisiveness however the socialist and revolutionary content of his songs resulted in several brushes with the authorities resulting in his nine month incarceration in La Force Prison.<br /> <br /> The plates:<br /> <br /> 1. Le Roi d'Yvetot<br /> 2. La Bacchante<br /> 3. Le Sénateur<br /> 4. La Gaudriole<br /> 5. Roger Bontemps<br /> 6. Ma Grand'Mère<br /> 7. Ma Mère Aveugle<br /> 8. Le Petit Homme Gris<br /> 9. La Bonne Fille<br /> 10. L'Éducation des Demoiselles<br /> 11. Madame Grégoire<br /> 12. Les Gueux<br /> 13. Le Vieux Célibataire<br /> 14. Le Commencement du Voyage<br /> 15. Requête des Chiens de Qualité<br /> 16. Vieux Habits! Vieux Galons!<br /> 17. Le Nouveau Diogène<br /> 18. Le Maitre d'École<br /> 19. La Chatte<br /> 20. Bon Vin et Fillette<br /> 21. L'Habit de Cour<br /> 22. Ce n'est plus Lisette<br /> 23. L'Hiver<br /> 24. La Bonne Vieille<br /> 25. La Vivandière<br /> 26. L'Exilé<br /> 27. La Bouquetière et le Croque-Mort<br /> 28. Le Bon Vieillard<br /> 29. L'Aveugle de Bagnolet<br /> 30. Les Cartes ou l'Horoscope<br /> 31. La Marquise de Pretintaille<br /> <br /> 32. Le Tailleur et la Fée<br /> 33. Le Violon Brisé<br /> 34. Les Hirondelles<br /> 35. La Fuite de l'Amour<br /> 36. Le Vieux Sergent<br /> 37. Le Voyageur<br /> 38. Le Grenier<br /> 39. Les Deux Grenadiers<br /> 40. Les Souvenirs du Peuple<br /> <br /> Extra B&W Illustrations on India Paper mounted 86 Total:<br /> <br /> Opposite Pages:<br /> <br /> 13. Le Roi d'Yvetot - Grenier del.; Fry sc.<br /> 16. La Bacchante - A. Deveria del.; Cousin sc.<br /> 18. Le Sénateur - Tony Johannot del. & sc.<br /> 24. La Gaudriole - E. Deveria del.; T.M. Fontaine sc.<br /> 27. Roger Bontemps - Charlet del.; Frilley sc.<br /> 40. Ma Mère Aveugle - Grenier del.; Jaquemot sc.<br /> 43. Le Petit Homme Gris - Tony Johannot del.; Lecomte sc.<br /> 45. La Bonne Fille - Bellangé del.; Dulompré sc.<br /> 55. Charles Sept - Th. Fragonard del.; C. Cousin sc.<br /> 59. Les Gueux - E. Isabey del.; Fry sc.<br /> 68. Le Vieux Célibataire - Grenier del.; Wedgewood sc.<br /> 73. Les Gaulois et Les Francs - Adam del.; Ashby sc.<br /> 77. Frétillon - H. Bellanger del.; T.M. Fontaine sc.<br /> 106. La Grande Orgie - Tony Johannot del.; Revel sc.<br /> 123. Le Troisième Mari - E. Deveria del.; Wedgewood sc.<br /> 126. Vieux Habits! Vieux Galons! - Charlet del.; Ashby sc.<br /> 134. Le Maitre d'École - Grandville del.; Lefèver Jne. sc.<br /> 136. Le Célibataire - Warren del. & sc.<br /> 145. La Chatte - Tony Johannot del. & sc.<br /> 150. Les Parques - Tony Johannot del.; Deshauxents sc.<br /> 158. Bon Vin et Fillette - Alf. Johannot del.; Blanchard sc.<br /> 177. Le Prisonnière et Le Chevalier - Alf. Johannot del.; Cousin sc.<br /> 189. Le Bedeau - Alf. Johannot del.; Pelée sc.<br /> 220. Le Vieux Ménétrier - Charlet del.; Frilley sc.<br /> 225. Le Deux Soeurs de Charité - Boulanger del.; Jaquemot sc.<br /> 231. Ce n'est plus Lisette - Tony Johannot del.; Blanchard sc.<br /> 234. Le Marquis de Carabas - Charlet del.; Blanchard sc.<br /> 237. L'Hiver - Alf. Johannot del. & sc.<br /> 245. Paillasse - Henri Monnier del.; Lefèver Jne. sc.<br /> 248. Mon Ame - A. Scheffer del.; Touzé sc.<br /> 260. Mon Habit - A. Scheffer del.; Ashby sc.<br /> 277. La Bonne Vieille - Alf. Johannot del.; Blanchard sc.<br /> 279. La Vivandière - E. Isabey del.; Ashby sc.<br /> 285. L'Exilé - Grenier del.; Pelée sc.<br /> 294. Ma Nacelle - Gudin del.; Fry sc.<br /> 300. Le Dieu des Bonnes Gens - H. Vernet del.; Touzé sc.<br /> 309. Les Clefs du Paradis - Decamps del.; Mauduit sc.<br /> 315. Le Bon Vieillard - Alf. Johannot del.; C. Cousin sc.<br /> 318. Qu'elle est Jolie! - Grenier del.; A. Lefèver sc.<br /> 320. L'Aveugle de Bagnolet - Alf. Johannot del.; Cousin sc.<br /> 334. Le Retour dons La Patrie - Vigneron del.; Frilley sc.<br /> 338. Le Ventru - E. Lami del.; Lefèver Jne. sc.<br /> 348. Le Champ d'Asile - A. Johannot del.; Dutillon sc.<br /> 359. Les Cartes ou l'Horoscope - Boulanger del.; Wedgewood sc.<br /> 366. Le Révérends Pères - Tony Johannot del.; Bein sc.<br /> 369. Les Enfans de La France - Dupré del.; Levasseur sc.<br /> 385. Les Étoiles qui Filent - Bellangé del.; Lefèver Jne. sc.<br /> 391. Le Temps - Boilly del.; Fry sc.<br /> Light water staining affecting lower margin of text and plates from pp.359-end.<br /> 415. Louis XI - Delacroix del.; Pouvoyeur sc.<br /> 428. L'Orage - Charlet del.; Bein sc.<br /> 432. Le Cinq Mai - Alf. Johannot del.; Lefèver Jne. sc.<br /> <br /> 51 plates<br /> <br /> 14. La Liberté - Roqueplan del.; Frilley sc.<br /> 26. L'Ombre d'Anacréon - Champion del.; Fry sc.<br /> 31. La Sylphide - Devéria del.; Pelée sc.<br /> 37. Pigeon Messager - Devéria del.; Lefèver Jne. sc.<br /> 45. Le Censeur - Scheffer del.; Frilley sc.<br /> 50. La Cantharide ou Le Philtre - Tony Johannot del.; Cousin sc.<br /> 55. Le Tailleur et la Fée - Roqueplan del.; Corbould sc.<br /> 62. Le Malade - Tony Johannot del.; Marckl sc.<br /> 66. L'Épée de Damoclès - Eug. Deveria del.; Plée sc.<br /> 72. Le Violon Brisé - Bellangé del.; Girard sc.<br /> 75. Le Contrat de Marige - Charlet del.; Frilley sc.<br /> 77. Le Chant du Cosaque - Tony Johannot del.; Konig sc.<br /> 79. Les Hirondelles - Bonnington del.; Corbould sc.<br /> 91. Le Vieux Sergent - Bellangé del.; Ashby sc.<br /> 97. L'Ange Exilé - Eug. Deveria del.; Durand sc.<br /> 101. Le Voyageur - Tony Johannot del.; Revel sc.<br /> 104. Mon Enterrement - Devéria del.; Fry sc.<br /> 118. Treize a Table - Eug. Devéria del.; Migneret sc.<br /> 120. Lafayette en Amérique - Tony Johannot del.; Frilley sc.<br /> 124. Psara - Delacroix del.; Pouvoyeur sc.<br /> 133. Le Grenier - Grenier del.; T.M. Fontaine sc.<br /> 135. L'Échelle de Jacob - Tony Johannot del.; Lefèver sc.<br /> 138. Le Chapeau de La Mariée - Alf. Johannot del.; Leroux sc.<br /> 151. Le Chasseur et La Laitière - Alf. Johannot del. & sc.<br /> 161. Couplets - Lemaitre del. & sc.<br /> 169. Les Deux Grenadiers - Charlet del.; Lefèver Jne. sc.<br /> 179. La Mort du Diable - Decamp del.; Durand sc.<br /> 185. Le Petit Homme Rouge - Saint-Evre del.; Tavernier sc.<br /> 188. Les Bohémienes - n/a<br /> 192. Les Souvenirs du Peuple - Charlet del.; Lefèver Jne. sc.<br /> 197. L'Ange Gardien - D.C. del.; Lefèver Jne. del. & sc.<br /> 206. Le Tombeau de Manuel - Warren del. & sc.<br /> 359. Le Missionnaires - n/a<br /> 361. Le Bon Dieu - Charlet del.; Fry sc.<br /> 366. Le Vieux Drapeau - Bellangé del.; Fry sc.<br /> <br /> 35 plates. Paris: Baudouin Frères, Éditeurs, 1828 unknown
18393400Cuba and Caribean 1839. Quarter brown leather spine with light blue marbled paper with brown swirls over boards attractive blue endpapers. Complete Spanish and English translation of the entire book available upon request included with purchase. Very good not original binding likely late 19th century by family members in the provenance dedication. About half of the pages 17 have been reinforced on the lower quarter of the fore edge with archival tape. Light age fade mostly along the fore edge a few nominal water stains. Historical Midshipman's log book from duty off the coast of Cuba from 1837 - April 1839 just months before the revolt aboard the slave ship Amistad. Spain was under much pressure from England to put an end to slave trade ships and this ship was part of that fleet. The logbook of Midshipman Jose Maria de Beranger recording service aboard the Bergantin Colam under Capitan de Fragata Don Ramon Acha may well be the earliest surviving personal record of one of Spain's most prominent 19th century admirals and statesmen - written when he was a teenage midshipman on active anti-smuggling and anti-slave-trade patrol. The log eventually identifies all of the officers by name aboard the ship.<br /> <br /> 8.5" x 12" 106 pp. first and last page affixed to the verso of new end papers. Signed sixty 60 times by Beranger at the end of most daily entries signatures with artistic flourishes and curliques. Content is incredible indicative of a young midshipman on one of his first major voyages complete with daily details. Included are: Four meticulously drawn information wheels and tables; A "Cuban Brig / General State of Armament." This is a comprehensive ship's inventory and muster document of the armament provisions ballast financial summary. B Battle Plan - This is a combat stations wheel - essentially a circular battle bill assigning every crew member to a specific position on lthe ship and duty during combat. C Battle Stations Plan - a formal diagram showing every crew member's assigned position during combat. D A formal crew or personnel roster/pay table including rank number pay rations in the currency of Reales. Twenty-seven 27 hand drawn tables of sailing data which includes: longitude latitude weather wind direction water temperature astronomical data et. al. Last page of the journal is a daily accounting of the location of the ship. One interpretation of this book is that it is a log as part of his midshipman's training. While it certainly records events in which the ship was involved as well as weather course sail handling and events on board etc. these things were probably also recorded elsewhere in some more official record. Pages like the information wheel and description of armaments would be him setting into writing a day's lesson for future reference.<br /> <br /> The written content of the log ranges from the mundane: fixing location signaling mail ships shipboard drills vivid weather descriptions marking the shoals onboard accidents. Ranging to extraordinary militarism; stopping unknown vessels at night firing muskets and grenades sending out of patrol boats with carronades.<br /> <br /> Beranger was born in Cadiz on 12 February 1823 into a historic naval family his grandfather was Juan Ruiz de Apodaca Count of Venadito a Captain General of the Spanish Navy. He entered the Armada very young beginning to serve at sea at thirteen years old always aboard corvettes and dispatch vessels in subordinate roles until he obtained his first command in 1840 shortly after the trip of this chronicled voyage. He was admitted as a midshipman guardiamarina in 1837 having passed his entrance exams at just thirteen years of age. So in 1839 when this log was made he would have been only about 15-16 years old and in his very first years of active service - exactly when a midshipman would be keeping such a log. His lifetime credentials include: 31st Captain General of the Navy 7th Admiral Knight of the Military Order of Calatrava Minister of the Navy for six terms and Senator of the Kingdom.<br /> <br /> This ship's log was kept when Beranger was just 15 years old two years after taking the Navy Board. The ship which corresponds to this log was the Brigitine Colon plying the North Coast of Cuba delivering mail looking for smugglers and slave runners. The log also names several times Midshipman Don Ramón Topete. The Topete family were closely connected to Beránger throughout his career - indeed it was Admiral Juan Bautista Topete who later handed Beránger his first ministerial appointment.<br /> <br /> Provenance statement on p. 3: "By inheritance from my grandfather Don Jose Maria de Beranger y ruiz de Apodaca and by inheritance from my father Javier de Beranger y Carreras this book belongs to Elisa Beranger Fernandez de Salinas" "Dawn broke at sea with thick brownish hazy sky and horizon overcast to the west. At 2:30 the topgallants were furled and a reef taken in the topsails and two English warships were sighted coming from the East"<br /> <br /> "Departure from Matanzas escorting to Havana the Portuguese Schooner OLIES"<br /> <br /> "We continued at midday heading East SSE fresh wind and calm sea with all square sail jib and trysail heading East. At 12:30 the trysail and topgallants were furled and at 1 o'clock we continued forward brailing the mainsails in the tack and remaining in line with double-reefed topsails."<br /> <br /> the mail packet under all portable sail - cannon and musket drill was carried out in large formation <br /> <br /> "At 8:30 the 1st boat was put in the water at half speed the Midshipman went to reconnoitre various vessels - all without incident."<br /> <br /> "A firing of cannon was heard from both sides. At ½ past the hour the cannon fire and the fog signal were made to the people on land. unknown
18504694<p><em>Devilish Burlesque - Poetry Illustrated</em></p><p>DUBOULOY A. Amphigouri diabolique. Satirical pencil drawings based on text by Pierre-Jean de Beranger. Paris ca 1850.£3800</p><p>Oblong 4to ll. 6 225 x 300mm of pencil drawings undated ca 1825/1830; title with old repair to marginal tear not touching the illustration some light foxing and a little dust-soiled; inscription in ink on front free endpaper 'vente a Dubouloy dessiné par lui'; later half red crushed morocco over red cloth spine in compartments gilt lettering directly to spine 'Amphigouri'; with two book plates to front pastedown: M Ch. Duplomb and the exlibris of Lucienne Corneux Filloux bookplate engraved by Decaris.</p><p>Six fine original pencil drawings depicting an array of comical devilish figures involved in burlesque acts to illustrate Béranger's erotic poem Amphigouri.</p><p>Pierre-Jean de Béranger 1780 - 1857 was a prolific French poet and chansonnier who enjoyed great popularity and influence in France during the period of the Restoration. He found fame with his first published collection of songs and poems in 1815 Chansons morales et autre. His material was greatly in demand in in the singing societies or 'goguettes' which sprang up during the Restoration and the July Monarchy as a means of circumventing censorship laws and the ban on political parties. He was a highly successful performer of his own songs and thus an ancestor of post war French chansonniers. He has been described as the most 'popular songwriter of all time' and 'the first superstar of French popular music' L. Portis French Frenzie. A Social History of Popular Music in France' 2004 pp. 11ff.</p><p>These six pencil drawings were produced in his lifetime and dedicated to him by the artist A. Dubuloy.</p><p>Dubouloy has deliberately given Berenger's <em>Amphigouri</em> a 'diabolical' twist and depicts his figures within the gaping mouth of the Devil. The illustrations were apparently never published.</p> n.p.
1830558701830-1849. Creased where folded; fine. Various sizes. From the library of Poetry Magazine. Most of the letters are 2 pp. to 3 pp. in length. unknown
1834791261834. Fine. 1834-1835 26 x 33 cm 3 volumes reliés First edition. Contemporary green half morocco bindings spines uniformly sunned with gilt fillets and dentelle motifs marbled paper covers morocco label ""Marie Seillan"" pasted on each volume spine-ends rubbed otherwise a handsome copy. Scattered foxing paper on some issues a little browned. Detailed volume contents : - Volume 1: 26 issues nos. 1 to 26 and 26 scores 2 lithographs with the first two scores an engraved portrait of Rossini vignettes in the text. - Volume 2: 25 issues nos. 27 to 52 and 26 scores vignettes in the text. - Volume 3: 26 issues nos. 1 to 26 and 26 scores two scores are missing and have been replaced by three others. Complete last volume with all lithographs as they were supplied without supplement for this new series. unknown
04859Paris: Baudouin Frères Éditeurs 1828. Pierre-Jean de Béranger "The Most Popular French Songwriter of All Time" <br /> "The First Superstar of French Popular Music"<br /> Thirty Three of Forty as is often the case Hand Colored Lithograph Plates by Henri Monnier<br /> <br /> MONNIER Henri illustrator. Chansons de P.J. Béranger Anciennes Nouvelles et Inédites avec des vignettes de Devéria et des dessins coloriées d'Henri Monnier. Suivies des Procès Intentés a l'Auteur. Paris: Baudouin Frères Éditeurs 1828. <br /> <br /> First edition. Two octavo volumes 8 1/4 x 5 1/8 inches; 209 x 130 mm. ii 1-439 1 blank; ii 1-438 pp.<br /> Bound without the half-titles and the additional four-page preface in volume one. Plate 18 Le Maitre D'École and the following two leaves of text pp. 135-138 with neatly repaired tears marginal on plate. Light scattered foxing throughout mainly affecting text only.<br /> <br /> Thirty-three of forty superb hand colored lithograph plates by Henri Monnier and numerous charming black & white vignettes by Achille Devèria. The plates that were never included in this copy are numbers: 21 26 28 31 35 37 & 39. These seven plates are highlighted below within the listing of all 40 plates.<br /> <br /> Contemporary English bead-grain brown morocco covers elaborately decorated in gilt and blind. Spines with four raised bands elaborately tooled and lettered in gilt in compartments powder blue coated endpapers all edges gilt. Spines slightly darkened light rubbing to extremities. With the armorial bookplate of Stephens Lyne Stephens on front pastedowns. A very good copy in a contemporary binding.<br /> <br /> "The forty drawings by Henri Monnier lithographed with a pen on stone and colored with a brush are very rare complete. Seven of these lithographs are often missing they are: The Court Dress The Exile The Good Old Man The Marquise of Pretintaille The Flight of Love The Voyager The two Grenadiers." Carteret III p. 72.<br /> <br /> KVK locates no complete copies; OCLC locates just one complete copy in libraries and institutions worldwide: Paris-Est Marne-La-Vallee-Bu France.<br /> <br /> "Monnier also illustrated Béranger's Chansons creating numerous series over time that reflect his admiration for Béranger's work. His lithographs and early watercolors despite their small size demonstrate his extreme finesse and simplicity. Monnier's bright flat colors encircled by precise pen or pencil strokes bring his subjects to life with values and shadows indicated by more or less dense hatching. Some watercolors from this period appear almost as pen drawings enhanced with color due to the prominence of the pen work." Marie.<br /> <br /> Pierre-Jean de Béranger 1780-1857 was a prolific French poet and chansonnier songwriter who enjoyed great popularity and influence in France during his lifetime but faded into obscurity in the decades following his death. He has been described as "the most popular French songwriter of all time" and "the first superstar of French popular music". The Chansons were composed with fastidious care and are most notable for their clarity wit and incisiveness however the socialist and revolutionary content of his songs resulted in several brushes with the authorities resulting in his nine month incarceration in La Force Prison.<br /> <br /> Stephens Lyne-Stephens 1801-1860 was an English Tory politician who represented Barnstaple before the 1832 Reform Act. After inheriting a family fortune from glass manufacture in Portugal he was later reputed to be the richest commoner in England.<br /> <br /> The plates:<br /> <br /> 1. Le Roi d'Yvetot<br /> 2. La Bacchante<br /> 3. Le Sénateur<br /> 4. La Gaudriole<br /> 5. Roger Bontemps<br /> 6. Ma Grand'Mère<br /> 7. Ma Mère Aveugle<br /> 8. Le Petit Homme Gris<br /> 9. La Bonne Fille<br /> 10. L'Éducation des Demoiselles<br /> 11. Madame Grégoire<br /> 12. Les Gueux<br /> 13. Le Vieux Célibataire<br /> 14. Le Commencement du Voyage<br /> 15. Requête des Chiens de Qualité<br /> 16. Vieux Habits! Vieux Galons!<br /> 17. Le Nouveau Diogène<br /> 18. Le Maitre d'École<br /> 19. La Chatte<br /> 20. Bon Vin et Fillette<br /> 21. L'Habit de Cour p. 205<br /> 22. Ce n'est plus Lisette<br /> 23. L'Hiver<br /> 24. la Bonne Vieille<br /> 25. La Vivandière<br /> 26. L'Exilé p. 285<br /> 27. La Bouquetière et le Croque-Mort<br /> 28. Le Bon Vieillard p. 315<br /> 29. L'Aveugle de Bagnolet<br /> 30. Les Cartes ou L'Horoscope<br /> 31. La Marquise de Pretintaille p. 402<br /> <br /> 32. Le Tailleur et la Fée<br /> 33. Le Violon Brisé<br /> 34. Les Hirondelles<br /> 35. La Fuite de l'Amour p. 87<br /> 36. Le Vieux Sergent<br /> 37. Le Voyageur p. 111<br /> 38. Le Grenier<br /> 39. Les Deux Grenadiers p. 169<br /> 40. Les Souvenirs du Peuple<br /> <br /> Champfleury Monnier p.364; Escoffier The Romantic Movement N°675; Marie 653-692; Vicaire I-402. Paris: Baudouin Frères, Éditeurs, 1828 unknown
04871Paris: Baudouin Frères Éditeurs 1828. Pierre-Jean de Béranger "The Most Popular French Songwriter of All Time" <br /> "The First Superstar of French Popular Music"<br /> Thirty Three of Forty Hand Colored Lithograph Plates by Henri Monnier<br /> <br /> MONNIER Henri illustrator. Chansons de P.J. Béranger Anciennes Nouvelles et Inédites avec des vignettes de Devéria et des dessins coloriées d'Henri Monnier. Suivies des Procès Intentés a l'Auteur. Paris: Baudouin Frères Éditeurs 1828. <br /> <br /> First edition. Two octavo volumes 8 1/8 x 5 1/8 inches; 207 x 130 mm. ii 1-439 1 blank; iv 1-438 pp. Some light waterstaining to the top edge of the first few leaves in volume one not affecting text.<br /> <br /> Thirty-three of forty superb hand colored lithograph plates by Henri Monnier and numerous charming black & white vignettes by Achille Devèria. The color plates have the original tissue guards. The plates that were never included in this copy are numbers: 21 26 28 31 35 37 & 39.These seven plates are highlighted below within the listing of all 40 plates.<br /> <br /> Contemporary quarter russia over blue boards spines decoratively ruled in gilt two black morocco labels lettered in gilt pink marbled endpapers. Head and tail of spines expertly and almost invisibly repaired corners rubbed. Bookplates removed from front pastedowns. A very good copy.<br /> <br /> "The forty drawings by Henri Monnier lithographed with a pen on stone and colored with a brush are very rare complete. Seven of these lithographs are often missing they are: The Court Dress The Exile The Good Old Man The Marquise of Pretintaille The Flight of Love The Voyager The two Grenadiers." Carteret III p. 72.<br /> <br /> KVK locates no complete copies; OCLC locates just one complete copy in libraries and institutions worldwide: Paris-Est Marne-La-Vallee-Bu France. All other copies that are recorded or that we know of have the same thirty-three of forty hand colored plates. It would appear that the seven plates numbers 21 26 28 31 35 37 & 39 were either destroyed soon after printing or purposely left out in all but the very first copies.<br /> <br /> "Monnier also illustrated Béranger's Chansons creating numerous series over time that reflect his admiration for Béranger's work. His lithographs and early watercolors despite their small size demonstrate his extreme finesse and simplicity. Monnier's bright flat colors encircled by precise pen or pencil strokes bring his subjects to life with values and shadows indicated by more or less dense hatching. Some watercolors from this period appear almost as pen drawings enhanced with color due to the prominence of the pen work." Marie.<br /> <br /> Pierre-Jean de Béranger 1780-1857 was a prolific French poet and chansonnier songwriter who enjoyed great popularity and influence in France during his lifetime but faded into obscurity in the decades following his death. He has been described as "the most popular French songwriter of all time" and "the first superstar of French popular music". The Chansons were composed with fastidious care and are most notable for their clarity wit and incisiveness however the socialist and revolutionary content of his songs resulted in several brushes with the authorities resulting in his nine month incarceration in La Force Prison.<br /> <br /> Stephens Lyne-Stephens 1801-1860 was an English Tory politician who represented Barnstaple before the 1832 Reform Act. After inheriting a family fortune from glass manufacture in Portugal he was later reputed to be the richest commoner in England.<br /> <br /> The plates:<br /> <br /> 1. Le Roi d'Yvetot<br /> 2. La Bacchante<br /> 3. Le Sénateur<br /> 4. La Gaudriole<br /> 5. Roger Bontemps<br /> 6. Ma Grand'Mère<br /> 7. Ma Mère Aveugle<br /> 8. Le Petit Homme Gris<br /> 9. La Bonne Fille<br /> 10. L'Éducation des Demoiselles<br /> 11. Madame Grégoire<br /> 12. Les Gueux<br /> 13. Le Vieux Célibataire<br /> 14. Le Commencement du Voyage<br /> 15. Requête des Chiens de Qualité<br /> 16. Vieux Habits! Vieux Galons!<br /> 17. Le Nouveau Diogène<br /> 18. Le Maitre d'École<br /> 19. La Chatte<br /> 20. Bon Vin et Fillette<br /> 21. L'Habit de Cour p. 205<br /> 22. Ce n'est plus Lisette<br /> 23. L'Hiver<br /> 24. la Bonne Vieille<br /> 25. La Vivandière<br /> 26. L'Exilé p. 285<br /> 27. La Bouquetière et le Croque-Mort<br /> 28. Le Bon Vieillard p. 315<br /> 29. L'Aveugle de Bagnolet<br /> 30. Les Cartes ou L'Horoscope<br /> 31. La Marquise de Pretintaille p. 402<br /> <br /> 32. Le Tailleur et la Fée<br /> 33. Le Violon Brisé<br /> 34. Les Hirondelles<br /> 35. La Fuite de l'Amour p. 87<br /> 36. Le Vieux Sergent<br /> 37. Le Voyageur p. 111<br /> 38. Le Grenier<br /> 39. Les Deux Grenadiers p. 169<br /> 40. Les Souvenirs du Peuple<br /> <br /> Champfleury Monnier p.364; Escoffier The Romantic Movement N°675; Marie 653-692; Vicaire I-402. Paris: Baudouin Frères, Éditeurs, 1828 unknown
1834118177Paris : Perrotin 1834 - 1853 - 1860. 245x160mm. frontispice - XCV - 320 pages frontispice - 413 pages frontispice - 411 pages frontispice - 397 179 pages frontispice - 407 14 pages frontispice - III - 374 43 pages frontispice - 416 pages bandeaux reliure demi-chagrin coins avec titre tomaison filets et ornementations dors au dos cinq faux-nerfs quatre nerfs trois filets dors sur les deux plats plat et garde papier marbr tranche suprieure dore. Belle reliure signe Cap. Faible parses et marginales rousseurs autrement bel exemplaire. 7430 Perrotin unknown
020727Paris: Editions G. Cres & Cie 1924. No. 138 of 250 copies on Velin du Marais. Hardcover. Fine. Duodecimo 17.5 x 10 cm 7 x 4" period full blue crushed levant morocco each cover with a geometric art deco design tooled in gilt and blind and with four green morocco onlays. Spine gilt with an additional green morocco onlay blind-ruled dentelles marbled endpapers top edge gilt other edges untrimmed pp. vi 164 3. Illustrations by Joseph Hémard. Fine condition. Note: Lovely binding design and execution. Binding unsigned and binder unknown to cataloguer. <br/> <br/> Paris: Editions G. Cres & Cie, 1924. No. 138 of 250 copies on Velin du Marais. hardcover
182131265Paris Didot 1821 Paris Plassan 1825. 8vo. Bound uncut in one nice cont. red hcalf with gilt back. Bdg. w. a few traces of use. Some brownspotting. Printed on good paper. Woodcut vignettes to all three title-pages and several text-vignettes in the last work. <br/><br/><em>First editions of both parts of Beranger's "Chansons". Béranger's famous and influential song appeared in five parts in all beginning with the "Chansons morales et autres" in 1816. The two present collections constitute part two and three. The first part from 1816 is extremely scarce but this second part merely called "Chansons" is probably the most interesting and noteworthy off all the song-collections as well as being the most comprehensive. "Une édition plus complète parut en 1821 2 vol. in 18 Paris Firmin Didot. Cette édition résultant d´une souscription patronnée par le banquier Laffitte et A.-S. L- Bérard fut tirée à 10000 exemplaires; elle fut pursuivie et l´auteur quoique habilement défendu par M. Dupin l´aîné fut condamné á trois mois de prison et á 500 fr. d´amende." Brunet 1 pp. 781. The author was prosecuted and condemned to imprisonment for three monts because of the appearance of this edition. The two last parts "Chansons inédites" and "Chansons nouvelles et dernières" appeared in 1828 and 1833. These two collections contain some of the most important of Béranger's songs among these the influential Napoleonic ones. His songs develloped from being joyous odes into strong satirical and political songs; -"le gouvernement clérical et rétrograde de la Restauration fut particulièrement visé avec une verve mordante et caractéristique. C'est pour cela peut-être qu'il est un des plus grands créateurs de la légende napoléonienne car il oppose l'époque glorieuse de l'Empire à la mesquinerie qui lui succéda." Lafont-Bompiani I:368. His obvoiusly satirical tone partly explains his great political influence at the time -he is a master of portraying the Bourbon government clericalism the old reactionary nobility and as a contrast the glorious souvenirs of Napoleon. "Voltairienne sentimentale mais frivole politique et satirique mais avec simplicité évitant toute complication de doctrine et toute morale tragique la poésie de Béranger est la représentation typique de cette première partie du XIXe siècle où la société est encore imbue des moeurs et des idées du XVIIIe et où le romantisme a peine à effacer complètement les formes littéraires et l'esprit de l'ancien régime." Bompiani I pp. 368.Carteret I:134. </em> unknown
183448838Paris: Perrotin 1834. Fine. Perrotin Paris 1834 13.50 x 21.50 cm 5 volumes reliés Edition with some parts in first edition illustrated with 104 vignettes after drawings by Daubigny Johannot Charlet Raffet Scheffer Devéria. Half cherry red calf bindings spines with four raised bands decorated with gilt and blind fillets as well as blind typographical motifs and gilt romantic arabesques gilt friezes at head and foot black shagreen title and volume labels marbled paper boards marbled endpapers and pastedowns marbled edges contemporary romantic bindings. The illustrations are distributed as follows: Volume 1: 1 frontispiece and 25 figures Volume 2: 33 figures Volume 3: 40 figures Volume 4: 6 including 1 portrait plus 1 facsimile. Our set is complete with the fifth volume consisting of the music for Béranger's songs. Handsome set almost entirely free of foxing and bound in charming contemporary romantic binding. Perrotin hardcover
182183789Paris: Chez Les Marchands de nouveautés 1821. Fine. Chez Les Marchands de nouveautés Paris 1821 - 1825 9.50 x 15.80 cm 2 volumes reliés First edition of these 3 works bound in 2 volumes. Following the Trial of messieurs de Béranger and Baudouin 14 manuscript songs retained by the prosecutor general against Béranger and censored. One understands the interest of this copy since the song collection was sold out or seized. Contemporary full straight-grained green morocco binding. Luxury binding from a major atelier but unsigned. Smooth spine decorated with a blind stamp with floral semé within a double gilt fillet frame. Boards decorated with multiple blind frames doubled with gilt fillets. Gilt edges. Triple gilt interior fillet. Spines uniformly faded. Small dark areas on the boards of one volume. Traces of rubbing. Scattered pale yellow foxing. Very handsome copies. Two days after the publication of the author's song collection published at his own expense the king's prosecutor for the Seine department filed a complaint against the chansonnier and ordered the seizure of the work the police only managed to seize 500 copies since 10000 had sold in a few days. He faced four charges: offense to morals attack on religious morality offense against the person of the king and incitement to wear a rallying sign unauthorized by the king the tricolor flag. He was condemned to a minimal sentence of three months in prison and a 500 F fine essentially for his attacks against the Capuchins and missionaries. Meanwhile his lawyer Dupin provoked a second trial by publishing his plea accompanied by the text of the incriminated songs as procedural documents. Béranger was a convinced republican and his songs became increasingly virulent under Louis XVIII. After the episode of his trial where all of Paris rushed to attend he became under Charles X an important figure of the liberal camp. An engaged author and today forgotten the chansonnier Béranger enjoyed immense celebrity but posterity has identified him with the acerbic criticisms of Flaubert and Baudelaire as a minor and bourgeois author unjustly revered. The history of his trial well before those of Baudelaire and Flaubert reveals the greater complexity of the author and stages the history of censorship under the Restoration. Chez Les Marchands de nouveautés hardcover
18662091202133204289Perrotin 1866. Soft Cover. Fine. Volume: 1 Perrotin paperback
183424966Paris: Perrotin Editeur 1834. Ornée de 104 Vignettes en Taille-Douce desinées par les peintres les plus celèbres. Including Charlet Grandville Grenier Raffet etc. 4 vols. 8vo. Bound in contemporary dark half blue morocco over marbled boards two hinges repaired else fine. Johannot Tony. Ornée de 104 Vignettes en Taille-Douce desinées par les peintres les plus celèbres. Including Charlet Grandville Grenier Raffet etc. 4 vols. 8vo. Inserted are 8 Erotic plates by Tony Johannot Gay Bibliographie de l'Armour III p. 477. Perrotin, Editeur unknown
1850258459Paris: Perrotin 1850. 77 steel-engraved proofs before letters on INDIA PAPER mounted to thick paper after Charlet De Lemud Johannot Daubigny Pauquet Jacques Lange Pinguilly De Rudder and Raffet. Folio. Slightly later half red morocco and marbled boards by Victor Champs t.e.g. Foxing to mounts throughout rarely affecting the images. 77 steel-engraved proofs before letters on INDIA PAPER mounted to thick paper after Charlet De Lemud Johannot Daubigny Pauquet Jacques Lange Pinguilly De Rudder and Raffet. Folio. Perrotin unknown
1847810F12Paris: Perrotin 1847. Leather. Very Good. 9.5" by 6.5". Not Stated. A three volume edition of the songs and music of French chansonnier Pierre-Jean de Beranger illustrated throughout. The complete three volume illustrated fourth edition of the music and songs of Pierre-Jean de Beranger the prolific French poet and chansonnier - songwriter - who enjoyed great popularity and influence in France during his lifetime.With the first two volumes consisting of de Beranger's songs and the final volume dedicated to the accompanying music.Illustrated with fifty-three plates. Collated complete.De Beranger is best known as the retrospective composer for the national anthem of Malaysia 'Negaraku' and Perak state anthem 'Allah Lanjutkan Usia Sultan'. In quarter morocco bindings with cloth covered boards. Gilt detailing to back strips. Marks and rubbing to boards most prominent to front board of volume I. Small loss to paper to rear board of volume II. Internally firmly bound. Significant spotting throughout most prominent to page perimeters. Very Good Perrotin hardcover
185885997Paris: Perrotin 1858. Fine. Perrotin Paris 1858-1868 16 x 25.50 cm 5 volumes reliés en 1 New edition with some parts in first edition revised by the author and illustrated with numerous steel engravings by Johannot Raffet de Lemud Grenier Jacques Pauquet Penguilly de Rudder Sandoz d'Aubigny Grandville. Half-red shagreen bindings spines with five raised bands outlined with black fillets marbled paper boards marbled endpapers and pastedowns. The set comprises the following volumes: Chansons in two volumes Dernières chansons Musique des chansons Album des chansons entirely illustrated with engravings by Jean Ignace Isidore Gérard Grandville Ma biographie. Some foxing a scrape to head of one joint of Ma biographie the volume Dernières chansons has been bound without its title and half-title pages. Perrotin hardcover
BN106732DE L AUBE. Softcover. L'Aubrac cinquante ans de développement : L'élevage à la rencontre des enjeux du territoire <br/><br/>L'Aubrac cinquante ans de développement : L'élevage à la rencontre des enjeux du territoire DE L AUBE paperback
183482009Paris: Perrotin 1834. Fine. Perrotin Paris 1834 13 x 22 cm 4 volumes reliés Edition with some parts in first edition illustrated with 100 of 103 vignettes after drawings by Daubigny Johannot Charlet Raffet Scheffer Devéria. Half red calf bindings with corners spines slightly faded with one raised band decorated with gilt and black romantic arabesques gilt friezes at head and foot gilt fillet frames on marbled paper boards marbled endpapers and pastedowns speckled edges some corners slightly bumped contemporary bindings. Some foxing four vignettes lacking in our copy. However our copy is complete with the two portraits of Béranger and the facsimile of a 4-page manuscript letter all placed at the beginning of volume I. Perrotin hardcover
192339215Paris: Aux dépens d'un amateur 1923. A great example of erotica with 16 delicate and extremely obscene hand-colored etchings by Chas-Laborde 15 of which are full-page and hors-texte graphically depicting both heterosexual and homosexual acts having both in the same book is extremely unusual for French erotica before 1950. From a total edition of 260 numbered copies this is one of 250 on fine Montgolfier wove paper. Large 8vo. Original wraps lightly worn. Internally uncut FINE AND BRIGHT. <br/><br/> Aux dépens d'un amateur paperback
2015Atlantic-9781848218598Wiley-ISTE 2015. Hardcover. New. Wiley-ISTE hardcover
2015Atlantic-9781848218598Wiley-ISTE 2015. Hardcover. New. Wiley-ISTE hardcover
