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2026100134921TEXTES GAIS 2026. Très Bon Etat proche du neuf. 15x1x20 4cm. 2026. Broché. 352 pages. Romans érotiques Erotic fiction Contains explicit or offensive material or content Erotic romance Littérature érotique Littérature érotique et sentim TEXTES GAIS unknown
18393400Cuba and Caribean 1839. Quarter brown leather spine with light blue marbled paper with brown swirls over boards attractive blue endpapers. Complete Spanish and English translation of the entire book available upon request included with purchase. Very good not original binding likely late 19th century by family members in the provenance dedication. About half of the pages 17 have been reinforced on the lower quarter of the fore edge with archival tape. Light age fade mostly along the fore edge a few nominal water stains. Historical Midshipman's log book from duty off the coast of Cuba from 1837 - April 1839 just months before the revolt aboard the slave ship Amistad. Spain was under much pressure from England to put an end to slave trade ships and this ship was part of that fleet. The logbook of Midshipman Jose Maria de Beranger recording service aboard the Bergantin Colam under Capitan de Fragata Don Ramon Acha may well be the earliest surviving personal record of one of Spain's most prominent 19th century admirals and statesmen - written when he was a teenage midshipman on active anti-smuggling and anti-slave-trade patrol. The log eventually identifies all of the officers by name aboard the ship.<br /> <br /> 8.5" x 12" 106 pp. first and last page affixed to the verso of new end papers. Signed sixty 60 times by Beranger at the end of most daily entries signatures with artistic flourishes and curliques. Content is incredible indicative of a young midshipman on one of his first major voyages complete with daily details. Included are: Four meticulously drawn information wheels and tables; A "Cuban Brig / General State of Armament." This is a comprehensive ship's inventory and muster document of the armament provisions ballast financial summary. B Battle Plan - This is a combat stations wheel - essentially a circular battle bill assigning every crew member to a specific position on lthe ship and duty during combat. C Battle Stations Plan - a formal diagram showing every crew member's assigned position during combat. D A formal crew or personnel roster/pay table including rank number pay rations in the currency of Reales. Twenty-seven 27 hand drawn tables of sailing data which includes: longitude latitude weather wind direction water temperature astronomical data et. al. Last page of the journal is a daily accounting of the location of the ship. One interpretation of this book is that it is a log as part of his midshipman's training. While it certainly records events in which the ship was involved as well as weather course sail handling and events on board etc. these things were probably also recorded elsewhere in some more official record. Pages like the information wheel and description of armaments would be him setting into writing a day's lesson for future reference.<br /> <br /> The written content of the log ranges from the mundane: fixing location signaling mail ships shipboard drills vivid weather descriptions marking the shoals onboard accidents. Ranging to extraordinary militarism; stopping unknown vessels at night firing muskets and grenades sending out of patrol boats with carronades.<br /> <br /> Beranger was born in Cadiz on 12 February 1823 into a historic naval family his grandfather was Juan Ruiz de Apodaca Count of Venadito a Captain General of the Spanish Navy. He entered the Armada very young beginning to serve at sea at thirteen years old always aboard corvettes and dispatch vessels in subordinate roles until he obtained his first command in 1840 shortly after the trip of this chronicled voyage. He was admitted as a midshipman guardiamarina in 1837 having passed his entrance exams at just thirteen years of age. So in 1839 when this log was made he would have been only about 15-16 years old and in his very first years of active service - exactly when a midshipman would be keeping such a log. His lifetime credentials include: 31st Captain General of the Navy 7th Admiral Knight of the Military Order of Calatrava Minister of the Navy for six terms and Senator of the Kingdom.<br /> <br /> This ship's log was kept when Beranger was just 15 years old two years after taking the Navy Board. The ship which corresponds to this log was the Brigitine Colon plying the North Coast of Cuba delivering mail looking for smugglers and slave runners. The log also names several times Midshipman Don Ramón Topete. The Topete family were closely connected to Beránger throughout his career - indeed it was Admiral Juan Bautista Topete who later handed Beránger his first ministerial appointment.<br /> <br /> Provenance statement on p. 3: "By inheritance from my grandfather Don Jose Maria de Beranger y ruiz de Apodaca and by inheritance from my father Javier de Beranger y Carreras this book belongs to Elisa Beranger Fernandez de Salinas" "Dawn broke at sea with thick brownish hazy sky and horizon overcast to the west. At 2:30 the topgallants were furled and a reef taken in the topsails and two English warships were sighted coming from the East"<br /> <br /> "Departure from Matanzas escorting to Havana the Portuguese Schooner OLIES"<br /> <br /> "We continued at midday heading East SSE fresh wind and calm sea with all square sail jib and trysail heading East. At 12:30 the trysail and topgallants were furled and at 1 o'clock we continued forward brailing the mainsails in the tack and remaining in line with double-reefed topsails."<br /> <br /> the mail packet under all portable sail - cannon and musket drill was carried out in large formation <br /> <br /> "At 8:30 the 1st boat was put in the water at half speed the Midshipman went to reconnoitre various vessels - all without incident."<br /> <br /> "A firing of cannon was heard from both sides. At ½ past the hour the cannon fire and the fog signal were made to the people on land. unknown
ria9783319831718_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A paperback
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75732Couverture rigide. Bon/157p. in-8. 1937 157pp in-8 208pp reliure d'amateur demi-basane couvertures conservées Edition ornée de 16 aquarelles par Rojan! Un des ex. numérotés sur Vélin navarre! unknown
185868406Paris : Perrotin Libraire-Editeur 1858. 240x160mm. gravures n/b hors texte reliure demi-chagrin coins. Plats papier marbr. Ornementations titre et filets dors au dos faux nerfs. Tranches dores. Belle reliure. Bel exemplaire. 1110 Perrotin, Libraire-Editeur unknown
Paris, Eric Losfeld, 1968. In-8, broché, couverture illustrée en noir, 350 pp. Nombreuses photographies hors-texte.
2-86555Paris 1937 cm. 245 x 195 brossura originale pp. 157 con 16 ill. a colori di cui 10 a piena pagina su tav. f.t. Edizione di 1500 copie numerate la ns. n. 1467. In stato di nuovo. unknown
186613916Paris: Perrotin 1866. In-8 gr. mm. 267x188 bella legatura coeva in p. marocchino rosso lievi abrasioni decoraz. a secco e oro ai piatti e al dorso con titolo oro tagli dorati pp. VIII648 molto ben illustrato nel testo da un ritratto dell'A. a p. pag. e da 161 pregevoli disegni inediti e numerose vignette inc. su legno da artisti quali: Andrieux Bayard Crépon Claverie Darjou Durand Giacomelli Morin Sauvageot Viollat Worms e altri. Raccolta di oltre 400 canzoni.Il poeta francese Béranger 1780-1857 fu autore di canzonette leggere di carattere borghese e popolare che seppero interpretare lo spirito del popolo francese il senso della libertà e dell'indipendenza nazionali. La sua satira fu efficace specialmente durante la Restaurazione e gli attirò condanne dalla monarchia. Contrario a Napoleone durante l'Impero ne rievocò più tardi le gesta contribuendo alla formazione della leggenda napoleonica. Così Diz. TreccaniII p. 213.Solo qualche lieve fioriture altrimenti esemplare ben conservato. Perrotin, unknown
1860233431860. Paris Perrotin 1860. Un fort vol. au format in-8 243 x 157 mm de 1 f. bl. 2 ff. n.fol. iii - 374 pp. 1 f. n.fol. et 1 f. bl. Reliure de l'ÂŽpoque de demi-chagrin maroquinÂŽ sapin dos ˆ nerfs ornÂŽs de filets gras et maigres en noir filet en pointillÂŽs dorÂŽs sur les nerfs larges fleurons dorÂŽs titre dorÂŽ tranches mouchetÂŽes. L'ouvrage recÂle 14 sur 14 dÂŽlicates planches - ici en premier tirage - gravÂŽes sur acier d'aprÂs AimÂŽ de Lemud. ''En 1860 Perrotin rÂŽimprima cette ÂŽdition de 1857 et y insÂŽra une suite de 14 figures de AimÂŽ de Lemud pour l'illustrer''. in Carteret. ''A. de Lemud a composÂŽ en 1860 une suite de 14 dessins pour illustrer les DerniÂres Chansons. Ces gravures publiÂŽes par Perrotin ont ÂŽtÂŽ tirÂŽes sur blanc et sur Chine avant la lettre''. in Vicaire. ''ElÂve de Paul Delaroche Lemud peintre d'inspiration romantique exposa au Salon de 1869 mais ce sont surtout ses lithographies qui le firent conna”tre''. in Osterwalder citant la prÂŽsente contribution de l'artiste. ''Lemud a fait aussi de l'illustration notamment pour les Chansons de BÂŽranger''. in BÂŽnÂŽzit. Fin 1805 lÕancien Caveau ressuscite. La ClÂŽ du Caveau est publiÂŽe chaque annÂŽe. Ce recueil de chansons et dÕairs permet ˆ BÂŽranger entrÂŽ au Caveau moderne fin 1813 DÂŽsaugiers et leurs amis de faire conna”tre leurs chansons au peuple mais des copies circulent dÂŽjˆ et BÂŽranger est connu pour Le SÂŽnateur Le Petit Homme gris et surtout Le Roi dÕYvetot. En novembre 1815 BÂŽranger hasarde la publication de quelques airsÊ: Les Chansons morales et autres. Le succÂs lui donne de lÕassurance et il prend position dans le libÂŽralisme. AprÂs le retour du roi Louis XVIII en 1815 BÂŽranger va exploiter les thÂmes du respect de la libertÂŽ de la haine de lÕAncien RÂŽgime de la suprÂŽmatie clÂŽricale du souvenir des gloires passÂŽes et de lÕespoir dÕune revanche. Alors que la presse nÕest point libre il renouvelle la chanson dont il fait une arme politique un instrument de propagandeÊ: il attaque la Restauration et cÂŽlÂbre les gloires de la RÂŽpublique et de lÕEmpire. CÕest le temps de La Cocarde blanche et du Marquis de Carabas. BÂŽranger apporte la poÂŽsie dont ont besoin ceux qui ont dÂŽsertÂŽ la cause royale. Le cercle de ses amitiÂŽs sՎlargit et on le voit dans de nombreux salons. Il accepte de collaborer ˆ la Minerve avec ƒtienne de Jouy Charles-Guillaume ƒtienne et Benjamin Constant . Brivois Bibliographie des ouvrages illustrÂŽs du XIXÂme p. 56 - Carteret III Le TrÂŽsor du bibliophile p. 83 - Escoffier Le Mouvement romantique 1735 pour l'ÂŽdition de 1857 - Vicaire I Manuel de l'amateur de livres du XIXÂme 415 - Thieme Guide bibliographique de la littÂŽrature franÂaise p. 40 - Osterwalder I Dictionnaire des illustrateurs p. 617 - BÂŽnÂŽzit VI Dictionnaire des peintres p. 574 - Clouzot Guide du bibliophile franÂais p. 31 - Bailly-Herzberg Dictionnaire de l'estampe en France p. 191. Angles coupes et coiffes lÂŽgÂrement ÂŽlimÂŽs. Claires rousseurs dans le corps d'ouvrage ; dont quelques feuillets sont davantage pourvus. Du reste bonne condition. b42961 unknown
1860233441860. Paris Perrotin 1860. Un fort vol. au format in-8 243 x 157 mm de 1 f. bl. 2 ff. n.fol. 1 frontispice gravÂŽ n.fol. 416 pp. et 1 f. bl. Reliure de l'ÂŽpoque de demi-chagrin maroquinÂŽ sapin dos ˆ nerfs ornÂŽs de filets gras et maigres en noir filet en pointillÂŽs dorÂŽs sur les nerfs larges fleurons dorÂŽs titre dorÂŽ tranches mouchetÂŽes. Seconde ÂŽdition ; en partie originale ''plus complÂte que celle de 1857. De plus elle est illustrÂŽe et augmentÂŽe de nombreuses notes''. in Carteret. L'exemplaire s'ouvre sur un frontispice figurant l'auteur par Charles et recÂle en outre 8 sur 8 planches gravÂŽes d'aprÂs d'Aubigny Sandoz et Wattier ainsi que d'une photographie contrecollÂŽe sur papier fin in fine. Fin 1805 lÕancien Caveau ressuscite. La ClÂŽ du Caveau est publiÂŽe chaque annÂŽe. Ce recueil de chansons et dÕairs permet ˆ BÂŽranger entrÂŽ au Caveau moderne fin 1813 DÂŽsaugiers et leurs amis de faire conna”tre leurs chansons au peuple mais des copies circulent dÂŽjˆ et BÂŽranger est connu pour Le SÂŽnateur Le Petit Homme gris et surtout Le Roi dÕYvetot. En novembre 1815 BÂŽranger hasarde la publication de quelques airsÊ: Les Chansons morales et autres. Le succÂs lui donne de lÕassurance et il prend position dans le libÂŽralisme. AprÂs le retour du roi Louis XVIII en 1815 BÂŽranger va exploiter les thÂmes du respect de la libertÂŽ de la haine de lÕAncien RÂŽgime de la suprÂŽmatie clÂŽricale du souvenir des gloires passÂŽes et de lÕespoir dÕune revanche. Alors que la presse nÕest point libre il renouvelle la chanson dont il fait une arme politique un instrument de propagandeÊ: il attaque la Restauration et cÂŽlÂbre les gloires de la RÂŽpublique et de lÕEmpire. CÕest le temps de La Cocarde blanche et du Marquis de Carabas. BÂŽranger apporte la poÂŽsie dont ont besoin ceux qui ont dÂŽsertÂŽ la cause royale. Le cercle de ses amitiÂŽs sՎlargit et on le voit dans de nombreux salons. Il accepte de collaborer ˆ la Minerve avec ƒtienne de Jouy Charles-Guillaume ƒtienne et Benjamin Constant . Escoffier Le Mouvement romantique 1735 pour l'ÂŽdition de 1857 - Carteret III Le TrÂŽsor du bibliophile p. 85 - Vicaire I Manuel de l'amateur de livres du XIXÂme 415 - Thieme Guide bibliographique de la littÂŽrature franÂaise p. 40 pour l'ÂŽdition de 1857 - Brivois Bibliographie de l'Oeuvre de BÂŽranger p. 84 - Brivois Bibliographie des ouvrages illustrÂŽs du XIXÂme p. 56 - Clouzot Guide du bibliophile franÂais p. 31. Angles coupes et coiffes lÂŽgÂrement ÂŽlimÂŽs. Quelques feuillets oxydÂŽs. InÂŽgales mais claires rousseurs dans le texte. Du reste bonne condition. b42961 unknown
186147248Paris: Perrotin 1861. In-8 p. mm. 235x147 mz. marocchino rosso con angoli dorso a cordoni con fregi e titolo oro pp. 4292 molto ben illustr. da: 1 antiporta 1 ritratto dell'A. il facsimile di una lettera di Grandville all'A. e 78 tavole fuori testo. Cfr. CarteretIII85. Molto ben conservato. Perrotin, unknown
66167Couverture rigide. Bon/1834. in-8. Paris 1834 in-8 320 413 397 & 411pp Reliures en demi veau cerise ornés de filets dorés et à froid ainsi que de motifs à froid et d'arabesques romantiques dorées Edition en partie originale illustrée de 104 vignettes d'après les dessins de Daubigny Johannot Charlet Raffet Scheffer Devéria etc. unknown
1847710171847. CHARLET. Beranger P.J. OEUVRES COMPLETES Nouvelle Edition revue par l'Auteur. Paris Perrotin 1847 Volume II and 1858 Volume I. Octavo. Two volumes. xl412; ii402pp. 55ff. Contains 54 fine full-page steel engravings from Johannot Daubigny Charlet and others each showing a central scene surrounded by narrative vignettes often quite surreal and fantastical. Folding manuscript facsimile. Together with: DERNIERS CHANSONS de P.J. de Beranger. Paris Perrotin 1857. Octavo. iv371pp. Bound together with: MA BIOGRAPHIE. Ouvrage Posthume de Beranger. Paris Perrotin 1859. With engraved portrait appendix and many notes on the poems by the author. All three volumes uniformly bound in red morocco tooled in gilt and blind with marbled edges. Spines darkened extremities rubbed and labels chipped or missing moderate foxing throughout. Beranger 1780-1857 a beloved people's poet witnessed the capture of the Bastille as a schoolboy and was imprisoned twice for revolutionary activities and for the staunch Republicanism of his poems. The publication of "Derniers Chansons" and the republication of "Oeuvres Completes" form a complete memorial collection. 3 volumes. unknown books
1953R5718Moscow: Khudozhestvennaia literatura 1953. Hardcover. Very Good. Cloth-backed illustrated paper over boards; pp. 128. Boards and spine lightly scuffed; light chipping at corners and along edges of boards. Text block is nice and bright. <br/><br/> Khudozhestvennaia literatura hardcover books
18288182Paris: Baudouin Freres Editeurs 1828. First edition. Full morocco. Near Fine. 12mo. viii132pp. Title page woodcut vignette. Illustrated with woodcuts. Finely bound in early 20th c. full green morocco gilt. A.e.g. Binding is signed "Reymann." Baudouin Freres, Editeurs unknown books
18258183Paris: Chez les Marchands de Nouveautes 1825. First edition. 1/2 morocco. Very Good . 12mo. 2151pp. Uncut. Title page woodcut vignette. Illustrated with numerous woodcut tailpieces. Later 19th c. 1/2 brown morocco gilt decorated spine over marbled boards. Chez les Marchands de Nouveautes unknown books
7616BERANGER Pierre Jean de. DERNIERES CHANSONS. Paris: Perrotin 1857. Large 8vo. Contemporary morocco spine marbled paper over boards. iv iv 374 2 pages plates. First edition. A nice extra-illustrated copy of Beranger's later chansons 1834-1854 illustrated with engravings and hand-colored lithographs by Henri-Bonaventure Monnier. All the plates are supplied in two copies: one before lettering th other after. The blue-morocco spine is slightly faded else a nice uncut cop. unknown books
1875015763Villafranca: For Les Presses De La Societe Des Bibliophiles Cosmopolites 1875. Limited Edition. Small Octavo. #84/300 copies on velin engraved frontispiece by Ch. Chardon aine with another engraving which appears to have been taken from an earlier edition1864 and possibly by the famous Belgian artist Felicien Rops who illustrated several of Octave Uzannes works bound in before frontispiece on stubs bound in 3/4 blue morocco over marbled paper covered boards raised bands spine lettering gilt with compartments pictorially stamped in gilt depicting the bust of a Sator within each compartment marbled endpapers top edge gilt some foxing to frontispiece otherwise a fine bright copy. For Les Presses De La Societe Des Bibliophiles Cosmopolites unknown books
185159960Paris: Perrotin éditeur 1851. Nouvelle édition revue de l'auteur. Tall 8vo. 2 volumes: xl 411 1; 4 401 1 pp. Engraved plates extra engraved title page to volume two portrait frontispiece to volume one 3-page facsimile manuscript. Béranger 1780-1857 was a prolific French poet and songwriter sometimes referred to as the "first superstar of French popular music." Rather persistent foxing else very good. Later three-quarter crushed turquoise morocco rubbed corners bumped spine uniformly faded to brown gilt rules and titles between raised bands on spines marbled boards and endpapers top edge gilt. fore-edges untrimmed. 7211. <br/><br/> Perrotin, éditeur hardcover books
1850258459Paris: Perrotin 1850. 77 steel-engraved proofs before letters on INDIA PAPER mounted to thick paper after Charlet De Lemud Johannot Daubigny Pauquet Jacques Lange Pinguilly De Rudder and Raffet. Folio. Slightly later half red morocco and marbled boards by Victor Champs t.e.g. Foxing to mounts throughout rarely affecting the images. 77 steel-engraved proofs before letters on INDIA PAPER mounted to thick paper after Charlet De Lemud Johannot Daubigny Pauquet Jacques Lange Pinguilly De Rudder and Raffet. Folio. Perrotin unknown books
1850250044N.p. 1850. One page. 12mo. Old stain from paper clip otherwise very good. One page. 12mo. Interesting note from the great French songwriter 1780 -1857 to an acquaintance:<br/><br/> "I thank you . and am sending you all your letters of which you doubtless wish to make an autograph collection. You are certainly giving a fine example to husbands. You are equally a model for fathers and I approve wholeheartedly of all you say you have written to your wife.<br/> "I'm doing fine in my break and I hope it lasts a while .". unknown books
18581275012Paris: Perrotin Libraire-Editeur 1858. Hardcover. 32mo. 568pp.; G; 1/4 bound spine black leather green label gilt lettering and tooling marbled boards; some wear to boards; water damage throughout covering upper fore corner and extending to approximately 1/4 of the page; text in French; shelved front case. 1275012. Shelved Dupont Bookstore. Perrotin, Libraire-Editeur hardcover books
25111BERANGER P.-J. de. CHANSONS DE P.-J. DE BERANGER ANCIENNES ET POSTHUMES. Paris: Perrotin 1866. 4to. Publisher's cloth all edges gilt. Frontispiece vii 648 pages. With an essay by M. Barthelemy Saint-Hilaire on "Beranger et la Posterite". Well illustrated with engravings throughout. Covers rubbed tips and head an tail of spine heavily rubbed interior very good. unknown books
1829185766Bruxelles.: Tarlier. 1829. Contemporary half green cloth over marbled boards. . Very good. 16mo. 12.1x8 cm. . French text. A nice tight copy of poems and songs by the most popular French poet of the 19th century. weight: 0.5 lb. Engraved frontis. Tarlier. hardcover books