BERANGER, P J deBiblio.com
106 résultats
184581226Paris : Perrotin 1845. 215x140mm. partition de musique reliure demi-basane. Plats papier marbrÂŽ. Auteur titre filet et ornementations dorÂŽs au dos. DÂŽchirure sur la derniÂre page table des airs du quatriÂme volumes avec manque au texte. 331 Perrotin unknown
184713618Paris: Perrotin 1847. Discreto - buono stato. Nota di proprietà sulla prima sguardia qualche fioritura tracce d'uso sulla legatura piccole mancanze sulla cuffia superiore abrasioni del fiore della pelle. Legatura ottocentesca in mezza pelle piccoli difetti su cuffie e coperta in ottavo cm 24 x 15.5 pp 292 vignetta sul frontespizio 84 tavole incise incluso il ritratto all'antiporta e il frontespizio figurato per l'Album. Nota di proprietà sulla prima sguardia qualche fioritura tracce d'uso sulla legatura. Quarta edizione aumentata della musica per le nuove chansons e di tre arie con accordi per pianoforte di M. Halvey e M.me Mainvielle-Fodor di questa raccolta di canzoni del popolare poeta francese col testo accompagnato da spartiti. Questo esemplare è legato con le tavole dell'Album Béranger di Grandville che intercalate ai testi illustrano con perfetto contrappunto i soggetti licenziosi satirici e politici delle canzoni. Grandville Jean-Ignace-Isidore Gérard Nancy 1803 - Vanves 1847 aveva illustrato l'edizione 1836 delle opere di Béranger con una suite di incisioni Carteret p. 82; una selezione di 84 di queste tavole fu ristampata da Perrotin per accompagnare la quarta edizione delle canzoni musicate che si vendeva «avec ou sans la suite» Carteret. Le canzoni di Béranger spesso di denuncia politica e anticlericale conobbero uno straordinario successo rendendolo il più celebre poeta dell'epoca apprezzato da contemporanei come Goethe e Hugo. Bibliografia: Carteret Le Trésor du Bibliophile Époque Romantique p. 85. Perrotin unknown
184739111847. : 55 . Octavo 8vo Height cm: 246 CM Width cm: 162 CM Thickness cm: 22 CM unknown
1869mon0004067624Paris: Garnier Freres 1869. Hardcover. Good. . cover shows moderate wear rubbing loss at the corners. pages lightly tanned and foxed. Paris: Garnier Freres hardcover
1847810F12Paris: Perrotin 1847. Leather. Very Good. 9.5" by 6.5". Not Stated. A three volume edition of the songs and music of French chansonnier Pierre-Jean de Beranger illustrated throughout. The complete three volume illustrated fourth edition of the music and songs of Pierre-Jean de Beranger the prolific French poet and chansonnier - songwriter - who enjoyed great popularity and influence in France during his lifetime.With the first two volumes consisting of de Beranger's songs and the final volume dedicated to the accompanying music.Illustrated with fifty-three plates. Collated complete.De Beranger is best known as the retrospective composer for the national anthem of Malaysia 'Negaraku' and Perak state anthem 'Allah Lanjutkan Usia Sultan'. In quarter morocco bindings with cloth covered boards. Gilt detailing to back strips. Marks and rubbing to boards most prominent to front board of volume I. Small loss to paper to rear board of volume II. Internally firmly bound. Significant spotting throughout most prominent to page perimeters. Very Good Perrotin hardcover
184530958Paris: Perrotin 1845. Fine. Perrotin Paris 1845 14 x 22.50 cm relié Third edition partly in first edition as augmented with two airs with piano accompaniments by Mme Mainvielle-Fodor. Half brown sheep binding with corners smooth spine very slightly faded decorated with dotted and gilt fillets as well as blind fillets and showing small traces of rubbing blind friezes framing the marbled paper boards some traces of rubbing on the edges contemporary binding. Small scattered foxing a printed stamp on the half-title page as bookplate. Rare. Perrotin hardcover
18393400Cuba and Caribean 1839. Quarter brown leather spine with light blue marbled paper with brown swirls over boards attractive blue endpapers. Complete Spanish and English translation of the entire book available upon request included with purchase. Very good not original binding likely late 19th century by family members in the provenance dedication. About half of the pages 17 have been reinforced on the lower quarter of the fore edge with archival tape. Light age fade mostly along the fore edge a few nominal water stains. Historical Midshipman's log book from duty off the coast of Cuba from 1837 - April 1839 just months before the revolt aboard the slave ship Amistad. Spain was under much pressure from England to put an end to slave trade ships and this ship was part of that fleet. The logbook of Midshipman Jose Maria de Beranger recording service aboard the Bergantin Colam under Capitan de Fragata Don Ramon Acha may well be the earliest surviving personal record of one of Spain's most prominent 19th century admirals and statesmen - written when he was a teenage midshipman on active anti-smuggling and anti-slave-trade patrol. The log eventually identifies all of the officers by name aboard the ship.<br /> <br /> 8.5" x 12" 106 pp. first and last page affixed to the verso of new end papers. Signed sixty 60 times by Beranger at the end of most daily entries signatures with artistic flourishes and curliques. Content is incredible indicative of a young midshipman on one of his first major voyages complete with daily details. Included are: Four meticulously drawn information wheels and tables; A "Cuban Brig / General State of Armament." This is a comprehensive ship's inventory and muster document of the armament provisions ballast financial summary. B Battle Plan - This is a combat stations wheel - essentially a circular battle bill assigning every crew member to a specific position on lthe ship and duty during combat. C Battle Stations Plan - a formal diagram showing every crew member's assigned position during combat. D A formal crew or personnel roster/pay table including rank number pay rations in the currency of Reales. Twenty-seven 27 hand drawn tables of sailing data which includes: longitude latitude weather wind direction water temperature astronomical data et. al. Last page of the journal is a daily accounting of the location of the ship. One interpretation of this book is that it is a log as part of his midshipman's training. While it certainly records events in which the ship was involved as well as weather course sail handling and events on board etc. these things were probably also recorded elsewhere in some more official record. Pages like the information wheel and description of armaments would be him setting into writing a day's lesson for future reference.<br /> <br /> The written content of the log ranges from the mundane: fixing location signaling mail ships shipboard drills vivid weather descriptions marking the shoals onboard accidents. Ranging to extraordinary militarism; stopping unknown vessels at night firing muskets and grenades sending out of patrol boats with carronades.<br /> <br /> Beranger was born in Cadiz on 12 February 1823 into a historic naval family his grandfather was Juan Ruiz de Apodaca Count of Venadito a Captain General of the Spanish Navy. He entered the Armada very young beginning to serve at sea at thirteen years old always aboard corvettes and dispatch vessels in subordinate roles until he obtained his first command in 1840 shortly after the trip of this chronicled voyage. He was admitted as a midshipman guardiamarina in 1837 having passed his entrance exams at just thirteen years of age. So in 1839 when this log was made he would have been only about 15-16 years old and in his very first years of active service - exactly when a midshipman would be keeping such a log. His lifetime credentials include: 31st Captain General of the Navy 7th Admiral Knight of the Military Order of Calatrava Minister of the Navy for six terms and Senator of the Kingdom.<br /> <br /> This ship's log was kept when Beranger was just 15 years old two years after taking the Navy Board. The ship which corresponds to this log was the Brigitine Colon plying the North Coast of Cuba delivering mail looking for smugglers and slave runners. The log also names several times Midshipman Don Ramón Topete. The Topete family were closely connected to Beránger throughout his career - indeed it was Admiral Juan Bautista Topete who later handed Beránger his first ministerial appointment.<br /> <br /> Provenance statement on p. 3: "By inheritance from my grandfather Don Jose Maria de Beranger y ruiz de Apodaca and by inheritance from my father Javier de Beranger y Carreras this book belongs to Elisa Beranger Fernandez de Salinas" "Dawn broke at sea with thick brownish hazy sky and horizon overcast to the west. At 2:30 the topgallants were furled and a reef taken in the topsails and two English warships were sighted coming from the East"<br /> <br /> "Departure from Matanzas escorting to Havana the Portuguese Schooner OLIES"<br /> <br /> "We continued at midday heading East SSE fresh wind and calm sea with all square sail jib and trysail heading East. At 12:30 the trysail and topgallants were furled and at 1 o'clock we continued forward brailing the mainsails in the tack and remaining in line with double-reefed topsails."<br /> <br /> the mail packet under all portable sail - cannon and musket drill was carried out in large formation <br /> <br /> "At 8:30 the 1st boat was put in the water at half speed the Midshipman went to reconnoitre various vessels - all without incident."<br /> <br /> "A firing of cannon was heard from both sides. At ½ past the hour the cannon fire and the fog signal were made to the people on land. unknown
185752585Paris: Gustave Havard Libraire-Éditeur 1857. 8vo 18x12 cm. Green half-calf spine with ribbons gilt in compartments very sl.rubbed; covers with green decorated paper; marbled endpapers; marbled edges. viii292 pp. With frontispiece: original photo by Adolphe Bilordeaux pasted in. Photo of a bas-relief representing the bust of Pierre Jean de Béranger on his deathbed. - Brown spots in places but on the whole a good copy of this rare second edition with the original photo. Gustave Havard, Libraire-Éditeur unknown
18603537071Paris.: Perrotin Edit. 1860. Hardcover. Cubierta deslucida. Good. 21 cm. 590 p. Encuadernación en tapa dura artesanal hol puntas en piel con nervios. Idioma frances. Portrait en pied dessine par Charlet. Photog. de M. Geoffroy-Dechaume . Cubierta deslucida. biografias Perrotin Edit. hardcover
186868890Paris : Garnier 1868. 240x150mm. demi-chagrin rouge dos nerfs auteur titre et fleurons dors tranches dores. 963 Garnier unknown
1860233441860. Paris Perrotin 1860. Un fort vol. au format in-8 243 x 157 mm de 1 f. bl. 2 ff. n.fol. 1 frontispice gravÂŽ n.fol. 416 pp. et 1 f. bl. Reliure de l'ÂŽpoque de demi-chagrin maroquinÂŽ sapin dos ˆ nerfs ornÂŽs de filets gras et maigres en noir filet en pointillÂŽs dorÂŽs sur les nerfs larges fleurons dorÂŽs titre dorÂŽ tranches mouchetÂŽes. Seconde ÂŽdition ; en partie originale ''plus complÂte que celle de 1857. De plus elle est illustrÂŽe et augmentÂŽe de nombreuses notes''. in Carteret. L'exemplaire s'ouvre sur un frontispice figurant l'auteur par Charles et recÂle en outre 8 sur 8 planches gravÂŽes d'aprÂs d'Aubigny Sandoz et Wattier ainsi que d'une photographie contrecollÂŽe sur papier fin in fine. Fin 1805 lÕancien Caveau ressuscite. La ClÂŽ du Caveau est publiÂŽe chaque annÂŽe. Ce recueil de chansons et dÕairs permet ˆ BÂŽranger entrÂŽ au Caveau moderne fin 1813 DÂŽsaugiers et leurs amis de faire conna”tre leurs chansons au peuple mais des copies circulent dÂŽjˆ et BÂŽranger est connu pour Le SÂŽnateur Le Petit Homme gris et surtout Le Roi dÕYvetot. En novembre 1815 BÂŽranger hasarde la publication de quelques airsÊ: Les Chansons morales et autres. Le succÂs lui donne de lÕassurance et il prend position dans le libÂŽralisme. AprÂs le retour du roi Louis XVIII en 1815 BÂŽranger va exploiter les thÂmes du respect de la libertÂŽ de la haine de lÕAncien RÂŽgime de la suprÂŽmatie clÂŽricale du souvenir des gloires passÂŽes et de lÕespoir dÕune revanche. Alors que la presse nÕest point libre il renouvelle la chanson dont il fait une arme politique un instrument de propagandeÊ: il attaque la Restauration et cÂŽlÂbre les gloires de la RÂŽpublique et de lÕEmpire. CÕest le temps de La Cocarde blanche et du Marquis de Carabas. BÂŽranger apporte la poÂŽsie dont ont besoin ceux qui ont dÂŽsertÂŽ la cause royale. Le cercle de ses amitiÂŽs sՎlargit et on le voit dans de nombreux salons. Il accepte de collaborer ˆ la Minerve avec ƒtienne de Jouy Charles-Guillaume ƒtienne et Benjamin Constant . Escoffier Le Mouvement romantique 1735 pour l'ÂŽdition de 1857 - Carteret III Le TrÂŽsor du bibliophile p. 85 - Vicaire I Manuel de l'amateur de livres du XIXÂme 415 - Thieme Guide bibliographique de la littÂŽrature franÂaise p. 40 pour l'ÂŽdition de 1857 - Brivois Bibliographie de l'Oeuvre de BÂŽranger p. 84 - Brivois Bibliographie des ouvrages illustrÂŽs du XIXÂme p. 56 - Clouzot Guide du bibliophile franÂais p. 31. Angles coupes et coiffes lÂŽgÂrement ÂŽlimÂŽs. Quelques feuillets oxydÂŽs. InÂŽgales mais claires rousseurs dans le texte. Du reste bonne condition. b42961 unknown
1868118307Paris Garnier 1868. In 8° mezza pelle con titoli e filetti oro al dorso. Pp. 416 con un ritratto in piedi Beranger eseguito da Charlet da una fotografia del ritratto marmoreo e da 8 incisioni fuori testo protette da velina. Qualche inevitabile giallitura ma buon esemplare Paris, Garnier unknown
185731854Paris 1857. Ouvrage posthume. Avec un Appendice. 2 Bde. in einem Gering stockfl. minimal ber. Premiere Edition Lanson 17821 Perrotin 8°. Hldr. marm. Literatur unknown
1847833B52Edinburgh : Sutherland & Knox 1847. First edition. Cloth. Very Good. 7" by 4.5". None. A smart first English translated copy of this collection of lyrical poems by Pierre-Jean de Baranger. This volume has been translated from the original French by William Anderson with a biographical notice and is a scarce first English edition. Some of the poems within this anthology include The Good Old Woman The Traveller The Fields The Falling Stars.Pierre-Jean de Beranger was a prolific French poet and songwriter who enjoyed great popularity and influence in France during his lifetime. In the publisher's original cloth binding. Externally very smart with some bumping to the head and tail of the spine. Internally firmly bound with bright and clean pages. Very Good Sutherland & Knox hardcover
1875015763Villafranca: For Les Presses De La Societe Des Bibliophiles Cosmopolites 1875. Limited Edition. Small Octavo. #84/300 copies on velin engraved frontispiece by Ch. Chardon aine with another engraving which appears to have been taken from an earlier edition1864 and possibly by the famous Belgian artist Felicien Rops who illustrated several of Octave Uzannes works bound in before frontispiece on stubs bound in 3/4 blue morocco over marbled paper covered boards raised bands spine lettering gilt with compartments pictorially stamped in gilt depicting the bust of a Sator within each compartment marbled endpapers top edge gilt some foxing to frontispiece otherwise a fine bright copy. For Les Presses De La Societe Des Bibliophiles Cosmopolites unknown
1834791261834. Fine. 1834-1835 26 x 33 cm 3 volumes reliés First edition. Contemporary green half morocco bindings spines uniformly sunned with gilt fillets and dentelle motifs marbled paper covers morocco label ""Marie Seillan"" pasted on each volume spine-ends rubbed otherwise a handsome copy. Scattered foxing paper on some issues a little browned. Detailed volume contents : - Volume 1: 26 issues nos. 1 to 26 and 26 scores 2 lithographs with the first two scores an engraved portrait of Rossini vignettes in the text. - Volume 2: 25 issues nos. 27 to 52 and 26 scores vignettes in the text. - Volume 3: 26 issues nos. 1 to 26 and 26 scores two scores are missing and have been replaced by three others. Complete last volume with all lithographs as they were supplied without supplement for this new series. unknown
18301038AG1830. O.J. um 1830. Kupferstich in Mischtechnik Strich- und Punktiermanier von Philippe Joseph Vallot 1796-1840 nach Charlet. Bildgrösse: 20 x 107 cm. Blattgrösse: 355 x 252 cm. Mit handschriftlicher Widmung des Kupferstechers Ph.J. Vallot an einen Freund. Stockfleckig. unknown
1860233431860. Paris Perrotin 1860. Un fort vol. au format in-8 243 x 157 mm de 1 f. bl. 2 ff. n.fol. iii - 374 pp. 1 f. n.fol. et 1 f. bl. Reliure de l'ÂŽpoque de demi-chagrin maroquinÂŽ sapin dos ˆ nerfs ornÂŽs de filets gras et maigres en noir filet en pointillÂŽs dorÂŽs sur les nerfs larges fleurons dorÂŽs titre dorÂŽ tranches mouchetÂŽes. L'ouvrage recÂle 14 sur 14 dÂŽlicates planches - ici en premier tirage - gravÂŽes sur acier d'aprÂs AimÂŽ de Lemud. ''En 1860 Perrotin rÂŽimprima cette ÂŽdition de 1857 et y insÂŽra une suite de 14 figures de AimÂŽ de Lemud pour l'illustrer''. in Carteret. ''A. de Lemud a composÂŽ en 1860 une suite de 14 dessins pour illustrer les DerniÂres Chansons. Ces gravures publiÂŽes par Perrotin ont ÂŽtÂŽ tirÂŽes sur blanc et sur Chine avant la lettre''. in Vicaire. ''ElÂve de Paul Delaroche Lemud peintre d'inspiration romantique exposa au Salon de 1869 mais ce sont surtout ses lithographies qui le firent conna”tre''. in Osterwalder citant la prÂŽsente contribution de l'artiste. ''Lemud a fait aussi de l'illustration notamment pour les Chansons de BÂŽranger''. in BÂŽnÂŽzit. Fin 1805 lÕancien Caveau ressuscite. La ClÂŽ du Caveau est publiÂŽe chaque annÂŽe. Ce recueil de chansons et dÕairs permet ˆ BÂŽranger entrÂŽ au Caveau moderne fin 1813 DÂŽsaugiers et leurs amis de faire conna”tre leurs chansons au peuple mais des copies circulent dÂŽjˆ et BÂŽranger est connu pour Le SÂŽnateur Le Petit Homme gris et surtout Le Roi dÕYvetot. En novembre 1815 BÂŽranger hasarde la publication de quelques airsÊ: Les Chansons morales et autres. Le succÂs lui donne de lÕassurance et il prend position dans le libÂŽralisme. AprÂs le retour du roi Louis XVIII en 1815 BÂŽranger va exploiter les thÂmes du respect de la libertÂŽ de la haine de lÕAncien RÂŽgime de la suprÂŽmatie clÂŽricale du souvenir des gloires passÂŽes et de lÕespoir dÕune revanche. Alors que la presse nÕest point libre il renouvelle la chanson dont il fait une arme politique un instrument de propagandeÊ: il attaque la Restauration et cÂŽlÂbre les gloires de la RÂŽpublique et de lÕEmpire. CÕest le temps de La Cocarde blanche et du Marquis de Carabas. BÂŽranger apporte la poÂŽsie dont ont besoin ceux qui ont dÂŽsertÂŽ la cause royale. Le cercle de ses amitiÂŽs sՎlargit et on le voit dans de nombreux salons. Il accepte de collaborer ˆ la Minerve avec ƒtienne de Jouy Charles-Guillaume ƒtienne et Benjamin Constant . Brivois Bibliographie des ouvrages illustrÂŽs du XIXÂme p. 56 - Carteret III Le TrÂŽsor du bibliophile p. 83 - Escoffier Le Mouvement romantique 1735 pour l'ÂŽdition de 1857 - Vicaire I Manuel de l'amateur de livres du XIXÂme 415 - Thieme Guide bibliographique de la littÂŽrature franÂaise p. 40 - Osterwalder I Dictionnaire des illustrateurs p. 617 - BÂŽnÂŽzit VI Dictionnaire des peintres p. 574 - Clouzot Guide du bibliophile franÂais p. 31 - Bailly-Herzberg Dictionnaire de l'estampe en France p. 191. Angles coupes et coiffes lÂŽgÂrement ÂŽlimÂŽs. Claires rousseurs dans le corps d'ouvrage ; dont quelques feuillets sont davantage pourvus. Du reste bonne condition. b42961 unknown
18753586268Paris.: Garnier Fréres. 1875. Hardcover. Cubierta deslucida. Good. 18 cm. 2 v. Encuadernación en tapa dura artesanal hol puntas nervios. Idioma frances. Béranger Pierre-Jean de 1780-1857. Oeuvres Anciennes. Contenant 53 grav. sur acier d'apres Charlet A. de Lemud Johannot Grenier Jacque Pauquet Penguilly De Rudder Raffet et Sandoz. Les 10 chansons publies en 1847 et le fac-simile d'une lettre de Beranger . Cubierta deslucida. beranger Garnier Fréres. hardcover
1859194259Paris : Perrotin 1859. First Edition. Hardback. Good copy bound in contemporary full brown leather. Sheffield Collegiate School vignette tooled in gilt to front and rear panels with blind-tooled borders. Blind tooling to spine compartments with raised bands and a gilt-blocked leather label. Some rubbing and general wear to spine bands and panel edges. Marbled endpapers. All edges red. Minor scattered marginal foxing mainly to prelims. Corners sharp with and overall tight bright and clean impression. ; 8vo 8"" - 9"" tall; 284 pages; Physical description: 284 p. ; 19 cm. Subjects: Songs French -- French lyrics -- French popular music -- 19th century -- Song lyrics. Language: French. Paris : Perrotin hardcover
186056129ABParis, Garnier Freres u. Perrotin, 1859-1860. 4 Bde. Gr.-8°. Mit 1 Stahlstichportr. n. Aug. Sandoz. Zus. 1740 S. Rote marmor. Hldrbde. d. Zt. m. goldgepr. Rt., reicher Rckn.-Vergold., Kopfgoldschnitt u. marmor. Vorsätzen. - Dekoratives Ex. in guter Erhaltung.
186613916Paris: Perrotin 1866. In-8 gr. mm. 267x188 bella legatura coeva in p. marocchino rosso lievi abrasioni decoraz. a secco e oro ai piatti e al dorso con titolo oro tagli dorati pp. VIII648 molto ben illustrato nel testo da un ritratto dell'A. a p. pag. e da 161 pregevoli disegni inediti e numerose vignette inc. su legno da artisti quali: Andrieux Bayard Crépon Claverie Darjou Durand Giacomelli Morin Sauvageot Viollat Worms e altri. Raccolta di oltre 400 canzoni.Il poeta francese Béranger 1780-1857 fu autore di canzonette leggere di carattere borghese e popolare che seppero interpretare lo spirito del popolo francese il senso della libertà e dell'indipendenza nazionali. La sua satira fu efficace specialmente durante la Restaurazione e gli attirò condanne dalla monarchia. Contrario a Napoleone durante l'Impero ne rievocò più tardi le gesta contribuendo alla formazione della leggenda napoleonica. Così Diz. TreccaniII p. 213.Solo qualche lieve fioriture altrimenti esemplare ben conservato. Perrotin, unknown
182131265Paris Didot 1821 Paris Plassan 1825. 8vo. Bound uncut in one nice cont. red hcalf with gilt back. Bdg. w. a few traces of use. Some brownspotting. Printed on good paper. Woodcut vignettes to all three title-pages and several text-vignettes in the last work. <br/><br/><em>First editions of both parts of Beranger's "Chansons". Béranger's famous and influential song appeared in five parts in all beginning with the "Chansons morales et autres" in 1816. The two present collections constitute part two and three. The first part from 1816 is extremely scarce but this second part merely called "Chansons" is probably the most interesting and noteworthy off all the song-collections as well as being the most comprehensive. "Une édition plus complète parut en 1821 2 vol. in 18 Paris Firmin Didot. Cette édition résultant d´une souscription patronnée par le banquier Laffitte et A.-S. L- Bérard fut tirée à 10000 exemplaires; elle fut pursuivie et l´auteur quoique habilement défendu par M. Dupin l´aîné fut condamné á trois mois de prison et á 500 fr. d´amende." Brunet 1 pp. 781. The author was prosecuted and condemned to imprisonment for three monts because of the appearance of this edition. The two last parts "Chansons inédites" and "Chansons nouvelles et dernières" appeared in 1828 and 1833. These two collections contain some of the most important of Béranger's songs among these the influential Napoleonic ones. His songs develloped from being joyous odes into strong satirical and political songs; -"le gouvernement clérical et rétrograde de la Restauration fut particulièrement visé avec une verve mordante et caractéristique. C'est pour cela peut-être qu'il est un des plus grands créateurs de la légende napoléonienne car il oppose l'époque glorieuse de l'Empire à la mesquinerie qui lui succéda." Lafont-Bompiani I:368. His obvoiusly satirical tone partly explains his great political influence at the time -he is a master of portraying the Bourbon government clericalism the old reactionary nobility and as a contrast the glorious souvenirs of Napoleon. "Voltairienne sentimentale mais frivole politique et satirique mais avec simplicité évitant toute complication de doctrine et toute morale tragique la poésie de Béranger est la représentation typique de cette première partie du XIXe siècle où la société est encore imbue des moeurs et des idées du XVIIIe et où le romantisme a peine à effacer complètement les formes littéraires et l'esprit de l'ancien régime." Bompiani I pp. 368.Carteret I:134. </em> unknown
