5 résultats
154768039Apud Iacobum Giunta | Lugduni 1547 | 11 x 16 cm | relié
154768039Lugduni Leiden: Apud Iacobum Giunta 1547. Fine. Apud Iacobum Giunta Lugduni Leiden 1547 11 x 16 cm relié New edition after the editio princeps of 1503. Title page in red and black. Gothic typeface. Editions from 1517 are found at the Bibliothèque nationale de France and the British Library. Contemporary limp vellum binding. Smooth spine with faded handwritten title. Joints cracked at foot. Foot headcap with 1 cm tear. Text block detached from binding. Last leaf loose. Lacking endpapers at end of volume and probably the index. Theological and moral work on contrition by the Dominican Vivaldi from Mantua professor of theology and advisor to the Marquis of Saluzzo. It was reprinted several times from 1503. Apud Iacobum Giunta hardcover
151762289Paris: François Regnault 1517. Title printed in red and black with printer's woodcut device elephant and monogram; text in black letter with criblé initials. a-y8Z2. 186 leaves misfoliated i-clii cliii-clxxviii. 1 vols. Small 8vo. Nineteenth-century floral-patterened boards. Printer's device on title page tinted in an early hand title slightly soiled otherwise a pleasant crisp copy. Title printed in red and black with printer's woodcut device elephant and monogram; text in black letter with criblé initials. a-y8Z2. 186 leaves misfoliated i-clii cliii-clxxviii. 1 vols. Small 8vo. Lovely example of this popular devotional first printed in Lyon 1503 and several times thereafter through the early part of the 16th century. Regnault the Parisian printer first printed it in 1508. Rare -- Not in OCLC; not in RLIN; not in Adams; the only copies we have found were in the British Library and Bibliothèque Nationale François Regnault unknown books
1511047787paris: J. Barbier for Franciscus Regnault 1511. Third Edition. Hardcover Full Leather. Very Good Condition. Contemporary calf over wooden boards clasps repaired with old vellum rolled blindstamping of fleur de lis and other flowers as well as a cat of some sort. Staining and wear front hinge starting evidence of old repairs endpapers appear to have been refreshed at some point 18th century and a blank probably added between the main work and the index. Some dampstaining in the gutter for about 80 leaves towards the middle some old red underlingings here and there and a few trimmed pages in the lower margin. Still a fine copy in a fine original binding. CCXCI 1 possibly added 7 leaves. Four large illustrations one a lovely Dance of Death. The ilustrations for this edition were done with multiple modular metal cuts as many as a dozen different pieces instead of one large woodcut. <br /> <br /> A very fine edition the first printed in Paris and the third overall after the 1507 printed in Saluzzo and the 1508 in Lyon. Mortimer 552 the Lyon ed. Adams V929 Size: Quarto 4to. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Religion & Theology; Antiquarian & Rare. Inventory No: 047787. J. Barbier for Franciscus Regnault hardcover
1511401752Paris: Jean Barbier for François Regnault 1511. From the Collection of Arthur & Charlotte Vershbow. 4to 142 x 210 mm. Title printed in red and black 7 metalcut illustrations and borders. Contemporary English limp blind-tooled calf boards removed early manuscript pastedowns preserved; cloth folding case. Back cover detached. Provenance: early manuscript annotations extensive at beginning and end; William Morris 1834-1896 Kelmscott House bookplate his sale Sotheby's 5 December 1898 lot 1092 to Chadwick for £6 15s.; John Camp Williams bookplates his sale American Art Association 6 November 1929 lot 1156; purchased from Thomas Taylor 1978. Third edition. The 1507 first edition printed at Saluzzo by Giacomo de' Circhi and Sisto Somasco and the Lyons 1508 edition of Étienne Gueynard both employed woodcuts. In Barbier's edition for Regnault up to one dozen small metal plates combined to form each of the large subjects and frames in the final composite images. The subjects include the Descent from the Cross the Dance of Death and representations of saints. Giovanni Lodovico Vivaldi whose name appears on the verso of the title-page above Andreas de Soncino's preface dedicates the work to the Marquess of Salluzzo Ludovico II 1438-1504 and his second wife Marguérite de Foix. A Dominican monk and professor of theology from Mondovi Vivaldi moved to Lombardy to act as their adviser and confessor. His collaboration in this text with Bernardino Dardano represents a "defining link between theological and humanistic culture in print" Vinay L'umanesimo subalpino nel secolo XV 1935 p.107. See Harvard/Mortimer French 552 the Lyons edition. Renouard Imprimeurs & Libraires Parisiens du XVIe siècle 185. <br/><br/> Jean Barbier for François Regnault hardcover books