Vivaldi, AntonioBiblio.com
471 résultats
0713486635.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2003__0571513662Faber Music 2003. Paperback. New. 999 pages. 7.87x5.51x1.57 inches. Faber Music paperback
2016__8875929653Ricordi - Bmg Ricordi 2016. Hardcover. New. critical edition. 132 pages. 11.00x8.25x0.57 inches. Ricordi - Bmg Ricordi hardcover
198413076New York: Targ Editions 1984. Limited Edition. Hardcover. Fine/very good. Quarto unpaginated. A fine crisp copy in the publisher's marbled boards "Cockerell papers". In the original was paper dust ajcket with several short tears to extremities; very good. One of 150 unnumbered limited copies SIGNED by Snodgrass on the colophon. Beautifully printed with the music printed in rich letterpress. Targ Editions hardcover
1995Q-048628638XDover Publications 1995-08-24. Paperback. New. In shrink wrap. Looks like an interesting title! Dover Publications paperback
1999Q-048640644XDover Publications 1999-01-26. Paperback. New. In shrink wrap. Looks like an interesting title! Dover Publications paperback
1986Q-0757909396Alfred Music 1986-10-01. Paperback. New. In shrink wrap. Looks like an interesting title! Alfred Music paperback
1999Q-0821226177Bulfinch Pr 1999-09-01. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Bulfinch Pr hardcover
198415603New York: Alfred A. Knopf. Near Fine in Near Fine dust jacket. 1984. Limited Edition. Hardcover. This Targ Edition is limited to 150 copies signed by Mr. W. D. Snodgrass. Decorative paper covered boards has a paper paste down on front cover. Original translucent glassine dust jacket. Text's interior is tight clean & intact. Deckle page edges. Italian & English text. Music; 4to 11" - 13" tall; 26 pages . Alfred A. Knopf hardcover
1984227035New York: Targ 1984. Limited. hardcover. fine/very good. Printed throughout in red & black. Small vignette portrait on title. 29pp. Short slim 4to marbled boards with paper label plain glassine wrapper a bit chipped at edges; uncut edges. New York: Targ Editions 1984. A fine copy in a very good dust wrapper.<br/> <br/> A beautifully printed book -- one of 150 copies signed in red by W.D. Snodgrass.<br/> <br/> Targ unknown
1976E12224BMadison: A-R Editions 1976. Softcover. Fine. Oversized in printed softcovers. xiv 125 pp. With reproductions of two manuscript pages. Introductoey essay and notes. Fine fresh example. <br/><br/> A-R Editions paperback
2025__0826508367Vanderbilt Univ Pr 2025. Hardcover. New. 212 pages. 9.00x6.00 inches. Vanderbilt Univ Pr hardcover
0826508359.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0826508367.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2006Q-3905479354Dowani Editions 2006-04-01. Paperback. New. In shrink wrap. Looks like an interesting title! Dowani Editions paperback
2006DADAX1596152915Music Minus One 2006-11-01. paperback. New. 9.00x0.12x12.00. Buy with confidence. Excellent Customer Service & Return policy. Music Minus One paperback
A9780231209762Hardback. New. This book is a groundbreaking account of Rastafari demonstrating that it provides a normative conception of Blackness for people of African descent that resists Eurocentric and colonial ideas. hardcover
ria9780761841456_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Kierkegaard is an exegetical interpretation of Søren Kierkegaard''s Philosophical Fragments and Concluding Unscientific Postscript. Vivaldi Jean-Marie elaborates on the philosophical and religious arguments of the pseudonym Johannes Cl paperback
B9780761841456Paperback / softback. New. paperback
ria9783030405465_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A paperback
ria9783030023447_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A hardcover
199170233Italy: G. Ricordi & C. 1991. hardcover. very good. Full score with critical notes. 2 volume set one hardback and one paperback in very good condition. Slipcase in very good condition minor marks and wear. Foxing to early and rear pages and page block edges of both volumes text mostly clean. Binding on paperback 'Critical Notes and Critical Commentary' volume tight spine fine. Binding on hardcover score volume still very good spine slightly cocked and faded. Da Capo Opera Full Scores Section Cathal 08/19 PAS 3/9/2019 G. Ricordi & C. hardcover
2-74005Roma appresso Luigi Zannetti 1599 folio cm. 32 x 22 rilegato in piena pergamena moderna muta marca tipografica xilografica al frontespizio 153 cc. di testo stampate solo al verso; testo inquadrato in filetto tipografico con capolettere e finali xilografici a fronte di 153 cc. stampate solo al recto con meravigliose tavole calcografiche a piena pagina una pagina di Errata. Prima del frontespizio compaiono il frontespizio architettonico con il Cristo al centro inciso in rame dell'“Evangelicae historiae imagines.†del Nadal Antuerpiae 1593 e 2 cc. con epistola al lettore e indice italiano “Tavola delle meditationi che respondono all'imagini della vita di Christo secondo l'ordine del Historia Evangeliaâ€. La copia fa dunque parte della tiratura convenzionalmente indicata “C†cfr. ICCU. L'apparato iconografico di straordinaria fattura è stato concepito dal Nadal pare sotto la supervisione diretta del Loyola comunque sia si trattava di un progetto decisivo per i gesuiti ed è stato in gran parte inciso dietro pagamento di una somma altissima da Anton Jan e Jerome Wierix che erano tra i più celebri incisori del tempo su disegni di Marten de Vos Bernardo Passeri e altri. Forti restauri ai margini bianchi del frontespizio architettonico e delle ultime 5 cc.; peraltro carta lievemente e uniformemente brunita rade e leggere fioriture ma buona copia completa. Edizione originale dell'adattamento in lingua italiana del Vivaldi. Graesse IV 649. unknown
1511401752Paris: Jean Barbier for François Regnault 1511. From the Collection of Arthur & Charlotte Vershbow. 4to 142 x 210 mm. Title printed in red and black 7 metalcut illustrations and borders. Contemporary English limp blind-tooled calf boards removed early manuscript pastedowns preserved; cloth folding case. Back cover detached. Provenance: early manuscript annotations extensive at beginning and end; William Morris 1834-1896 Kelmscott House bookplate his sale Sotheby's 5 December 1898 lot 1092 to Chadwick for £6 15s.; John Camp Williams bookplates his sale American Art Association 6 November 1929 lot 1156; purchased from Thomas Taylor 1978. Third edition. The 1507 first edition printed at Saluzzo by Giacomo de' Circhi and Sisto Somasco and the Lyons 1508 edition of Étienne Gueynard both employed woodcuts. In Barbier's edition for Regnault up to one dozen small metal plates combined to form each of the large subjects and frames in the final composite images. The subjects include the Descent from the Cross the Dance of Death and representations of saints. Giovanni Lodovico Vivaldi whose name appears on the verso of the title-page above Andreas de Soncino's preface dedicates the work to the Marquess of Salluzzo Ludovico II 1438-1504 and his second wife Marguérite de Foix. A Dominican monk and professor of theology from Mondovi Vivaldi moved to Lombardy to act as their adviser and confessor. His collaboration in this text with Bernardino Dardano represents a "defining link between theological and humanistic culture in print" Vinay L'umanesimo subalpino nel secolo XV 1935 p.107. See Harvard/Mortimer French 552 the Lyons edition. Renouard Imprimeurs & Libraires Parisiens du XVIe siècle 185. <br/><br/> Jean Barbier for François Regnault hardcover books
151762289Paris: François Regnault 1517. Title printed in red and black with printer's woodcut device elephant and monogram; text in black letter with criblé initials. a-y8Z2. 186 leaves misfoliated i-clii cliii-clxxviii. 1 vols. Small 8vo. Nineteenth-century floral-patterened boards. Printer's device on title page tinted in an early hand title slightly soiled otherwise a pleasant crisp copy. Title printed in red and black with printer's woodcut device elephant and monogram; text in black letter with criblé initials. a-y8Z2. 186 leaves misfoliated i-clii cliii-clxxviii. 1 vols. Small 8vo. Lovely example of this popular devotional first printed in Lyon 1503 and several times thereafter through the early part of the 16th century. Regnault the Parisian printer first printed it in 1508. Rare -- Not in OCLC; not in RLIN; not in Adams; the only copies we have found were in the British Library and Bibliothèque Nationale François Regnault unknown books
