Francesca GemmoMareMagnum
722 résultats
"Jeux, Poema danzato", scritto da Claude Debussy nel 1912, si colloca ai vertici dell'intera opera debussiana. È un variegato unicum, un grande mosaico per grande orchestra in cui il suono è elemento strutturale di partenza e il tempo diventa un fluire continuo, inesorabile e imprevedibile. Questo libro offre una minuziosa analisi che percorre battuta per battuta la partitura originale ed è diretto a tutti coloro che vogliano indagare e approfondire nel dettaglio gli aspetti formali, tecnici, compositivi e stilistici impiegati dal compositore francese nella composizione di un'opera che è punto di svolta per il pensiero musicale del '900. Autori: Francesca Gemmo.
200139504Hyperion, [2001]. SACDA67114 1 CD CD
br. Improntato di un estro che sa di rapsodia, questo volume dedicato a Debussy ripercorre la vita del musicista intersecandola con la sua arte e l'ambiente culturale e artistico della Parigi di primo Novecento. Scritto da Dietrich Fischer-Dieskau, cantante e soprattutto interprete universalmente noto e apprezzato per i ruoli operistici e per la frequentazione del repertorio cameristico, è qui proposto per la prima volta nella traduzione italiana di Francesco Bussi che ha il pregio di non allentare mai l'interesse e la partecipazione nello scorrere l'elevato numero di pagine. Entro la vasta letteratura incentrata sulle opere e sui giorni di Debussy, la fatica letteraria di Fischer-Dieskau spicca con l'originalità di un unicum.
8287Editions René Kister - Genève les grands compositeurs du XXe siècle 1957
1948106091Paris, Denoël, impr. G. Girard, à Paris 1948 In-8 24 x 19 cm. Broché, couverture ivoire à rabats, titre en noir sur le dos et le premier plat, 128 pp., 8 planches hors-texte, notes, index alphabétique des noms cités, table. L’un des 1000 exemplaires sur Alfa mousse numérotés. Bel exemplaire.
11351Paris, A.Durant 1927, 255x160mm, 190pages, broché, illustré de partitions partielles de musique.
199948661Antes, 1999. BM-CD 31.9135 CD CD
A9780231205740Hardback. New. <i>The Lavender Bans</i> is a comprehensive account of the evolution of anti-LGBTQ policies from World War I to the present. hardcover
201039515Naive Classique, 2010. V5209 1 CD CD
1948092978Graz Wien, Leykam, 1948. IX, 228 S.; mit Notenbeispielen; Passagen mit wenigen Randanstreichungen, Kellergeruch, Einbandrücken verblasst Leinen 24,7 cm Befriedigend
194819692Graz/Wien, Leykam-Verlag, (1948). 4°, XI, 228 Seiten. mit zahlreichen Notenbeispielen. Orig.Leinen mit Goldprägung und OSU.
18918DInternational Music Company. paperback. Very Good. 12x9x1. 310 clean unmarked tightly-bound pages; cover has been well protected by clear adhesive; beautiful condition International Music Company paperback
1985__0769273173Alfred Pub Co 1985. Paperback. New. spiral-bound edition. 310 pages. 10.50x7.75x1.00 inches. Alfred Pub Co paperback
1147New York: Tudor Publishing 1940. . 8vo green gilt cloth spine faded New York: Tudor Publishing, 1940. hardcover books
30632Folio. 24 pp. On onionskin. With typed note at conclusion "Translation by Leonard Bernstein August 29th 1962." <br/><br/>Contents: <br/>Prologue: 2 pp. <br/>Act I: First Window: the Court of Lilies 5 pp.<br/>Act II: Second Window: The Magic Chamber 3 pp.<br/>Act III: Third Window: The Council of False Gods 9 pp.<br/>Act IV: Fourth Window: The Wounded Laurel 4 pp. <br/>Act IV: 1 p. <br/><br/>With numerous annotations corrections etc. in ink and lead red and blue pencil throughout by Yuri Krasnapolsky 1934-2018. Somewhat worn and creased; several leaves stapled together at upper inner corners.<br/><br/>Together with: <br/>- An extensively corrected draft of an interesting autograph letter from Krasnapolsky to Leonard Bernstein. 5 pp. Folio. In pencil on 4ff. of yellow lined paper. No date. Addressed "Dear Lenny." Krasnapolsky writes regarding his travels in Europe after seeing Bernstein in Vienna possible conducting engagements having been blacklisted during the McCarthy era etc. The letter is particularly poignant regarding his relationship with and feelings of indebtedness to Bernstein: "The European experience. showed me that my association with you over the past eighteen years has been crucial & pervasive. Your working style in every respect became for me as for many others an object of tremendous admiration and imitation. My own style took longer. to evolve but now that it has I can see & feel more clearly what it owes to yours." Krasnapolsky very much regrets the fact that he has apparently offended Bernstein in some way and is struggling to understand "how & when." He goes on to say that "it is a simple fact of my life that I am deeply indebted to and in a sense derived from you and can no more separate myself from that fact than I can deny my love for music. I literally cannot survive professionally without your help." Krasnapolsky goes on to request various letters of endorsement. <br/><br/>- A corrected draft of an autograph letter from Krasnapolsky to Sir John Barbirolli. 3 pp. Folio. In pencil on 3ff. of yellow lined paper. No date. Addressed "Dear Sir John." Krasnapolsky apologizes for the delay in writing but says that he has been "unexpectedly but unavoidably busy with a series of youth concerts." He thanks Barbirolli for his kindness and hospitality. "It was a great pleasure and a privilege to see you at work again and to have assisted you however briefly." Krasnapolsky has regarded Barbirolli as a "heroic musical figure. for many years." He mentions going to a concert of Barbirolli's at Carnegie Hall "at age 8 and/or 9 quite alone" with Gieseking as soloist. "Furthermore now that I am at the age you were when you took on the N.Y. Phil. I realize more than ever what an enormous task and brilliant achievement that was. Who else could have done that I don't know. But you have remained undeniably a heroic figure of 20th century music. I can only wish that someone. will say the same of me someday. My wife and I are planning to be in London again just after the first of the year. I'll be looking for ways to become a part of the musical life of London and the Continent." <br/><br/>- A corrected draft of a letter to John S. Edwards General Manager of the Chicago Symphony. 1 page. Folio. In pencil on 1f. of yellow lined paper. Thanking him for his time whle in New York mentioning "the Florida affair" etc.<br/><br/>- A corrected draft of a letter to Walter Hendl at the Eastman School of Music. 2 pp. Folio. In pencil on 1f. of yellow lined paper. Recommending a colleague Francois Jarosely for a possible conducting appointment at the school. <br/><br/>- Biographical notes. 5 pp. Folio. In pencil on 5 ff. Le Martyre de Saint Sébastian a "mystère" in five acts to a libretto by Gabriele D'Annunzio composed for the dancer Ida Rubinstein was first performed in Paris at the Châtelet on May 22 1911. Debussy's last stage work it is "a synthesis of orchestra and vocal music dance mime and speech." <br/><br/>Bernstein translated D'Annunzio's text and conducted a recording of the work in 1962 with the Choral Art Society and the New York Philharmonic featuring his wife Felicia Montealegre as Sebastian one of the narrators: ".among its best moments the serenely celestial 'Magic Chamber' in which the NYPO strings bloom and 'The Wounded Laurel' which could have come from La mer. Mr and Mrs. Bernstein were having a good day judging by the passion which comes across." Christopher Fifield BBC Music Magazine. <br/><br/>"The following year 1963 he conducted The Martyrdom of Saint Sebastian to commemorate Debussy's centenary. The sung parts were in German the dialogue in English. Fritz Weaver the actor was the narrator and Felicia appeared as the male saint. Bernstein probably thought of her as at least a saint. If he tested orchestra managements and presidents to see how far he could push them he repeatedly tested Felicia too. She seemed to pass all his tests right up to the end of her life. As for the Debussy critics remarked on the clean articulation of the text." Peyser: Bernstein p. 359. <br/><br/>Krasnapolsky was an assistant conductor of the New York Philharmonic under Leonard Bernstein. unknown books
1961R130002701CBS. 1961. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Photo du chef d'orchestre sur la couverture. Référence n° CBS 60013.. . . . Classification : 410-33 Tours
2000RO20071881Opéra de Bordeaux.. 2000. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 34 pages. 1ère de couverture illustrée en couleurs. Nombreuses illustrations en noir et blanc, dans le texte et hors texte.. . . . Classification Dewey : 790.2-Arts du spectacle (Généralités)
1958582977New York: Brookwood Publishing 1958. Hardcover. Fine/Fine. First edition. Fine in fine dust jacket. Otherwise enviable man's paramour is less than faithful. Brookwood Publishing hardcover
1958055373NY: BROOKWOOD PUB. CLEAN COPY. . Very Good. Hardcover. 1st Edition. 1958. BROOKWOOD PUB. hardcover
2012873596.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2026x-0231205740Columbia University Press 2026. Hardcover. New. 240 pages. 6.00x0.63x9.00 inches. Columbia University Press hardcover
2026x-0231205759Columbia University Press 2026. Paperback. New. 240 pages. 6.00x0.52x9.00 inches. Columbia University Press paperback
51803340like new. unknown
51803343-nnew. unknown
51803343like new. unknown
