Opera, OmniaBiblio.com
908 résultats
1271054582.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Schepelern, GerhardIn Pristine Condition. unknown
2008Q-0813925878University of Virginia Press 2008-02-15. Paperback. New. In shrink wrap. Looks like an interesting title! University of Virginia Press paperback
39380Ottawa. Free Press Print. 1881. 25x 16cm one sheet folded 4 pages decorated titles in frame borders with 4 local advertisments on the margins & a full last page ad for J.L. Orme & Son on fine light weight tinted grey paper in fine condition rare. On Plays with actors listed include: "A Husband in Clover" and "Old Gooseberry". "During the evening the Band of the Governor General's Foot Guards will perform. Ottawa. Free Press Print. 1881 unknown
1959161071New York: United Press International 1959. Two vintage reference photographs from the set of the 1959 film including one glossy and single weight and one matte finish borderless and double weight. One photograph shows actor Sidney Poitier talking with producer Sam Goldwyn and the other shows Poitier with actors Dorothy Dandridge and Brock Peters. One with a provenance stamp on the verso and both with annotations in manuscript ink identifying subjects on the versos. <br /> <br /> Based on DuBose Heyward's 1925 novel "Porgy" and its subsequent 1927 opera adaptation by DuBose Heyward and his wife Dorothy with music and lyrics by George and Ira Gershwin. <br /> <br /> One of the great enduring American musicals following a disabled man in a small fishing village in South Carolina who harbors a woman attempting to flee her disreputable past.<br /> <br /> Set in South Carolina shot on location in Stockton California with some scenes shot near the San Joaquin-Sacramento River Delta in California. <br /> <br /> Matte photograph 11 x 8 inches glossy photograph 10 x 8 inches. Very Good plus lightly edgeworn with matte photograph slightly curled. <br /> <br /> National Film Registry. United Press International unknown
1937039047Hollywood: A. R. Hromatka 1937. First Edition Thus . No Binding. Very Good. Panoramic Photograph Of The Entire Audience At The Concert In The Hollywood Bowl. 44" X 10" 8" At Side Now Clipped Away. Photographer's Logo At Lower Right. "Otto Klemperer Will Direct Symphony Before Audience Of 20000 In Hollywood Bowl. More Than 20000 Persons Will Be Guests At The General Motors Symphony Concert In The Hollywood Bowl This Afternoon When Dr. Otto Klemperer Will Direct The Los Angeles Philharmonic Orchestra In A "Good Neighbor" Program Honoring The Pacific Coast. The Broadcast Will Be Heard Over Kfi And Other Nbc Stations At 4 O'clock. Soloists Will Be Lucrezia Bori Soprano Now Known As "The Savior Of The Metropolitan" And Joseph Bentonelli American-Born Tenor At The Metropolitan. Bori And Bentonelli Will Sing A Concert Presentation Of Puccini's Opera "La Boheme" Including Solos And The Celebrated Duet "0 Soave Fanciulla." It Was In "Marion" That Bentonelli Made His Debut A Couple Of Years Ago Singing With Miss Bori. <br/> <br/> A. R. Hromatka unknown
0364106670.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1943156117N.p.: Herzog Film 1943. Vintage program for the 1943 German film. Titles and text in German.<br /> <br /> A skilled amateur dancer gets her big break when she is discovered by a musical composer despite the objections of her father. <br /> <br /> 7.25 x 10.5 inches. Bifold. Very Good plus lightly age-toned. Herzog Film unknown
72198Peking China: Peking Opera 200. Presumed first edition/first printing. Hardcover. Fair. Lavishly illustrated including illustrating on otherwise clear plastic. Text in Chinese and English. Cover has slight wear and soiling. Some pages are disbound but present and suitable for framing. Appears complete. Peking opera or Beijing opera is a form of Chinese opera which combines music vocal performance mime dance and acrobatics. It arose in the late 18th century and became fully developed and recognized by the mid-19th century. The form was extremely popular in the Qing dynasty court and has come to be regarded as one of the cultural treasures of China. The art form is also preserved in Taiwan Republic of China where it is known as Guójù literally: "National theatre". Peking opera features four main types of performers. With their elaborate and colorful costumes performers are the only focal points on Peking opera's characteristically sparse stage. They use the skills of speech song dance and combat in movements that are symbolic and suggestive rather than realistic. Above all else the skill of performers is evaluated according to the beauty of their movements. Performers also adhere to a variety of stylistic conventions that help audiences navigate the plot of the production. The layers of meaning within each movement must be expressed in time with music. . Melodies include arias fixed-tune melodies and percussion patterns. The repertoire of Peking opera includes over 1400 works which are based on Chinese history folklore and increasingly contemporary life. Types of facial makeup are a special method of makeup in Chinese traditional operas. Since every historical character or characters of a certain type are provided with a particular facial type similar to music scores for singing and playing music such a method of makeup is named "Types of facial makeup". Among all Chinese traditional operas types of facial makeup in Peking Opera have developed into the most systematic and mature one. Historical characters in Chinese traditional Peking Opera are provided with different types of facial makeup. They can reflect the identity status personality and appearance of the characters and therefore can intensify the artistic appeal on stage. As an impressionistic and exaggerated art types of facial makeup in Peking Opera is featured by painting brows eyelids and jowls in various patterns such as bat swallow wing and butterfly wing. Also it is characterized by portraying facial expressions with exaggerated nasal fossas and lipped fossas. The age can be reflected by the height and shape of "Crow's-feet" temperament by the opening and closing of "Chordal furrow" and personality by different patterns of "Glabella furrow". Additionally in the types of facial makeup in Peking Opera there exist some invariable images including white-faced Tsao Tsao and black-faced Bao Zheng. The white-faced image symbolizes wickedness and viciousness while black-faced image stands for equity and selflessness. Due to unchangeable rules in types of facial makeup personalities of a character with certain facial makeup can be seen from the facial colors and figures. As one of the onstage art techniques various types of facial makeup in Peking Opera enable the audience to know a character's personality easily and accordingly get more involved in the appreciation of the performance. Thus types of facial makeup enjoy the fame of "Interior Pictures" which is an extremely crack skill of art exclusively existing in Chinese operas. Patterns of theatrical masks have served as a symbol of China. Nowadays on the market there appear many exquisite and aesthetic commodities and stamps printed with such patterns which are of high appreciating and collecting values. Peking Opera hardcover
222466 October 1913; on letterhead of 55 York Terrace Regent's Park N.W. 2pp 12mo; and 1p 8vo. On a bifolium with the 8vo page written lengthwise across the central pages. In good condition lightly aged and worn. Folded twice. Signed 'Percy Anderson.' According to a pencil note Broadhurst was Beerbohm Tree's 'press agent'. He has received Broadhurst's letter late the same night and begins by informing him that he cannot go to Covent Garden the following day as he will be with a sitter. He continues: 'As I implied to you in my last letter it seems almost impossible for me to give you details of the costumes to be worn in “Joan of Arc.†Period Charles XII of France he reigned from 1403 to 1461. The dresses are of necessity tremendously fantastic & in designing them I have endeavoured to make them historically correct. Therefore what else can I say about them' Were the dresses 'fanciful' it would be easy for Anderson to describe them but 'as it is they must be rather on conventional lines'. He concludes: 'I hate to appear discourteous & if I cld. be of any use to you or to Mr. Eyles I wld. but I think you will readily understand the difficulty'. 6 October 1913; on letterhead of 55 York Terrace, Regent's Park, N.W. unknown
2224712 March 1912 31 December 1912 and the other two without year; all on letterheads of 55 York Terrace Regent's Park N.W. Total of 7pp 12mo. All in good condition lightly aged and worn. Each folded once. All signed 'Percy Anderson'. ONE: 12 March 1912. Begins: 'Your properties are quite splendid.' He thanks Clarkson and his assistant for the trouble they have taken 'over the “Mâ€'. Ends: 'I thought everything as good as it cd be – I refer to yr work of course'. TWO: 31 December 1912. He thanks him for his 'delightful' card and for 'yr. good wishes & for the tickets you so kindly send me for The Miracle. It was most thoughtful of you.' He ends in the hope that 1913 will be a crowning success you for sic & that you will have a very happy time'. THREE: 19 January no year. He is seeing 'Mr. Simmons' at 11 am the following day and will 'look in' on Clarkson afterwards. He thanks him 'for all the good work' on 'The Country Girl' adding: 'I want you to put all yr “guts†please into the “Ulysses†wigs'. FOUR: 10 September no year. 'It is too kind of you to send me those lovely figs. There's nothing I like better & I am most grateful.' FOUR: 31 December 1912. The recipient William Clarkson was the owner of Clarkson's Wigs Wellington Street London. James Morton in his 'Gangland Soho' 2012 alleges that Clarkson who has a blue plaque to his name at 41-43 Wardour Street was not only a repeated insurance fraudster but a notorious homosexual blackmailer after whom the public lavatory in Dansey Place was named 'Clarkson's Cottage'. RE Anderson & G & S: "The artist and costume designer Percy Anderson 1851-1928 was based in London where he exhibited watercolours at the New Water Colour Society in 1886. He designed costumes for the original productions of the last four Gilbert and Sullivan operas at the Savoy Theatre - The Yeomen of the Guard 1888 The Gondoliers 1889 Utopia Limited 1893 and The Grand Duke 1896 and for several D’Oyly Carte revivals including that for Utopia Limited considered by Rupert D’Oyly Carte in 1926 and but never realised. Given Gilbert’s exacting attitude to his productions it is an accolade to Anderson that he worked with Gilbert on so many including Gilbert and Edward German’s Fallen Fairies 1909 when Gilbert said Anderson: ‘surpassed himself’". 12 March 1912, 31 December [1912], and the other two without year; all on letterheads of 55 York Terrace, Regent's Park, N.W. unknown
26661Headed Avoncliffe Stratford upon Avon Warwickshire 31 August 1963. Two pages 8vo blue paper closed tear not affecting texyt a bit rumpled but text clear and complete as follows: "Leslie Caron first wife & I are delighted to hear that you're getting married. I'm a firm believer in a bourgeois base for artists! Shan't see your student I'm afraid till I return from my three month rest. We leave on Tuesday. But I'm sure John Barton co-director will take good care of him. I hope you enjoy the Histories. They've been misery to do but I think are my most important work to date." Note: "The Wars of the Roses was a 1963 theatrical adaptation of William Shakespeare's first historical tetralogy 1 Henry VI 2 Henry VI 3 Henry VI and Richard III". [Headed] Avoncliffe, Stratford upon Avon, Warwickshire, 31 August 1963. unknown
199914955JAbsecon: MagicImage 1999. First Edition First Printing. Laid in is an Autograph Letter Signed by Mary Philbin co-star with Lon Chaney Sr. in the classic film written to the book’s author Philip J. Riley. Dated September 11 1989 Philbin writes: “Dear Mr Riley: I am sorry about the delay in returning the book and papers. I would appreciate eleven complimentary copies of The Phantom of the Opera book or if you cannot then as many as possible. Thank you Mary Philbinâ€. Accompanied by the original hand-addressed envelope from Philbin’s home in Los Angeles. Philbin died before the book was published so this is as close as one can come to a signed copy. Large 317 page paperbound book. Profusely illustrated. Near fine copy enclosed in a handsome morocco leather and cloth clamshell box. MagicImage hardcover
n0119<p>CASA MUSICALE SONZOGNO DIPIERO OSTALI 1917. 224 pages. AsNew Hardcover Green cloth Gilt lettering. 12.75"x9.25". be7</p> CASA MUSICALE SONZOGNO DIPIERO OSTALI hardcover
169723479Oxford: Etheatro Sheldoniano 1697. leather_bound. Contemporary cambridge style binding in full brown calf. Very good. Folio6 A4-Ppp4 Qqq-Pppp Qqqq2-Zzzz2 Aaaaa-Mmmmm. The first English edition of the Greek text edited by Richard West & Robert Welsted. Engraved portrait of Pindar by M. Burghers facing the title page. DIBDIN II 289. "a beautiful and celebrated edition. on the whole we must allow that the editors of this magnificent work have taken infinite pains to bring together every thing which could illustrate and improve the reading of the poet". The editors compared the Mss held by the Bodleian with that of the Biblioteca Palatina. Engraved portrait of Pindar and large title page vignette by M. Burghers. Pindar c. 522 – c. 443 BC was an Ancient Greek lyric poet of the classical period from Thebes and the first Greek poet to reflect on the nature of poetry and on the poet's role. Errata. BRUNET IV p.659. Armorial bookplate. Raised bands spines richly gilt small front cover nick scrape lower front cover corner binding tight with leaves at end of text of Pindari Opera Omnia leaves Oooo-Mmmm toned. Etheatro Sheldoniano unknown
1390473112.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
92216Los Angeles: Cetra Everest USA Cetra 419 / 3. No visible faults to surfaces i box with tiny skinned spot to front panel. Three LP mono record album in box with text booklet. This performance was recorded in 1952 and introduced Callas to American adiences. Antonio Votto conducts the Symphony Orchestra of Torino della Radio-televisione Italiana. Maria Callas; Maria Amadini; Fedora Barbieri; Paolo Silveri Gianni Poggi and others. 2.0 JM FRT01. Vinyl LP. Near Fine. Used Vinyl LP records. Cetra Everest Paperback
100-21474Portland Opera Association. Paperback. Good. Good condition with wear and markings. Portland Opera Association paperback
0666528993.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1332615015.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1982Q-0961054204The Washington Opera 1982-06-01. Paperback. New. In shrink wrap. Looks like an interesting title! The Washington Opera paperback
20112092902143400452Suiyo-sha 2011. Soft Cover. Fine. Size: A5 size Number of books: 2 in total Suiyo-sha paperback
28644Cover: Rickards New Opera House Melbourne. Open to the public Saturday 18th May 1901. Melbourne : Printed by McCarron Bird & Co. for the Publishers Metropolitan Publishing Co. Prop. Ltd. 317 Collins Street 1905. Narrow quarto 270 x 105 mm original pink wrappers printed in blue detached and with horizontal fold 8 pp illustrated with vignette portraits of Rickards and his daughters and with illustrated advertisements for Raftopulos' New Cafe in Swanston Street and for Present Day corsets; full-page programme for the New Opera House production of The Palace of Dolls with advertisements for forthcoming attractions Alice Pierce American impressionist and fred Millis ""the world's greatest ventriloquist""; contents very clean staples holding. Very scarce Melbourne music hall / vaudeville circuit programme from the Federation era produced for Rickards' New Opera House. English-born vaudeville entertainer and theatre owner Harry Rickards 1843-1911 bought the Garrick Theatre in Sydney in 1893 which he renamed the Tivoli. Building on the immense success of this venue he later expanded his theatre 'empire' by taking over the Opera House Melbourne and becoming lessee of theatres in other capital cities. unknown
1976171236Various cities: Various 1976. First Edition. Collection of material relating to the seminal 1976 opera including a First Edition copy of the 1976 EOS Enterprises publication a circa 1976 program for two Dutch stagings of the opera at Rotterdamse Schouwburg and Theater Carré and a program for a 1976 German staging of the opera at Deutsches Schauspielhaus in Hamburg. Text variously in English Dutch and German.<br /> <br /> Book Near Fine in perfect-bound wrappers with light rubbing and toning to the spine and wrapper extremities.<br /> <br /> Programs Near Fine one unbound and measuring 8.25 x 11.25 inches the other saddle-stapled and measuring 6.25 x 8.25 inches. Various unknown
1390446689.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
