908 résultats
77-0722Fort Lauderdale 1990. 4to. Very Good. Soft Cover stapled. 6 pp. Contains event planning details for Opera Guild. [Fort Lauderdale] 1990 paperback
19942110502150502368Ongaku no Tomosha 1994. Soft Cover. Fine. Volume: 1 Ongaku no Tomosha paperback
1980KOS01205383TBD 1980. Soft Cover. Fine. KOS01205383 TBD paperback
9001575460New. New Ships From Canada New in new dust jacket Sewn binding Cloth over boards 398 p Audience: General/trade With over 500 Illustrations Ingram A guide to more than 450 operas performed over the last four centuries features details on each opera's author date town and theater of first performance the singers and a summary of the libretto hardcover
002161The Metropolitan Opera Guild. Soft cover. Very Good. Collection of Volume XIII bound in a Spring binder. <br/> <br/> The Metropolitan Opera Guild paperback
19735vDh0006New York: The New York City Opera Guild 1973. Book. Very Good. Spiralbinding Soft Cover. Copyright © 1973. 8vo or 8° Medium Octavo: 7¾" x 9¾" tall. 187 pp. Solidly bound copy with minimal external wear crisp pages and clean text. The New York City Opera Guild Paperback
68-6382London UK: Royal English Opera House 1892. B&W Photograph on Blank Post Card. 14 x 9 cm. Very Good. En Francais.Provenance:Colette Monceau born Nancey 1921-2016. Biographical note: born in Nice in 1921 Colette Monceau was a student of Charles Dullin in the second half of the forties and played in several plays during the same period. At the end of the 1950s she took courses at Pierre Foix's school of graphology in Paris and worked in particular on dance as part of the exam for the Group of Consulting Graphologists of France. Having become a consultant graphologist she also teaches this technique. Particularly interested in the writings of Louis Jouvet and Sarah Bernhardt she wrote three works that remained unpublished as well as several articles. It constitutes a thousand files devoted to actors and actresses as well as personalities from varied backgrounds. Colette Monceau née Nancey 1921-2016. Notice biographique : née à Nice en 1921 Colette Monceau est élève de Charles Dullin dans la seconde moitié des années quarante et joue dans plusieurs pièces à cette même période. À la fin des années cinquante elle suit les cours de l’école de graphologie de Pierre Foix à Paris et travaille notamment sur la danse dans le cadre de l'examen du Groupement des graphologues conseils de France. Devenue graphologue-conseil elle enseigne également cette technique. S'intéressant notamment aux écritures de Louis Jouvet et de Sarah Bernhardt elle rédige trois ouvrages restés inédits ainsi que plusieurs articlesExpertise by Daniel BRUKARZ Expert auprès de la CEA. Paris. London, UK: Royal English Opera House, [1892]. unknown
0259270059.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0428511031.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
4X-N719-OQF9A beautiful volume in appearance bound in red linen with a highly decorative gilt embossed design woven around the cover's title. Extremely well-illustrated with B&W photos of scenes from the operas as well as the art's most notable stars. Each opera with cast and story line. Index of works as well as photos of Caruso McCormack Melba and others as a group. This is the hardcover stated Victor Edition from 1915 gasp!. Other than title page to spine could use reinforcement fully intact! both the gorgeous gilt-embossed cover and the book are in very good condition. There are no rips tears markings etc.---and the pages and binding are tight. Note: All books listed as FIRST EDITIONS are stated by the publisher in words or number lines--or--only stated editions that include only the publisher and publication date. Check my feedback to see that I sell exactly as I describe.Very Good hardcover
24586Arnold’s six communications between 1942 and 1959; two on his Shaftesbury Avenue letterhead two others from the same address and two from 112 Jermyn Street London. Agreement: 15 April 1943. Poster: 1950 / 1951 Glasgow Alhambra. From the Macqueen-Pope papers. See his entry in the Oxford DNB. Eleven items in fair overall condition on lightly aged and creased paper. All six of Arnold’s communications are signed ‘Tom Arnold’. Arnold’s two TLsS are dated 2 October 1942 and 23 July 1959. In the second of these 1p landscape 8vo he thanks MP for a producing a piece of writing which ‘suits the mood’: ‘I appreciate your doing this and the speed with which you tackled it for me. . And I am sending you my cheque as you say “on friendship terms†which I also appreciate.’ He hopes they will have lunch one day ‘and have a nice chat about this and that - to which I shall look forward.’ The letter is accompanied by unsigned carbons of MP’s receipt for payment five guineas for the work and its covering letter both typed and dated 24 July 1959. In the letter MP suggests a meeting writing that he will be ‘writing a book about the Palace Theatre and would like to do you justice therein and I have an idea which I think would be of interest to you in another direction. Indeed it might be just what you are looking for.’ A note by Arnold of 4 January 1957 thanks MP ‘for the material you sent me for the Lecture’ and is accompanied by a carbon of a typed short biography clearly by MP of ‘Tom Arnold’ 1p 4to. In it MP refers to Arnold as ‘the very epitome of Show Business. Never before in theatrical history has one manager had so many or so varied interests. He is King of Pantomime presenter of great circuses theatre proprietor revue musical comedy and straight play producer. He runs an ice rink he is the man whose amazingly beautiful and expert shows on ice dazzle - not only people in this country - but all over the Continent indeed all over the world. He finds time to have a share in running piers at seaside resorts and also pleasure cruises. In other words he is a Napoleon of Show Business. And in his spare time he writes excellent short stories. And he has made Films as well.’ In two of the other Arnold TNsS he thanks MP for telegrams wishing him good luck over his productions of ‘The Glorious Days’ 1952 and ‘Over the Moon’ 1953. The tenth item is a Memorandum of Agreement for MP to work as a press agent between ‘TOM ARNOLD LIMITED / and / W. J. MACQUEEN-POPE Esq.’ dated 15 April 1943. 3pp foolscap 8vo typed and folded into the customary packet. Signed by ‘Tom Arnold’ over a stamp and ‘Walter James Macqueen Pope’. The final item is a small poster for a Tom Arnold production of ‘Cinderella’ produced by Robert Nesbitt at the Glasgow Alhambra. Text on one side in red and blue with illustrations of the stars Harry Gordon Alec Finlay Robert Wilson and Duncan Macrae. Most of the other side is taken up with an attractive illustration of Cinderella and an old crone printed in black red and grey with text at top left. Arnold’s six communications between 1942 and 1959; two on his Shaftesbury Avenue letterhead, two others from the same address, unknown
2011263455Spoleto: Archivio Fotografico 2011. Two related items in a clever slipcase cum snap-closer box: largely captioned portrait and group photography b&w only in the Gian Carlo Menotti honor-fest vivid color in book devoted to Carla Fendi. Neither volume paginated Fendi's is lengthy and bound in laminated colorphoto boards the Menotti in openweave black cloth and dust jacket and much shorter. Item shows very classy upper-class doings the men in formal attire the women quite variously dressed there are g-strings for burly-que fun. Readers musically in tune will recognize many faces here this cataloguer was merely Oooo! Pavarotti! Both Menotti and Fendi make people open up; he for example is the only party host who ever publicly drew out Jackie Onassis' reserve; his congrats to her on RFK's win in the 1968 CA primary was met with her flairing "Why they will just kill him like they killed my husband" a remark that made European media but not here. Archivio Fotografico unknown
1390612694.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0666314969.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1331691516.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0656311959.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1332839959.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0267900333.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Fromonot, FrançoiseIn near perfect condition. unknown
024314993X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1897WA6771New York: G. Schirmer 1897. Hardcover. Fair. 4to quarter morocco lacks spine floral cloth very edgeworn. Used as a scrapbook or souvenir book. Unique. <br/><br/>Ex libris Emílie Pavlína Venceslava Kittlová aka Emmy Destinn aka Ema Destinnova. As you know she was famed for her portrayal of Aida at the Metropolitan Opera in New York in 1908. This book bears a two-line inked inscription with her signature dated 11 November 1908 on the blank page. Tipped into the book are 5 official portrait photographs of her in costume. At least two of them are by H. Mishkin New York City. Also tipped-in or laid in are clippings and images of other Aida and operatic performers. Also glued in are reviews of her performances in English and in Czech from a Chicago magazine. Also included are all or parts of printed programs. G. Schirmer hardcover
1992Q-0486269655Dover Publications 1992-01-14. Paperback. New. In shrink wrap. Looks like an interesting title! Dover Publications paperback
0666430225.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1924191217New Jersey: Victor Talking Machine Company 1924. Seventh Edition; revised. Hardcover. Very Good in boards. Top text block edge gilded fading. Victor Talking Machine Company hardcover
19942091502135413351Ongaku no Tomosha 1994. Soft Cover. Fine. Number of books: 1 Ongaku no Tomosha paperback
