908 résultats
197699606<p>Monte-Carlo Comite de Gestion de l'Orchestre National de l'Opera de Monte-Carlo 1976. 1976. Fine. - An original invitation from the Palais de Monaco printed on 9-3/8 inch high by 6-1/8 inch wide glossy card stock with an integral attached blank leaf with the country's seal at the head. Mostly printed with "Monsieur et Madame Hugues Gall" and "ils seront" invites penned in ink. The invitation to the gala held at the Opera de Monte-Carlo on the occasion of the Fete Nationale is to be held on Friday November 19th 1976 "Par ordre de Leurs Altesses Serenissimes l'Aide de Camp a l'honneur d'informer Monsieur et Madame Hugues Gall qu'ils seront invites a la soiree de gala. en l'honneuyr de Leurs Altesses Serenissimes le Prince Rainier III et la Princesse de Monaco." The invitation is accompanied by the program for the Opera de Monte-Carlo November 20 1976 gala choregraphique. The 10-5/8 inch high by 8-1/4 inch wide program is bound in stiff cream wraps titled in gilt with a color illustration mounted on the front cover. The 8-page program includes performances of "Le Pecheur et son Ame / creation mondiale avec Tetsutaro Shimizu Yoko Morishita Egon Madsen et le Ballet de l'Opera de Monte-Carlo" and "Les Grands pas de Deux avec par ordre alphabetique Richard Cragun - Michael Denard - Marcia Haydee - Egon Madsen - Yoko Morishita - Merle Park - Tetsutaro Shimizu - Ghislaine Thesmar - Helgi Tomasson" as well as short extracts from other works. Near fine.</p><p>The National Day of Monaco was first celebrated on November 19th 1952 by decree of Prince Rainier III. The day is marked every year by celebration music and festivals etc.</p><p>The French opera manager Hugues Gall 1940-2024 was head of the Grand Theatre de Geneve and the Paris Opera. He held several influential positions in art and cultural organizations and was director of the Fondation Monet in Giverny.</p> Monte-Carlo, Comite de Gestion de l'Orchestre National de l'Opera de Monte-Carlo, 1976. paperback
a814941910 copyright The Cornell Masque. Book by C. F. Hirshfeld '05 and J. E. O. Winslow '11. Music by T. J. Lindorff '08 H. C. Schuyler '10 G. F. Pond '10 and J. F. Bradley '11. Music and lyrics. 4to 80pp. original pictorial wraps. woth cloth spine. VG light wear on spine. Scarce. . hardcover
188655097Denver: Denver Lith. Co 1886. 1 vols. 10 in x 7 in lithographed card with printed silk cover overlay. One inch tear in card at fold silk spotted with creases and very small holes. 1 vols. 10 in x 7 in lithographed card with printed silk cover overlay. Denver Lith. Co unknown
18448333London. David Bogue. 1844. Lavishly bound in sumptuous tri-gilt ruled full crimson calfskin. Gilt tooled fleurette motifs to corners of front and rear covers. Elaborate gilt ruled spine compartments with intensely ornate gilt tooled fleural vignettes. Gilt tooled raised bands. Decorative gilt tooled and titled morocco label. Elaborate and ornate paneled turn-ins. Marbled endsheets. a.e.g. 4to. 7.25" x 10.75". The First Edition. Illustrated with ten full page illuminated steel plate engravings and further throughout by various wood engravings en texte. Elaborate multi-chromatic decorative borders to each page. A Fabulous production detailing the mid-Victorian Opera and Ballet featuring plate engravings of notable singers dancers and productions. With its high gloss engravings whimsical en texte woodcuts and highly stylized colour page borders this volume represents one of the finest examples of Victorian book design. Niles and Leslie V1-225; Moroda-1272. Some darkening and/or mild scuffing to covers. Hinges present previous repairs but are tight and firm. Corners gently bumped. Head and tail pieces lightly chipped. A very Good copy of this breathtaking work. David Bogue. hardcover
9979Undated. England 1880s. 4to 4 pp. Bifolium. 87 lines. Text clear and complete. Fair on aged paper with wear to extremities and a spike hole to one corner. Written in ink in a Victorian hand and with three changes in pencil. Docketed at head 'The art of Vocalization'. Towards beginning writes that the subject is one which he has 'studied many years in close connexion with the most eminent Masters of Italy most of whom I may rank among my personal friends and the pith of whose conversations added to my own experience I propose embodying in a few short essays upon the Formation of the Voice'. Gives 'the advice of a tenor singer of some renown in Otello &c literally as I heard it spoken to a student - the author died two years ago at Milan' beginning: 'I know but little of music - in comparison to me you are a professor - my voice was by nature imperfect - my figure is diminutive - yet I have been 1st tenor of some of the best Theatres and with success - mark me if you want to sing .'. Ends with offer to extend his remarks 'to the other Voices' in 'a future number'. Undated. [England, 1880s? unknown
7082'London. Monday. no date'. 8vo 3 pp. Bifolium with dimensions of leaf 18.5 x 14 cm. Good on slightly grubby and lightly creased paper. Small slip of paper mount adhering to one margin not affecting text. Written in a bold and distinctive hand. He will not be able to make 'an appearance with "Lhada" ' as he is 'sorry to see that I am in Brighton the 22nd and 23rd of April where I sing with Madame Donalda'. 'London. Monday. [no date]'. unknown
1850835A67New York: Printed for Stringer and Townsend c1850. Cloth. Very Good. 7.5" by 5" . Not Stated . First and second series of this work concerned with the New York scene by Donald Gran Mitchell. Complete with two volumes both the first and second series. Comprising travel letters and journalistic articles mainly dedicated to the New York scene. Written by American essayist Donald Grant Mitchell published anonymously under 'An Opera Goer.' The second edition of this work with frontispieces and illustrations throughout. Dated from Jisc. In the original publisher's full cloth binding. Externally smart with shelf wear bumped to head and tail of spine chipped along front joint second series boards lightly marked. Internally firmly bound. Spotting throughout. Very Good Printed for Stringer and Townsend hardcover
19266474Chicago: The Blackfriars University of Chicago 1926. First edition. 4to 59 pages pictorial wrappers corner bumped spine worn. <br/><br/>Book and Lyrics by Walker Davis and William Bager. Includes the incomparable "Campus Women" and "Wally ! Wally ! I'm Wicked" The Blackfriars, University of Chicago unknown