GRETRY A. E., BEDARD J. B.MareMagnum
894 résultats
Chez Meissonnier, Paris. Non daté. In-8 Carré. En feuillets. Bon état. Livré sans Couverture. Dos satisfaisant. Intérieur acceptable. 2 pages, partitions et paroles. Timbre fiscal (empreinte marque): 'Timbre Royal' de la Seine. Tiré du 'Journal de Lyre ou Guitare, Rédigé par Meissonnier'. Musique de Grétry, avec accompagnement de lyre ou guitare par J.B. Bédard. N° I, 146.
Chez Meissonnier, Paris. Non daté. In-8 Carré. En feuillets. Bon état. Livré sans Couverture. Dos satisfaisant. Intérieur acceptable. 4 pages, partitions et paroles. Timbre fiscal (empreinte marque): 'Timbre Royal' de la Seine. Tiré du 'Journal de Lyre ou Guitare, Rédigé par Meissonnier'. Musique de Grétry, avec accompagnement de lyre ou guitare par J.B. Bédard. N° 2, 147.
Chez Meissonnier, Paris. Non daté. In-8 Carré. En feuillets. Bon état. Livré sans Couverture. Dos satisfaisant. Intérieur acceptable. 2 pages, partitions et paroles. Timbre fiscal (empreinte marque): 'Timbre Royal' de la Seine. Tiré du 'Journal de Lyre ou Guitare, Rédigé par Meissonnier'. Paroles et musique de Grétry Aîné, avec accompagnement de lyre ou guitare par A. Meissonnier. N° 263, 11e Année, 7e Liv.
Chez Meissonnier, Paris. Non daté. In-8 Carré. En feuillets. Bon état. Livré sans Couverture. Dos satisfaisant. Intérieur acceptable. 2 pages, partitions et paroles. Timbre fiscal (empreinte marque): 'Timbre Royal' de la Seine. Tiré du 'Journal de Lyre ou Guitare, Rédigé par Meissonnier'. Romance, paroles et musique de Grétry aîné, avec accompagnement de lyre ou guitare par A. Meissonnier. N° 253, 11e Année, 4e Liv.
Chez Meissonnier, Paris. Non daté. In-8 Carré. En feuillets. Bon état. Livré sans Couverture. Dos satisfaisant. Intérieur acceptable. 2 pages, partitions et paroles. Timbre fiscal (empreinte marque): 'Timbre Royal' de la Seine. Tiré du 'Journal de Lyre ou Guitare, Rédigé par Meissonnier'. Paroles de Grétry Aîné, accompagnement de lyre ou guitare par A. Meissonnier. N° 252, 11e Année, 3e Liv.
La portée , la clé de sol , etc . Musique et partitions . - 32 p. , 250 gr.
PARES PHILIPPE.. Non daté. In-4 Carré. Broché. Bon état. Couv. convenable. Dos frotté. Intérieur acceptable. 32 pages. Nombreuses illustrations en couleurs dans le texte ainsi que de nombreuses partitions.
CHEZ J. MEISSONNIER EDITEUR ET MARCHAND DE MUSIQUE. NON DATE. In-8 Carré. Broché. Bon état. Couv. convenable. Dos satisfaisant. Intérieur frais. 4 pages composées d une partition de musique guitare et chant avec texte en 3 couplets . Andante . Fin 18 eme début 19 eme siecle PAROLES DE MR GUTTINGUER / MUSIQUE D EDOUARD BRUGUIERE
Very Good Turkish, Ottoman (1500-1928) Original sheet music. Folio. (35 x 25 cm). In Ottoman script. [4] p., scores. [SHEET MUSIC] Sedarabân Mürebb' Zincir ikâ'inda. Darü'l-Elhan Külliyati No. 1. Darülelhan (The House of Melodies) is not a real publishinghouse but a music school established at 10 January 1917, in Istanbul. The principle aim in the establishment of this school was to follow a scientific way in the education and teaching of musical arts, and introduce the old pieces by printing them. Some courses on Turkish and Western music should be given in a course of four years. This school closed in the days of Independence War and reopened by the attempts of Haydar Beg the mayor of Istanbul in 1923. On this publications, it's written usually "Our establishment started to publish the beautiful pieces inhereted from the most famous Turkish composers in order to conserve them. These publications are checked by a scientifically responsible council and found ass quite correct. Up to now, the pieces contining Setarabân, Mâye, Evç-ârâ, Acem Asirân, Müste'ar, Nevâ, Gulizâr, Beyâti, Mâhur, Ferâhfezâ, Ferâhnâk, Nev-eser, Nühüft and Arazbâr Buselik tones, havng the number 72 have already been put on sale for 5 Kurus at the magazine of Samli Iskender in Bayezid Square". (Source: Music publications from Ottoman Empire up to today, 1876-1986.; ALANER, BÜLENT). Haci Sadullah Aga was a composer and performer. He was the son of Hafiz Kerim Efendi, one of the muezzins of Fatih Mosque, and was one of the greatest composers of the reign of Sultan Selim III. In some sources, the information regarding his life have been jumbled together with other namesake composers of his era. Some of his works may have been confused with those of other namesake composers. Therefore, information regarding his life is not precise. As far as it is known, after his first education, he was accepted to Enderun Mektebi (The Palace School in which the devshirmeh [T.N. selected for the army] children were educated) and he was educated in literature and history and gained skill in javelin, Indian club and horse riding. He had served in the Russo-Turkish War in 1767. It is said that he received great attention from Selim III because he had a beautiful voice and he was a master singer (vocalist) and that he was the head of the fasil committee of the sultan for some time. Sadullah Aga, who is accepted as the most powerful composer of the school of Selim III, was also the 'musahib' (talk friend) of the sultan and later he became the head 'musahib'. He was an eloquent and cheerful person with a nice personality. He served as a music teacher at Enderun and served at the Palace during the reign of Mahmud II. Sadullah Agha followed the footsteps of Itrî and under the influence of Itrî he had integrated lyricism to his compositions, which are considered to be among the greatest pieces of the classical repertoire. He developed a style that is pertinent to classical rules but is more lyrical. His influence on all composers of his period can be seen. Around thirty works of Haci Sadullah Aga, who had composed hundreds of works, has reached the present day. Compositions and 'semaî' are dominant among these works. All of these works are secular and mostly literal works. His works contain a high level of lyricism and musicality. Especially all of his works that formed the 'Bayati-Araban' set are among the most beautiful examples of the classical music repertoire. Sadullah Aga, who is among the elite composers of Classical Turkish music, lived his last years by secluding to the residence given to him seven years before his death by the sultan and died at the age of seventy eight. He has many great songs in various tones. Darülelhan published 121 scores before 1928, this is the first one. Özege 3585. Not in OCLC. Extremely rare.
Pygmalion with a twist of Ouzo. This famous movie starring Melina Mercouri,written and directed by Jules Dasson, with Oscar winning music by Manos Hadjidakis was originally released in 1960. MGM Videocassette release MV600659 [1991] Vintage B & W VHS cassette playing time 94 minutes. First video release Audio Book
Expansion Musicale. 1952. In-8 Carré. Broché. Etat d'usage. Couv. convenable. Dos abîmé. Intérieur frais. 16 pages. Illustré de dessins en noir et blanc. Partitions musicales et paroles. Plaquette. Enseignement rationnel de la musique. 1er test musical.
[iv] + 227pp., 31cm., reliure cart. (dos en cuir avec titre doré, qqs. traces d'usage), feuilles de garde marbrées, bon état, [cet opéra fut représenté pour la première fois à Paris sur le théatre de l'Opéra-Comique le 3 février 1846. La scène se passe à Poitiers, sous le règne de Louis XIII, un mois avant le siège de La Rochelle], M91611
403pp.+ frontispice (portrait du componiste), 31cm., reliure en toile (titre doré au dos), bon état, M91635
Une signature . Portées musicales pour orchestre et chanson avec texte en français et en anglais . - Feuille double avec photographies , 100 gr.
Une signature et une découpe en haut . Portées musicales pour orchestre et chanson avec texte , manuscrite . - Feuille double avec photographies , 100 gr.
Une signature . Portées musicales pour orchestre et chanson avec texte . - Feuille double avec photographies , 100 gr.
français Sans date (circa 1860). Grand in-8 de 367 pp.; demi-chagrin bleu, dos à nerfs orné (reliure lég. postérieure). Lég. rousseurs, dos passé gris.
Chez l'auteur. Non daté. In-Folio Carré. Relié demi-cuir. Etat d'usage. Coins frottés. Dos frotté. Quelques rousseurs. 89 pages. Partitions et paroles. Gravures ornementales noires en page de titre. Titre doré sur le dos. Etiquette de code sur la couverture. Quelques tampons de bibliothèque. Dos et bords des plats frottés. Ouvrage honoré d'une Souscription de S.E. M. le Min. de l'Instruction Publique. Médaille d'argent à l'Exposition Universelle de 1878. Edition refondue et augmentée.
Broché. 148 pages. 24x32cm. Dos factice.
2° moitié du XIX° siècle . Portées musicales et textes , magnifique gravure sur cuivre , signée en page de titre , petites déchirures et rouilles .- 4 p. , 200 gr.
160+4 pages of ads. Index. Numerous engravings and diagrams. "A comprehensive digest of information, contributed to the columns of the journal 'Building World' which supplies concise information on the general principles and practice of the art on which it treats." - from Preface. The fifteen chapters include: Cast-iron Stanchions and Columns - Introduction and Design Calculations; Steel Stanchions - Built and Solid; Foundations for Columns/Loads on Columns; Calculating Weights of Stanchions, Girders, etc.; Bolts, Connections, and Rivets; Joists and Girders; Ascertaining Safe Loads on Joists and Girders; Practice of Iron and Steel Construction; Principles of Fireproof Construction; Fireproof Columns and Stanchions; Fireproof Floors; Fireproof Partitions; Fireproof Stairs, Roofs, and Ceilings; Fireproof Curtains, Doors, and Windows. Nostalgic endpaper ads. Somewhat above-average wear and soiling to pale green decorated boards. Binding intact. Moderate spine lean. Tiny vintage bookseller's label at foot of front free endpaper. Moderate quantity of light pencil markings to contents. A sound copy of this vintage engineering text. Book
