894 résultats
Very Good Turkish, Ottoman (1500-1928) Original sheet music. Folio. (35 x 25 cm). In Ottoman script. [4] p., scores. [SHEET MUSIC] Muhayyer Naksî Agir Semâî - Muhayyer Naksî Yürük Semâî. Darü'l-Elhan Külliyati No.3 [The House of Melodies Collected Works No. 3]. [With original stamp of Samli Iskender -Kudmanizâde-]. Darülelhan (The House of Melodies) is not a real publishinghouse but a music school established at 10 January 1917, in Istanbul. The principle aim in the establishment of this school was to follow a scientific way in the education and teaching of musical arts, and introduce the old pieces by printing them. Some courses on Turkish and Western music should be given in a course of four years. This school closed in the days of Independence War and reopened by the attempts of Haydar Beg the mayor of Istanbul in 1923. On this publications, it's written usually "Our establishment started to publish the beautiful pieces inhereted from the most famous Turkish composers in order to conserve them. These publications are checked by a scientifically responsible council and found ass quite correct. Up to now, the pieces contining Setarabân, Mâye, Evç-ârâ, Acem Asirân, Müste'ar, Nevâ, Gulizâr, Beyâti, Mâhur, Ferâhfezâ, Ferâhnâk, Nev-eser, Nühüft and Arazbâr Buselik tones, havng the number 72 have already been put on sale for 5 Kurus at the magazine of Samli Iskender in Bayezid Square". (Source: Music publications from Ottoman Empire up to today, 1876-1986.; ALANER, BÜLENT). First Semâîs' composer is unknown, second one is by Eyyûbî Bekir Aga. He was an early classical Turkish composers. Ahmed Hamdi Tanpinar's devoted his book 'Mahur Beste' to Eyyûbî Efendi and inspired by him. Darülelhan published 121 scores before 1928, this is the third one. Özege 3585. Not in OCLC. Extremely rare.
Very Good Turkish, Ottoman (1500-1928) Original sheet music. Folio. (35 x 25 cm). In Ottoman script. [4] p., scores. [SHEET MUSIC] Muhayyer Remel. Darü'l-Elhan Külliyati No. 7 [The House of Melodies Collected Works No. 7]. [With original personal stamp of Samli Iskender -Kudmanizâde-]. Darülelhan (The House of Melodies) is not a real publishinghouse but a music school established at 10 January 1917, in Istanbul. The principle aim in the establishment of this school was to follow a scientific way in the education and teaching of musical arts, and introduce the old pieces by printing them. Some courses on Turkish and Western music should be given in a course of four years. This school closed in the days of Independence War and reopened by the attempts of Haydar Beg the mayor of Istanbul in 1923. On this publications, it's written usually "Our establishment started to publish the beautiful pieces inhereted from the most famous Turkish composers in order to conserve them. These publications are checked by a scientifically responsible council and found ass quite correct. Up to now, the pieces contining Setarabân, Mâye, Evç-ârâ, Acem Asirân, Müste'ar, Nevâ, Gulizâr, Beyâti, Mâhur, Ferâhfezâ, Ferâhnâk, Nev-eser, Nühüft and Arazbâr Buselik tones, havng the number 72 have already been put on sale for 5 Kurus at the magazine of Samli Iskender in Bayezid Square". (Source: Music publications from Ottoman Empire up to today, 1876-1986.; ALANER, BÜLENT). Almost known nothing for the life of Halil Efendi. There are four compositions with their lyrics up to now. Darülelhan published 121 scores before 1928, this is the seventh one. Özege 3585. Not in OCLC. Extremely rare.
Very Good Turkish, Ottoman (1500-1928) Original sheet music. Folio. (35 x 25 cm). In Ottoman script. [4] p., scores. [SHEET MUSIC] Sedarabân Mürebb' Zincir ikâ'inda. Darü'l-Elhan Külliyati No. 1. Darülelhan (The House of Melodies) is not a real publishinghouse but a music school established at 10 January 1917, in Istanbul. The principle aim in the establishment of this school was to follow a scientific way in the education and teaching of musical arts, and introduce the old pieces by printing them. Some courses on Turkish and Western music should be given in a course of four years. This school closed in the days of Independence War and reopened by the attempts of Haydar Beg the mayor of Istanbul in 1923. On this publications, it's written usually "Our establishment started to publish the beautiful pieces inhereted from the most famous Turkish composers in order to conserve them. These publications are checked by a scientifically responsible council and found ass quite correct. Up to now, the pieces contining Setarabân, Mâye, Evç-ârâ, Acem Asirân, Müste'ar, Nevâ, Gulizâr, Beyâti, Mâhur, Ferâhfezâ, Ferâhnâk, Nev-eser, Nühüft and Arazbâr Buselik tones, havng the number 72 have already been put on sale for 5 Kurus at the magazine of Samli Iskender in Bayezid Square". (Source: Music publications from Ottoman Empire up to today, 1876-1986.; ALANER, BÜLENT). Haci Sadullah Aga was a composer and performer. He was the son of Hafiz Kerim Efendi, one of the muezzins of Fatih Mosque, and was one of the greatest composers of the reign of Sultan Selim III. In some sources, the information regarding his life have been jumbled together with other namesake composers of his era. Some of his works may have been confused with those of other namesake composers. Therefore, information regarding his life is not precise. As far as it is known, after his first education, he was accepted to Enderun Mektebi (The Palace School in which the devshirmeh [T.N. selected for the army] children were educated) and he was educated in literature and history and gained skill in javelin, Indian club and horse riding. He had served in the Russo-Turkish War in 1767. It is said that he received great attention from Selim III because he had a beautiful voice and he was a master singer (vocalist) and that he was the head of the fasil committee of the sultan for some time. Sadullah Aga, who is accepted as the most powerful composer of the school of Selim III, was also the 'musahib' (talk friend) of the sultan and later he became the head 'musahib'. He was an eloquent and cheerful person with a nice personality. He served as a music teacher at Enderun and served at the Palace during the reign of Mahmud II. Sadullah Agha followed the footsteps of Itrî and under the influence of Itrî he had integrated lyricism to his compositions, which are considered to be among the greatest pieces of the classical repertoire. He developed a style that is pertinent to classical rules but is more lyrical. His influence on all composers of his period can be seen. Around thirty works of Haci Sadullah Aga, who had composed hundreds of works, has reached the present day. Compositions and 'semaî' are dominant among these works. All of these works are secular and mostly literal works. His works contain a high level of lyricism and musicality. Especially all of his works that formed the 'Bayati-Araban' set are among the most beautiful examples of the classical music repertoire. Sadullah Aga, who is among the elite composers of Classical Turkish music, lived his last years by secluding to the residence given to him seven years before his death by the sultan and died at the age of seventy eight. He has many great songs in various tones. Darülelhan published 121 scores before 1928, this is the first one. Özege 3585. Not in OCLC. Extremely rare.
Chez Meissonnier, Paris. Non daté. In-8 Carré. En feuillets. Bon état. Livré sans Couverture. Dos satisfaisant. Intérieur acceptable. 2 pages, partitions et paroles. Timbre fiscal (empreinte marque): 'Timbre Royal' de la Seine. Tiré du 'Journal de Lyre ou Guitare, Rédigé par Meissonnier'. Romance, paroles de Ch. Marquerie, mise en musique avec accompagnement de lyre ou guitare par T. Segura. N° 232, 10e Année, 7e Liv.
Chez Meissonnier, Paris. Non daté. In-8 Carré. En feuillets. Bon état. Livré sans Couverture. Dos satisfaisant. Intérieur acceptable. 4 pages, partitions et paroles. Timbre fiscal (empreinte marque): 'Timbre Royal' de la Seine. Tiré du 'Journal de Lyre ou Guitare, Rédigé par Meissonnier'. 1er Nocturne à 2 voix, paroles d'A. Jadin, musique de L. Jadin, avec accompagnement de lyre ou guitare par A. Meissonnier. N° 203, 9e Année, 9e Liv.
SAN FRANCISCO, Sherman, Clay & Co - 1914 - In-8 - Débroché - Partitions - Notes manuscrites - 38 pages
Chez Meissonnier, Paris. Non daté. In-8 Carré. En feuillets. Bon état. Livré sans Couverture. Dos satisfaisant. Intérieur acceptable. 2 pages, partitions et paroles. Timbre fiscal (empreinte marque): 'Timbre Royal' de la Seine. Tiré du 'Journal de Lyre ou Guitare, Rédigé par Meissonnier'. Romance, paroles d'Aug. Lafarge, mise en musique avec accompagnement de lyre ou guitare par A. Meissonnier. N° 249, 11e Année, 1e Liv.
Chez l'auteur. 1866. In-8 Carré. Relié demi-cuir. Etat d'usage. Coins frottés. Dos abîmé. Quelques rousseurs. 128 pages. Titre et fleurons dorés sur le dos. Partitions musicales. Coin sup. de la page de titre déchiré et manquant. Page de Table déchirée. 33e édition.1re leçon et exercices progressifs sur l'appellation des notes. Gamme des rondes. Des silences. Leçons faciles...
LEDUC ALPHONSE.. 1963. In-4 Carré. Broché. Bon état. Couv. convenable. Dos satisfaisant. Intérieur acceptable. 48 pages. Nombreuses illustrations en noir et blanc dans le texte.
Très émouvant reportages photographiques sur le festival d'accordéon des Nuits de nacre à Tulle , en noir et blanc , commenté avec poésie et humour . Petit tirage à ne pas manquer .- 96 p. , 600 gr.
[viii] + 208pp. de partitions musicales [texte bilingue: néerlandais-français], 27cm., br.orig., bon état, M82709
Léon Escudier. Non daté. In-8 Carré. Broché. Etat d'usage. Couv. légèrement passée. Dos satisfaisant. Quelques rousseurs. 183 pages. Partitions et paroles. Couverture muette. Bords des plats frottés. Edition populaire. Paroles françaises de MM. du Locle et Nuitter. Musique de G. Verdi. Partition pour chant sans accompagnement.
français Sans date (circa 1880). In-4 de titre lithographié (décor égyptien), 25 pp.; broché de l'éditeur. Petites usures à la couverture.
Chez Meissonnier, Paris. Non daté. In-8 Carré. En feuillets. Bon état. Livré sans Couverture. Dos satisfaisant. Intérieur acceptable. 2 pages, partitions et paroles. Timbre fiscal (empreinte marque): 'Timbre Royal' de la Seine. Tiré du 'Journal de Lyre ou Guitare, Rédigé par Meissonnier'. Romance, paroles de M. Bouchet, mise en musique avec accompagnement de lyre ou guitare par A. Meissonnier. N° 237, 10e Année, 9e Liv.
Chez Meissonnier, Paris. Non daté. In-8 Carré. En feuillets. Bon état. Livré sans Couverture. Dos satisfaisant. Intérieur acceptable. 6 pages, partitions et paroles. Timbre fiscal (empreinte marque): 'Timbre Royal' de la Seine. Légères mouillures. Tiré du 'Journal de Lyre ou Guitare, Rédigé par Meissonnier'. Accompagnement de guitare par le Prof. Le Moine.
Chez Meissonnier, Paris. Non daté. In-8 Carré. En feuillets. Bon état. Livré sans Couverture. Dos satisfaisant. Intérieur acceptable. 2 pages, partitions et paroles. Timbre fiscal (empreinte marque): 'Timbre Royal' de la Seine. Tiré du 'Journal de Lyre ou Guitare, Rédigé par Meissonnier'. Musique de Grétry, avec accompagnement de lyre ou guitare par J.B. Bédard. N° I, 146.
Chez Meissonnier, Paris. Non daté. In-8 Carré. En feuillets. Bon état. Livré sans Couverture. Dos satisfaisant. Intérieur acceptable. 4 pages, partitions et paroles. Timbre fiscal (empreinte marque): 'Timbre Royal' de la Seine. Tiré du 'Journal de Lyre ou Guitare, Rédigé par Meissonnier'. Musique de Grétry, avec accompagnement de lyre ou guitare par J.B. Bédard. N° 2, 147.
Chez Meissonnier, Paris. Non daté. In-8 Carré. En feuillets. Bon état. Livré sans Couverture. Dos satisfaisant. Intérieur acceptable. 3 pages, partitions et paroles. Timbre fiscal (empreinte marque): 'Timbre Royal' de la Seine. Tiré du 'Journal de Lyre ou Guitare, Rédigé par Meissonnier'. Chanté par Mlle Mézerai, musique nouvelle de M. Dalayrac, accompagnement de lyre ou guitare par Lemoine. N° 2.
Chez Meissonnier, Paris. Non daté. In-8 Carré. En feuillets. Bon état. Livré sans Couverture. Dos satisfaisant. Intérieur acceptable. 2 pages, partitions et paroles. Timbre fiscal (empreinte marque): 'Timbre Royal' de la Seine. Tiré du 'Journal de Lyre ou Guitare, Rédigé par Meissonnier'. Chanté par Mlle Bourgoin, Musique nouvelle de P. Dalvimare, avec accompagnement de lyre ou guitare par Lemoine. N° 3.
Chez Meissonnier, Paris. Non daté. In-8 Carré. En feuillets. Bon état. Livré sans Couverture. Dos satisfaisant. Intérieur acceptable. 2 pages, partitions et paroles. Timbre fiscal (empreinte marque): 'Timbre Royal' de la Seine. Tiré du 'Journal de Lyre ou Guitare, Rédigé par Meissonnier'. Mise en musique par L. Jadin, avec accompagnement de lyre ou guitare par A. Meissonnier. N° 227, 10e Année, 5e Liv.
Collection " Livre Compact " Série - Paroles d'auteur - Avec les textes des chansons . Illustré en couleurs sur papier couché . - 190 p. , 400 gr.