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BN311797Erwachsen <br/><br/>Erwachsen Tobias Glück unknown
2016BN77357De Gruyter Oldenbourg 2016. 2016. Reflexionen des Politischen in der europäischen Tierepik. <br/><br/> De Gruyter Oldenbourg unknown
2010BN151485Stuttgart ; Weimar : Metzler 2010. 2010. Metzler-Lexikon Sprache. hrsg. von Helmut Glück <br/><br/>Metzler-Lexikon Sprache. hrsg. von Helmut Glück Helmut Glück Stuttgart ; Weimar : Metzler unknown
49381634-nnew. unknown
1882345951882. Arch. klin. Chir. 26. - Berlin Verlag von August Hirschberg 1882 8° VI 1011 pp. Holzschnitte 16 lith. Taf. Portrait von B.v.Langenbeck Pappband der Zeit. Frist Edition! "In 1881 Foulis reported on 27 recorded cases of total laryngectomy. Half of these patients died of pneumonia and other infections within the first week after surgery. Another 25% died of tumor recurrence within ten months. In the same year Gluck recommended that in laryngectomized patients the bottom of the pharynx be completely sewn up in order to obviate the greatest hazard of laryngectomy aspiration pneumonia. By the beginning of the 20th century Gluck reported the mortality of laryngectomy being just 8.5%. This is extremely low considering the major problems that occurred in those days with anesthesia wound infection and shock. For example in 1906 the mortality rate for radical neck dissections was still 13%." "Gluck's modification of the surgical technique of laryngectomy in 1881 - closure of the pharyngostoma in order to decrease the risk of aspiration pneumonia - ruled out internal reed mechanisms. After all the trachea was completely severed from the pharynx in these patients. Accordingly a pneumatic mechanical voice source was devised by Stork in l877 following Czermak's lead. It was based on a similar yet external metal reed connected by an external tube with the patient's tracheal cannula and the sound conveyed into the mouth by another external tube. Between 1892 and 1918 this external pneumatic mechanical voice source was further refined by Hochenegg Gluck Gottstein Tapia Onodi and Stockman. Respectively their modifications consisted of a pair of bellows for a patient that was unable to exhale with sufficient strength a reed concealed in the patient's nose or upper denture an inflatable cuff for the tracheal cannula a reed connected to the tracheal cannula by way of a side butt to make non-phonatory breathing easier and a battery-powered compressor as air supply for the reed. In the 1920s MacKenty together with two scientists of the Western Electric Company Fletcher and Lane developed an external pneumatic mechanical voice source that was soon superseded by the Western Electric No° 2 type larynx. It comprised a soft-rubber tracheal pad to strap over the tracheostoma a flexible tube a slightly curved bronze reed in a silver cylinder and a mouthpiece attachable to this reed box . It was successfully marketed from 1930 to 1959 by the Western Electric Company and the Bell Telephone Laboratories: 5500 No° 2 type larynges were sold." "The first electrolarynx was devised by Gluck in 1910 and comprised an Edison type portable phonograph connected with a telephone receiver in the patient's nose or mouth. On the cylinder of the phonograph a vowel produced by a singer had been recorded. The electric current from the phonograph was converted by the telephone receiver to sound which was propagated in the buccal cavity air. There the representation of the singer's voice was given the timbre belonging to the patient's vocal tract. For demonstration purposes Gluck not only used a recorded vowel but also a phonograph containing a Waltz." Marein van der Torn : A sound-producing voice prosthesis. ACADEMISCH PROEFSCHRIFT Utrecht 2005 See - Gluck T.: Flüstersprache und Phonationsapparate. Berliner klinische Wochenschrift 36 1899 pp.215-216. Gluck T.: Patienten mit Totalextirpation des Pharynx Larynx und Oesophagus denen eine künstliche Stimme durch einen automatisch arbeitenden Apparat geliefert wird. Berliner klinische Wochenschrift 47/1 1910 pp.33-35. Gottstein G.: Pseudo-Stimme nach Totalexstirpation des Larynx. Archiv für die klinische Chirurgie 62 1900 pp.126-46. Tapia A.: Presentacion de un laringuectomizado hablando con un sencillisimo aparato artificial. Revista Espanola de Laringologia 5 1914 pp.48-55. Onodi A.: Ergebnisse der Abteilung für Hör- Sprach- und Stimmstörungen und Tracheotomierte vom Kriegsschauplatz. Monatsschrift für Ohrenheilkunde 52 1918 p. 85. Riesz R.: Description and demonstration of an artificial larynx. Journal of the Acoustical Society of America 1 pp.273-9. unknown
1882345871882. Arch. klin. Chir. 27. - Berlin Verlag von August Hirschwald 1882 8° IV 940 pp. zahlr. Holzschnitten 9 lith. Taf. Halbleinenband der Zeit. unknown
1882345961882. Arch. klin. Chir. 26. - Berlin Verlag von August Hirschwald 1882 8° VI 1011 pp. Holzschnitte 16 lith. Taf. Portrait von B.v.Langenbeck Halbledereinband der Zeit. First Edition! "In 1881 Foulis reported on 27 recorded cases of total laryngectomy. Half of these patients died of pneumonia and other infections within the first week after surgery. Another 25% died of tumor recurrence within ten months. In the same year Gluck recommended that in laryngectomized patients the bottom of the pharynx be completely sewn up in order to obviate the greatest hazard of laryngectomy aspiration pneumonia. By the beginning of the 20th century Gluck reported the mortality of laryngectomy being just 8.5%. This is extremely low considering the major problems that occurred in those days with anesthesia wound infection and shock. For example in 1906 the mortality rate for radical neck dissections was still 13%." "Gluck's modification of the surgical technique of laryngectomy in 1881 - closure of the pharyngostoma in order to decrease the risk of aspiration pneumonia - ruled out internal reed mechanisms. After all the trachea was completely severed from the pharynx in these patients. Accordingly a pneumatic mechanical voice source was devised by Stork in l877 following Czermak's lead. It was based on a similar yet external metal reed connected by an external tube with the patient's tracheal cannula and the sound conveyed into the mouth by another external tube. Between 1892 and 1918 this external pneumatic mechanical voice source was further refined by Hochenegg Gluck Gottstein Tapia Onodi and Stockman. Respectively their modifications consisted of a pair of bellows for a patient that was unable to exhale with sufficient strength a reed concealed in the patient's nose or upper denture an inflatable cuff for the tracheal cannula a reed connected to the tracheal cannula by way of a side butt to make non-phonatory breathing easier and a battery-powered compressor as air supply for the reed. In the 1920s MacKenty together with two scientists of the Western Electric Company Fletcher and Lane developed an external pneumatic mechanical voice source that was soon superseded by the Western Electric No° 2 type larynx. It comprised a soft-rubber tracheal pad to strap over the tracheostoma a flexible tube a slightly curved bronze reed in a silver cylinder and a mouthpiece attachable to this reed box . It was successfully marketed from 1930 to 1959 by the Western Electric Company and the Bell Telephone Laboratories: 5500 No° 2 type larynges were sold." "The first electrolarynx was devised by Gluck in 1910 and comprised an Edison type portable phonograph connected with a telephone receiver in the patient's nose or mouth. On the cylinder of the phonograph a vowel produced by a singer had been recorded. The electric current from the phonograph was converted by the telephone receiver to sound which was propagated in the buccal cavity air. There the representation of the singer's voice was given the timbre belonging to the patient's vocal tract. For demonstration purposes Gluck not only used a recorded vowel but also a phonograph containing a Waltz." Marein van der Torn : A sound-producing voice prosthesis. ACADEMISCH PROEFSCHRIFT Utrecht 2005 See - Gluck T.: Flüstersprache und Phonationsapparate. Berliner klinische Wochenschrift 36 1899 pp.215-216. Gluck T.: Patienten mit Totalextirpation des Pharynx Larynx und Oesophagus denen eine künstliche Stimme durch einen automatisch arbeitenden Apparat geliefert wird. Berliner klinische Wochenschrift 47/1 1910 pp.33-35. Gottstein G.: Pseudo-Stimme nach Totalexstirpation des Larynx. Archiv für die klinische Chirurgie 62 1900 pp.126-46. Tapia A.: Presentacion de un laringuectomizado hablando con un sencillisimo aparato artificial. Revista Espanola de Laringologia 5 1914 pp.48-55. Onodi A.: Ergebnisse der Abteilung für Hör- Sprach- und Stimmstörungen und Tracheotomierte vom Kriegsschauplatz. Monatsschrift für Ohrenheilkunde 52 1918 p. 85. Riesz R.: Description and demonstration of an artificial larynx. Journal of the Acoustical Society of America 1 pp.273-9. unknown
1882345841882. Arch. klin. Chir. 26. - Berlin Verlag von August Hirschwald 1882 8° VI 1011 pp. Holzschnitte 16 lith. Taf. Portrait von B.v.Langenbeck Halbledereinband der Zeit. Erstdruck! Folgende Arbeiten von Th. Gluck sind in diesem Band enthalten: Ueber Muskel- und Sehnenplastik pp.61-76 Taf. IV. Fig. 1-4. Ueber offene antiseptische Wundbehandlung in Glasapparaten und über Glasschienen pp.785-788 4 Abb. auf lith. Taf. Ueber Transplantation Regeneration und entzündliche Neubildung pp.896-915 8 Abb. auf lith. Taf. Die prophylactische Resection der Trachea pp.427-436. Ueber Exstirpation der Harnblase und Prostata pp.916-924 3 Abb. unknown
1882345851882. Arch. klin. Chir. 26. - Berlin Verlag von August Hirschwald 1882 8° VI 1011 pp. Holzschnitte 16 lith. Taf. Portrait von B.v.Langenbeck Halbledereinband der Zeit. unknown
1882345861882. Arch. klin. Chir. 26. - Berlin Verlag von August Hirschwald 1882 8° VI 1011 pp. Holzschnitte 16 lith. Taf. Portrait von B.v.Langenbeck Halbledereinband der Zeit. Erstdruck! unknown
201222298Houston TX: Museum Of Fine Arts Houston 2012. First Edition. First Printing. Hardcover. Fine/Fine Dust Jacket. Houston TX: Museum Of Fine Arts Houston 2012. Hardcover. Fine/Fine. First Edition/First Printing. 606 pages. Monumental Exhibition Monograph. One of the most valuable photography books of our time. The first and only edition. Published in a small and limited first print run as a hardcover original only. The First Edition is now scarce. A brilliant production by the Museum of Fine Arts Houston: Oversize-volume format. The book weighs 17 pounds. Black cloth boards with titles embossed on cover and spine as issued. Photographs by various contributors THE Who's Who of the history of war photography. Curated with texts by Anne Wilkes Tucker and other prominent scholar-contributors. Printed on pristine-white thick coated stock paper by SYL in Spain to the highest standards. The reproduction quality is exemplary in every respect. In pictorial DJ with titles on the cover and spine as issued. Published on the occasion of the landmark retrospective exhibition held at the Museum of Fine Arts Houston in 2012 which travelled on to other major venues. Presents "War/Photography: Images of Armed Conflict And Its Aftermath". Indisputably the one indispensable volume on its subject for our time: War photography the medium's oldest and in many ways most important genre. "Surveys both iconic and newly-discovered photographs of war and conflict from daguerreotypes documenting the Crimean and American Civil Wars to digital images made by soldiers in 21st-century Iraq" Publisher's blurb. The slash of the title is itself significant: There is war and there is the photography of war. They are two different phenomena even if we now experience them as one and the same thing. War imagery is familiar to every modern viewer which tells us everything about the photographically-based notion we have of reality in general the reality of war in particular. Such imagery is susceptible to familiarity precisely because the only experience most of us especially in the West will have of war is mediated - by photography and its lurid extensions television and the Internet. "Exhaustive harrowing brilliant and essential" Vince Aletti. An absolute "must-have" title for photography book collectors. This copy is very prominently and beautifully signed in black ink-pen on the half-title page by five photographers: Carolyn Cole Ashley Gilbertson Edouard H. R. Gluck David Hume Kennerly and Will Michels. They signed directly on the page itself not on a tipped-in page. It is also very prominently and beautifully signed in black ink-pen by the Editor/Curator Anne Wilkes Tucker. This title is a great photography book. As far as we know this is the only such multi-signed copy of the First Hardcover Edition/First Printing available online and is in especially fine condition: Clean crisp and bright. Please note: There is a Limited Slipcased Edition signed by thirty-two photographers that now sells for $3000. However Ashley Gilbertson the brilliant Iraq War photographer and David Hume Kennerly the iconic Vietnam War photographer were NOT among the signatories. This is the only copy they signed. A rare signed copy thus. 525 black-and-white and color plates. Some of the greatest photographers of all time. A fine collectible copy. . ISBN 0300177380. Museum Of Fine Arts Houston hardcover
2502H-24999A-45CWorth Publishers 2019-09-30. Fourth. hardcover. Like New. 8x1x9. This Book is Like New. See our picture for exact item you will receive. All items ship within 24 hours. Packaging is 100% Recyclable. Most items purchased from Charitable organizations. A portion of each sale is also donated to a monthly charity check your package for this month's charity. Reuse-Recycle-Rebook! Worth Publishers hardcover
1987208024Zürich, München / Artemis-Verlag, 1987. 371 S. kart., Broschiert.
1854158337Leipzig, Fleischer, 1854. M. 1 gef. faks. Taf. XII, 508 S. Neuer Hlwdbd. m. goldgepr. Rtit. Stellenw. leicht stockfl.
1994SONG185242334XSerpent's Tail 1994-11-01. First Edition. paperback. Used: Good. 5.00x0.50x8.00. Buy with confidence. Excellent Customer Service & Return policy. Serpent's Tail paperback
2003__3110175045Walter De Gruyter Inc 2003. Hardcover. New. 322 pages. German language. 9.00x6.25x0.75 inches. Walter De Gruyter Inc hardcover
164708900X-11-1West Academic Publishing. 2. Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible with all pages included. It may have slight markings and/or highlighting. West Academic Publishing unknown
ria9783110170849_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A hardcover
A9781138147614Hardback. New. hardcover
A9780815359395Hardback. New. hardcover
SONG0198704577OXFORD UNIVERSITY PRESS 2015-02-04. hardcover. Used: Good. 9.70x0.90x7.50. Buy with confidence. Excellent Customer Service & Return policy. OXFORD UNIVERSITY PRESS hardcover
66130Ecco 1991. First edition first printing. Very fine and bright in like dustjacket with crisp unread text. Highly attractive. New and bright all around gift quality. Ecco, 1991 unknown
2024x-0226825272University of Chicago Press 2024. Hardcover. New. 192 pages. 9.00x6.00x9.00 inches. University of Chicago Press hardcover
2001Q-0231121385Columbia University Press 2001-03-15. Hardcover. New. In shrink wrap. Looks like an interesting title! Columbia University Press hardcover
2011CBS-9780323014670Elsevier Np45 2011. New. Elsevier (Np)45 unknown
