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196641722Chapel Hill NC: Lillabulero 1966. Very Good. Chapel Hill NC: Lillabulero 1966-1974. Fourteen issues in thirteen volumes complete. The first two volumes in tall folio format 36.5cm the third through fifth issues slightly shorter 33cm and the final eight issues in octavo format 24cm; all issues bound in pictorial card wrappers yapp edges; illus. throughout. Moderate wear to margins especially to the larger format issues else a Very Good and sound set. <br /> <br /> Complete collection of this poetry and literature magazine the brain child of young Russell Banks while a student at UNC Chapel Hill. Contributors included the leading and up-and-coming poets of the day including Robert Creeley Charles Simic W.S. Merwin Wendell Berry Jim Harrison and in the final issue Louise Gluck. While some of the individual issues are quite common complete sets are rare. Lillabulero unknown
BN126341Müller C.F. Hardcover. Wärmetechnisches Raummodell. <br/><br/>Wärmetechnisches Raummodell. Bernd Glück Müller C.F. hardcover
SKU0623968Worth Publishers 2019-09-30. hardcover. New. 7x1x9. New Textbook Ships with Tracking Worth Publishers hardcover
228846Berlin, s.n., 1774 in-8, [2] ff. n. ch., 16 pp., demi-basane fauve, dos lisse cloisonné et fleuronné, armes en tête, pièce de titre cerise, tranches rouges (reliure de l'époque).
1777121877P., Deslauriers, s.d. (1777), in-folio (323 x 250 mm), (1) f. de titre, 279 pp, reliure plein veau raciné, dos à 5 larges faux-nerfs soulignés de doubles filets dorés, titre doré dans un encadrement floral au 1er plat, tranches mouchetées (rel.de l'époque), coiffes arasées, pt accrocs au 2e plat, pt mque à un coin, plats lég. frottés, coins émoussés, trace de mouillure ancienne en coin, infime travail de vers en marge sup. des 10 derniers feuillets, marges des 4 premiers feuillets restaurées, 4 pages manquantes (p. 217-220) remplacées par une copie manuscrite très bien exécutée à l'époque, bon exemplaire, entièrement gravé sur cuivre, imprimé sur papier fort
1800RO50056034DESLAURIERS. VERS 1800. In-Folio. Relié. Etat d'usage, Plats abîmés, Dos abîmé, Mouillures. 211 pages de partitions. Plats trés frottés et rognés à restaurer. Dos partiellement manquant. Légères mouillures sur le bas des pages, sans conséquences sur la lecture. Annotations sur la première page blanche. Représenté pour la première fois par l'Académie Nationale de musique le mardi 18 May 1779.. . . . Classification Dewey : 780.26-Partitions
19563222DEUTSCHE GRAMMOPHON GESELLSCHAFT 07/1956. 1. hardcover. Sung in German! DEUTSCHE GRAMMOPHON GESELLSCHAFT hardcover
179536809Paris: Des Lauriers 1795. Folio. Quarter dark green calf with green cloth boards spine in decorative compartments gilt titling gilt marbled edges. 1f. recto title verso blank 1f. recto publisher's catalogue verso blank 211 pp. Engraved. <br /> <br /> Occasional performance markings in blue pencil.<br /> <br /> Some browning foxing and soiling; light dampstaining to upper portion of leaves; final leaves slightly creased at lower outer corners; small handstamp to upper margin of title. Second Edition. Hopkinson 46 A c the present copy is presumably from an earlier issue without plate number and with fewer items in the catalogue. Loewenberg 371. Sonneck p. 56. Lesure p. 239. BUC p. 386. RISM G2816. <br /> <br /> With this opera "Gluck foreshadowed most clearly the musical achievement of Wagner. For it was not until Iphigenie en Tauride that he contrived a balance between musical and dramatic interest which was of its school a perfect one . Iphigenie en Tauride is the one indisputable masterpiece produced by Gluck the one composition which can be measured against the very highest productions in its own or any other branch of musical expression." Cooper: Gluck p. 260. Des Lauriers unknown
178340431Paris: Chez Des Lauriers Md. de Papiers Rue St. Honoré à côté de celle des Provaires 1783. Folio. Early full dark brown leather with double rule gilt to edges of boards spine in compartments gilt with titling gilt marbled endpapers. 1f. recto title verso blank 1f. recto dedication verso "Argument" 217 pp. Bound with an extra title that of Hopkinson 41Ak. 1f. recto title verso blank 1f. recto blank verso "Argument" pp. <br /> <br /> Binding quite worn rubbed and bumped with loss to spine. Occasional minor soiling to blank outer margins; paper repairs to blank inner margins of approximately fifteen leaves; small binder's holes to blank inner margin of numerous leaves; occasional staining; worming to blank inner margin of final third of volume; extra title and Argument worn and soiling with worming to blank margins. Second edition of the French version. Wotquenne 41. A variant issue of Hopkinson 41Ai but with the price of 36 instead of 24 tt. Lesure p. 240. RISM G2853. <br /> <br /> First performed in Vienna at the Burgtheater on 5 October 1762 in Italian to a libretto by Ranieri de' Calzabigi and in Paris at the Opéra on 2 August 1774 in French to a libretto by Pierre Louis Moline after Calzabigi.<br /> <br /> "More successfully than any of his contemporaries Gluck translated the widespread agitation for reform of opera and theatrical dance on the part of European intellectuals into actual works for the stage first in pantomime ballets and Italian serious operas for Vienna and then in operas of various sorts for Paris." Bruce Alan Brown and Julian Rushton in Grove Music Online<br /> <br /> "The classical orientation of Calzabigi evident in Orfeo ed Euridice from the moment the curtain rose on the almost archaeologically recreated ancient funerary ritual e.g. the threefold calling of the name of the deceased coloured the entirety of his collaboration with Gluck. Despite the ambiguous attributions of the prefaces signed by the composer it is clear that Gluck largely shared his librettist's classical enthusiasms. . It is revealing that Gluck sought out subject matter from Greek tragedy independently of Calzabigi after the latter's departure from Vienna - most probably with his inner conviction mixing with a desire to exploit the goût grec then prevailing in France. . Calzabigi's poetry was almost completely devoid of metaphors and similes and placed a mere three characters in a fluid context of dances and choruses or both simultaneously. The action was reduced to essentials: a demonstration of the persuasive powers of music and a cautionary tale on the dangers of curiosity with Orpheus bewailing the loss of his wife already as the curtain rose. Gluck's approach as composer was no less radical particularly in his near-complete elimination of coloratura and of opening ritornellos in the solo numbers. Above all the opera was remarkable in its emphasis on continuity which was achieved chiefly through the enchaining of harmonically open-ended sections of music and through the complete avoidance of recitativo semplice in favour of orchestrally accompanied recitatives so as to avoid sharp contrasts of texture with the set pieces. This continuity and the nearly syllabic vocal writing were calculated to prevent applause and thus also to promote the audience's absorption in the spectacle." Bruce Alan Brown and Julian Rushton in Grove Music Online. Chez Des Lauriers, Md. de Papiers, Rue St. Honoré à côté de celle des Provaires unknown
2024SKU1714243West Academic Publishing 2024-07-18. hardcover. New. 0x0x0. New Book Ships with Tracking West Academic Publishing hardcover
66369Ecco 1992. First edition first printing. The Pulitzer Prize winning book and now Louise Gluck as Nobel Prize recipient. Photograph of the author by Star Black. Fine and bright in like dustjacket with crisp bright text throughout. Has become an elusive title in hardcover. Ecco 1992 hardcover
19941389597Hopewell NJ: The Ecco Press 1994. First Edition First Printing. Hardcover. Octavo 134 pages. In Very Good condition with a Very Good condition dust jacket. White spine with black lettering. Dust jacket is wrapped in a mylar covering price is uncut "$22.00 - Canada $28.99" and has mild wear along the spine head and tail edges. Boards have mild wear along the head and tail edges and stains on the head and tail edges. Textblock has stains on the end-pages pastedowns and edges. Signed flat by Louise Glück on title page. DL consignment. Shelved in Case 0. Louise Glück was born on April 22 1943 in New York City to parents of Russian and Hungarian Jewish descent. Glück was taught Greek mythology and classic stories from a young age which greatly influenced her works. Glück began writing poetry in highschool eventually taking some poetry classes and attending workshops where she more deeply developed her craft. After a tumultuous life and career Glück finally began seeing wider success in her work in the 1990's. That success however came with personal pains which she channeled into her work producing a collection of essays in 1994 titled "Proofs & Theories: Essays on Poetry" 1389597. Shelved Dupont Bookstore. The Ecco Press hardcover
1975141607New York: The Ecco Press 1975. First edition of the Nobel Prize-winning author's second book. Octavo original cloth. Presentation copy inscribed by the author on the half-title page "For Larry Louise Gluck." Near fine in a near fine dust jacket. Jacket design by Loretta Li. Louise Glück's The House on Marshland is a collection of poetry that stems from the seeds of every day life. Many of the topics she visits are holidays fairy tales and the simple gestures of human interaction. The Ecco Press hardcover
200150492New York: Ecco Press 2001. First printing. Fine in near fine jacket. Signed first edition of the Pulitzer- and Nobel-winning poet's ninth poetry collection a striking sequence of nature- and mythology-inflected verses. 9'' x 6''. Original quarter black cloth with grey boards. In original unclipped $23.00 dust jacket. 68 pages. Signed by Glück on title page crossing out her printed name. Some light marginal toning to jacket. Book clean and tight. Ecco Press unknown
DADAX0880010827Brand: Ecco Pr 0000-00-00. First Edition. paperback. New. 2.00x12.00x11.00. Buy with confidence. Excellent Customer Service & Return policy. Brand: Ecco Pr paperback
19961814028Ecco. Collectible - Very Good/Very Good. 1996. First Edition First Printing. Hard Cover. M327 a very good hard cover with a very good dust jacket; Last one but it is in Stock First Printing of the First Hardcover Edition . Ecco hardcover
2003522945Montréal: Signal Editions / Vehicular Press 2003. Unbound. Fine. Broadside. Measuring 10¾" x 15" printed in black and red on untrimmed handmade paper. Fine. One of 50 numbered copies Signed by Glück. N.B. from a total edition of 126 copies some of which were issued with a two-color intaglio print by Carolyn O'neill. A handsome broadside issued in a remarkably small limitation. Glück is a Nobel laureate former U.S. Poet Laureate and winner of both the Pulitzer Prize and National Book Award. OCLC locates five copies. Signal Editions / Vehicular Press unknown
2001203076New York: The Ecco Press 2001. First edition and first printing. Hardcover. 68 pages. The ninth collection of poems from the winner of the 2020 Nobel Prize in Literature. A very near fine copy in paper covered boards with a cloth spine and in a very near fine dust jacket. Signed by Gluck on the title page. A lovely copy. The Ecco Press unknown
1985613551New York: The Ecco Press 1985. Hardcover. Fine/Fine. First edition. Octavo. 60pp. Fine in fine dust jacket with Melville Kane Award sticker on the front panel. Signed on the title page. Winner of the 1985 National Book Critics Circle Award. The Ecco Press hardcover
1999465106New York: The Ecco Press 1999. Hardcover. Fine/Near Fine. First edition. Hint of wear else fine in near fine dustwrapper with hint of toning at the edges. This copy is both Inscribed and Signed by Glück. Winner of the Bollingen prize and the New Yorker Reader's Award. The Ecco Press hardcover
1999poetry-office-009Ecco Press New York 1999 First printing with full number line. A very fine copy in a very fine jacket. A clean very tight unread copy with price $22.00 intact on front flap. Comes with archival-quality jacket protector. 1st Edition. Hardcover. As New/Fine. Ecco Press, New York hardcover
1977mon0000069497The Bank Melli Iran 1977-01-01. Hardcover. Like New. in x in x in. The Bank Melli Iran hardcover
34398In-folio (326 x 256 mm), plein vélin teinté vert de l'époque, dos lisse, pièce de titre de maroquin bordeaux, (1) f. de titre, (1) f. de 'catalogue de musique Deslauriers', 211 p. entièrement gravées. Paris, Deslauriers, s.d. [1779].
1777343971777 In-folio (323 x 250 mm), plein vélin teinté vert de l'époque, dos lisse, (1) f. de titre, (1) f. "catalogue de musique Deslauriers", 279 p., entièrement gravé. Paris, Deslauriers, [1777].
2021SONG19493637832021-05-08. paperback. Used: Good. 7.50x0.09x9.25. Buy with confidence. Excellent Customer Service & Return policy. paperback
