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68-4192Winnetka Illinois: Vixen Press 2002. Folded 7" x 5" card letterpress with illustration. VG.Provenance Peter Howard Serendipity Books. Winnetka, Illinois: Vixen Press, 2002. unknown
198526780München, C. Bertelsmann Verlag GmbH, Blanvalet Verlag GmbH, 1985. 479 Seiten , 21 cm, Hardcover/Pappeinband
R160198130NON INDIQUE. NON DATE. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 18 pages - Quelques photographies et illustrations en noir et blanc dans le texte. . . . Classification Dewey : 782.1-Théâtre musical, opéra
2014255880Editions Les Carnets du dessert de lune 2014 40 pages in16. 2014. Broché. 40 pages. humour autour de la musique
2019x-0967254310Tisza Publishing 2019. Hardcover. New. 482 pages. 6.14x1.44x9.21 inches. Tisza Publishing hardcover
0967254310.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
52674512like new. unknown
1967031924Hildesheim: Georg Olms Verlagsbuchhandlung 1967. Mit einer Beilage: Commentarii in Prisciani Partitiones medio aevo compositi. 249p. original stiff wrappers Spudasmata; Studien zur klassischen Philologie und ihren Grenzgebieten 12. Georg Olms Verlagsbuchhandlung unknown books
194769717Hamburg, Globus Verlagsges.m.b.H., 1947. Origi.Broschur, 8°, ca.16 Blatt. Mit Abbildungen.
177540412Paris: chés Miger 1775. Sheet size 284 x 204 mm.<br /> <br /> The composer is depicted in a circular frame one-third length turned left with head facing forward and eyes raised. He is dressed in a pleated coat waist-length jacket shirt and cravat. The circular frame sits on a stone shelf and is adorned with a branch of laurel with lettering below as follows: CHRISTOPHE GLUCK // De l'art d'aller au coeur par des accords touchants letzter Buchstabe verdruckt / Nul autre mieux que lui n'a montré la puissance / Et de tous ses rivaux c'est le seul dont les chants / Ayent charmé son pays l'Italie et la France."<br /> <br /> Slight browning; minor abrasions primarily to margins with minor paper loss; some paper repairs. Scarce. chés Miger unknown
1864404171864. Height 26.75" 68 cms. With the artist's name "Francin" to truncation of left arm; integral base inscribed "Gluck."<br /> <br /> Some wear and soiling; age-toned. In quite good condition overall.<br /> <br /> Provenance<br /> Catalogue of the Collection Musicale André Meyer 1961 Vol. I p. 97 and plate 122. Auction catalogue of Pescheteau-Badin Godeau et Leroy Collection Musicale André Meyer et a divers Paris July 2 1998 Lot 101 including color photograph. Auction catalogue of Bonhams London The Roy Davids Collection London 3 October 2005 Lot 246 illustrated. Houdon: An Exhibition of Sculpture from the Collection of Michael Hall esq. Catalogue by Christine Defazio Karl Fugelso and Philip Mezzatesta. New York: Salander-O'Reilly Galleries 1998 pp. 12-15. Poulet et al.: Jean-Antoine Houdon - Sculptor of the Enlightenment. Exhibition Catalogue. The National Gallery of Art Washington D.C. 2003 pp. 102-108. Exposition du Centenaire de Houdon Paris: Galleries Buvelot 1928 pp. 40-41. Vitry: Une Liste d'oeuvres de J.-A. Houdon p. 9.<br /> <br /> The present sculpture exists in two versions: the present scarcer version with full shoulders and partial torso and a second version with partial shoulders and reduced torso<br /> <br /> "Following Houdon's plaster bust of Gluck shown in the Salon of 1775 . the marble was exhibited in 1777 . and destroyed in the fire at the Paris Opera 28-29 Oct. 1873. A faithful reproduction ordered in 1798 by Alexandre Lenoir for the Musée des monuments français and executed in marble by Guillaume Francin is in the Musée national du chateau de Versailles. The Louvre's plaster cast workshop distributed copies of this reproduction beginning in 1864." Poulet et al.: Jean-Antoine Houdon - Sculptor of the Enlightenment. Exhibition Catalogue. The National Gallery of Art Washington D.C. 2003 p. 107.<br /> <br /> "The present bust is probably one of the Louvre's copies. . It was in his depiction of Gluck that Houdon first showed the ravages of smallpox on a subject - it was a common affliction in eighteenth-century France but artists were expected to flatter their subjects in this respect at least." Bonhams catalogue<br /> <br /> "Gluck was an artist a great musician and therefore must be given the attributes of a genius. His face was deeply pockmarked and the sculptor used this fact to establish his theme. He clothed him in a heavy coat whose texture is an overall pattern of slashed grooves free and direct in their expressive impact. Here there was no attempt to stimulate the appearance of the actual material but rather in a manner almost Rodinesque to bring out the quality of the clay. The open shirt the unbuttoned vest the short disheveled hair and the alert titled pose of the head all emphasize the impact of genius." Arnason: The Sculptures of Houdon p. 34. unknown
0674015304.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2008x-0674027310Harvard Univ Pr 2008. Paperback. New. 238 pages. 9.00x6.00x0.75 inches. Harvard Univ Pr paperback
2008DADAX0674027310Harvard University Press 2008-03-01. Illustrated. paperback. New. 6.14x0.60x9.25. Buy with confidence. Excellent Customer Service & Return policy. Harvard University Press paperback
200511830308Harvard University Press 2005. First Harvard. Hardback Dustjacket. Very Good. Some jacket wear from storage. Harvard University Press hardcover
3734740312.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
9592POLYEUCTE tragédie chrétienne en 5 actes et en vers. Nouvelle édition in 8. Titre-54 pages. Didot 1776. CINNA tragédie en 5 actes. Titre, avec vignette, 45 pages N.B. Duchesne 1783 Paris. Les HORACES tragédie nouvelle édition titre avec vignette, 52 pages. A. Toulouse, Jean Florent Baour 1778. Le Cid tragédie en 5 actes et en vers nouvelle édition titre, 56 pages, Didot l’aîné 1778. IPHIGENIE en TAURIDLE tragédie en 4 actes. Paroles de M. GUILLARD, musique de M le chevalier GLUCK ; Titre, 24 pages, A Paris chez Didot 1782. ( 3 ans après l’édition originale L’ensemble en un volume in 8 plein cuir fauve raciné à nerfs, pas de titre, reliure muette, tranches rouges.
20211403875London: Penguin Books 2021. First Edition Thus First Printing. Hardcover. Octavo xviii 696 pages. In Very Good minus condition with Very Good minus dust jacket. Spine white with teal and black lettering. Dust jacket protected with mylar covering price uncut: "£30.00." Slight creasing to edges and corners of dust jacket. Minor bumping to top edge of front board. Slight scratching to rear cover of dust jacket. Slight discoloration to top edge of text block. Interior pages clean. Signed bookplate adhered to title page. CM Consignment. Shelved in Case 0. Poems 1962-2012 first published in the USA by Farrar Staus and Giroux 2012<br /> <br /> Published in Great Britain with additional poems under the present title in Penguin Classics 2021. 1403875. Shelved Dupont Bookstore. Penguin Books hardcover
202110285London: Penguin Classics 2021. 1st Edition 1st Printing. Hardcover. New/New. First published in the USA in 2012. This is the UK 1st Edition in 2021 with additional poems. 1st Printing. New copy. Signed on a bookplate. <br/> <br/> Penguin Classics hardcover
201268975NY:: Farrar Straus and Giroux. Near Fine in Near Fine dust jacket. 2012. Hardcover. 0374126089 . Third printing. Near fine in a near fine dust jacket. . Farrar, Straus and Giroux, hardcover
20123116375Near Fine in Near Fine dust jacket. 2012. First Edition; First Printing. Hardcover. 0374126089 . First edition. Near fine in near fine dust jacket. Couple short tears at crest of spine on book. One corner tip mildly pushed. A few mildl dings at base of boards. 634pp. 6 6 1/2" X 9 1/4" Nobel Prize winning poet's complete poems up to this date. ; 6 1/2" x 9 1/3"; 634 pages . hardcover
2012121357Farrar Straus and Giroux 2012. Book. Near Fine. Hardcover. 1st Edition. Name in ink to rear end paper. Highlighting to four pages. Complete number line. . Farrar, Straus and Giroux Hardcover
2012146120New York: Farrar Straus and Giroux 2012. First edition of this collection of poems by the Nobel Prize-winning poet. Octavo original boards. Boldly signed Louise Gluck on the title page. Fine in a fine dust jacket. Jacket design by Gretchen Achilles. It is the astonishment of Louise Glück's poetry that it resists collection. With each successive book her drive to leave behind what came before has grown more fierce the force of her gaze fixed on what has yet to be imagined. She invented a form to accommodate this need the book-length sequence of poems like a landscape seen from above a novel with lacunae opening onto the unspeakable. The reiterated yet endlessly transfigured elements in this landscape―Persephone a copper beech a mother and father and sister a garden a husband and son a horse a dog a field on fire a mountain―persistently emerge and reappear with the dark energy of the inevitable shot through with the bright aspect of things new-made. Farrar, Straus and Giroux hardcover
2012177567New York: Ecco 2012. First edition first printing inscribed by the author on the title page "for Adam Louise Glück with warm wishes". This compendium "is considered required reading by any aspiring poet - and arguably anyone serious about modern American literature" obit. Octavo. Original pale purple boards spine lettered in black. With dust jacket. Spine ends bumped; head of jacket mildly creased unclipped: a near-fine copy in like jacket. Clay Risen "Louise Glück 80 Nobel-Winning Poet Who Explored Trauma and Loss Dies" The New York Times October 13 2023. hardcover
20211633<p><em><strong>EXCEPTIONALLY SCARCE SIGNED! FIRST EDITION THUS</strong></em> first printing. Full number line present. Book is brand new and unread. Personally hand signed by Nobel Prize winning poet Louise Gluck directly to bespoke bookplate which is laid in rather than affixed. NOT inscribed to anyone. Dust jacket hand covered in protective archival grade Mylar for many worry free years of reading/collecting!</p><p>It is the astonishment of Louise Glück's poetry that it resists collection. With each successive book her drive to leave behind what came before has grown more fierce the force of her gaze fixed on what has yet to be imagined. She invented a form to accommodate this need the book-length sequence of poems like a landscape seen from above a novel with lacunae opening onto the unspeakable. The reiterated yet endlessly transfigured elements in this landscape―Persephone a copper beech a mother and father and sister a garden a husband and son a horse a dog a field on fire a mountain―persistently emerge and reappear with the dark energy of the inevitable shot through with the bright aspect of things new-made.<br />From the outset "Come here / Come here little one" Gluck's voice has addressed us with deceptive simplicity the poems in lines so clear we "do not see the intervening fathoms."</p><p>From within the earth's<br />bitter disgrace coldness and barrenness</p><p>my friend the moon rises:<br />she is beautiful tonight but when is she not beautiful</p><p>To read these books together is to understand the governing paradox of a life lived in the body and of the work wrested from it the one fated to die and the other to endure.</p> Farrar, Straus and Giroux hardcover
