Moore, Robert TaylorAntiquariat.de
21 résultats
165915145Solid-State Electronics Laboratory - Stanford Electronics Laboratories at Stanford University 30 November 1961 (Technical Report No. 1659-2, Prepared under Air Force Contract AF33(616)-7726). 38 p. and 6 p. Solid-State Distribution List (February 1962). 4°. Softcover. Slight traces of use. Good copy.
16601253122Jena, Krebs, 1660. Kl.-4to. 2 Bl., 36 S. Rücken-Broschur (gleichmäßig leicht gebräunt, Titel u. letztes Blatt etwas braunfleckig, handschriftl. Widmung auf Titel).
167638584London, Henry Brome, 1676-77. Contemp. full calf. Rebacked but preserving orig. spine, gilt. Gilt borders on covers. Wear to top of spine, corners a bit bumped. Titlelabel with gilt lettering. Engraved frontispiece with (1) pp. of explanation to the frontispiece. (28),200 pp., 3 engraved plates (of which2 are folded), folded engraved plan of Bathe. 1 textillustration. A few scattered brownspots, but in general clean and printed on good paper.
1670149621670 rel. veau brun époque, (état extérieur médiocre, à restaurer). pet. in-8, frontispice, (9ff.), 394pp., (2ff. privil.), 3 planches dépl. d'instruments, Lyon Jean Thioly 1670
166630327DBFrankfurt, W. R. Stock, 1666. 8°. (6) Bl., 24, 752 S. (16) Bl. Pergamentband aus der Zeit mit handschriftlichem Rückentitel.
166630327DBFrankfurt, W. R. Stock, 1666. 8°. (6) Bl., 24, 752 S. (16) Bl. Pergamentband aus der Zeit mit handschriftlichem Rückentitel. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, A|B [2 Warenabbildungen]
1680176912Nürnberg, Fürst, (ca. 1680). 3 Bl., 380 S., 13 (st. 14 Bl.). Hprgt. d. Zt. m. hs. Rtit. Vord. Deckelbezug m. Fehlst. Einbd. bestoßen u. angeschmutzt. Bindung gelockert, anfangs sichtbar. Durchg. stark gebräunt, teils auch spakfl. u. m. Nässespur. Titelbl. lose. Die ersten Bl. im Falz etwas beschäd. Ohne die 2 Kpfr.-Taf. Fehl. Bl. (= letztes Bl. d. Registers).
16275509Lyon, Pierre Drobet, 1627. In-8 (170 x 107 mm), titre gravé, 223-(1) pp. : "Préface Admonitoire, contenant les mystères très profonds & plus rares de la Philosophie tant naturelle que de la grace, touchant l'excellence de la médecine Chymique, & grandeur du Microcosme." , (2)- 210 pp. (le dernier feuillet est par erreur paginé 537/538) : "La Royale Chymie de Crollius.", (2) ff. : "Ordre Des préparations Chymiques, comme elles sont contenuës en la Chymie Royale.", (25) ff. : Table, (2)-119 pp. : "Traicte des signatures, ou vraye et vive anatomie du grand & petit monde.", (2) ff. : Deux tables pour le Livre des signatures, (13) ff. : Second indice des matières principales, contenues au livre des Signatures, par ordre Alphabétique, (1) dernier feuillet blanc. Reliure vélin d'époque, titre manuscrit au dos, ex-libris collé au contreplat, ex-libris manuscrit sur dernier feuillet blanc, pages de garde renouvelées avec un papier ancien, tranchefiles renouvelées, manque de vélin comblé en pied du dos et des plats, début de fente en pied du premier mors, inscription ancienne au stylo à plume (titre) sur premier feuillet blanc, minime manque de papier à 1 f., 2 feuillets restaurés dans le coin sup., une douzaine de feuillets présentent une galerie de vers en marge inf. du feuillet, 1 f. présente une importante restauration (sans perte de texte), auréole en marge inférieure en début d'ouvrage, trace de mouillure aux 20 derniers feuillets, le vélin est taché et s'est rétracté. Bon exemplaire.
167560724Hamburg, Naumann, 1675. 8vo. In a bit later full vellum. Small paper label pasted on to top of spine. Small wormtract to lower margin on last leaves, not affecting text. Ex-libris pasted on to pasted down front end-paper. A fine copy. (16), 249, (7) pp.
163453393Güstrow (Rostock), Johan Hallervords, 1634. Small 8vo. Later, modest clothbacked marbled boards. (16),223,(20) pp. Very light browning and a few scattered brownspots. One leaf (pp. 143/44) loosing part of margins, but no loss of text.
167641635Bruxelles, P. de Dobbeleer, 1676. In-16 de (30)-187-(13) p., errata et index, veau brun, dos orné à nerfs (reliure de l'époque).
162716086Lyon, Pierre Drobet, 1627. 3 parties en 1 vol. in-8 d'1 titre gravé, 223-(1) pp., (2)-210 pp. mal chiffrées 538, (54) pp. de table, 119 pp. (31) pp. de table, veau granité, dos lisse orné, pièce de titre, tranches jaspées (reliure du XVIIIe siècle).
163234728Paris, Pierre Gvillemot, 1632. 8vo. Cont. full limp vellum, remains of ties. Titlelabel in red leather on back, this with a small nick. Top of spine strenghtened with a strip of vellum. Engraved title with Neptun & Mars. (6),277,(10) pp., 28 half-page textengravings and 15 large wood-cut illustrations. A few scattered brownspots. A good copy.
166034427Osnabrück, J. G. Schwänders Tilman Bucholtz, 1660. Folio. Fine recent hvellum in old style made of old materials. Titlelabel in leather on spine with gilt lettering. The htitle reads: ""Praxis Artolloriae Pyrotechnicæ"". Htitle,(6),71,(1) pp.. and 51 engraved plates with 117 figs. (numb. 1-51 of which 2 are unnumb.). One leaf lacks (pp. 17/18) and p. 17 is present in cont. handwriting, but the whole leaf supplied in a fine facsimile on old paper. 2 plates a bit shaved and frayed in margin. Slight browning to htitle, a few minor brownspots. A good copy.
1657YRG-484Ultime édition format in-12, reliure de l'époque, plein cuir dos à cinq nerfs, page de faux titre manuscrite et signée Péladan, 384p. plus table, deux livres en un volume, rousseurs éparses, manques aux coins et au dos. Coiffes absentes, cependant ensemble bien réglé.
162726606A Rouen, Iacques Cailloüe, 1627. 4to. Cont. full vellum. Spine w. a gilt green title-label. Title-page lightly browned and with a small rubberstamp. A few marginal dampstains. One leaf repaired in a corner. A fine, well preserved copy (4), (456), (4) pp. Having 84 large woodcut-illustrations in the text (each ab. 1/3 page large), showing apparatus and equipment for chemistry, mining, fireworks, metallurgy etc.
163639976Paris, Robert Foüet, 1636. 2 parties en un vol. in-8 (161 x 100 mm) de (16)-255-(1) pp. (la dernière chiffrée par erreur 255, saut de pagination 128 à 179 sans manque) 1 f. blanc ; (16)-526 pp. (sans l'ultime feuillet blanc Kk8), veau fauve, dos orné à nerfs, pièce de titre en maroquin vert, triple filet doré d'encadrement sur les plats, tranches dorées (reliure du XVIIIe siècle).
162017868Franckfurt, Jacobi di Zetter, 1620. Folio. Old full vellum made out of manuscript vellum leaves (from 15th century with letters in red and black, 1 coloured initial, 2 columns, a bible-commentary). Re-backed, 3/4 of the old vellum-back preserved. Remains of blue and yellow ties. Fine engraved pictorial title (canons, equipment etc.), (12),145,(3) pp. and 15 double-page engraved plates, 8 showing artillery in function, technical descriptions, and diving equipments shown on plate 14 !!) - Second Part with fine engraved title (showing bombs and fireworks),(8),71,(5) pp. and 9 double-page engraved plates showing different kinds of fireworks. A few, mainly marginal brownspots and some faint browning to leaves. With exlibris from ""Comit: Fuggeri 1630 (?)"" in old hand on title. On fol. 2 a later rubberstamp: ""Fürstliche Fuggersche Bibliothek in Augsburg"".
168461343Franckfurt, Zunner, 1684 (+) Franckfurt am Mayn, Zunner, 1684. 4to (215 x 185 mm). Recently bound in a magnificent pastiche-binding of brown half calf with five raised bands and gilt red leather title-label to elaborately gilt spine. Vellum corners. The frontispiece/engraved half title trimmed with loss to upper and lower part of the plate. Closed tear to outer margin. Title-page closely trimmed with loss to first line of title. A few leaves with marginal repairs. Light occassional browning throughout, otherwise internally nice and clean. (14), 220, 123, (5), 68 pp. + folded frontispiece/engraved half title. 41 woodcut in text depicting various processes of mining and metallurgy.
16993700London:: printed for Dan. Brown at the Black Swan without Temple-Bar; Tho. Bennet at the Half-Moon D. Midwinter and Tho. Leigh at the Rose and Crown and R. Wilkin at the King’s-Head in St. Paul’s Church-yard 1699. FIRST ENGLISH EDITION of Jean Haudicquer de Blancourt's "De l’art de la verrerie". Octavo:. 18.3 x 11.5 cm. 16 355 13 p. Collation: A-Z8 Aa8. With 9 engraved plates. Bound in contemporary English paneled calf rebacked. Very fine condition. Two plates lightly browned marginal foxing to a few leaves. Illustrated with 9 engraved plates of glass-making furnaces tools crucibles and other apparatus. The core of Blancourt's text is Christopher Merret's annotated Latin edition 1668 of Antonio Neri's "L'Arte Vetraria"1612. Merret had produced his own English unillustrated translation of Neri's work in 1662. Among Blancourt's notable contributions to the text are a chapter on crystal glass and metal mirrors; and an appendix on a secret technique for making glass eyes look "Very Natural". "Antonio Neri’s 'L'Arte Vetraria' as the first printed book solely devoted to the art of glass formulation. It is a work committed to the subject of refining raw materials and combining them into a range of glasses and a rainbow of colors. The book divides into seven parts each devoted to a different aspect of the glassmaker’s art. He starts with the basics: preparing the fundamental ingredients of glass. Next he combines those materials into “cristallo.†Named after its mineral cousin rock crystal cristallo was a sophisticated Venetian specialty renowned for its delicate clarity. Neri details its traditional composition as brought to the Medici court by Venetian masters and then innovates with variations of his own. "At the other end of the spectrum is his “common†glass used for daily utilitarian purposes. He shows the standard formulas used in shops throughout the region and then proceeds to improve upon them. He presents a gamut of colors as well as advice for the glass “to emerge in full beauty and perfection." He shows the way to decolorize glass to take away even a slight tinge of hue that may be present and bring the melt to perfect crystal clarity. He walks us through numerous recipes in preparation for making an iconic Renaissance glass including the exquisite chalcedony—engineered to replicate the swirling colors of its namesake mineral. Beautiful to behold and thought by many to engender mystical properties Neri describes it as “adorned with so many graceful and beautiful areas of undulations and enhanced with the play of diverse lively flaming colors.†He goes on to describe leaded glasses artificial gems enamels and glass paints. Each time he innovates each time he guides us with encouragement admonition and painstaking clarity. "That Neri’s book was the first of its kind in print is a notable distinction but one that his deeper accomplishment easily surpasses; 'L'Arte Vetraria' preserves a rare glimpse of skilled practical knowledge. In his era prized techniques were frequently lost to subsequent generations lost because artisans so often spared the pen. Their precious knowledge went purposely unrecorded passing in strict confidence from master to apprentice working side by side. In 1612 Neri published his expertise to the world preserving the techniques and science of glass practices but also its art. Just as a great painter relies on the quality of pigments at hand so must a master glass artisan depend upon the materials of the melt. For the glassblowers and furnace workers who shaped hot glass a superior batch was crucial to superior results. A great piece of glasswork owes its form to the talent of the artist but its substance is the province of the craftsmen who make the glass. "Neri wrote 'L’Arte Vetraria' shortly before his death at the age of thirty-eight. Soon after Galileo sent it to a friend in Rome who was anxious for a copy."Paul Engle "Antonio Neri Alchemist Glassmaker Priest" Corning Museum of Glass ESTC R16918; Wing CD-ROM 1996 H1150. See Dwight P. Lanmon and David Whitehouse "Glass in the Robert Lehman Collection" p. 102 printed for Dan. Brown at the Black Swan without Temple-Bar; Tho. Bennet at the Half-Moon, D. Midwinter and Tho. Leigh at the Ro unknown books
1608V96189Romae [Rome], Ex typographia Reu. Camerae Apostolicae 1608 [20] + 154 + [6] pp., engraved vignette on title page, with a full page engraving with Porta's portrait signed I. [Iacobus] Laurus and with over 40 woodcut illustrations in text representing a.o. distilling apparatus, original first 1608-edition, nice recent binding in half leather and marbled boards in fine condition, gilt lettering on spine, engraved capitals in text, text clean and bright with only some occasional foxing, 22cm., most text is in Latin, very good condition, [This is a rare first edition of Porta's work on distillation, in which he offers a compilation of any knowledge available at that time regarding experiments and observations of distillation, its methods, apparatus and applications such as the preparation of perfumes and essential oils. It includes beautiful and quite bizarre woodcut illustrations of apparatus and stills resembling animals. Cfr. Duveen (481) who describes this work "as rare as it is beautiful". Porta (1535-1618) was an Italian philosopher, scientist and alchemist, and was/is often referred to as "professor of secrets". The engraved portrait of Porta included in this work is surrounded by various figures and gives a good impression of his scientific interests: distillation, astrology, chemistry, alchemy, optics, magnetism, etc. Content of this book: Liber I: Primordia pandit distillationis eiusq[ue], causas & instrumenta (pp.1-45), II: De odoratis Aquis eliciendis (pp.46-67), III: In quo de Oleorum tractatur (pp.68-87), IV: De distillatione oleorum exocitarum plantarum (pp.88-94), V: De refinis distillandis (pp.95-106), VI: De Oleo ex Lignis extrahendo (pp.107-112), VII: De Aquis validis extrahendis (pp.113-125), VIII: Quo de extrahendis rerum virtutibus varia experimenta traduntur (pp.126-144), IX: Oleorum extractio cum praelo (pp.145-154), + 6pp. of index and colophon], V96189
