73 résultats
30045Vilvorde, Ecole des Transmissions, 1965-1968. 21 x 29, 2 volumes, 202 + 143 pages, 184 figures, broché, bon état.
1970RO30343432Ecole Militaire, Annexe des Transmissions. 1970. In-4. Broché. Bon état, Tâchée, Dos satisfaisant, Papier jauni. 188 pages. Nombreuses illustrations en noir et blanc, dans le texte. Rousseurs. Pages 181 à 188 imprimées dans le mauvais sens.. . . . Classification Dewey : 370-Education
1957RO30124422EAT. 1957. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 86 pages augmentées de nombreux schémas. . . . Classification Dewey : 355-Art et science militaires, légion
19477651Coëtquidan 1947 31 pages in12. 1947. agrafé. 31 pages. Manuel technique militaire publié par l'École spéciale militaire interarmes de Coëtquidan faisant partie d'un cours de transmissions et traitant des notions de téléphonie avec fil destiné à la formation des officiers
186111Paris, Nancy, Berger-Levrault, 1891 in-8, X-335 pp., 3 cartes dépliantes, demi-chagrin aubergine, dos lisse, filets dorés (reliure de l'époque). Epid. et trace d'étiquette de bibliothèque au dos. Cachet (annulé).
188285Paris, Nancy, Berger-Levrault, 1891 in-8, X-335 pp., 3 cartes dépliantes, demi-chagrin aubergine, dos lisse, filets dorés (reliure de l'époque). Trace d'étiquette de bibliothèque au dos, manque de cuir, or terni. Cachet (annulé).
208527Paris, Nancy, Berger-Levrault, 1891 in-8, X-335 pp., 3 cartes dépliantes, demi-chagrin brun, dos lisse orné de filets dorés (reliure de l'époque). Dos passé et frotté, mors, coupes et coins usés. Quelques traits au stylo (rouge et bleu) en début d'ouvrage, déchirure à la pliure d'une carte. Cachets (annulés).
209540Paris, Nancy, Berger-Levrault, 1891 in-8, X-335 pp., 2 cartes dépliantes, demi-chagrin brun, dos lisse, filets et fleurons dorés (reliure de l'époque). Dos passé, trace d'étiquette. La troisième carte est manquante, la première déchirée mais sans manque.
174265Devon: Beau Geste Press 1973. The "wreckers of Western civilization" First edition one of 200 copies only. Openly confrontational and subversive COUM was an art and performance collective from the UK spearheaded by Genesis P-Orridge and Cosey Fanni Tutti who went on to found the pioneering industrial band Throbbing Gristle. COUM were responsible for one of the most controversial exhibitions in British art history: Prostitution held at the ICA in 1976. The exhibition consisted of explicit sexual photographs used sanitary products bottles of blood and rusty knives. It scandalized the British press and prompted the Tory MP Nicholas Fairbairn to call COUM the "wreckers of Western civilization". Copyright Breeches began in April 1973 when P-Orridge sent David Mayor of the Beau Geste Press a parcel containing three "copyrighted" photographs of Tutti. COUM were fascinated by the concept of copyright and its implications for artists: Tutti made P-Orridge a pair of flared trousers covered in a patchwork of stencilled copyright symbols the original "Copyright Breeches" and P-Orridge even submitted a bid to the Arts Council to copyright Tutti in an unrealized work they intended to call "Copyright Queen". Copyright Breeches consists of purple-tinted photographs of objects places and people all containing the copyright symbol. "The truly megalomaniacal scale with which P-Orridge carried out their appropriation and copyrighting parodied career artists who treated their artworks as commodities as things that could be bought and sold just like other products" Ford. Duodecimo 135 x 100 mm. Illustrated in purple throughout. Original wire-stitched orange wrappers front cover illustrated with Duchamp wheel and lettered in purple contents printed in litho-offset. Spine faintly sunned else a fine copy. Simon Ford Wreckers of Civilisation: The Story of Throbbing Gristle 1999. unknown
1976174444Geneva: Ecart Productions 1976. First edition first printing number 366 of 500 copies only. P-Orridge an artist and performer infamous for their confrontational work was prosecuted by the General Post Office for indecency after sending several sexually explicit postcards through the mail. The subsequent trial is immortalized in this publication. The postcards decorated with pornographic collages and erotic scripts - including collages of Queen Elizabeth II - were flagged by a Post Office operative sparking an important obscenity case in the history of the mail art movement. This publication charts the case by reproducing its associated ephemera including summons police statements legal documents newspaper articles correspondence between P-Orridge and their friends and supporters and the offending postcards themselves. William Burroughs a friend and advocate for P-Orridge suggested his own lawyer John G. K. Wood as an expert in obscenity law; letters between the trio are reproduced here. Despite public statements made in their defence by Burroughs the artist Bridget Riley and the director of the Tate Norman Reid P-Orridge was found guilty on five counts of sending by post an article which "has on the packet or cover thereof any works marks or designs which are grossly offensive or of an indecent or obscene character". The first 25 copies of this edition included invitations to the trial a signed reprint of the postcards stamps and an original collage by P-Orridge; it was later reissued by Primary Information in 2013. Quarto. Free endpapers printed in red contents illustrated and printed in black. Original white wrappers lettered in black white cloth backstrip text on rear wrapper enclosed in printed red circle. A few marks on rear wrapper else a fine copy. hardcover
195813531Eat 1958 272 pages in8. 1958. broché. 272 pages.
19223717Paris, Vigot, 1922 ; in-12, broché ; XIII pp., 399 pp., 16 pp. de catalogue.
106.866Paris, Librairie Polytechnique, Baudry et Cie, 1889. "16 x 24, 655 pp., 264 figures, demi-reliure dos cuir avec pièce de titre, plats marbrés, bon état (quelques épidermures; cachets de la Bibliothèque des professeurs du collège Saint-Stanislas à Mons)"
1882006010Washington: Government Printing Office 1882. First edition . Hardcover. Good/No Jacket. 8vo - over 7¾ - 9¾" tall. Clean copy with minor even wear minor rubbing of spine ends Ex lib. The Chase Nat'l Bank. Binding tight. Summarizes domestic gold production of 1881 in the U.S. <br/> <br/> Government Printing Office hardcover
19093800Paris, Leymarie et Bibliothèque des Arts Modernes (La Chapelle Montligeon, Orne, Imp. de Montligeon), sans date (1909) ; in-12 carré, pleine toile rouge de l'éditeur ; 332 pp. (y compris postface et errata), 4 planches hors-texte représentant 18 figures.
195530888Peyronnet, 1955, gr. in-12, 202 pp, 31 planches de photos in fine, broché, bon état
111895sd Sans mention d'éditeur, d'impression ni de relieur - Sans date (vers 1830) - Petit In-12, reliure pleine peau, pièce de titre et filets dorés au dos - Sans pagination - 30 planches dépliantes et 8 partitions de musiques dépliantes
1971LFA-126738566N° 2 - 1971 : 196 pages, format 160 x 240 mm, illustrée, brochée, bon état
1963LFA-126738847Revue de 36 pages, format 135 x 210 mm, brochée, bon état
138850N.p.: N.p. 1975. Original poster for a performance by COUM Transmissions held on February 18 1975 at the Stedelijk Academy in Ghent Belgium. The third in a series of five performances in the "Omissions" series the previous two taking place that same month in Belgium and the final two in May and June in Germany. Scarce with OCLC locating just a single copy. <br /> <br /> The brainchild of Genesis P-Orridge COUM Transmissions was an influential and controversial performance art group. Using similar techniques as and occasionally working with experimental artists William Burroughs Brion Gysin and the FLUXUS collective the group created confrontational exhibitions and happenings frequently utilizing explicit nudity bodily fluids and other taboo material. The "Omissions" performances were very much in line with this aesthetic with tour organizer Jean Paul van Bendegem describing them as "an exploration in the unusual of existing art-disciplines and a research in between these disciplines." <br /> <br /> 13.25 x 23 inches. Occasional light foxing else Fine. <br /> <br /> Ford Simon. "Wreckers of Civilisation" US.4-5.7 12.7-12.8. N.p. unknown
68-3497Paris France: 18e Regiment d'Instruction des Transmissions 1967. Printed Menu. 16 x 10.5 cm. Folded Watermarked Deckled Wove. Very Good. Color illustration on cover menu printed inside. Text En Francais. [Paris, France]: 18e Regiment d'Instruction des Transmissions, 1967. unknown
C11P., Imprimerie Nationale, Mai 1945. In-12, 300pp., nombr. croquis, br.
31597Paris, Société industrielle de transmissions Colombes-Texrope, sans date - brochure in-8, catalogue des produits de l'entreprise (poulies, courroies...) - Bon état