Boyer-Rebiab :Livre Rare Book
33 résultats
19093800Paris, Leymarie et Bibliothèque des Arts Modernes (La Chapelle Montligeon, Orne, Imp. de Montligeon), sans date (1909) ; in-12 carré, pleine toile rouge de l'éditeur ; 332 pp. (y compris postface et errata), 4 planches hors-texte représentant 18 figures.
19223717Paris, Vigot, 1922 ; in-12, broché ; XIII pp., 399 pp., 16 pp. de catalogue.
191026585Paris Librairie Félix Juven 1910 GRAND In-8 307 pp, avec 200 illustrations documentaires. Petites décolorations au cartonnage et perte du filet doré à l'Angle droit mais le dos est en bel état et l'intérieur est très frais
1903762j1913Washington D.C.: Government Printing Office. Good. 1903. First Edition. Paperback. "In the summer of 1899 several prominent manufacturers of the Pacific coast requested that the Division now Bureau of Forestry make a study of the Redwood. The Division put a party in the field which in six months during the years 1899 and 1900 examined nearly all the Redwood belt. Studies of old timber were made at For Bragg Mendocino County; at Scotia Humboldt County; at Ryan's Sough near Eureka; at Vance's on Mad River; and at Crescent City Del Norte County. Second growth in small areas was studied at Crescent City Trinidad Eureka and Arcata. The illustrations which include thirteen marvelous full page black and white plates four text figures and two diagrams are considered essential for a proper understanding of the text." - Gifford Pinchot. Includes studies of: The Redwood; The Brown Rot Disease of the Redwood; and Insect Enemies of the Redwood. 40 pages. Neat strip of yellowed tape along spine. Contents clean tight and unmarked. Somewhat above-average external wear. A sound rare and pleasing example of this valuable early study. ; 4to . Government Printing Office paperback
1907005004Paris Bowden 1907 In-4 Demi-chagrin à coins Edition originale
1976174444Geneva: Ecart Productions 1976. First edition first printing number 366 of 500 copies only. P-Orridge an artist and performer infamous for their confrontational work was prosecuted by the General Post Office for indecency after sending several sexually explicit postcards through the mail. The subsequent trial is immortalized in this publication. The postcards decorated with pornographic collages and erotic scripts - including collages of Queen Elizabeth II - were flagged by a Post Office operative sparking an important obscenity case in the history of the mail art movement. This publication charts the case by reproducing its associated ephemera including summons police statements legal documents newspaper articles correspondence between P-Orridge and their friends and supporters and the offending postcards themselves. William Burroughs a friend and advocate for P-Orridge suggested his own lawyer John G. K. Wood as an expert in obscenity law; letters between the trio are reproduced here. Despite public statements made in their defence by Burroughs the artist Bridget Riley and the director of the Tate Norman Reid P-Orridge was found guilty on five counts of sending by post an article which "has on the packet or cover thereof any works marks or designs which are grossly offensive or of an indecent or obscene character". The first 25 copies of this edition included invitations to the trial a signed reprint of the postcards stamps and an original collage by P-Orridge; it was later reissued by Primary Information in 2013. Quarto. Free endpapers printed in red contents illustrated and printed in black. Original white wrappers lettered in black white cloth backstrip text on rear wrapper enclosed in printed red circle. A few marks on rear wrapper else a fine copy. hardcover
1976140948766Geneva: Ecart Publications 1976. First edition. Fine. First edition limited issue. #274 of 500 copies. Unpaginated. Bound in publisher's printed white wraps. Fine. <p>The first edition of the musician and performance artist's irreverent account of being charged with posting indecent postcards compiled from facsimiles of original documents and finished with a limitation page mocking the conventions of the fine press book. P-Orridge was a countercultural icon who rose to prominence in the 1970s as the lead vocalist of the British industrial band Throbbing Gristle and as the co-founder of the avant-garde artistic and musical troupe COUM Transmissions. Ecart Publications unknown
1975138850N.p.: N.p. 1975. Original poster for a performance by COUM Transmissions held on February 18 1975 at the Stedelijk Academy in Ghent Belgium. The third in a series of five performances in the "Omissions" series the previous two taking place that same month in Belgium and the final two in May and June in Germany. Scarce with OCLC locating just a single copy. <br/><br/>Brainchild of Genesis P-Orridge nee Neil Megson COUM Transmissions was an influential and controversial performance art group. Using similar techniques as and occasionally working with such experimental artists as William Burroughs Brion Gysin and the FLUXUS collective as well as explicit nudity bodily fluids and other taboo material they created shocking and confrontational exhibitions and happenings. The "Omissions" performances were very much in line with this aesthetic with tour organizer Jean Paul van Bendegem describing them as "an exploration in the unusual of existing art-disciplines and a research in between these disciplines." <br/><br/>13.25 x 23 inches. Occasional light foxing else Fine. <br/><br/>Ford Simon. "Wreckers of Civilisation" US.4-5.7 12.7-12.8. N.p. unknown books
