126 résultats
18873168801Tübingen, Laupp, 1887/88. Hldr (1 Rücken gebräunt. Stempel auf Titel).
18313303383(Rostock, 1831). 1 gefalteter Bogen, zusammen 4 S.
18512562AGBI., 1851. Stahlstich, 16 x 11 Auf Wunsch Digitalaufnahme in jpg-Format erhältlich- photo in jpg-format available. Je nach Versandart können die Portokosten bis zu 2 ? weniger als angegeben betragen.+
1893175211893 Troisième et quatrième fascicule ( 1893 ) demi percaline rouge à coins - étiquette de titre rapée
180542938(London, W. Bulmer and Co., 1805). 4to. No wrappers as extracted from ""Philosophical Transactions"" 1805 - Part II. Pp. 233-256 a. 1 engraved plate, folded. Clean and fine.
180545882(London, W. Bulmer and Co., 1805). 4to. No wrappers as extracted from ""Philosophical Transactions"" 1805 - Part II. Pp. 233-256 a. 1 engraved plate, folded. Clean and fine.
187844231Paris, G. Masson, 1878. 8vo. Contemp. hcalf, raised bands, gilt spine. Light wear along edges. Small stamps on verso of titlepage. In: ""Annales de Chimie et de Physique"", 4e Series - Tome 15. 512 pp. a. 3 folded engraved plates. (The entire volume offered). Janssen's memoir: pp. 414-426.
186244063Leipzig, Johann Ambrosius Barth, 1862. Without wrappers as issued in ""Annalen der Physik und Chemie. Hrsg. von J.C. Poggendorff"", Vierte Reihe Bd. 27 (117), Stück Zwei, No. 10. The entire issue offered. Titlepage to vol. 27. Pp. 193-352 a. 1 engraved plate. Ångströms paper: pp. 290-302.
18711004011871. Paris L. Potier 1871. xii396pp. Contemporary green halfcalf. Exlibris "EVG. Chaper Gratian Opolitani" pasted on inside front cover. Sales catalogue describing 2974 items mostly in the fields of science arts belles-lettres and history but also theology and beaux-arts and Normandy. unknown
1878021594New York: Harper & Brothers 27 July 1878. Print. Some edgewear but an at least Very Good example of this fragile item. Folio 11" x 16" extracted from an 1878 issue of HARPER'S WEEKLY the woodcut image is quite likely the first depiction of blacks playing Americas game. <br/><br/> Harper & Brothers unknown
185827370Vienna: Imprimerie de Charles Gerold Fils 1858. Very Rare First Edition With a large multi-folding pull-out chart at the rear of the volume. 8vo publisher's original paper wrappers printed in black on upper cover. 36 pp. A well preserved copy of this rare volume with only minimal wear and mellowing the text largely unopened evidence of old damp at the bottom quarter of the text-block neither offensive or obtrusive. FIRST EDITION OF THIS VERY RARE EARLY WORK ATTEMPTING TO CORRELATE THE CHRISTIAN CALENDAR WITH THE MOVEMENT OF THE STARS AND PLANETS. OCLC lists a few copies only in France and England. No copies are listed as being held in American institutions. Imprimerie de Charles Gerold Fils unknown
1892772301892 Paris, Champion, Narbono, Dal Vigneron Narbonnais, 1892, in 8° broché, 59 pages ; couverture illustrée (dos recollé) ; traces de ruban adhésif sur la couverture et les gardes.
18701091Paris, Furne, Jouvet et Cie, sans date (1870), fort in-8 ; demie-basane tête de nègre, dos à nerfs, couverture conservée (reliure moderne) ; VIII-666 pages, (1) feuillet de table, 16 gravures hors-texte, nombreuses figures.
185511708D. Appleton and Company 1855. First Edition. hardcover. Good. 0x0x0. It is the promoted overseer and Yankee-adventurer that have brought the reproach of cruelty and tyranny upon the slave-holder." Stories of the good old days when a human could own another human. Brown cloth boards are worn at the corners some soiling dulled cloth tears head/tail of spine. Light foxing throughout large corner cut from front endpaper. Quite uncommon. All orders packed with care most dust jackets protected by Brodart sleeve independent bookseller since 2011 D. Appleton and Company hardcover
186244063Leipzig Johann Ambrosius Barth 1862. Without wrappers as issued in "Annalen der Physik und Chemie. Hrsg. von J.C. Poggendorff" Vierte Reihe Bd. 27 117 Stück Zwei No. 10. The entire issue offered. Titlepage to vol. 27. Pp. 193-352 a. 1 engraved plate. Ångströms paper: pp. 290-302. <br/><br/><em>First appearance in German of Ångström's famous paper in which he announced the discovery of hydrogen in the atmosphere of the sun and in which he also confirmed the probable existence of of other elements there. The paper appeared in "Oefversigt af K. Vet. Acad. Förhandl." in 1861. The German paper here is expanded. At the same time it was translated into English and publishe as "On the Fraunhofer Lines Visible in the Solar Spectrum".Ångström was one of the early formulators of the science of modern spectroscopy; he wrote extensively on terrestrial magnetism the conduction of heat and especially spectroscopy. He published a monumental map of the normal solar spectrum that expressed the length of light waves in units of one ten-millionth of a millimeter a unit of length now known as the angstrom. He discovered that hydrogen is present in the sun's atmosphere and he was the first to examine the spectrum of the aurora borealis. </em> unknown
1884ABE-1747180591254REDIGEES D'APRES LES PROGRAMMES OFFICIELS DU BACCALAUREAT ES SCIENCES ET DU BACCALAUREAT ES LETTRES-SEPTIEME EDITION REVUE, CORRIGEE ET AUGMENTEE DE PLUSIEURS NOTES-DES ETOILES-DE LA TERRE-DU SOLEIL-DE LA LUNE-DES PLANETES-DES COMETES-MAREES ETOILES FILANTES-282 PAGES-3 CARTES DEPLIANTES EN FIN D'OUVRAGE (CONSTELLATIONS EQUATORIALES-PLANISPHERE CELESTE-LA LUNE MARS JUPITER SATURNE)-RELIURE DOS CUIR 5 NERFS TITRES ET MOTIFS DE GLANDS DORES-(4D)
1891999441891 Imprimerie Pitrat Ainé - 1891 - In-8 broché - 16 pages - planches dépliables dans l'ouvrage
18611241421861 Paris, Gide, Editeur / Leipzig, T. O. Weigel, Editeur - 1861 - Un volume in-8; reliure demi-cuir bleu; dos à 4 nerfs avec titre, filets, caissons orné de fleurons en doré - 559 pages - Ouvrage illustré de 128 figures en N&B in et hors-texte
183250106Philadelphia: Carey & Lea 1832. First printing. Near fine. First US edition in a stunning fine art binding by the acclaimed Argentinian design bookbinder Sol Rébora. Austen's most beloved novel is simultaneously a unique production of profound artistic confidence and an entertaining popular love story: it builds on a long-established tradition of English courtship novels in conversation with many women authors before her like Frances Burney from whose book CECILIA Austen may have borrowed the very phrase "pride and prejudice". Austen admitted in a letter that she thought her book's heroine Elizabeth Bennett "as delightful a creature as ever appeared in print" 29 January 1813 - and generations of readers have agreed with her. First published in 1813 in three volumes this is the first edition to appear in the United States published in two volumes by Carey & Lea in an edition of only 750 copies. <br /> <br /> Sol Rébora is an internationally recognized design bookbinder based in Buenos Aires. Her works embody a minimalistic elegance that is nevertheless subtly complex as in the carefully structured multiple layers used here. They are not only visually stunning but supremely tactile. From Rèbora's artist statement: "The cloth texture is achieved using silk with a patterned design that evokes the aesthetic of the time period in which the original edition was produced creating a visual connection with antique paper. This design also appeals to the collective memory of how custom bindings from the early 19th century might have appeared complete with deep-relief hot-stamping impressions." A magnificent unique copy of an Austen first. Two 12mo volumes 6.75'' x 4.25'' each. Modern full peach design binding by Sol Rébora in Can Can structure with one layer of cotton cloth and two layers of Japanese paper each element hand-painted with acrylics and textured with a patterned design impressed with deep-relief hot-stamping from silk; spines and boards stamped in dark grey. Cotton and abaca handmade paper peach endpapers. Publisher's catalogue bound at front of Vol. I. 199 1; 209 1 pages. Vol. I with early pencil inscription of the Portsmouth Athenaeum to fly leaf; early newspaper clipping on "Jane Austen's Genius" archivally tipped onto rear fly leaf. Some browning light staining to text block a few early marginal pencil notes. Bright. Carey & Lea unknown
183253547Philadelphia: Carey & Lea 1832. Near fine. First US edition of Austen's third published novel - in a stunning fine art binding by the acclaimed Argentinian design bookbinder Sol Rébora. Morally upright Fanny gets pulled into a neighbor's scheming via an adaptation of Elizabeth Inchbald's well-known play LOVERS' VOWS. Among Austen's works MANSFIELD PARK especially demonstrates how careful contrasts of characters and plot twists can bring out subtle ironies. First published in 1814 in three volumes this is the first edition to appear in the United States published in two volumes by Carey & Lea in an edition of only 1250 copies. <br /> <br /> Sol Rébora is an internationally recognized design bookbinder based in Buenos Aires. Her works embody a minimalistic elegance that is nevertheless subtly complex as in the carefully structured multiple layers used here. They are not only visually stunning but supremely tactile. From Rèbora's artist statement: "The cloth texture is achieved using silk with a patterned design that evokes the aesthetic of the time period in which the original edition was produced creating a visual connection with antique paper. This design also appeals to the collective memory of how custom bindings from the early 19th century might have appeared complete with deep-relief hot-stamping impressions." A magnificent unique copy of an Austen first. Two 12mo volumes 6.75'' x 4.25'' each. Modern full pink design binding by Sol Rébora in Can Can structure with one layer of cotton cloth and two layers of Japanese paper each element hand-painted with acrylics and textured with a patterned design impressed with deep-relief hot-stamping from silk; spines and boards stamped in dark grey. Cotton and abaca handmade paper peach endpapers. Publisher's catalogue bound at front of volume I. 4 200; 204 pages. Vol. II with pencil inscription of the Portsmouth Athenaeum to fly leaf. Some browning a few spots of staining to text block some early pencil notes. Tight. Carey & Lea unknown
183353548Philadelphia: Carey & Lea 1833. Near fine. First US edition of the most bookish of Austen's novels - in a stunning fine art binding by the acclaimed Argentinian design bookbinder Sol Rébora. Often misread as critical of the gothic novels that were popular at the period of its first composition NORTHANGER ABBEY is a more complex exploration of the genre that is especially notable for its passages in defense of the novel form - written uncharacteristically in first person directly from the narrator. First published in late 1817 in three volumes this is the first edition to appear in the United States published in two volumes by Carey & Lea in an edition of only 1250 copies; it includes the famous "Biographical Notice of the Author" that first revealed Austen's name to the public as the author as her books were all published anonymously in her lifetime. <br /> <br /> Sol Rébora is an internationally recognized design bookbinder based in Buenos Aires. Her works embody a minimalistic elegance that is nevertheless subtly complex as in the carefully structured multiple layers used here. They are not only visually stunning but supremely tactile. From Rèbora's artist statement: "The cloth texture is achieved using silk with a patterned design that evokes the aesthetic of the time period in which the original edition was produced creating a visual connection with antique paper. This design also appeals to the collective memory of how custom bindings from the early 19th century might have appeared complete with deep-relief hot-stamping impressions." A magnificent unique copy of an Austen first. Two 12mo volumes 6.75'' x 4.25'' each. Modern full grey-lavender design binding by Sol Rébora in Can Can structure with one layer of cotton cloth and two layers of Japanese paper each element hand-painted with acrylics and textured with a patterned design impressed with deep-relief hot-stamping from silk; spines and boards stamped in dark grey. Cotton and abaca handmade paper grey-pink endpapers. 195 1; 196 pages. Light pencil notation to title of Vol. 2. Some offsetting marks to endpapers from earlier binding; light browning to leaves a few small stains. Bright. Carey & Lea unknown
183353550Philadelphia: Carey & Lea 1833. Very good plus. First US edition of Austen's first novel - in a stunning fine art binding by the acclaimed Argentinian design bookbinder Sol Rébora. Austen's first novel uses the love stories of two sisters to explore the complexities and contradictions in the gendered expectations of the Regency era: a woman will be praised for her capacity to feel emotion her sensibility but not too much; a woman will be praised for her independent and responsible nature her sense but not too much. First published in late 1811 in three volumes this is the first edition to appear in the United States published in two volumes by Carey & Lea in an edition of only 1250 copies. <br /> <br /> Sol Rébora is an internationally recognized design bookbinder based in Buenos Aires. Her works embody a minimalistic elegance that is nevertheless subtly complex as in the carefully structured multiple layers used here. They are not only visually stunning but supremely tactile. From Rèbora's artist statement: "The cloth texture is achieved using silk with a patterned design that evokes the aesthetic of the time period in which the original edition was produced creating a visual connection with antique paper. This design also appeals to the collective memory of how custom bindings from the early 19th century might have appeared complete with deep-relief hot-stamping impressions." A magnificent unique copy of an Austen first. Two 12mo volumes 6.75'' x 4.25'' each. Modern full grey-pink design binding by Sol Rébora in Can Can structure with one layer of cotton cloth and two layers of Japanese paper each element hand-painted with acrylics and textured with a patterned design impressed with deep-relief hot-stamping from silk; spines and boards stamped in dark grey. Cotton and abaca handmade paper grey-pink endpapers. 199 1; 189 1 pages. Light pencil notation to fly leaf of Vol. I. Some offsetting marks to endpapers from earlier binding archival paper repair to fly leaf; light browning to leaves some staining. Solid. Carey & Lea unknown
1845PHO-846London, R. and J. E. Taylor , 1845, in-4° (280x220), 444 pp ,relié demi cuir époque , dos lisse avec titre et date,cachet, charnière fendue , coiffes usées , manque papier au plat .
18891096481889 A Paris, Chez G. Masson, Editeur - 1889 - Deuxième édition entièrement revue - In-12 (11,5 x 18cm environ), demi percaline violette, plat marbré rouge, titre doré au dos, tranches mouchetées - VIII + 640 pages - Avec 350 figures dans le texte (in et hors)
18981241751898 Paris, Librairie Classique Eugène Belin, Belin Frères - 1898 - Cinquième édition - Ouvrage rédigé conformément aux programmes officiels et orné de 225 gravures intercalées dans le texte - In-12, reliure demi-percaline bleu, pièce de titre au dos - 432 pages
