273 résultats
1993009986Andover: Addison Gallery of American Art 1993. First Edition. Paperback. Good /No. First edition. A very good minus copy in oblong bound decorated wrappers. 88 pp. Text by Jock Reynolds. This copy SIGNED by Lewitt and uncommon thus. A couple of pages have become loose from this fragile binding. Signed by Author. <br/><br/> Addison Gallery of American Art paperback books
194743367Paris: Black Sun Press 1947. Portfolio number 5. First Edition. Cover leaf 19 leaves. 10 plates. 1 vols. 4to. Loose as issued in grey portfolio slightly discolored. Very good. Portfolio number 5. First Edition. Cover leaf 19 leaves. 10 plates. 1 vols. 4to. Black Sun Press unknown books
1981127199New York: Soho News 1981. Original poster for a performance by Steve Reich and Musicians Philip Glass Sun Ra John Ashbery Paul Jacobs and numerous others on May 27 1981. <br/><br/>An important moment for modern classical music. This concert coincided with the unveiling of a new music programming policy at New York's WNYC at that time the "broadest commitment to modern music made to date by any classical music station in the country." The performance brought together Reich and Glass but also avant-garde jazz composer Sun Ra poet Ashbery choreographer Lar Lubovitch and percussionist/sound designer David Van Tieghem. <br/><br/>11 x 17 inches. Near Fine with some age-toning and minor wear at the edges. Soho News unknown books
197416465New York: John Weber Gallery 1974. First edition. Loose Sheets. Fine. Large single sheet folded once to form a four page printed poster. Printed on all four sides. Each side measures 15 1/4" square. A fine example of this conceptual art poster. Issued to coincide with the 1974 exhibition of Lewitt's work at John Weber Gallery. John Weber Gallery unknown books
198950667Santa Barbara: Capra Press 1989. First Edition. 8vo pp. 239. Fine in dj. Inscribed by the author to William Claire: "To Bill Claire . Poet and publisher . the loyal friend who recognized the lasting nature of Caresse's contribution as a muse and who was the wind at my back "from foreword to Finis . with love and appreciation . "The poet . is the longest life giver in the universe" . CC" Included are 10 typed letters and an autograph post card from Conover to Claire as well an invitation to an autograph party an announcement for a lecture and also a copy of Claire's interview of Conover in Horizon Magazine. In the interview Conover says about Caresse " in my view she was a catalyst in the lives of writers and artists . Capra Press unknown books
197624162New York: Visual Arts Museum 1976. First edition. Loose Sheets. Fine. Large single-sheet poster created by Sol Lewitt to accompany an exhibition at Visual Arts Museum in New York in 1976. The poster is in fine condition and is printed on thick paper stock. The poster measures just over 13 1/2" tall x 22 3/4" wide. An uncommon piece of Lewitt ephemera from the 1970's. Ready to be framed if one desires. Visual Arts Museum unknown books
1930236359Boston: Houghton Mifflin 1930. This edition is limited to 500 copies printed for Houghton Mifflin by the Black Sun Press Paris France. 1 vols. 8vo. Blue boards. Fine in fine slipcase. This edition is limited to 500 copies printed for Houghton Mifflin by the Black Sun Press Paris France. 1 vols. 8vo. INSCRIBED TO HOTCHKISS FRIEND AND COLLABORATOR. Inscribed "To Douglas Moore 1893-1969 affectionately Archibald MacLesish Conway June 22 1930." <br/><br/>Moore "was an American composer educator and author. He wrote music for the theater film ballet and orchestra but his greatest fame is associated with his operas The Devil and Daniel Webster 1938 and The Ballad of Baby Doe 1956.<br/>Moore also composed several popular songs whilst at Yale together with poet and Hotchkiss School mate Archibald MacLeish and later in collaboration with John Jacob Niles. He wrote the Yale fight song Goodnight Harvard. These songs were later published in 1921 under the collective title "Songs my Mother never taught Me". He later collaborated with fellow Yale alumnus Stephen Vincent Benet on the folk opera The Devil and Daniel Webster. " Minkoff A-36b Houghton Mifflin unknown books
1854213713Philadelphia: Peterson 1854. First. paperback. very good. Frontispiece portrait. 254 pages slim 12mo original pictorial wrapper spine chipped and reinforced with clear tape otherwise a very good clean copy. Philadelphia: T.B. Peterson 1854. First Edition. Scarce.<br/><br/> A very important figure in the development of the American theater. Solomon Franklin Smith founded "the first genuine theatre west of the Mississippi in 1937 in St. Louis" ANB. He traveled and played extensively in the South including Alabama Georgia and Louisianna. Clark III: 240; Howes S671; Sabin 84240.<br/><br/> Peterson unknown books
186857679New York: Harper & Brothers publishers Franklin Square 1868. 8vo pp. viii 1 10- 275 1 4 ads; 15 illustrations and a portrait of the author; original pictorial wrappers; spine slightly chipped else near fine. Howes S-672; Hamilton 1625: "This appears to be a reissue of The Theatrical Apprenticeship 1846 with many changes and much new material. It contains the same 8 illustrations by Darley together with 7 additional illustrations." DAB reports this work to be a combination of his two autobiographical works published in 1846 and 1854 respectively. <br/><br/> Harper & Brothers, publishers, Franklin Square unknown books
196930525New York: Artworkers Coalition 1969. First edition. Paperback. Very Good . 4to. 142 pp. Thick side-stapled wrappers. A very good copy of this scarce collection of mimeographed copies of letters artist statements other documents associated with the A.W.C a group of disparate artists architects and filmmakers who formed demonstrations at the Museum of Modern Art in 1969 over museum policies. Artworkers Coalition paperback books
1972404942Bern Switzerland: Kunsthalle Bern and Paul Bianchini 1972. Covers toned along edges spine toned and creased very little edgewear small scuff to back cover. Square 8vo 8 x 8 inches. Printed wrappers. FIRST EDITION. Contains 195 numbered illustrations: pen & ink drawings of arcs circles and grids in exhaustive variations and permutations precisely as indicated by the title. Cited in Maffei & De Donno "Sol Lewitt: Artist's Books": "The drawings were a logical continuation of previous work." <br/><br/> Kunsthalle Bern and Paul Bianchini unknown books
1989172065Paris: Yvon Lambert 1989. First edition. Oblong softcover. Includes with the covers 12 black and white illustrations. A close to near fine copy in wrappers that are very lightly soiled. Internally a clean copy. Uncommon. Yvon Lambert unknown books
193817033ENew York: Republic Pictures 1938. First Edition. Cutting continuity script. Hardbound 190 mimeographed pages 8 1/2†x 13. Specially hardbound copy from the Cliffhangers Club collection bound in dark brown cloth with the title and ‘A Cliffhangers Club Edition’ stamped in silver on the front board. Used and worn copy with dampstaining to the endpapers and the bottom edges of the interior not affecting the legibility of the text and with some edge wear to the boards. One of the classic motion picture film serials issued in twelve chapters for the film The Fighting Devil Dogs directed by John English and William Witney starring Lee Powell Bruce Bennett Eleanor Stewart Montagu Love Hugh Sothern Sam Flint and Perry Ivins. The film tells the story of a masked villain who terrorizes the world with a powerful and mysterious weapon in his evil bid for world conquest and how he is met on the battle front by the U.S. Marine Corps. Serial scripts of this vintage are rare. Republic Pictures hardcover books
1929WRCLIT67008Paris: The Black Sun Press 1929. Quarto. Printed wrappers. Frontis. Vignettes. Fine in slightly darkened glassine wrapper with small chips at extremities. Wanting the slipcase. First edition of the unexpurgated text. One of 450 numbered copies on Hollande van Gelder Zonen from a total of 500. ROBERTS A50a. The Black Sun Press unknown books
1980172066Tokyo Japan: Galerie Watari 1980. First edition. Small oblong softcover. 16 pages Published for an exhibition that opened March 1 1980 at Galerie Watarie. Includes 15 black and white drawings. A near fine copy in stapled wrappers with some very faint foxing and slight creasing to the bottom left corner. Galerie Watari unknown books
201920840Guadalajara: Taller Gráfica de Comala 2019. Limited edition. Hardcover. Fine. Illustrated by Nacho Gómez Arriola. Folio. 12pp finely printed letterpress on handmade paper and embellished with a tipped-in photograph and several linocuts in color engraved by Nacho Gómez. Accompanied by a portfolio of prints by Nacho: Chile Maiz Cacao Frijol Aguacate Nopal Calabaza Maguey. Each print finely printed on handmade paper bears a 16th or 17th century quotation relating to the food followed by linocut engravings in colors. And each print is signed by the artist. Both the booklet and the portfolio are enclosed in a hardbound cover of yellow paper engraved with a drawing by the artist and with a finely printed paste-on label. One of 35 copies signed and numbered by the artist. In Spanish. Taller Gráfica de Comala hardcover books
199322543New York: I.C. Editions 1993. Fine in fine box; lacks pencil. Unlimited Edition. Loose sheets in box. A do-it-yourself kit containing paper stencil overhead transparency diagrams and and open ended instructions on how to execute three conceptual artworks by Jessica Diamond Sol Lewitt and Lawrence Weiner. Published by I.C. Editions via Susan Inglett Gallery and with design by Dan Miller Design NYC and printed by Anne Noonan of Soho Letterpress NYC. New York: I.C. Editions unknown books
199824665Gent: Imschoot Uitgevers 1998. Fine in printed black wrappers. Housed in a custom clamshell box. Signed Limited Edition. Small octavo. One of 30 copies signed and numbered by the artist from a total edition of 1000. SIGNED by LeWitt and numbered 6 / 30. Lewitt's monochromatic exploration of the printed color black: flat and glossy. One of the smallest signed LeWitt limitations; scarce. Gent: Imschoot, Uitgevers unknown books
19405025241940. on second page and fifth page August 7 1940; also signed twice by Sol Lesser and M. Silverstone General Manager of United Artists Corporation on second page and fifth page; signed with blindstamped seals of notary publics in both New York and Los Angeles. 8 1/2" x 11" 11 pages stapled into a blue legal folder. Agreement between Lubitsch Sol Lesser and United Artists Corporation for their distribution of films produced by Lubitsch and Lesser. No Binding. Very Good/Very Good. unknown books
19929025853Paris: Les Nouvelles Editions Séguier 1992. 1st Edition. Hardcover. fine. In publisher's original white printed paper binding. Pages in accordion fold and pasted to one cover. Accopanied by publisher's original matching black slipcase. One of 1000 numbered copies. <br/><br/> Les Nouvelles Editions Séguier hardcover books
200220804Milan: Alberico Cetti Serbelloni 2002. First Edition. Cloth. Fine/Fine. Fine first edition. Oversized clothbound book in fine thick decorated dustwrapper. Text in Italian and English with essays by Michael Brenson. 116 pp. The first book devoted to Lewitt's works in concrete. Stunning book and surprisingly uncommon. This copy has been briefly INSCRIBED by the artist on the front endpaper. <br/><br/> Alberico Cetti Serbelloni hardcover books
14658Qajar Era Imperial Order of the Lion and the Sun Commander Badge. In silver with enamelled centre and green enamel between rays of badge. Original Well executed hand painted center medallion of Lion and Sun. The Imperial Order of the Lion and the Sun of Iran was instituted by Fat'h Ali Shah of the Qajar Dynasty in 1808 to honor foreign officials and later extended to Persians who had rendered distinguished services to Persia Iran. Some minor enamel damage between rays. Overall a very fine piece nicely preserved. unknown books
1980172079New York & Boston: Multiples Inc./Michael K. Torf 1980. First edition. Softcover. First printing. A photographical autobiography with over 1100 black and white images of the various objects in Lewitt's life including numerous shots of his personal library. A fine copy in a very near fine price clipped dust jacket with a shallow crimp to the top of the front panel A fresh and bright copy of one of Lewitt's best artist books. Parr & Badger v2 155. Multiples Inc./Michael K. Torf unknown books
1979404935New York: Harry N. Abrams 1979. A near-fine copy in a like jacket pale stain to cloth on upper panel the jacket with minute wear. Square 4to 8 x 8 inches; 203 x 203 mm. 48 pages. Full-page color offset prints. Original cloth; dust jacket. FIRST EDITION inscribed by Lewitt on the front free endpaper in pencil to "Ann." Uncommon in the cloth-bound issue and especially so when signed. Lewitt conceptually explores: "Circle Square Triangle Rectangle Trapezoid and Parallelogram in Red Yellow and Blue on Red Yellow and Blue." The book is divided into three sections each of which differ by background color. Barbara M. Reise wrote that "LeWitt's colours like his lines and squares are like 'facts': they are inert pre-established accepted and un-emotional man-made constructs which can 'come to life' within a present context but do not necessarily do so. Red yellow blue and black and the white of wall or paper are standard "absolute primaries basic to all pigment colour - that is according to the colour system accepted by an art academic from early 19th-century theorists like Chevreul. Unlike the Newtonian rainbow-spectrum based on light-waves this theoretical structure is more conceptually mathematical and tautological than referential to some exterior and inhuman Nature. LeWitt's use of these colours is as flatly complete physical and self-reflective as the theory itself. Unlike Seurat whose use of the same colour theories was subordinated and interrelated to other interests in proportion theories and seen scene subject-matter LeWitt uses colour as both the subject and the object of his art" in: 'Sol Lewitt Critical Texts' ed. Adachiara Zevi Rome 1994 p. 188. <br/><br/> Harry N. Abrams hardcover books
192813802Paris: The Black Sun Press 1928. First edition. Paperback. Near Fine. Wide 4to. Paper wrappers with cello cover. First edition one of only 100 copies this being number 76. Small amounts of expected wear to delicate cello wrapper else near fine. Scarce. The Black Sun Press paperback books