Art - Lewitt, SolBiblio.com
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2004230427001Pacewildenstein 2004. Paperback. New. 11x10x0. BRAND NEW. Still Sealed in Publishers Shrinkwrap. Pacewildenstein paperback
1930743351.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1987mon0000008037Westfalischer Kunstverein Munste 1987. Hardcover. Very Good. Covers and edges show some light scuffing. Published in conjunction with his exhibition at the Westfalian Kunstverein in Munster. Book is accordian folded an inventive way to try and capture the feeling of the installation. Westfalischer Kunstverein Munste hardcover
8498832667.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
200386183New York: HDI Harper Design International an Imprint of HarperCollinsPubishers and LOFT Publications 2003. Presumed First Edition First printing. Hardcover. Very good/Very good. Malcolm Varon O'Keeffe photograph. The format is approximately 6.75 inches by 9 inches. 95 1 pages. Illustrated endpapers. Illustrations many in color. Biography. Works List of Images. This is one of the publisher's Duet series. Among the images addressed are Fallingwater Guggenheim Museum Hollyhock House Taliesin Morris Gift Shop Cottonwoods Lake George Oak Leaves Paul's Kachina Red Landscape and Turkey Feather with Horseshoe. Arguably America's best-known architect Frank Lloyd Wright 1867-1959 is famed for his sleek rational designs of houses and buildings nestled in natural surroundings. Across the United States Wright's works embody the precept of Organic Architecture that a project must be constructed in response to the site's landscape with respect for the client's needs and with awareness of local materials. Throughout her career painter Georgia O'Keeffe 1887-1986 created breathtaking works of intimacy simplicity and precision inspired by observations both of the urban environment of New York City and the stark landscapes of the American Southwest. Both Wright and O'Keeffe applied a respect and understanding of nature to their work. Studied together these creators' works bring new insight into how the organic influences the artistic. HDI [Harper Design International, an Imprint of HarperCollinsPubishers] and LOFT Publications hardcover
200286191Dusseldorf: TeNeues 2002. Presumed First Edition First printing. Hardcover. Very good/Very good. Janos Kalmar Photographer. The format is approximately 6.75 inches by 9 inches. 80 pages. Illustrations most in color. Text is in English French Italian and German. Contents include Landerbank Wagner's Villas Majolica House The Linke Wienzeile Building 38 Vienna Metro Stations Hofpavillon Karlsplatz Steinhof Church Postparkasse of Austria Residence at Neustiftgasse 40 and Chronology. This is one of a new series about the master of classical architecture. Each volume in this eminently attractive series highlights the work of renowned architect of the past centuries. Packed with dazzling photographs of exteriors sand interiors detailed plans and brief comprehensive texts. Otto Koloman Wagner 13 July 1841 - 11 April 1918 was an Austrian architect furniture designer and urban planner. He was a leading member of the Vienna Secession movement of architecture founded in 1897 and the broader Art Nouveau movement. Many of his works are found in his native city of Vienna and illustrate the rapid evolution of architecture during the period. His early works were inspired by classical architecture. By mid-1890s he had already designed several buildings in what became known as the Vienna Secession style. Beginning in 1898 with his designs of Vienna Metro stations his style became floral and Art Nouveau with decoration by Koloman Moser. His later works 1906 until his death in 1918 had geometric forms and minimal ornament clearly expressing their function. They are considered predecessors to modern architecture. Otto Wagner Penzing near Vienna 1841-died Vienna 1918 studied in both Berlin and Vienna. He was put in charge of the general plan for Vienna under the authority of the City Hall's Higher Committee for Construction. The principal objective was to set up a railway system and to control the Danube River. He was the mentor of Josef Hoffman and Josef Maria Olbrich. At the end of the century during the Secession of Vienna he worked on a number of projects including houses for Linke Wienzeile the Zeit telegraph office and the Postal Savings Bank Postsparkassenamt. He was also the designer of the Steinhof Church and the second Wagner villa among other buildings. TeNeues hardcover
1994172077Fort Worth TX: Modern Art Museum of Fort Worth 1994. First edition. Softcover. Foreword by Marla Price. Preface acknowledgments and notes by Michael Auping. Includes numerous color and black and white illustrations. A clean very near fine copy in wrappers. Modern Art Museum of Fort Worth unknown
183250106Philadelphia: Carey & Lea 1832. First printing. Near fine. First US edition in a stunning fine art binding by the acclaimed Argentinian design bookbinder Sol Rébora. Austen's most beloved novel is simultaneously a unique production of profound artistic confidence and an entertaining popular love story: it builds on a long-established tradition of English courtship novels in conversation with many women authors before her like Frances Burney from whose book CECILIA Austen may have borrowed the very phrase "pride and prejudice". Austen admitted in a letter that she thought her book's heroine Elizabeth Bennett "as delightful a creature as ever appeared in print" 29 January 1813 - and generations of readers have agreed with her. First published in 1813 in three volumes this is the first edition to appear in the United States published in two volumes by Carey & Lea in an edition of only 750 copies. <br /> <br /> Sol Rébora is an internationally recognized design bookbinder based in Buenos Aires. Her works embody a minimalistic elegance that is nevertheless subtly complex as in the carefully structured multiple layers used here. They are not only visually stunning but supremely tactile. From Rèbora's artist statement: "The cloth texture is achieved using silk with a patterned design that evokes the aesthetic of the time period in which the original edition was produced creating a visual connection with antique paper. This design also appeals to the collective memory of how custom bindings from the early 19th century might have appeared complete with deep-relief hot-stamping impressions." A magnificent unique copy of an Austen first. Two 12mo volumes 6.75'' x 4.25'' each. Modern full peach design binding by Sol Rébora in Can Can structure with one layer of cotton cloth and two layers of Japanese paper each element hand-painted with acrylics and textured with a patterned design impressed with deep-relief hot-stamping from silk; spines and boards stamped in dark grey. Cotton and abaca handmade paper peach endpapers. Publisher's catalogue bound at front of Vol. I. 199 1; 209 1 pages. Vol. I with early pencil inscription of the Portsmouth Athenaeum to fly leaf; early newspaper clipping on "Jane Austen's Genius" archivally tipped onto rear fly leaf. Some browning light staining to text block a few early marginal pencil notes. Bright. Carey & Lea unknown
183253547Philadelphia: Carey & Lea 1832. Near fine. First US edition of Austen's third published novel - in a stunning fine art binding by the acclaimed Argentinian design bookbinder Sol Rébora. Morally upright Fanny gets pulled into a neighbor's scheming via an adaptation of Elizabeth Inchbald's well-known play LOVERS' VOWS. Among Austen's works MANSFIELD PARK especially demonstrates how careful contrasts of characters and plot twists can bring out subtle ironies. First published in 1814 in three volumes this is the first edition to appear in the United States published in two volumes by Carey & Lea in an edition of only 1250 copies. <br /> <br /> Sol Rébora is an internationally recognized design bookbinder based in Buenos Aires. Her works embody a minimalistic elegance that is nevertheless subtly complex as in the carefully structured multiple layers used here. They are not only visually stunning but supremely tactile. From Rèbora's artist statement: "The cloth texture is achieved using silk with a patterned design that evokes the aesthetic of the time period in which the original edition was produced creating a visual connection with antique paper. This design also appeals to the collective memory of how custom bindings from the early 19th century might have appeared complete with deep-relief hot-stamping impressions." A magnificent unique copy of an Austen first. Two 12mo volumes 6.75'' x 4.25'' each. Modern full pink design binding by Sol Rébora in Can Can structure with one layer of cotton cloth and two layers of Japanese paper each element hand-painted with acrylics and textured with a patterned design impressed with deep-relief hot-stamping from silk; spines and boards stamped in dark grey. Cotton and abaca handmade paper peach endpapers. Publisher's catalogue bound at front of volume I. 4 200; 204 pages. Vol. II with pencil inscription of the Portsmouth Athenaeum to fly leaf. Some browning a few spots of staining to text block some early pencil notes. Tight. Carey & Lea unknown
183353548Philadelphia: Carey & Lea 1833. Near fine. First US edition of the most bookish of Austen's novels - in a stunning fine art binding by the acclaimed Argentinian design bookbinder Sol Rébora. Often misread as critical of the gothic novels that were popular at the period of its first composition NORTHANGER ABBEY is a more complex exploration of the genre that is especially notable for its passages in defense of the novel form - written uncharacteristically in first person directly from the narrator. First published in late 1817 in three volumes this is the first edition to appear in the United States published in two volumes by Carey & Lea in an edition of only 1250 copies; it includes the famous "Biographical Notice of the Author" that first revealed Austen's name to the public as the author as her books were all published anonymously in her lifetime. <br /> <br /> Sol Rébora is an internationally recognized design bookbinder based in Buenos Aires. Her works embody a minimalistic elegance that is nevertheless subtly complex as in the carefully structured multiple layers used here. They are not only visually stunning but supremely tactile. From Rèbora's artist statement: "The cloth texture is achieved using silk with a patterned design that evokes the aesthetic of the time period in which the original edition was produced creating a visual connection with antique paper. This design also appeals to the collective memory of how custom bindings from the early 19th century might have appeared complete with deep-relief hot-stamping impressions." A magnificent unique copy of an Austen first. Two 12mo volumes 6.75'' x 4.25'' each. Modern full grey-lavender design binding by Sol Rébora in Can Can structure with one layer of cotton cloth and two layers of Japanese paper each element hand-painted with acrylics and textured with a patterned design impressed with deep-relief hot-stamping from silk; spines and boards stamped in dark grey. Cotton and abaca handmade paper grey-pink endpapers. 195 1; 196 pages. Light pencil notation to title of Vol. 2. Some offsetting marks to endpapers from earlier binding; light browning to leaves a few small stains. Bright. Carey & Lea unknown
183353550Philadelphia: Carey & Lea 1833. Very good plus. First US edition of Austen's first novel - in a stunning fine art binding by the acclaimed Argentinian design bookbinder Sol Rébora. Austen's first novel uses the love stories of two sisters to explore the complexities and contradictions in the gendered expectations of the Regency era: a woman will be praised for her capacity to feel emotion her sensibility but not too much; a woman will be praised for her independent and responsible nature her sense but not too much. First published in late 1811 in three volumes this is the first edition to appear in the United States published in two volumes by Carey & Lea in an edition of only 1250 copies. <br /> <br /> Sol Rébora is an internationally recognized design bookbinder based in Buenos Aires. Her works embody a minimalistic elegance that is nevertheless subtly complex as in the carefully structured multiple layers used here. They are not only visually stunning but supremely tactile. From Rèbora's artist statement: "The cloth texture is achieved using silk with a patterned design that evokes the aesthetic of the time period in which the original edition was produced creating a visual connection with antique paper. This design also appeals to the collective memory of how custom bindings from the early 19th century might have appeared complete with deep-relief hot-stamping impressions." A magnificent unique copy of an Austen first. Two 12mo volumes 6.75'' x 4.25'' each. Modern full grey-pink design binding by Sol Rébora in Can Can structure with one layer of cotton cloth and two layers of Japanese paper each element hand-painted with acrylics and textured with a patterned design impressed with deep-relief hot-stamping from silk; spines and boards stamped in dark grey. Cotton and abaca handmade paper grey-pink endpapers. 199 1; 189 1 pages. Light pencil notation to fly leaf of Vol. I. Some offsetting marks to endpapers from earlier binding archival paper repair to fly leaf; light browning to leaves some staining. Solid. Carey & Lea unknown
19742080202102500565Shinkosho Co. Ltd. Shogakukan 1974. Soft Cover. Fine. The book is in fine condition. Shinkosho Co., Ltd. Shogakukan paperback
036675372X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
036567513X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0656573759.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
3659056634.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1983SONG0821407104Brand: Ohio Univ Pr 1983-01-01. First Edition. hardcover. Used: Good. 0.00x0.00x0.00. Buy with confidence. Excellent Customer Service & Return policy. Brand: Ohio Univ Pr hardcover
1983mon0000491884Ohio University Press 01/08/1983 00:00:01. paperback. Very Good. 2.5381 in x 15.2284 in x 12.6904 in. Ohio University Press paperback
0850361990New. paperback. New. Satisfaction Guaranteed or your money back. paperback
1989453938Bonniers. Very Good/Good. 1989. Swedish Language. Hard Cover. 9100477125 D533 . Bonniers hardcover
2007__9027227160John Benjamins Pub Co 2007. Hardcover. New. 180 pages. 9.25x6.25x0.50 inches. John Benjamins Pub Co hardcover
19608047H81221American String Teachers AssociatioN. Very Good. Soft cover. 1960. American String Teachers AssociatioN paperback
42885Eds en langues étrangères - Guoji Shudian In-4 33 cm 144pp. illustr. carte et photos hors-texte reliure pleine toile de l'éditeur quelques marques d'usage sur la jaquette bon etat Ats16 unknown
2026x-1041223935Routledge 2026. Hardcover. New. 228 pages. 9.18x6.12x9.45 inches. Routledge hardcover
2023120305México D.F.: Universidad Nacional Autónoma de México UNAM 2023. color plates recipesbibliographic references p. 191-195 color pict. wrps. This cookbook is the product of a culinary contest that was organized during the pandemic. Based on the title and the dissemination given to it by the Interdisciplinary University Seminar on Aging and Old Age SUIEV of the National Autonomous University of Mexico UNAM The large part of the participants were older by it is an intergenerational gathering from home chefs sharing Mexican recipes. The contest was even more complicated for a culinary competition during the pandemic. According to the World Health Organization WHO older adults have the highest mortality rate from coronavirus infection globally.The first part of the book discusses culinary traditions in Mexico the second part contains the recipes of the prize winner organized by types of foods. Some examples: Mole tradicional de Huixquilucan Tamales de mumo Frijoquiles Pastel de mil hojas de mole. Universidad Nacional Autónoma de México, UNAM unknown
