685 résultats
1q20008TZuber & Cie Rixheim um 1996. 26 Tapeten-Mustertafeln mit Bordüren original Leineneinband mit goldgeprägtem Deckeltitel und Schraubbindung Imperial-folio ca. 73 x 59 cm etwas bestoßen/am unteren Einbandrand durch Ablösung einer Nummer farbabweichend/hinterer Vorsatz Textbeigabe entfernt. - sonst gute Erhaltung / Text französisch - unknown
1q20010TZuber & Cie Rixheim um 1996. 38 Tapeten-Mustertafeln teils mit Bordüren jeweils durch kartonierte Seiten begrenzt original Leineneinband mit goldgeprägtem Deckeltitel und Schraubbindung Imperial-folio ca. 49 x 735 cm Einband leicht fleckig/etwas bestoßen/Titelseite mit leichten Knickspuren/am unteren Rand ein Feuchtigkeitsschaden dadurch fleckig/Atelier-Aufkleber auf Einband. - Dekors des 19. Jahrhunderts / Text französisch - unknown
19782091202133101534Sanseisha 1978. Soft Cover. Fine. Volume: 1 Sanseisha paperback
40111Tarif n°29 annulant tous les précédents.In-8 en percaline. (s.d.).Reliure rouge avec ornements dans les coins et caractères dorés.282 pages.Texte et très nombreux dessins d'armes et de cycles. Planches en couleurs de chiens. 2 planches dépliantes en couleurs: le fusil "Idéal" et la bicyclette "Superbe". BE.
19205789Aden /Germany, SD (Circa 1920). 1920 18 cartes postales en tirage sépia (90 x 140 mm), dont 9 sur bristol et 9 sur papier albuminé. Chemise à rabats de papier neutre.
awd-103New York, Kathmandu, Shivastan Publishing, 2004. In-8 agrafé, couverture bleue sur papier du Népal (24 pp.). Tirage à 200 ex. illustrés et signés au crayon. Dernier peintre et poète beat, proche de Warhol (pour qui il apparaît dans Kitchen et Chelsea Girls), Rene Ricard (1946, 2014) a aussi révélé Jean-Michel Basquiat dans Artforum en 1981. Très bon état.
83812Strasbourg, Paris, Librairie Istra, Maison d'Edition de l'Imprimerie Strasbourgeoise, 1929-1933, 5 années reliées en 1 volume de 200x250 mm environ, 235-197-195-196-188 pages, demi basane brune, titres et fleurons dorés sur le dos, gardes marbrées avec un ex-libris de G. Jeanton sur la première. Nombreuses illustrations et figures. Des rousseurs, frottements sur la couverture, bon état pour le reste.
Arvidsson, GöstaIn Pristine Condition. unknown
193946634Shanghai: Nishimura Company 1939. Edition not stated. Quarto 26.5cm; black simulated leather stamped in red and gilt in brown paper slipcover; unpaginated photo-illustrated plates w/ rice paper overlays. Wear minor scuffs and soiling to boards; toning and foxing intermittent throughout text especially on overlays; some overlays creased or torn. Slipcover worn and chapped with abrasions and two large one repaired tears across front panel. Photo-illustrated pastedowns and endpapers. Very Good in Good slipcover. All text in Japanese with some obsolete/antiquated kana/kanji oriented right to left. This is a privately-issued commemorative yearbook-type photo album shashin-cho published on behalf of the Imperial Japanese Army medical forces during the Second Sino-Japanese War 1937-1945. Specifically it was produced for those who served under military physician captains/commanding officers Nobuo Isa and Tetsuo Fukaya who were stationed in or near Shanghai at the time.<br /> <br /> By July 1939 the Imperial Japanese Army was beginning to feel the impact of its own mounting casualties and costs; the Chinese Red Army would launch a major offensive later that November. While the Japanese occupation of Shanghai was notably brutal there is little evidence of violence in this album. However some photographs do depict the aftermath of battle with ruined buildings and soldiers being treated for injuries. Other subjects are mundane in nature: Staff and group portraits hospitals and other facilities physicians at work company events and ceremonies. Also includes photographs of Shanghai and a fold-out map of the Hangzhou Bay area. Apparently not cataloged in OCLC or available commercially as of November 2019. Nishimura Company unknown
193946634Shanghai: Nishimura Company 1939. Edition not stated. Quarto 26.5cm; black simulated leather stamped in red and gilt in brown paper slipcover; unpaginated photo-illustrated plates w/ rice paper overlays. Wear minor scuffs and soiling to boards; toning and foxing intermittent throughout text especially on overlays; some overlays creased or torn. Slipcover worn and chapped with abrasions and two large one repaired tears across front panel. Photo-illustrated pastedowns and endpapers. Very Good in Good slipcover. All text in Japanese with some obsolete/antiquated kana/kanji oriented right to left. This is a privately-issued commemorative yearbook-type photo album shashin-cho published on behalf of the Imperial Japanese Army medical forces during the Second Sino-Japanese War 1937-1945. Specifically it was produced for those who served under military physician captains/commanding officers Nobuo Isa and Tetsuo Fukaya who were stationed in or near Shanghai at the time.<br/><br/>By July 1939 the Imperial Japanese Army was beginning to feel the impact of its own mounting casualties and costs; the Chinese Red Army would launch a major offensive later that November. While the Japanese occupation of Shanghai was notably brutal there is little evidence of violence in this album. However some photographs do depict the aftermath of battle with ruined buildings and soldiers being treated for injuries. Other subjects are mundane in nature: Staff and group portraits hospitals and other facilities physicians at work company events and ceremonies. Also includes photographs of Shanghai and a fold-out map of the Hangzhou Bay area. Apparently not cataloged in OCLC or available commercially as of November 2019. Nishimura Company unknown books
1960233821960. Industrial factory photograph archive documenting large scale machining systems automated tooling equipment and precision manufacturing processes during the height of postwar American industrial expansion circa 1960s. Several scenes feature Sundstrand branded machinery associated with the Sundstrand Corporation a major Rockford Illinois manufacturer of machine tools aerospace components and industrial automation systems during the Cold War industrial economy. By the 1960s American factories increasingly relied on massive numerically controlled machining equipment capable of producing aircraft parts turbine components and heavy industrial hardware with levels of precision unattainable in earlier manually operated machine shops. These photographs record the physical scale of that transition capturing the integration of computerized or semi automated production systems into factory environments that formed the backbone of aerospace defense transportation and heavy manufacturing industries during the period.<br /> <br /> Photo archive of 9 Large Silver Gelatin photographs each 8" x 10" circa 1960s. Interior factory scenes show enormous industrial machining centers occupying tiled production floors beneath overhead lighting and exposed structural systems. Multiple photographs depict large circular indexing tables rotary cutting assemblies suspended tooling heads and enclosed control units bearing visible "Sundstrand" identification. Engineers and machinists wearing shop coats and protective glasses appear adjusting tooling mechanisms calibrating machine components and servicing cutting assemblies surrounded by heavy cables hydraulic systems and banks of industrial controls. Several machines are shown actively engaged in metal cutting operations with curled metal shavings accumulating beneath rotating tooling heads and across surrounding platforms. One scene captures technicians removing or fitting a large machined component beneath a circular cutting apparatus while another documents reel based electronic control equipment integrated into the production system reflecting the growing use of automated process control in industrial manufacturing during the decade.<br /> <br /> The 1960s marked a decisive transformation in American manufacturing as industries shifted from conventional machining toward automated and numerically controlled production methods capable of supporting aerospace engineering military procurement automotive manufacturing and mass industrial output. Companies such as Sundstrand played a central role in supplying the specialized tooling and machine systems that allowed factories to machine increasingly complex metal components at industrial scale. Some curling scattered edge and surface wear as well as foxing to margins; images remain sharp with strong detail. Overall in good condition. The photographs preserve direct visual evidence of the machinery labor practices and production environments that defined late midcentury industrialization before many such facilities were modernized outsourced or dismantled during later waves of deindustrialization. unknown
1q20021TZuber & Cie Rixheim ca. 2000. 29 auf Karton gezogene Tapetenmuster zweigeteilt und jeweils mit separater Bordüre Unterteil mit Bourbonenlilie original Leineneinband mit goldgeprägtem Deckeltitel und Schraubbindung Imperial-folio ca. 55 x 815 cm Einband etwas randfleckig und lichtschattig/Einbandecken leicht bestoßen. - sonst gute Erhaltung / Die Tapeten dieser Kollektion sind von Hand gedruckt und patiniert. Im Stil der Klassischen Tapetenmacher Frankreichs / Text französisch - unknown
1q20006TZuber & Cie Rixheim um 1980. 61 Blätter mit zahlreichen Tapeten-Mustertafeln mit Bordüren jeweils mit kartonierten Zwischenblättern original Leineneinband mit goldgeprägtem Deckeltitel und Schraubbindung Imperialfolio-quer ca. 65 x 43 cm etwas bestoßen/Einband etwas fleckig/eine Tafel mit Randeinriß. - sonst gutes Exemplar / Beinhaltet Klassische Motive meist in verschiedenen Varianten. Artikelbeschreibung: Décor "Directoire" / "Draperie Josephine" / Décor "Reveillon" / Decor a Colonnes / Décor à Colonnes variante "Pompei" / Décor "Colonnettes et Lambris" / Décor "Boiserie" / Décor "Azulejos" / Décor "Villa Ciceron" / Décor "Etrusque" / Bordure "Baroque" / Décor "Mosaique" de Paulin Paris pour Zuber / Décor "Roseraie" / Décor "Atrium" / Text französisch - unknown
1q20017TZuber & Cie Rixheim ca. 2000. 31 auf Karton gezogene Tapetenmuster zweigeteilt und jeweils mit separater Bordüre Unterteil mit Bourbonenlilie original Leineneinband mit goldgeprägtem Deckeltitel und Schraubbindung Imperial-folio ca. 55 x 815 cm Einband etwas randfleckig und lichtschattig. - sonst gute Erhaltung / Die Tapeten dieser Kollektion sind von Hand gedruckt und patiniert. Im Stil der Klassischen Tapetenmacher Frankreichs / Text französisch - unknown
1q20016TZuber & Cie Rixheim ca. 2000. 46 auf Karton gezogene Tapetenmuster original Leineneinband mit goldgeprägtem Deckeltitel und Schraubbindung Imperial-folio ca. 547 x 575 cm Einband gering fleckig. - sonst gutes Exemplar / Die Tapeten dieser Kollektion sind von Hand gedruckt und patiniert. Hier wurde eine Tapetenrolle für 540 Euro angeboten / Text französisch - unknown
2007165430New York: Chronicle Books 2007. Hardcover. First American Edition. As New. Still in publisher's shrinkwrap.<br /> <br /> Between 1978 and 1992 Factory Records was one of the most important record labels in Britain. It launched the careers of Joy Division New Order and the Happy Mondays and others. The entity was launched jointly with the legendary Hacienda Club and Dry Bar both in Manchester; and it introduced along with its new music a new concept of high-quality cutting-edge design. <br /> <br /> A complete full-color chronological catalog of the label's output with each release accompanied by its original inventory number along with photos of album sleeves singles special editions flyers posters stationery and architectural projects. <br /> <br /> Oversize volume shipping billed at cost. Chronicle Books unknown
1950233261950. Garment factory photographs documenting women's industrial sewing labor machine based apparel production and managerial oversight in the postwar United States circa 1950s with direct evidence of how mass clothing manufacture depended on large sewing rooms specialized equipment and gendered factory work. Archive documents the production floor as a working system rather than a single portrait scene placing rows of women at Pfaff machines beside piles of cut or partly finished garments while a separate executive portrait and staged equipment views link shop floor labor to administration and industrial sales culture. The group matters because postwar clothing production relied heavily on women's wage labor in factories where speed repetition and machine specialization turned fabric into standardized output for a growing consumer economy.<br /> <br /> Photo archive of 5 Large silver gelatin photographs each 8" x 10" circa 1950s. Two photographs show the main sewing room from wider angles with long rows of women seated at machine stations beneath suspended electric lines and task lighting while large heaps of striped fabric or finished garments spill across tables and benches in the foreground. The workers are positioned close together in a dense production space organized around straight runs of tables and sewing heads with little separation between labor stations and material flow. One photograph isolates a woman operating a large Pfaff industrial unit in a cleaner demonstration setting while another gives a close technical view of a Pfaff machine head and work plate. A fifth photograph shows an older male executive or manager seated in an office.<br /> Postwar apparel production expanded through factories that combined assembly line logic with skilled but repetitive needlework and women formed a large share of that labor force in garment plants across the United States. The Pfaff machines represent the technological side of production while the sewing room views show the human structure that made the machines profitable with women handling fabric continuously at closely arranged stations under managerial control. Light handling wear and minor curling to edges. Overall very good condition. The archive preserves the relationship between labor machinery and output at a moment when industrial clothing manufacture still depended on concentrated factory work before later shifts toward overseas production transformed the industry. unknown
1945234071945. Reading Pennsylvania factory photo archive documenting textile machinery production and hosiery manufacturing work circa late 1940s to early 1950s at or near the Wyomissing industrial complex associated with Textile Machine Works and Berkshire Knitting Mills. Reading became one of the major American centers for full fashioned knitting machinery after Ferdinand Thun and Henry Janssen founded Textile Machine Works in 1892 and the equipment seen here belongs to the world of stocking manufacture before seamless nylon hosiery reshaped the industry in the 1950s.<br /> <br /> Photo archive of 17 large silver gelatin photographseach 8 x 10 inches Reading or Wyomissing Pennsylvania circa 1940s to early 1950s. Rows of large knitting machines fill long factory rooms under fluorescent lighting; workers stand beside circular or braiding machinery marked with chalked Greek words; an engineering office includes men studying large technical drawings; machine tools metal stock exterior factory buildings tanks and utility structures place the scenes within a large industrial plant. Several versos are stamped "Paul Bauer Photographer 608 Franklin St. Reading Pa." and "Photo by Paul Bauer." Several shop-floor views include a chalked Greek vocabulary list beside the machinery a striking detail in a Reading industrial region that had an established Greek immigrant community by the early twentieth century.<br /> <br /> The archive records the machinery workers drafting practices and plant environment behind Pennsylvania's textile machinery economy at the point when American hosiery manufacturing still depended on large specialized mechanical systems and skilled shop labor. Documenting the production floors machine details engineering rooms workers and exterior plant views. Minor edge and curling; images remain clear and well preserved. Overall in very good condition. unknown
1940235071940. Women's wartime factory labor photo archive depicting rubber molding inspection precision trimming packing and bench production in the United States during the World War II era. More than six million women took wartime jobs in American factories and wartime labor needs moved women into industrial work involving machinery inspection aircraft parts laboratory work and other production roles previously coded as male labor. The captioned Parker views place women inside a rubber parts operation where quality control hand finishing and distribution preparation were treated as essential production work. The archive records the practical shop-floor labor behind the larger wartime shift: long tables stools bins boxed parts inspection lamps trimming tools and women working in sequence across a factory interior.<br /> <br /> Photo archive of 4 large silver gelatin photographs each measuring 8" x 10.75" United States circa 1940s. One caption reads "View of inspection of Parker-molded rubber parts" with women seated along a long worktable examining parts before distribution. Another caption reads "Operators with equipment for precision-trimming of mold rubber parts" showing women working at a row of bench stations with overhead cords boxes and factory equipment. Additional scenes show women packing sorting and assembling small molded components at long tables surrounded by stacked cartons metal containers industrial windows and production shelving.<br /> <br /> During and after World War II women's factory labor did not simply fill temporary vacancies; it proved women could perform skilled industrial tasks in defense-related production even as many employers pushed women out of those jobs when men returned from military service. Light handling wear corner wear minor creasing and curling; photos generally clean and clear and captions remain legible on two mounts. Overall in very good condition. This archive shows the wartime demand for women's labor in order to keep American production moving during the war. unknown
186429021415Anthony Coventry RI 1864-1894. General wear and toning. The smaller of the two notebooks has semi detached covers. . A set of two notebooks containing nearly thirty years of the meeting minutes of the annual July 4 gathering of the Coventry Factory Fire Engine Company. These minutes includes a list of members and officers voted in each year as well all the outcome of any topic put to vote. The meetings take place in Anthony RI which is a small village within Coventry RI. The smaller copybook is completely full and contains minutes from their annual meetings dating from 1864 to 1881. The second and larger notebook begins where the first notebook left off in 1882 and continues until 1890 when at the annual meeting there was no quorum present and as such "the charter of the company was declared forfeited sic and the company disbanded." In August of 1893 the company was reorganized under the old charter. Four more meetings follow in 1893 with the last meeting recorded stating that the fire company met to compete at the Kent Co. Fair and won the third prize of ten dollars. Included with this set are several receipts and notes of the fire company. There are eight 8 receipts dating between 1893-1894 two of them are undated. One scrap piece of paper which served as a draft for a portion of one of the annual meeting minutes. A roll call list of members from the 1893 annual meeting. A list of dues paid by each individual member. And lastly a note dated September 15 1893 which certifies that the fire company won the third prize in the Hand Engine Contest Open at the Kent Co. Fair. Below is an excerpt from one of the entries: "The squirt gun was tested and proved very satisfactory. It was voted that Lt Capt Byron Matteson be a committed to inspect the Hay Cart and any other machine he may see fit and report as soon as posable. There being more business the meeting adjourned to the call of the Captain." - August 3 1893 Meeting These journals most likely belonged to Arthur J. Matteson 1859-1925 who was the Secretary of the Company from 1888-1893. Matteson lived in Coventry RI and worked as a machinist. Small Notebook: Brown illustrated wrappers depicting several scenes of children on a farm. The back cover has a multiplication table and a decorative border. String binding. Completely full. Measures 8" x 6 1/2" Large Notebook: Black decorative paper over boards. Red fore edge. One fourth filled. Measures 8 1/2" x 6 3/4" <br/><br/> hardcover books
1960016069Saint-Maurice d'Ételan Pierre Bettencourt 1960 In-16 Broché, couverture rempliée
187127826BORDEAUX A. BELLIER & Cie 1871-73 une affiche Lithographiée en noir sur fond jaune et papier brillant et entoilée : format : 36 cm de haut par 53 cm de large, sans date (1871-1873 car cet imprimeur a créé son activité en 1971 et est mort en 1873) BORDEAUX A. BELLIER & Cie . IMPRIMEUR, 16, rue Cabirol Editeur,
19692081402109803362Koyu-sha 1969. Soft Cover. Fine. Volume: 1 Koyu-sha paperback
First Edition, vii,[i]pp., 283,[1]pp., 11 engraved plates showing such goods as hose pipes, carriage wheel tire, air proof cushions, beds, swimming belts, Yachting boats, mud boots, tents, fishing trousers, cricket bat, -leg protector, -gloves, foot balls, etc., orig. embossed cloth, small tear to head and foot of spine. "Hancock, Thomas (1786?1865), rubber manufacturer and inventor... Hancock took out sixteen patents in all relating to rubber between 1820 and 1847. He displayed remarkable ingenuity in suggesting uses for what was practically a new material, and the specifications of his patents cover the entire field of rubber manufactures, though many of his ideas were not carried out at the time."?(Oxford DNB).
1930149350N.p.: N.p. 1930. Archive of six double weight borderless photographs of the Ethan Allen Creamery in Essex Junction VT circa 1930s. The photographs contain images of both the creamery buildings and interior of the facilities including the vats used to pasteurize milk at what the creamery's sign claims is "Vermont's most modern and sanitary milk plant."<br /> <br /> Photographs roughly 9.75 x 7.75 inches. Fine. Tipped onto linen on the left edge and bound with a string. Housed in a contemporary card folder with a vintage photography studio label to the rear pastedown. N.p. unknown
