343 résultats
192453007Rochester NY: Consolidated Machine Tool Corp. 1924-1953. Two vols. 4to. 147; 131 leaves all w/ 278 silver gelatin photos sized 8.5 x 11 in. all preserved in archival mylar sleeves and nearly all with typed captions dated and often pen & pencil annotations on versos most with hole punches at gutter blank margin from being bound originally in 3-ring factory binders. Uniformly bound in recent black cloth post-binders gilt lettering stamped on covers & spines NF set. This remarkable factory photo archive documents the durable and invaluable machine tools which built American industrial production through the 1920s and the post-World War II era. The Colburn drill presses turning lathes boring machines and boring mills were essential for such companies as Ford Motor Co. Maxwell Motorcar Co. John Deere Oakland Motor Car Co. Delco Light Co. International Harvester Nash Motors Co. Allis Chalmers Manufacturing Co. Caterpillar Tractor Co. Monarch Tractors Co. Hughes Tool Co. of Los Angeles part of Hughes Aviation Westinghouse and so many others. Many of the images show the connecting rods gears bearings engine blocks and other parts manufactured by these massive machines. A large number of the photos in the first volume show machines built and installed for the first National Machine Tool Builders’ Exposition which was held Sept. 19-23 1927 in the Cleveland Auditorium and attracted over 12000 attendees including Henry Ford the Dodge Brothers Durant George Westinghouse and many other automotive and industrial innovators and builders at the time. A number of these machines were also sold to Railroad companies including the Missouri Pacific the International & Great Northern Railway in Palastine TX the Chesapeake & Ohio Railway Co. in Huntington WV and more. The second volume includes Newton duplex milling machines cold saws and hot saws for metal especially aluminum and more. These photos show Newton machines being sold to Dodge Chrysler Buick General Motors Ford Bendix Wright Aeronautical Corp. ALCOA as well as photos showing engine blocks being milled and the internal works of many of the machines. Newton was originally founded in 1880 by Charles C. Newton who specialized as a twist drill manufacturer in Philadelphia and continued to expand operations until merged with Betts Machine Co. and Colburn Machine Tool Co. in 1922 to form the Consolidated Machine Tool Corp. of Rochester NY. Colburn Machine Tool Co. was founded sometime in 1890 by Henry J. Colburn and after his death in 1902 was run by his son Leslie who died in 1918. The Company which maintained a number of machinery patents for drill presses and table saws was merged later with Consolidated in 1922. Consolidated Machine Tool Corp. operated on Blossom Road in Rochester NY producing tools and machinery used in metal and plastics manufacturing. In 1951 they were acquired by the Farrel-Birmingham Co. operating until 1983 when they were sold to the Conlon Corp. See: Directory of American Toolmakers: Early American Industries Association 1999; Betts Machine Co. Manufacturers Index Vintage Machinery 2017; Colburn Machine Tool Co. Franklin PA Manufacturers Index Vintage Machinery 2017. Consolidated Machine Tool Corp., hardcover
1933000012662Dresden: Salem Cigarettenfabrik 1933. First edition. Photo Album. Near Very Good. 2 vol. Oblong 8vo. 2 1-23 1; 2 1-35 1 pp. Bound in red flexible paper wraps bound with gold cord in two punch holes. Gold and black decorations and lettering on the front wraps. Each album with a single introductory page of text. Text in German. Both albums illustrated with numerous leaves of mounted color cigarette cards of actors and actresses from the early years of the Golden Age of Hollywood. Each album also has plates of color illustrations taken from scenes of famous films. All of the films shown in these two albums were released in 1931 or 1932. The color cigarette cards feature actors and actresses from Germany the United States Poland Mexico and from other countries. A sticker ghost on each front wrapper a few of the tissue guards torn away two of the cards in the first album with their top margin torn away. Salem Cigarettenfabrik unknown
3051Rome mid-19th century. 8 volumes. 823 white plaster cast medallions each bordered with gilt paper manuscript numbers added in ink generally between 1.5 and 5 cm in diameter some larger. Arranged and mounted in recessed double-sided faux book-boxes lined with red paper. Manuscript list of contents not entirely corresponding to the content in brown ink to front and rear pastedowns of each volume. In original matching full vellum binding gilt spines with 2 labels lettered “Paoletti†and “Impronte opere antiche†or “Impronte opere moderne†with the volume number. A few medallions detached from backing three with visible traces of crack and one broken. Some of the bindings are partly dusted some labels are rubbed with losses to the extremities. Front panel of Vol. 16 discolored spine somewhat rubbed labels worn. Overall in fine condition. Generally a very well-preserved collection. 8 volumes. 823 white plaster cast medallions each bordered with gilt paper manuscript numbers added in ink generally between 1.5 and 5 cm in diameter some larger. Arranged and mounted in recessed double-sided faux book-boxes lined with red paper. Manuscript list of contents not entirely corresponding to the content in brown ink to front and rear pastedowns of each volume. In original matching full vellum binding gilt spines with 2 labels lettered “Paoletti†and “Impronte opere antiche†or “Impronte opere moderne†with the volume number. Box size: ca. 34 × 22 cm. An 8-volume collection of 19th-century plaster impressions of intaglios and other engraved gems and miniature copies of ancient and later sculptures and monuments in matching original bindings manufactured by the Paoletti firm.<br /> <p><p><br /> A fine collection of mid-19th century plaster medallions intaglios cameos known in Italian as ‘impronte’ manufactured by the Paoletti family Bartolomeo Paoletti 1757–1834 and his son Pietro 1801–1847 in Rome. These souvenirs became highly popular among aristocratic and fashionable travelers on the Grand Tour during the early part of the 19th century especially from England. Such distinguished figures as Goethe Catherine the Great Belozerskaya 2013 p. 201–3 Ferdinand III Grand Duke of Tuscany and Lord Elgin were among the clients of the Paoletti firm.<br /> <p><br /> Like a miniature museum of the history of art these carefully arranged and mounted plaster impressions show mythological or classical scenes portraits of Greek and Roman gods emperors warriors philosophers and poets masterpieces of the Italian Renaissance and portraits of famous artists and writers. Many of the intaglios are life-size copies of ancient gems cameos coins and medals others are miniature representations of classic or later sculptures and portraits.<br /> <p><br /> Four of our volumes cover antique themes and the other four are dedicated to “modern artâ€. The antique section comprises a volume titled Impronte in Stucco cavate dalle Gemme Antiche and contains 116 portraits of Greek and Latin poets and philosophers antique military leaders and rulers. Each of the remaining three volumes is titled Istoria-Miteologica they comprise medallions 119135109 of mythological and classical scenes and portraits. <br /> <p><br /> The first volume of Impronte opere moderne has a mixed content of Opere del Secolo XVI chiamato 500 13 Opere Moderne Di Antonio Picler Anton Pichler 7 Opere di Giuseppe Picler Johann-Joseph Giuseppe Pichler 12 Opere di Nathaniel Marchant 49. The next two volumes are titled Opere di varj Autori and contain examples of miscellany “modern art†12796 and the last one titled Incisioni appartenenti a S A. il S.e Pr’pe Poniathowski is a selection of 40 pieces of the Poniatowski gems.<br /> <p><br /> Literature: Belozerskaya M. 2013. Medusa's Gaze: The Extraordinary Journey of the Tazza Farnese. New York: Oxford University Press.; Lucia Pirzio B. S. 2013. La collezione Paoletti. Stampi in vetro per impronte di intagli e cammei II. Roma: Gangemi. unknown
192061659New York: American Publishing & Engraving Co. J.J. Schultz & Co. 184 William St. Bookbinder ca. 1920-1939. Thick folio. 13 x 19 x 3.5 in. 135 leaves numbered reverse in pencil on versos of last half. on linen with 4274 camera-ready clipart samples all w/ inventory numbers rubber stamped below the image sized approx. 2 x 2 in. throughout arranged in montages of 24 28 32 & 40 per page each carefully mounted some crossed out w/ annotation “Killed†and others worn through at the lower right corner of some leaves while just a few have been removed and in once case clipped from the upper fore-edge of the leaf. Contemporary light gray/beige buckram soiled dampstained wear at fore-edges partially shaken rebacked still a VG- exemplar. An extraordinary printing & engraving firm’s factory sample catalogue for over 4000 of their camera-ready clipart advertisements for subscribing businesses following World War II through the Great Depression and the New Deal programs of President Roosevelt. This superlative archive of images traces Art Deco styles spanning nearly two decades advertising campaigns printing styles fonts and with almost not repeated images offered by American Publishing & Engraving Co. AP&E Co. to their extensive client list. In addition these engravings capture the revolutionary changes in American industry and commerce with nearly 50% devoted to the automobile industry including automobile manufacturers and dealerships accessory suppliers automobile repair public safety from bad driving the fast-growing electric motors and battery industries and more. Ford the Dodge Brothers Buick Studebaker Cadillac Plymouth Auburn Chrysler Essex Auburn-Cord DeSoto Hudson Terraplane and many others all are featured here advertising their service departments features speed and more. A significant portion also reveal the very real needs to wash the cars clean engines repaint the lacquer update the automobile tops replace batteries repair radiators and the always pressing need to maintain safety equipment and tires. Interspersed as well are automobile movers commercial body builders for trucks and commercial delivery vehicles with a significant percentage showing cylinder grinding engine rebuilding boiler repair and other very necessary secondary market needs as metal alloys and tolerances were far less durable with breakdowns an ever pressing problem for the motorist. Public safety notices reflecting the impact of the Progressive Era illustrate the dangers of the automobile with many indicating streetcars potentially hitting stalled cars which had not been repaired properly gridlock automobile accidents from ignoring traffic signals and police traffic officers as well as speeders hitting pedestrians or ignoring motorcycle police traps. Early in the sample illustrations are many reflecting the interest in building large Tudor Revival or Arts & Crafts homes installing electric lighting new furniture stylish clothes & shoes beautiful Oriental carpets and jewelry and watches for young flapper-era women. There are also promotional ads for Art & Stained Leaded Glass windows for homes interior decorators a panoply of beauty products many reflecting the Flapper Era hair and dress styles as well as evolution of the Art Deco lettering. As the AP&E Co. continued to add their sample engravings through the Great Depression not only is there a greater emphasis on repairing automobiles shoes recovering furniture and even repairing mattresses reflecting the belt tightening of the 1930’s but there are also increasing influences of more streamlined automobiles introduction of appliances such as refrigerators appearance of beer ads following the repeal of Prohibition and the fast growing radio industry. American Publishing & Engraving Co. based out of New York was one of a myriad of job printer engraving firms who emerged at the end of the 19th Century and initially specialized in publishing local histories and genealogies for historical societies by subscription typically with illustrations. Although this cataloguer could find no specific trade reference either in contemporary magazines or newspapers they appear to have operated out of the same locations as the Atlantic Publishing & Engraving Co. with some overlap and by the beginning of the 20th Century had largely dispensed with publishing local histories engraved portraits or vanity press projects. Contemporary court cases and other references indicate that they operated a subscription service for businesses advertising art to be run in magazines newspapers pulps or added to trade literature for matchbook covers business flyers etc. and by 1916-1925 were managed by Thomas W. Smith. No similar factory sample collection or published collection located in Worldcat. American Publishing & Engraving Co., J.J. Schultz & Co., 184 William St., Bookbinder, hardcover
171961720Brooklyn NY: Brenack Inc. Moving & Shipping Co. Brenack Stevedoring Co. Inc. ca. 1917-1945. Two vols. 4to. 33; 70 leaves unnumbered. of archival mylar sleeves. Preserving 132 original photographs & negatives sized from 2.5 x 3.5 in. up to 8 x 10 in. many of them linen-backed including as well four 7.5 x 9.5 in. silver gelatin photos mounted on 8 x 10 in. studio boards all 4 w/ evidence of having been previously framed w/ old matting residue and mounting glue at fore-edges 2 original negatives; Vol. II’s majority of images are 8 x 10 in. several sized 4 x 6 in. and a few silver print negative prints with most of the images in both vols. bearing photographer’s imprint on verso w/in negative or embossed in lower fore-edge many w/ annotations several w/ typescript explanations occasional minor soiling edgewear some evidence that linen-backed were intended to be held in post-binder salesmen’s sample albums for the Brenack Co.; two TLS dated 1932 and second dated 1943 w/ several negative photo state silver prints to hand out to clients as endorsement letters during World War II. All now preserved in pair of cloth-bound 3-ring binders nearly all images with bright crisp contrast and excellent archive. This factory photo sales archive captures the innovations of Thomas P. Brenack 1882-1961 with his groundbreaking streamlined methods of employing vast warehouse spaces for disassembling packing and shipping of automobiles trucks aircraft and odd-sized industrial equipment overseas out of the Brooklyn NY docks during the opening decades of the 20th Century. Before FedEX UPS and other shipping companies became household names Brenack while working for B.J. Hall & Sons had concluded that the port of New York was so congested with freight awaiting shipment and every stevedoring enterprise overloaded with orders a new freight system was required. Subsequently beginning in 1916 he designed an entirely new system of specialist teams to quickly and efficiently disassemble and package difficult items as well as implementing better cranes upgrading flatbed trucks to carry the large shipping crates along with more systematic flow. Eventually the company developed logistics warehouses with capacity of 40000 tons of freight and entire lumber yards and companies fed the warehouses with supplies sufficient to disassemble and box up to 300 automobiles per day for shipment by sea along with other specialist items such as large amphibian clipper aircraft. Brenack Inc. employed several different commercial photographers including Rudy Arnold 1902-1966 Garcia & Zeuner Inc. Al Hoffmann Photo George W. King Commercial Photographers Union Photo Co. and even the photos of military freight shot by the U.S. Signal Corps. The first archive album opens with photos of a Mack Truck packed into a large crate being hauled by a 1924 Fordson Tractor followed by images of a open stave bed Mack Truck for the Orinoco Oil Company and image of a Mack Truck entirely disassembled and neatly in piles ready to be crated. Further images show Ford touring cars awaiting disassembly nested truck chassis being prepared for boxing along with images of a MACCAR dump truck and early Mack passenger buses. Many of the photos show the staged crates and frames to hold parts carefully boxed freight wooden boxes for M.S. Friede Co. and still more showing piles of boxed parts for shipment to the Soviet Union. Other images depict the vast warehouse floor filled with chain-driven conveyors and wooden crates unspecified drums being loaded into barges; aircraft parts from the Keystone Aviation Co.for the U.S. Navy being loaded into ships; followed by series of photos showing massive Sikorsky boxes 50 feet long being loaded from flatbeds. The second volume opens with images of the Brenack Inc. wooden boxes followed by series of photos capturing the company’s specialized service of shipping aircraft. Images encompass those of the Lockheed Electra fuselage with landing ear down onto the barge “Clermont;†Ford Tri-Motor parts loaded onto deck of a ship; stages of trucks being disassembled; vast piles of crates and boxes in warehouses along with a photo of the E.F. Ryman Lumber Co. yard and truck which was a supplier out of Wilkes-Barre PA. A 1932 letter to Brenack dated April 4 1932 outlines that “The equipment arrived there in very good shape with the exception of one job which had the case broken and showed signs of being roughly handled the lower crank case was cracked on this pumper. . . Everybody down there Bogota was pleased with these jobs.†The TLS is followed by series of photos showing the Mack Truck fire trucks operating and then crated for shipment to Colombia. Many other photos show the loading of several of Sikorsky S-43 “Baby Clippers†being disassembled and shipped which were used primarily for flights in the Caribbean to Cuba and within Latin America. Others depict the Naval versions of the Grumman G-21 Goose flying boars which were 8-seat commuter aircraft. Of particular interest are the several photos including silver prints of original negatives for the famed Martin M-156 “Russian Clipper†which had been rejected by Pan Am as they decided to use the Boeing 314 for the Clipper line in the Asia-San Francisco routes. The M-156 was packed up and shipped to the Soviet Union by Brenack where it flew with Aeroflot in the Soviet Union’s far-East routes under the designation of PS-30 flying until 1944. Also included is an original TLS from the Commanding officer of H.M.S. LST 428 of the British Royal Navy dated June 1st 1943 writing that “With reference to the cradles and securing of two tugs on the deck of this ship. You will be pleased to hear that your work stood the passage excellently and although at times we were rolling 35 degrees each side we hever had to touch any of your gear. . . .†Included in this archive are several photostat copies intended as promotional customer letters to hand out to Defense Dept. officials and other war materiel shippers during World War II. LST-428 was a tank landing ship transferred to the Royal Navy in Feb. 1943 after commissioning as part of Roosevel’s Lend-Lease program during the War and was returned to the US Navy June 10 1946 and decommissioned and scrapped by Oct. 1947. This cataloguer could find no similar archive of photos or even similar individual images in Institutional Collections; See: Germinal for Gravesend Bay The Success of a Brooklyn Boy Brooklyn Daily Eagle May 25 1919 p. 3; NY Marine News Service 1920. Brenack Inc., Moving & Shipping Co., Brenack Stevedoring Co., Inc., hardcover
1930149350N.p.: N.p. 1930. Archive of six double weight borderless photographs of the Ethan Allen Creamery in Essex Junction VT circa 1930s. The photographs contain images of both the creamery buildings and interior of the facilities including the vats used to pasteurize milk at what the creamery's sign claims is "Vermont's most modern and sanitary milk plant."<br /> <br /> Photographs roughly 9.75 x 7.75 inches. Fine. Tipped onto linen on the left edge and bound with a string. Housed in a contemporary card folder with a vintage photography studio label to the rear pastedown. N.p. unknown
16248Vigilance Association for the Defence of Personal Rights. No printer. 1874 or 1875. 3pp. 8vo. Bifolium with heading: 'Vigilance Association for the Defence of Personal Rights.' In fair condition lightly aged and worn with evidence of side stitching. Text begins: 'The Royal Commissioners for inquiring into the operation of the Factory and Workshops Acts have issued the following circular:- .'. The third page is headed 'LIST OF PUBLICATIONS relating to the Subject of this Paper to be obtained at the Office of the Vigilance Association 27 Great George Street Westminster.' No copy traced. [Vigilance Association for the Defence of Personal Rights.] No printer. [1874 or 1875.] unknown
1333684339.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2080202105601318Not Available N.A. Soft Cover. Fine. The book is in fine condition. Not Available paperback
193596971American Seating Company Chicago 1935. Pamphlet. Used - Very Good. No date ca 1935. 79 halftone plates Identified churches interiors furniture carvings. 3 printed folders 9 x 11.5" Minor edge wear VG. American Seating Company, Chicago unknown
1332337244.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2006Q-0738542415Arcadia Publishing 2006-07-10. Paperback. New. In shrink wrap. Looks like an interesting title! Arcadia Publishing paperback
g2-7-26-17-Good. Very good cds 2 no scratches appears to be complete with shirt and some transfer paper barcode cut and some wear to box. unknown
052620379X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0526203803.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
44251825-nnew. unknown
44251825like new. unknown
20229780847872794Rizzoli 2022 Book. New. Hardcover. Rizzoli hardcover
0847872793.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
8806176196.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
19762092902141203189Chinese book office 1976. Soft Cover. Fine. Volume: 1 Chinese book office paperback
19742092902141201529Chinese book office 1974. Soft Cover. Fine. The book is in fine condition. Chinese book office paperback
193433126Allegan: Baker Furniture Factory 1934. Hardcover. Good. Hardcover. 112pp index. Binding shaken but hinges firm prelims foxed pages tanned else a good copy in publisher's cloth backed boards that have some dampstaining to the edges and superficial loss to the spine. <br/><br/> Baker Furniture Factory hardcover
1988N1282Beijing: White Lotus Press 1988. Paperback. Good/no dj. 0.26. Gems of Jade Carving 1958-1988 White Lotus Press paperback
12102Schauman catalogue: Jyväskylä Finland. 1932. Harbord catalogue: Harbor Plywood Corporation Chicago Illinois and Hoquiam Washington. 1930. Schauman catalogue: 59pp 4to consisting of 9pp. of letterpress and 50pp. of collotype illustrations. In original cream printed wraps with cover printed in red. In good condition. Written entirely in English with informative captions. Harbord catalogue: 16pp. 12mo. In original wraps printed in yellow and black. Stapled pamphlet on art paper. In good condition with staples beginning to rust. With numerous illustrations of 'the spacious new home of E. W. Daniels Vice-President of the Harbor Plywood Corporation and manager of its Door units'. The final page carries a list of 'Points About the Plywood Home' the first being that it was 'Erected at Hoquiam Washington 1930.' Schauman catalogue: Jyväskylä, Finland. 1932. Harbord catalogue: Harbor Plywood Corporation, Chicago, Illinois, and Hoquiam, W paperback