[JAPAN - SILK MANUFACTURE].Biblio.com
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1904220039Meadville Pennsylvania.: Keystone View Company. circa1904. A pair of stereographs mounted on studio card 9 x 17.7 cms each with the studio's imprint catalogue number and caption and on the verso printed explanatory notes in English the thick backing card a little bowed the inked stamp of the Narragansett Rhode Island Library Association to the verso of one card the images with sharp definition and minimal age toning in very good clean condition. Unusual images showing two stages in the manufacture of silk and in particular the labour of women. Each of the stereographs are captioned and show women making silk worm nests and the other women tending new American looms in in one of the largest silk weaving plants in Kiryu with suited male overseers in the middleground. . Keystone View Company. unknown
3051Rome mid-19th century. 8 volumes. 823 white plaster cast medallions each bordered with gilt paper manuscript numbers added in ink generally between 1.5 and 5 cm in diameter some larger. Arranged and mounted in recessed double-sided faux book-boxes lined with red paper. Manuscript list of contents not entirely corresponding to the content in brown ink to front and rear pastedowns of each volume. In original matching full vellum binding gilt spines with 2 labels lettered “Paoletti†and “Impronte opere antiche†or “Impronte opere moderne†with the volume number. A few medallions detached from backing three with visible traces of crack and one broken. Some of the bindings are partly dusted some labels are rubbed with losses to the extremities. Front panel of Vol. 16 discolored spine somewhat rubbed labels worn. Overall in fine condition. Generally a very well-preserved collection. 8 volumes. 823 white plaster cast medallions each bordered with gilt paper manuscript numbers added in ink generally between 1.5 and 5 cm in diameter some larger. Arranged and mounted in recessed double-sided faux book-boxes lined with red paper. Manuscript list of contents not entirely corresponding to the content in brown ink to front and rear pastedowns of each volume. In original matching full vellum binding gilt spines with 2 labels lettered “Paoletti†and “Impronte opere antiche†or “Impronte opere moderne†with the volume number. Box size: ca. 34 × 22 cm. An 8-volume collection of 19th-century plaster impressions of intaglios and other engraved gems and miniature copies of ancient and later sculptures and monuments in matching original bindings manufactured by the Paoletti firm.<br /> <p><p><br /> A fine collection of mid-19th century plaster medallions intaglios cameos known in Italian as ‘impronte’ manufactured by the Paoletti family Bartolomeo Paoletti 1757–1834 and his son Pietro 1801–1847 in Rome. These souvenirs became highly popular among aristocratic and fashionable travelers on the Grand Tour during the early part of the 19th century especially from England. Such distinguished figures as Goethe Catherine the Great Belozerskaya 2013 p. 201–3 Ferdinand III Grand Duke of Tuscany and Lord Elgin were among the clients of the Paoletti firm.<br /> <p><br /> Like a miniature museum of the history of art these carefully arranged and mounted plaster impressions show mythological or classical scenes portraits of Greek and Roman gods emperors warriors philosophers and poets masterpieces of the Italian Renaissance and portraits of famous artists and writers. Many of the intaglios are life-size copies of ancient gems cameos coins and medals others are miniature representations of classic or later sculptures and portraits.<br /> <p><br /> Four of our volumes cover antique themes and the other four are dedicated to “modern artâ€. The antique section comprises a volume titled Impronte in Stucco cavate dalle Gemme Antiche and contains 116 portraits of Greek and Latin poets and philosophers antique military leaders and rulers. Each of the remaining three volumes is titled Istoria-Miteologica they comprise medallions 119135109 of mythological and classical scenes and portraits. <br /> <p><br /> The first volume of Impronte opere moderne has a mixed content of Opere del Secolo XVI chiamato 500 13 Opere Moderne Di Antonio Picler Anton Pichler 7 Opere di Giuseppe Picler Johann-Joseph Giuseppe Pichler 12 Opere di Nathaniel Marchant 49. The next two volumes are titled Opere di varj Autori and contain examples of miscellany “modern art†12796 and the last one titled Incisioni appartenenti a S A. il S.e Pr’pe Poniathowski is a selection of 40 pieces of the Poniatowski gems.<br /> <p><br /> Literature: Belozerskaya M. 2013. Medusa's Gaze: The Extraordinary Journey of the Tazza Farnese. New York: Oxford University Press.; Lucia Pirzio B. S. 2013. La collezione Paoletti. Stampi in vetro per impronte di intagli e cammei II. Roma: Gangemi. unknown
1332337244.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
191645078Chicago and New York:: Paris Garters made by A. Stein & Co. ca. 1916. Some light foxing; but extremely attractive. Consisting of a sample men's garter and men's arm band each with original printed cardboard mounting set into the original box illustrated in color with two attractive young ladies gathering roses. The garter "No metal can touch you" was patented in 1908 and 1914; the armband was patented 1916. Paris Garters, made by A. Stein & Co., unknown
14758Paris, Inventaire général - Association Etude du Patrimoine Auvergnat, 2001 ; brochure in-4. Nombreuses illustrations en couleurs. Couverture couleurs. Très bon état.
193433126Allegan: Baker Furniture Factory 1934. Hardcover. Good. Hardcover. 112pp index. Binding shaken but hinges firm prelims foxed pages tanned else a good copy in publisher's cloth backed boards that have some dampstaining to the edges and superficial loss to the spine. <br/><br/> Baker Furniture Factory hardcover
193433126Allegan: Baker Furniture Factory 1934. Hardcover. Good. 112pp index. Binding shaken but hinges firm prelims foxed pages tanned else a good copy in publisher's cloth backed boards that have some dampstaining to the edges and superficial loss to the spine. <br/><br/> Baker Furniture Factory hardcover books
First Edition, vii,[i]pp., 283,[1]pp., 11 engraved plates showing such goods as hose pipes, carriage wheel tire, air proof cushions, beds, swimming belts, Yachting boats, mud boots, tents, fishing trousers, cricket bat, -leg protector, -gloves, foot balls, etc., orig. embossed cloth, small tear to head and foot of spine. "Hancock, Thomas (1786?1865), rubber manufacturer and inventor... Hancock took out sixteen patents in all relating to rubber between 1820 and 1847. He displayed remarkable ingenuity in suggesting uses for what was practically a new material, and the specifications of his patents cover the entire field of rubber manufactures, though many of his ideas were not carried out at the time."?(Oxford DNB).
1992ABE-1633974889444EN COUVERTURE, MADONNA PAR STEVEN MEISEL-LES EXPOS DU MOIS DE LA PHOTO-BETTINA RHEIMS: CHAMBRE CLOSE, 6 PAGES-LES INEDITS D'HELMUT NEWTON,10 PAGES-CARL DE KEYZER: LE MARCHE DE LA FOI, 6 PAGES-WALTER CARONE, 8 PAGES-UGO MULAS: LA MEMOIRE DE L'ART, 8 PAGES-LE "SEX" DE MADONNA, 16 PAGES-LES ANNEES LUTENS, 6 PAGES-
2005ABE-2343836961MILES ALDRIDGE/10P-TSUNAMI: LES IMAGES QUI RESTERONT/16P-WILLY CAMDEN: SEXY AVANT TOUT!/10P-FABRICA
1920173461920. 1920s vintage sepia photograph of around 50 women at work in a textile factory. The photographer's board is 10" x 8" inches and image is 8.25" x 5" inches. The women are seated in long rows and armed with sewing machines and seem to be turning bundles of cloth into garments. Spools of thread hang down from a center rail in the middle of the table to be fed into the sewing machines. Some of the cloth appears to be polka-dotted similar to the dresses that several women pictured appear to be wearing. The factory is consisted almost entirely of women - there is one man in a waistcoat walking around accompanied by an older woman. The working women seem to be of varying ages from their early 20s into their 50s. Textile manufacturing was unique at the time for its overwhelmingly female labor force. Sepia toned very good condition with great detail. unknown
189023772TULLE 1890 une photographie originale albuminée en noir, TULLE - SOUILHAC (CORREZE) : LA MANUFACTURE NATIONALE D'ARMES (1890) , format : 17,2 x 12,7 cm pour la photo, 21 x 15 cm avec le carton ou la photo est contrecollée,
101035like new. unknown
0915299313New. Brand new and still unused unknown
1989Q-0915299313Productivity Press 1989-02-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Productivity Press hardcover
1989DADAX0915299313Routledge 1989-02-01. 1. hardcover. New. 9.00x0.75x11.75. Buy with confidence. Excellent Customer Service & Return policy. Routledge hardcover
1988x-0915299313Productivity Pr 1988. Hardcover. New. 1st edition. 304 pages. 11.75x9.00x0.75 inches. Productivity Pr hardcover
197645761Stuttgart Germany: Porsche KG 1976. Original Porsche red vinyl 4 ring binders with printed title label in spine compartment. General wear & soiling. Some foxing to paper. Some leaves detached some dividers chipped. Overall Very Good. 4 volumes. Divers paginations. Plastic tabbed section dividers. Illustrated with photographic images drawings schematics graphs etc. 12-1/8" x 10" <br/><br/>Covers Assembly Groups: 1 2 3 4 5 6 7 8 9 0. Essential reference for 1970s Porsche 911 enthusiasts. Porsche KG unknown books
1950233261950. Garment factory photographs documenting women's industrial sewing labor machine based apparel production and managerial oversight in the postwar United States circa 1950s with direct evidence of how mass clothing manufacture depended on large sewing rooms specialized equipment and gendered factory work. Archive documents the production floor as a working system rather than a single portrait scene placing rows of women at Pfaff machines beside piles of cut or partly finished garments while a separate executive portrait and staged equipment views link shop floor labor to administration and industrial sales culture. The group matters because postwar clothing production relied heavily on women's wage labor in factories where speed repetition and machine specialization turned fabric into standardized output for a growing consumer economy.<br /> <br /> Photo archive of 5 Large silver gelatin photographs each 8" x 10" circa 1950s. Two photographs show the main sewing room from wider angles with long rows of women seated at machine stations beneath suspended electric lines and task lighting while large heaps of striped fabric or finished garments spill across tables and benches in the foreground. The workers are positioned close together in a dense production space organized around straight runs of tables and sewing heads with little separation between labor stations and material flow. One photograph isolates a woman operating a large Pfaff industrial unit in a cleaner demonstration setting while another gives a close technical view of a Pfaff machine head and work plate. A fifth photograph shows an older male executive or manager seated in an office.<br /> Postwar apparel production expanded through factories that combined assembly line logic with skilled but repetitive needlework and women formed a large share of that labor force in garment plants across the United States. The Pfaff machines represent the technological side of production while the sewing room views show the human structure that made the machines profitable with women handling fabric continuously at closely arranged stations under managerial control. Light handling wear and minor curling to edges. Overall very good condition. The archive preserves the relationship between labor machinery and output at a moment when industrial clothing manufacture still depended on concentrated factory work before later shifts toward overseas production transformed the industry. unknown
0331251744.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1333670931.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
pp. xi, 258, (4)[Publisher's catalogue]. Decorated title page. Early pencil ownership of E. A. Wells. Inked ownership. Foxed. 8vo. Original full green cloth binding decorated in black and red. Small loss at top of spine. Worn at extremities. ART 4
1334752672.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1334960305.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
