295 résultats
179728174Birmingham England 1797. Oblong quarto. 7 1/2 x 11 inches. 143 engraved plates 13 folding on laid paper priced throughout in manuscript. Period calf-backed marbled paper covered boards<br/> <br/>Provenance: W. G. & Co. inscription on front endpaper<br/> <br/>A rarely encountered pattern book or trade catalogue of 18th century English furniture hardware including drawer pulls keyholes hinges locks castors bolts watch stands and more.<br/> <br/>By 1770 over thirty different brass foundries operated in Birmingham England making it the epicenter of furniture hardware design in the last quarter of the 18th century. At roughly the same period trade catalogues like the present began to be issued by both furniture and hardware makers alike. Although most of the brass foundry trade catalogues of this early period have no indication of the foundry the present pattern book is inscribed W. G. & Co. on the front pastedown. In all nearly 1000 designs are shown on the 143 plates from rather simple hinges and hooks to incredibly ornate pulls knockers watchstands etc. Although no engravers's names are identified it has been suggested that the foundries themselves produced such plates utilizing the talents of their own craftsmen who by their very occupation would have been highly skilled at etching on metal. Such pattern books "illustrate the beginning of what was then a new movement in the conditions of the crafts namely the growth of the organised factory as a means of production and distribution as compared with the earlier limitation of these functions to the efforts of individuals" Young.<br/> <br/>Cf. Hummel Charles F. "Samuel Rowland Fishers Catalogue of English Hardware." Winterthur Portfolio Vol 1 1964: 188-197; cf. Symonds R. W. "An Eighteenth-Century English Brassfounders Catalogue." Magazine Antiques Feb. 1931: 102-105; Young W. A. comp. Old English pattern books of the metal trades: a descriptive catalogue of the collection in the V&A Museum. London: HMSO 1913. unknown books
36596Birmingham England late 18th century. Oblong quarto. 7 1/2 x 11 inches. 113 engraved plates on laid paper priced throughout in manuscript. Later calf backed marbled paper covered boards flat spine ruled and lettered in gilt.<br/> <br/>A rarely encountered pattern book or trade catalogue of 18th century English furniture hardware including drawer pulls keyholes hinges locks castors bolts and more.<br/> <br/>By 1770 over thirty different brass foundries operated in Birmingham England making it the epicenter of furniture hardware design in the last quarter of the 18th century. At roughly the same period trade catalogues like the present began to be issued by both furniture and hardware makers alike. In all over 500 designs are shown on the 113 consecutively numbered plates from rather simple hinges to incredibly ornate pulls. Although no engravers' names are identified it has been suggested that the foundries themselves produced such plates utilizing the talents of their own craftsmen who by their very occupation would have been highly skilled at etching on metal. Such pattern books "illustrate the beginning of what was then a new movement in the conditions of the crafts namely the growth of the organised factory as a means of production and distribution as compared with the earlier limitation of these functions to the efforts of individuals" Young.<br/> <br/>Cf. Hummel Charles F. "Samuel Rowland Fishers Catalogue of English Hardware." Winterthur Portfolio Vol 1 1964: 188-197; cf. Symonds R. W. "An Eighteenth-Century English Brassfounders Catalogue." Magazine Antiques Feb. 1931: 102-105; Young W. A. comp. Old English pattern books of the metal trades: a descriptive catalogue of the collection in the V&A Museum. London: HMSO 1913. unknown books
18981685131898. TSUKIJI TYPE FOUNDRY. Specimens of Printing Borders and Ornaments etc. Made at The Tokyo Tsukiji Type Foundry. 146 pp each with copperplate printed 'Types of Cuts' Large 8vo. 252 x 168 mm bound in original printed wrappers. In a new chitsu case. Tokyo: Nomura Sojuro. 1898. A fascinating apparently unrecorded Japanese type specimen book. The Tsukiji Type Foundry seem to have been active printing books in Western languages from 1891 to 1919. There is some wear and damage to the lower outer corner of the first few pages. However overall a clean and respectable copy of a rare and attractive book. unknown books
1882049661New York: George Bruce's Son & Co 1882. First Edition. Hardcover Quarter Leather. Very Good Condition. Original quarter leather spine worn and dry corners worn joints a touch tender but sound and intact. Printed on one side only a few minor marginal tears from turning these double pages title a bit browned in spots otherwise unmarked internally. The typesetting and text is built around the history of printing using text from The Invention of Printing by Theodore Low de Vinne which Bruce's had printed in 1878 - a remarkable and charming conceit for a specimen book. Portrait frontis 352 XVIpp.<br /> <br /> Founded in 1813 by Scottish immigrant George Bruce Bruce's Type Foundry began issuing specimen books under George's son in 1865 culminating in the 1882 book. Ten supplements were issued from 1883-1894. Bruce's merged with American Type Founders in 1901. <br /> <br /> "probably the largest most complete and finest typographical specimen book ever produced" .—La Cygne Journal La Cygne Kansas April 29 1882.<br /> <br /> "The book has been made absolutely readable by the curiosity and propriety of the quotations. It swarms with typographical information…"—New York Daily Tribune February 5 1882<br /> <br /> <br /> quotes lifted from "Grolier Club talk—The Greatest Type Specimen Ever Made: The 1882 Bruce Foundry specimen" The Grolier Club on June 13 2023. Size: Quarto 4to. Quantity Available: 1. Shipped Weight: 2-3 kilos. Category: Engineering Industrial & Trades; Inventory No: 049661. George Bruce's Son & Co hardcover
51-5682Paris: Chez Guillaume le BeÌ circa 1660. Folio 24 x 33cm. 8 272pp. Lacking title page and colophon . Contemporary calf covers with new goatskin spine by the artisan binder Sasha Mosalov. 268 half-page woodcuts by Jean Cousin. Original endpapers preserved with markings by previous owners.Avis au Lecteur dated 10 janvier 1660.References: Met: Accession Number: 31.65; OCLC Number 23954908.COUSIN Jean. Figures des histoires de la Sainte Bible . Suivi de Figures historiques du Nouveau Testament. Paris Guillaume Le Bé 1660 pour la 2e partie. 2 parties en pagination continue 4 272 et 2 pp. en un volume in-folio veau brun dos à nerfs orné reliure de l'époque. L'illustration se compose de 268 belles figures sur bois à mi-page d'après Jean Cousin. Il manque les 2 premiers feuillets et le dernier feuillet. La page de titre des Figures historiques du Nouveau Testament est elle bien présente. . Crayonnés sur la page titre de la seconde partie =p. 161. Paris: Chez Guillaume le BeÌ, circa 1660 unknown
19979550Ashuelot: Trois Fontaines Golgonooza Letter Foundry 1997. One of 80 regular copies from a total issue of 109 copies 80 numbered copies 26 lettered copies and 3 Artist's Proof copies all on Arches paper each signed and numbered or lettered by the author and type designer punch cutter and printer Dan Carr and the artist and binder Julia Ferrari. The 80 numbered copies have one etching and three duotone reproductions by Julia Ferrari who has also written an "Artist Afterword" and designed the beautiful shaped colophon. As an example of contemporary book arts this may well be unique I can think of no other book of contemporary verse where the author / printer has designed and cut a unique type face for his book. Page size: 12-1/2 inches x 9-1/4 inches; 72pp. Bound by Julia Ferrari: handmade green pastepaper with black and brown overall abstract design corresponding to the frontispiece etching title in black on white label on spine. All the numbered edition copies correspond to one season depending on the frontispiece etching. That is there are four variations of the book in the numbered edition with the different pastepapers used in the binding keyed to the original frontispiece etching.<br/>Dan Carr created a type face called Regulus after the star rising through the trees when the first alphabet was completed for his verse. In the Preface he states he views "the poems are collected as an alphabet." The collections of verse he goes on are about "transformation found in the seasons of a year.my poems revealed a kind of stations of the soul the cycle of the seasons of frost and sun." The theme of transformation that occurs in nature and that constancy of change are perfectly interpreted in words and image. Trois Fontaines [Golgonooza Letter Foundry] unknown books
Cm 34 x 28, pp. (8) con 283 tavole f. t. in litografia. La composizione del catalogo che presenta tavole numerate sino al n. 367 intercala fogli bianchi dovuti a tavole non stampate, supponiamo per ragioni legate all'esaurimento dei manufatti o alla loro cessata produzione. Questo ci permette di ritenere il presente catalogo completo di tutte le sue parti. T. tl. editoriale con titoli a secco e vari segni di consuzione. Importante catalogo della produzione di questa celebre fonderia artistica che aveva sede in Val D'Osne (Haute Marne), che seppe per molto tempo coniugare arte e produzione industriale. Tra le tavole del catalogo e' presente quella raffigurante una fontana realizzata su modello di Mathurin Moraeu (le dimensioni della tavola sono cm 48 x 58) e considerata una delle migliori produzioni della fonderia. Oltre alle fontane migliaia erano i prodotti in catalogo. Tra questi cancelli, ringhiere, fregi per ogni genere d'utilizzo, stufe, arredi da giardino e da casa come panchine o divani, lampioni, candelabri ecc. Le tavole sono datate singolarmente, anche questo attesta una loro vocazione a essere assemblate secondo varie succesioni e vanno dal 1849 al 65.
1889565601 vol. in-folio (43 x 27.5 cm) br., Fonderie Typographique Deberny et Cie, s.d. (circa 1877-1889), environ 100 ff.
19812091202132800490New Japan Foundry and Forging Association 1981. Soft Cover. Fine. Number of pages: 444p Size: 26cm Number of books: 1 New Japan Foundry and Forging Association paperback
132244Amsterdam Netherlands: Lettergieterij "Amsterdam n.d.; 4to. gilt-stamped cloth; unpaginated. <br /><br />Text in Dutch with some specimens in French German and English. Also includes specimens in Middle and Far Eastern scripts. Foreword introductory comments table of contents. Black and white illustrations of the company's offices and foundries. Formerly the Tetterorde company. This edition with a gilt-stamped cover noting it was the copy of a Vilhelm Johnsen the company's sales representative in Sweden. Number on front free endpaper. Lettergieterij "Amsterdam books
013990Chicago: Barnhart Brothers & Spindler. 1st Edition. Hardcover. Very Good/No Jacket. 8vo super. N.d. ca. 1907. Orig. brown cloth. A.E.R. xx 1022 pp. Rebacked new spine with black lettering. Spine tilted rubbing and some wear to extremities damp staining to boards and top edge of text block. Scuffing to edges of text block. Paper repair to fore edge of title page and rfep. 0. Barnhart Brothers & Spindler hardcover
129524Leyland Lancashire England: Mould Type Foundry n.d. cloth. Type Specimens. 4to. cloth. 152 xxii 8 pages. Table of contents on pastedowns foreword explanation of service and "conditions of business" price list. Engraved illustration of the company's plant. Some specimens in color. Tipped-in supplemental items throughout text. Covers rubbed and scuffed at edges. Light tanning near edges of text. Mould Type Foundry unknown books
1776M112271776. Fletcher John Later red half morocco with marbled boards. Gilt lettering on spine. Cheshunt College book plate. 1st item lacks half title 2nd item is Baker #344 hardcover
55671Berlin: Norddeutsche Schriftgießerei GmbH Tilsiter Straße 22 ca. 1931. Large octavo 24.9 × 19 cm. Original staple-stitched gray wrappers printed in red and black; 16 pp. Minor toning and foxing to wrappers; still very good. Appealing promotional specimen by this Berlin type foundry which was known primarily for its modernist sans-serif Grotesk typefaces including Reichsgrotesk Wotangrotesk and Lessing-Grotesk. The introductory text contextualizes the foundry's main focus: "Every era has its own rhythm which becomes a visible form of expression through human perception . The profound transformations in our worldview have led people to the purest and most natural understanding of their feelings-to simplicity clarity and practicality. In typography the unadorned forms of the Grotesk typeface have prevailed in contemporary design giving expression to the spirit of the times" p. 3.<br /> <br /> The exact publication date remains unclear but given the inclusion of publisher's ads for several contemporary novels as typograpy use cases it was printed no earlier than 1931. An article by type historian Dan Reynolds chronicles the history and later fate of the type foundry which was founded in 1921. Being situated in East Germany after World War II it was eventually expropriated and incorporated into the VEB Typoart. See "The Norddeutsche Schriftgießerei and VEB Typoart" https://www.typeoff.de/2018/04/norddeutsche-schriftgieserei-veb-typoart/.<br /> <br /> As of April 2026 KVK OCLC only show the copy or copies at the Deutsche Nationalbibliothek Leipzig. unknown
19122172Paris, G. Peignot & Fils, sans date (circa 1912). Format oblong, 28,5 x 23 cm. Broché, premier plat titré. 36 pages. Grâce à la qualité graphique de ses lettres, Bellery-Desfontaines se fit remarquer par le fondeur Georges Peignot, qui lui commanda un véritable alphabet. Ce caractère, qui porte le nom de son créateur, fut disponible à partir de 1911, après avoir été présenté au Salon des Artistes Décorateurs de 1910, lors de l’exposition rétrospective des oeuvres de l’artiste. Exemplaire complet des 6 feuillets en papier gris (3 en début et 3 en fin d’ouvrage) présentant les ornements : vignettes et galvanos.
1970234811970. California metal foundry photo archive depicting integrated casting and machining operations during the decade when the state's traditional ironworks industry entered rapid decline under new environmental regulation OSHA enforcement foreign competition and industrial automation. California supported more than 2000 foundries during the mid twentieth century supplying cast metal components for construction transportation agricultural machinery shipbuilding and regional manufacturing before widespread closures accelerated during the late 1970s and 1980s. Passage of the Occupational Safety and Health Act in 1970 and expansion of California air pollution controls brought intensified scrutiny to foundries because of silica dust exposure furnace emissions grinding particulates and high heat production environments. The archive preserves the internal workflow of a functioning foundry and machine shop while older labor-intensive production methods were beginning to disappear from California industry.<br /> <br /> Photo archive of 17 large chromogenic color photographs 8 x 10 inches California circa 1970s. Red operational captions identify sequential production stages including "Boring mill" "Sand-mill" "Charging" "Toe-miller" "Grinder" "Lining" "Furnace" "Molding" and "Shakeout" effectively tracing the movement of cast metal components from mold preparation through machining and finishing. Workers wearing respirators protective shields heavy gloves and denim work uniforms operate grinders shovel molding sand feed conveyor furnace systems remove excess metal from castings and handle large industrial molds amid accumulations of casting residue and metal dust. Several interiors show overhead ventilation systems brick-lined furnace structures steel rollers suspended piping electrical conduit and heavy machining equipment associated with mid century foundry production before widespread computerized automation transformed the industry.<br /> <br /> The boring mill and toe milling stations distinguish the archive from generic factory photography by documenting on-site post-casting precision machining alongside furnace and molding operations preserving a nearly complete industrial production chain inside a single plant. Light surface wear and minor color fading; several prints with slight corner wear. Overall in very good condition. The archive captures a form of California heavy industry that largely disappeared within a generation as foundries closed relocated or converted to smaller automated production systems. unknown
186060975Paris, [Laurent et Deberny] Rue des Marais Saint-Germain, 17, o. J. (ca. 1840-1860). Fol. Mit Haupttitel, einem Zwischentitel u. 29 (1 gefalt.) Tafeln m. Holzstich-Vignetten, Mod. Ppbd. m. dem mont. Orig.-Deckelschild.
6303Manuscrit cahier In4 89 doubles pages, recettes et dépenses de 1837 à 1844
190322281903 reliure demi toile rouge in-quarto à coins, dos l;ong - double liserets or et ttitre frappé or -, lisrets aux mors et aux coins, frontispice et 351 figures in et hors-texte, 1903 Paris Typographie Renouard,
187823581Louisville KY: Richmond and Lousville Medical Journal Book and Job Steam Press 1878. Paperback. Mr. Livingston's signed copy of a pamphlet pertaining to Florida as a suitable "health resort" for Northern patients by Frederick Lente MD. Dr. Lente 1823 - 1883 was the primary surgeon at the West Point Foundry Cold Spring NY during the Civil War. He served at the Foundry from 1851 to 1870; later he was head of gynecology and children's health at the University of the City of New York and founder of the American Academy of medicine.<br /> <br /> Livingston was a member of a family of the Hudson River Valley which at one point owned some 900000 acres of land and about three dozen mansions in the area giving the area the nickname "Livingston Valley".<br /> <br /> 8vo 56pp errata slip bound in. Printed paper wrappers. Wrappers chipped at edges and marked. Good condition but fragile. OCLC: 1648852. Richmond and Lousville Medical Journal Book and Job Steam Press paperback
19099032930Boston: H. C. Hansen Type Foundry 1909. Hardcover. Very good. 384 pages. 12 x 9 inches. Bound in red cloth printed in black on the spine and front cxover. Shows exterior wear but tight and clean. <br/><br/> H. C. Hansen Type Foundry hardcover
19321190New York: J.B. Hirsch Foundry 1932. Original. Grey Metal and Celluloid. Near Fine. Signed on the side with "JBH" device. Classic set of bookends adapted from a sculpture by the French artist Ruel. In excellent condition. J.B. Hirsch Foundry unknown
50764Paris Cercle de la Librairie. Années 1899.1900.1902.1903.1904.1905.1906.7 vols.In-4 en demi-chagrin vert.Bon état.250? le volume.
1924581741 vol. in-4 br., Fonderies Deberny & Peignot, Paris, s.d. [ circa 1924-1925 ], 159 pp.
1993Q-0792393171Springer 1993-02-28. Hardcover. New. In shrink wrap. Looks like an interesting title! Springer hardcover