60 résultats
182634041Edinburgh and London: Archibald Constable and Co. and Longman Rees et al. 1826. 3 volumes. First Edition. With fine Scottish provenance being Ex-libris of the Bellfield Library Kilmarnock and James Buchanan merchant of Glencoe. With half-titles in each volume. 8vo handsomely bound in vellum over blue paper-covered boards with the publisher's original printed paper labels on the spines top edge gilt others untrimmed xvi 315; 332; 370 pp. A set in beautiful condition the text fresh and as pristine but for a bit of the typical mellowing or occasional age evidence. The bindings are sturdy and strong and show little wear or use a little bit of spotting from age to the bindings publisher's printed labels are fresh and very legible. Ownership signature of James Buchanan unobtrusively at top of the titlepage and stamp of the Bellfield Library on each title-page and occasionally at chapter openings no other markings within hard-to-see evidence of small circular shelf labels once being on the spine tops. FIRST EDITION OF A SCARCE AND EXCELLENT WORK THIS SET IN UNCOMMONLY FINE AND WELL-PRESERVED CONDITION and with all half-titles as is often not the case. Sir Walter Scott was considered to be the inventor of the historical novel and the success of his Waverley series was immediate and long lasting throughout the English speaking world.<br> Set shortly after the English Civil War WOODSTOCK was inspired by the legend of the Good Devil of Woodstock which in 1649 supposedly tormented parliamentary commissioners who had taken possession of a royal residence at Woodstock Oxfordshire. The story deals with the escape of Charles II in 1652 during the Commonwealth and his final triumphant entry into London on 29 May 1660. David Hume's HISTORY OF ENGLAND gave Scott most of the historical background.<br> As with all the Waverley novels prior to 1827 WOODSTOCK was published anonymously. Archibald Constable and Co. and Longman, Rees, et al. hardcover
1853004458Schoonhoven: S.E. Van Nooten 1853 160 pagina's. 1 Gravure / titelplaat door W.F. Wehmeyer / H.F.C. ten Kate. Vertaling door C.M. Mensing. Kleine gebruiksspoortjes. 1ste / 1st. cloth / linnen hardcover. good / goed. A5 formaat. S.E. Van Nooten hardcover
189401809New York and London: Harper & Brothers Publishers 1894. First edition. Twelvemo. Brown pictorial cloth stamped in gilt; v 437 1 pp.; illustrations. The scarce first edition of Twilight Land a collection of fairy tales written and illustrated by Howard Pyle and the result of Pyle's "untrammelled imagination an inexhaustible vocabulary and a long-practised pencil." Illustrated with black & white illustrations profusely throughout. A Very Good copy with some rubbing to cloth; gilt to spine rubbed and dulled; corners bumped; owner's penciled name to front endpaper bookseller's ticket to rear pastedown else clean throughout. We find no other copies of this first edition in commerce 2015. Harper & Brothers Publishers hardcover
1899009612No Place: Juvenile Publishers 1899 Unpaginated. Pictorial boards accented in gilt cloth spine corners worn edges rubbed clean overall with a few signs of use internally. The publishers really tried to pack a lot into this one little book! We start out with an alphabet with two examples and brief verse for each letter then we go on to counting then days of the week then months and finish off with some natural history. Peppered throughout the book are Mother Goose rhymes. The book is illustrated in two-color plus line art printed with blue ink and there is a color frontis depicting Little Red Riding Hood. There are even some Wain-esque cats! Something for everyone really. . Pictorial Boards. Very Good/No Jacket. Illus. by Various. 8vo. Juvenile Publishers unknown
1886009502New York: McLoughlin Bros 1886 Covers printed in red green & black cover illustration signed W Momberger small loss to corner of cover base of spine with later stitching occasional soil but clean overall. A rather gruesome version of the Three Little Pigs illustrated with colored engravings printed on one side of paper only. AAS dates this version from around 1886. Pictorial Wraps. Good/No Jacket. Illus. by William Momberger and Other Engravings. Large 8vo. McLoughlin Bros unknown
189631358London: Dent 1896. 1st ed. Hardcover. Rackham Arthur. 1st ptg. 8vo full green pebbled cloth with pictorial gilt titling. The earliest book showing Rackham identified as illustrator on the title page and the first to display his classic style of fantastical illustration. Toning to endpapers else a fine bright interior. Dent hardcover
18858996N.p.: Privately Printed 1885. First edition. 7x5" 19pp. Vignette on title page. String bound in beige printed card wrappers. Light chipping to edges of wraps clean internally and very good. <br /> <br /> Rare booklet from one of the early pioneers of the Puget Sound Edward Jay Allen 1830-1915. Unusual for immigrants heading west Allen was college-educated and single. He settled near Olympia in 1852 after his overland journey from Pennsylvania. Interestingly Allen negotiated with the local Native Americans to pay for the land before he took up residence. He played an important role in early surveys and road building in the area before returning east in 1855.<br /> <br /> This story likely written for his children is told by a fater to his 7-year-old and begins "Once upon a time there was a Prince." An epic battle ensues between the Fairy Godmother and the Great White King to preserve the wildflowers the Prince loved so well. "If you build these Walls of Sand around the Prince's flowers the power of the Great White King shall be naught and the flowers may bloom on forever."<br /> <br /> OCLC cites a single holding at the University of Pittsburgh and we find no mention of this booklet elsewhere. <br /> <br /> . Privately Printed unknown
19000005500Chicago: George M. Hill Company 1900. First edition. Hardcover. Good. W.W. DENSLOW. Quarto 84 pages pictorial boards rubbed edgeworn corners worn rebacked in brown leather with new endpapers. <br/><br/>Verse by L. Frank Baum. Music by Alberta N. Hall. There was only one printing of this edition. Bienvenue & Schmidt p. 171 report no known copies with a dust jacket. Illustrated by W. W. Denslow who of course also did THE WONDERFUL WIZARD OF OZ. George M. Hill Company hardcover
184450909London: Longman Brown Green and Longmans 1844. Hardcover. Fair/No Jacket. Half-leather 21 cm 69 ff. tp chromolithographic page and illustration boarders etc. designed by Owen Jones. Scarce. Fair copy but for light foxing throughout; leather spine deteriorating at edges. Longman, Brown, Green, and Longmans hardcover
188712874AB1887. Tokyo Hasegawa 1887. 15 : 105 cm. 12 leaves With many coloured woodcuts. Bound in Japanese style in coloured illustrated original wrappers. Japanese Fairy Tale Series 16. - Printed on crepe-paper. - Catalogue Crepe-Paper Books and Woodblock Prints no. 24. - A beautiful copy. unknown
1874093826London: Cassell Petter & Galpin 1874. 3rd Edition . Hardcover. Good. 8vo - over 7¾ - 9¾" tall. W.C. Walter Crane; E.G. Ernest Griset; F.B. F. Barnard and others. Third edition dated 1874 from the printer's mark at rear octavo hardback Pictorial gilt brown cloth all edges gilt viii 226 pp 7 coloured plates by Walter Crane deduced from his monogram on some plates so probably lacking a colour frontispiece. Many wood cut illustrations by Griset and Barnard Gilt rubbed and dull Good condition overall. No inscriptions. <br/> <br/> Cassell Petter & Galpin hardcover
189313006London: Lawrence & Bullen 1893. Limited ed. Hardcover. Weguelin J.R. #123 of 150 numbered copies 4to imitation parchment stamped in gilt. Translated by R. Nisbet Bain. J.R. Weguelin's illustrations were printed on tissue and mounted to the page then protected with tissue guards. Owner's name and date to front pastedown lightly edgeworn with soiling to cover and mild foxing to preliminaries else a very good copy of an uncommon collection of classic tales. Lawrence & Bullen hardcover
186241698AB1862. First Edition of a comic-style publication. London Ward And Lock 158 Fleet Street / Printed by Levey Robson and Franklyn 1862. 11 x 17cm. IV 220 pages with numerous grotesque illustrations. Original Hardcover with patterned cloth. Binding slightly shaky only. Otherwise in very good condition with only minor signs of external wear. With illustrations in "Punch - Style". Includes for example the following chapters: The Opium Dream / Hippodrollery / Speculations Upon Masquerades / Shakesperian Fancies / Shakesperian Fancies / etc. hardcover
18992221708<p>ORIGINAL 14 PARTS</p><p>First edition in the original 14 parts. 11" x 8 1/2" circa 400 b/w illustrations by Lemercier and Helen Stratton who gets sole credit on the title page. Original stitched green pictorial wrappers. Part 14 with half title title page contents and list of illustrations 320 pages. No dust jacket. Very good minor rubbing; signs of handling and some light foxing. Scarce.</p><p>Printed by Butler & Tanner The Selwood Printing Works.</p><p>Some illustrations in first two parts are signed "Lemercier" in the plate.</p> George Newnes paperback
18606496alJames Nichol. Fair. Hardcover. 1860. Text tanned in all volumes very readable for a copy this age. For more information see Description<br><p>Vol I: cover and spine scuffed on edges spine worn name on inside cover pa ge edge tanned and stained</p> ide cover page edge worn and tanned</p> . James Nichol hardcover
1894BOOKS072948ILondon: Raphael Tuck & Sons 1894. HC. good pictorial boards maroon cloth spine hardcover. 9 Chromoliths B&W ill. UNCOMMON - not dated but a Christmas 1894 gift inscription on the half-title page. IMAGES AVAILABLE. 79pp. Raphael Tuck & Sons unknown
1900120811London: Religious Tract Society c.1900. 1st ed. thus. Nice copy. large octavo. pictorial boards 360pp. col. frontis. illusts. Essentially a bound volume of 24 copies of Penny Tales for the People. Nice coloured engraved frontispiece & many nice illusts. in text Religious Tract Society hardcover
1869AQ22121London and Edinburgh: William and Robert Chambers 1869. 224pp. With an engraved frontispiece. Contemporary half-calf marbled boards tooled in gilt and blind contrasting red morocco lettering-piece. Heavily rubbed. FFEP torn away else internally clean and crisp. The sixth volume of short stories selected from Chamber's Journal including Anna Maria Sargeant's 'The lie of expediency' Percy B. St John's 'The rifle: a tale of Arkansas' Camilla Toulmin's 'To slay or to save' and several unattributed others such as 'Story of an Edinburgh sedan-carrier' and 'The work-girl'. . 8vo. William and Robert Chambers hardcover
18303250Derby Printed and published by Thomas Richardson; and sold by Hurst Chance and Co. London c1830. 1830 16mo. 311;311;311p. Woodcuts throughout. Contemporary quarter morocco with marbled boards rubbed but sound. The Natural History is illustrated with Bewick cuts somewhat superior to the two other sets of blocks. Free endpapers removed otherwise a very good copy of a scarce provincial chapbook collection. Not traced in the BL online. Derby, Printed and published by Thomas Richardson; and sold by Hurst, Chance, and Co., London, hardcover
1829027436New York: J. & J. Harper 1829. Two volume unmatched set first American edition of this novel about the civil wars in England. Both volumes have the same publisher and date and are bound in tan paper with pink cloth spines paper spine labels but volume I is about a quarter inch taller than volume II and the volumes are faded to different degrees. Volume I contains 212 pages preceded by an eight page publisher's catalog; volume II has 208 pages. Covers heavily worn with chipping to the spine labels and fraying to the cloth externally fair to poor but bindings sound name at top of vol. 1 title page and vol. II preliminary blank pages untrimmed with wide margins foxing throughout. First US Edition. Hard Cover. Fair. 12mo - over 6¾" - 7¾" tall. J. & J. Harper Hardcover
18200007051London: Longman Hurst Rees Orme and Brown 1820. New edition. Hardcover. Very Good. 16mo; xii iii-lxxiv 240 pages tea spots p. lxiii; 20th century full brown morocco raised bands. <br/><br/>Ritson's collection first appeared in 2 volumes in 1795. This work was designed to appeal to youth so many of Ritson's notes were removed to better appeal to young persons. Woodcuts by Thomas Bewick. Longman, Hurst, Rees, Orme, and Brown hardcover
1887DEMO013716IBoston: Roberts Brothers 1887. Deluxe Limited edition. Hardcover. Very Good. Wilhelm von Kaulbach. 4to 342 pages new full dark morocco leather spine label original pictorial top cover bound in at rear .top edge gilt fore-edge untrimmed; ex libris A. Freiberg of Cincinnati. <br/><br/>No. 224 of 400 copies printed for America of the English Edition De Luxe. Twelve India Proof steel engravings after Joseph Wolf engraved by Augustus Fox. Modern form of the traditional legend of REINHART FUCHS. "Under the veil of animals the symbolic representations of the diverse passions of men stand boldly in relief ." Roberts Brothers hardcover
1893162993NY MCLOUGHLIN 1893 1893. GILT STAMPED NAVY BLUE CLOTH OVER GLAZED BLUE PICTORIAL BOARDS FRONT FREE ENDPAPER DETACHED. VERY GOOD. Hardcover. NY, MCLOUGHLIN, 1893 hardcover
1850AQ30927Glasgow: Printed for the booksellers 1850. 24pp. Disbound. A trifle creased. A Victorian anthology of twelve traditional Irish tales intended for a juvenile readership including an account of Anne Boney ‘the female pirate’. . 12mo. Printed for the booksellers unknown
189724<i>This book is over 122 years old. <br />"The Raven"</i> in particular—Poe investigates the loss of ideal beauty and the difficulty in regaining it. These pieces are usually narrated by a young man who laments the untimely death of his beloved. <i>"To Helen"</i> is a three stanza lyric that has been called one of the most beautiful love poems in the English language. The subject of the work is a woman who becomes in the eyes of the narrator a personification of the classical beauty of ancient Greece and Rome. <i>"Lenore"</i> presents ways in which the dead are best remembered either by mourning or celebrating life beyond earthly boundaries. In <i>"The Raven"</i> Poe successfully unites his philosophical and aesthetic ideals. In this psychological piece a young scholar is emotionally tormented by a raven's ominous repetition of "Nevermore" in answer to his question about the probability of an afterlife with his deceased lover. Charles Baudelaire noted in his introduction to the French edition of <i>"The Raven"</i>: "It is indeed the poem of the sleeplessness of despair; it lacks nothing: neither the fever of ideas nor the violence of colors nor sickly reasoning nor drivelling terror nor even the bizarre gaiety of suffering which makes it more terrible." Poe also wrote poems that were intended to be read aloud. Experimenting with combinations of sound and rhythm he employed such technical devices as repetition parallelism internal rhyme alliteration and assonance to produce works that are unique in American poetry for their haunting musical quality. In <i>"The Bells"</i> for example the repetition of the word "bells" in various structures accentuates the unique tonality of the different types of bells described in the poem.Poe's stature as a major figure in world literature is primarily based on his ingenious and profound short stories poems and critical theories which established a highly influential rationale for the short form in both poetry and fiction. Regarded in literary histories and handbooks as the architect of the modern short story Poe was also the principal forerunner of the "art for art's sake" movement in nineteenth-century European literature. Whereas earlier critics predominantly concerned themselves with moral or ideological generalities Poe focused his criticism on the specifics of style and construction that contributed to a work's effectiveness or failure. In his own work he demonstrated a brilliant command of language and technique as well as an inspired and original imagination. Poe's poetry and short stories greatly influenced the French Symbolists of the late nineteenth century who in turn altered the direction of modern literature. It is this philosophical and artistic transaction that accounts for much of Poe's importance in literary history.<br /><br />This book contains the first collection of Poems Poems and Tales. See Pictures Houghton Mifflin Company hardcover