Marca-Relli, [Conrad]Antiquariat.de
228 résultats
197152471ABDüsseldorf., Galerie Schmela., 1971. 21 x 15 cm., Umschlag Tadelloses Exemplar. [Galerie Schmela, Ausstellung 119].
196610110BB(Köln, Galerie Der Spiegel, 1966). Gr. 4°. 29 Blatt mit Abbildungen und 2 signierten Serigraphien. Illustr. OBr., 1 (= Geh durch den Spiegel 45).
1982ABE-1604604718543108 PAGES FORMAT 21 CM X 27 CM-EN COUVERTURE,DESSIN DE BRIAN BOLLAND-(PG)
19312080202105100469Tokyo Do 1931. Soft Cover. Fine. Volume: 1 Tokyo Do paperback
195948782Antwerp.: Hessenhuis Anvers. 1959. Original stapled paper covers half-sized front cover showing the aluminated plate by Heinz Mack as published. Slight creasing to cover otherwise a very good copy. Square 4to. 212 x 214 mm. Introduction in Dutch and French by Marc Cammewaert curator of the show. Text in French by Bathazar on Bury. The very early and rare document on the Zero Group and New Realism together with the invitation to the vernissage. This legendary exhibition was held at the Hessenhuis Antwerp March 21 - May 3 1959 the vernissage was on 21st March.Contributing artists were Breer Pol Bury Yves Klein Heinz Mack Mari Bruno Munari Necker Dieter Rot Soto Daniel Spoerri Jean Tinguely and Van Hoeydonck.The catalogue contains 2 black and white reproductions of works by Mack; Otto Piene - text in German French English and 1 reproduction of the work 'reines Licht' Pure Light; Pol Bury - two lacerated blank plates; Dieter Rot - 'Carré dépliable' Unfoldable Square originally published in No.2 of the Spoerri's artist magazine 'Material'; Emmett Williams - 'Progression' folding sheet poem to be published in the forthcoming issue No.3 of 'Material'; P. Van Hoeydonck - a text by Maurits Blicke. Tinguely's contribution is the reproduction of his manifesto 'Für Statik' For Statics which he had dropped just a week before the opening of this show March 14th from an airplane on Düsseldorf Germany. Hessenhuis Anvers. unknown
199640735Wien - Bozen, Folio Verlag, 1996. Original-Pappband mit Silberprägung; 4°; 176 Seiten; reich bebildert, teils farbig. 1
197369590ABDüsseldorf., Galerie Wendtorf-Swetec., 1973. 98,5 x 68,9 cm. [1] unpaginierte S., 69590A Erste Auflage. Kleine Fehlstelle mittig unten, kleine Einrisse an der rechten und linken Seite, sonst ordentliches Exemplar.
1996Q-0943657350Natl Center for Clinical 1996-08-01. Paperback. New. In shrink wrap. Looks like an interesting title! Natl Center for Clinical paperback
1996RO30009330Michel Lafon. 1996. In-4. Broché. Bon état, Coins frottés, Dos satisfaisant, Intérieur frais. 118 pages de reproductions de correspondances; reliure spirale.. . . . Classification Dewey : 847-Satire, humour
1996RO20184912LAFON MICHEL. 1996. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 118 pages - nombreuses photos et illustrations en noir et blanc et en couleurs dans et hors - dos à spiral.. . . . Classification Dewey : 847-Satire, humour
19966000Paris, Michel Lafon, 1996, in-4, 118pp, brochure spiralée, Exemplaire en parfait état de cet amusant ouvrage! 118pp
1982Q-0671450964Pocket 1982-04-15. Paperback. New. In shrink wrap. Looks like an interesting title! Pocket paperback
196526567ABAmsterdam., Stedelijk Museum., 1965. 28 x 19 cm. 28, 32 unpaginierte S. OKarton (gelumbeckt mit dünnem Leinenstreifen, ohne Rücken)., 26567AB 2 Bände. 1. Auflage. Leichte Druckstellen am Umschlag, etwas angestaubt, geringe Gebrauchspuren. Gutes Exemplar.
197243657ABDüsseldorf., Städtische Kunsthalle., 1972. 22 x 22 cm. 190 S., 5 Blatt. OKarton mit OUmschlag., 43657AB Erste Auflage. Sehr gutes, frisches Exemplar.
197266365ABDüsseldorf., Städtische Kunsthalle., 1972. 22 x 22 cm. 190 S., 5 Blatt. OKarton mit OUmschlag., 43657AB Erste Auflage. Sehr gutes Exemplar.
1908509035Dublin: The University Press 1908. Softcover. Very Good. First edition. 12mo. 15pp. Tan pictorial wrappers printed in red. Moderate soiling and light creasing on covers else a very good copy of a scarce pamphlet. OCLC locates two copies. In his preface the anonymous poet states: "I offer you this little book having first received your sixpence in the hope that the soulful pathos of its lines may touch your conscience and lead you to own up. The joke has gone quite far enough: and as some one must have the Slipper it would be a much better game to hand out and stop the hunt-- a game at which Irishmen are au fait to which so-called Irishment submit Yours gently Zero. Badly-Had Street Dublin. (The University Press) unknown
197735358BBKarlsruhe, Rottloff, 1977. 30 x 30 cm. 230 S. zahlr. Ill. (z.T. farb.). 40 farbige Original Seriegraphien. Roter Leineneinband - kein Schutzumschlag. Geringe Textbräunung, sehr schön und sauber erhalten!
197651806ABRecklinghausen., Verlag Aurel Bongers., 1976. 24 x 18 cm. 62 S. OPappband mit OUmschlag., 51806A 1. Auflage. Umschlag gering berieben, zwei kleine Einrisse sauber hinterlegt. Sonst gutes bis sehr gutes Exemplar. Monographien zur rheinisch-westfälischen Kunst der gegenwart - Band 49.
196317779DBStuttgart., Galerie Müller., 1963. 21 x 15 cm. 8 unpaginierte S. Illustrierte OBroschur., 17779D.jpg Einbandkanten etwas nachgedunkelt und berieben, sonst gutes Exemplar.
196017781DBBerlin., Diogenes Galerie im Atelier., 1960. 21 x 15 cm. 8 unpaginierte S. OBroschur., 17781D.jpg Erste Auflage. Einbandlkanten minimal nachgedunkelt, sonst sehr gutes Exemplar.
1977421364Philadelphi: The Shubert Organization 1977. Softcover. Fine. Stapled illustrated wrappers. Touch of light wear else fine. Playbill for the first preview performance of Arnold Wesker's play The Merchant in Philadelphia at the Forrest Theatre in September 1977. The play director by Tony Award-winner John Dexter starred Zero Mostel in a reinterpretation of Shylock from Shakespeare. Tragically Mostel became ill and died after just one preview performance in Philadelphia. He was replaced by his understudy but the production struggled to recover and was canceled just a week after its New York premiere. Few playbill from this short-run production were produced and even less from the unfortunate Philadelphia preview. Rare. OCLC locates not copies. The Shubert Organization unknown
1981q10b1967kr115Instituto Cultural de Relacoes Exteriores, Estugarda / Institut für Auslandsbeziehungen, Stuttgart / Wilhelm Jungmann, Göppingen, 1981. Portugiesische Ausgabe des Kataloges einer Ausstellung von 26 Deutschen Künstlern im Institut für Auslandsbeziehungen, Stuttgart 1981. Vorwort von Thomas Grochowiak. Künstler: Otto Piene, Günther Uecker, Heinz Mack, Gotthard Graubner (Zero), Franz Bernhard, Hartmut Böhm, Günter Dohr, Hans Geipel, Walter Giers, Rolf Glasmeier, Hermann Goepfert, Gerhard von Graevenitz, Günter Haese, Erwin Heerich, Arnulf Hoffmann, Alfonso Hüppi, Horst Egon Kalinowski, Harry Kramer, Adolf Luther, Ansgar Nierhoff, Uli Pohl, Ferdinand Spindel, Arthur Stoll, Günter Tollmann, A.D. Trantenroth, Günter Weseler, Ludwig Wilding. 59 S. Portugiesisch. Mit zahlreichen s/w-Abbildungen, Kurzbiographien der Künstler und Werkbeschreibung. Sehr schöne farb. Graphik auf Vorderdeckel-Folie. Sehr gutes, sauberes Exemplar. 8° Querformat [6 Warenabbildungen] Spiralbindung
196930874Droste, 1969. 216 S. mit zahlreichen Abbildungen (einige farbig), Text mehrfarbig gedruckt, Fußgrünschnitt. 8°. Orig.-Karton(kanten berieben, vorderer Einbanddeckel etwas knittrig).
1958219095New York 1958. Published in PORTRAITS: the Photographs of Carl Van Vechten 1978 edited by Saul Mauriber. Half length portrait of the comedian in costume. Gelatin silver print. 1 vols. 33.5 x 23.7 cm. Approximately 13-1/8 x 9-1/4 inches. Fine.Atelier stamp on verso and docketed in ink giving the subject of the photograph "Zero Mostel as Leopold Bloom in Ulysses in Nightown" the date and the number of negative and print "IV qq 7". Published in PORTRAITS: the Photographs of Carl Van Vechten 1978 edited by Saul Mauriber. Half length portrait of the comedian in costume. Gelatin silver print. 1 vols. 33.5 x 23.7 cm. Approximately 13-1/8 x 9-1/4 inches. Burgess Meredith's production in 1958 marked a comeback for one of America's greatest comedians. Mostel whose career had been stalled by his McArthur-era blacklisting made a triumphant return to the stage as Bloom. unknown
