Catalog Number 1915-1916Biblio.com
Park College Bulletin Parkville Missouri
0365816264.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
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19912082702114611693Yuhikaku 1991. Soft Cover. Fine. Number of books: 1 Yuhikaku paperback
0365816264.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
24189Nash’s eight TLsS from between 4 July 1949 and 10 October 1951; all on letterheads of 2 Bristol Court West Marine Parade Brighton. Macqueen-Pope’s carbons from 1949 and 1951. ‘The Tragic Comedians’ undated. Nash made around 70 films between 1912 and 1927 and was a key figure in the creation of Elstree Studios. His career as a film maker was effectively ended following the screening of his 1921 film 'How Kitchener was betrayed'. See Bernard Ince ' “For the Love of the Artâ€: The Life and Work of Percy Nash Film Producer and Director of the Silent Era’ ‘Film History’ September 2007. See also Macqueen-Pope’s entry in the Oxford DNB. The collection of eleven items is in fair overall condition with minor creasing and aging to some items. Nash’s eight letters are all signed ‘Percy Nash’ and the first and longest has a long postscript in autograph. The eight total 9pp: four in 4to and five in 12mo. All are addressed to ‘My dear Popie’. The two men are clearly well acquainted - to one letter Nash adds the autograph note ‘Come & see us soon!!!’. The first letter contains personal information about the 1897 murder of the actor William Terris outside the Adelphi. ‘I was producing a Panto for Charles Denton at the time at the Parkhurst Theatre and I was short of a Chorister Denton phoned to say that he would have one for me the following morning. I called next day at Maiden Lane and he told me that he had a man but as he had a “Wall†eye he sent him away. It was Prince. Terris’s murderer E Dagnall Daggie was a member of the Adelphi Co at that time and he told me that Prince was a small part merchant who was spasmodically engaged there. He considered himself badly treated by the Management.’ He concludes in the same vein. Letter of 3 August 1950 begins: ‘I am under the impression that I am the last living “Acting†Not ‘Walk on’ member of Irvings Lyceum Theatre Company.’ After describing a visit to Irving’s centenary service at St Martin’s in the Fields he adds ‘I am sure that I am the only one left connected with his Stage Management. Lionel Belmore who was with me at the time migrated to America and I am informed passed on a year or two ago.’ On 9 November 1950 he writes intriguingly: ‘Re the G. B. Shaw incident you will be surprised at the undignified pranks that they got up to in the film at the behest of the little Scotchman.’ Letter of 14 December 1950 describes ‘a long queue waiting to book and a slip of a girl solo to do the work . I am often in touch with Emily Norton Freds sister and she says she is very hard up perhaps this revival will healp. Jack Gladwin called in on Tuesday and I showed him the great “Write up†of Chue in “Everybodysâ€.’ On 24 June 1951 he praises Popie’s new book ‘Ghosts and Greasepaint’: ‘Every word and picture takes me back through my whole life from the ‘Fly posting’ inside cover of Drink which we used to call “Lets av some more†to the index pages. I saw Warner first at the Princess in it and I signed the pledge. / My word! as I turn the pages over I see pictures of the “Gone befores†and I feel strangely lonely but when I pass over and it can’t be long now I shall tell them all what a Champion they left behind them to keep their memory green.’ The last letter 10 October 1951 concerns a radio broadcast featuring Popie: ‘What a glorious night you must have had last Sunday. I listened in to the first part and it all seemed to go so slick and the applause was never allowed to “peter†out. I was connected in one way or the other with The Nellie Farren H.I. and Ellen Terry similar shows and they were nothing like I.N’s.’ The carbons of two of Popie’s replies are both unsigned. Each 1p 4to. The first 5 July 1949 discusses of the Terris murder. The second is a response to Nash’s last letter. The final item is a typescript of reminiscences titled ‘The Tragic Comedians / Laughter and Tears.’ 2pp 4to. Whether this is by Popie or Nash or another party is unclear. There is one autograph emendation. Observations on George Formby ‘I have been present at a performance when the audience were screaming with merriment at him during his “Turn†and he was compelled to turn his back on them to conceal his terrible cough which eventually closed his career.’ George Bastow Melville Gideon Leslie Stuart and a final long passage on Dan Leno ‘The greatest tragedy of all was to my thinking that every Panto first night at the Lane Two boxes were reserved for the members of his TWO families. The Boxes were placed one over the other on the same side of the Theatre so that they never knew each other were there or even that they existed. This fact used to worry Sir Augustus Harris and after him Arthur Collins lest they should make the discovery but they never did what a time of anguish it must have been for Dan’. Nash’s eight TLsS from between 4 July 1949 and 10 October 1951; all on letterheads of 2 Bristol Court West, Marine Parade, Bri unknown
24533Letter: 12 November 1948. On letterhead of 2 Bristol Court West Marine Parade Brighton. CV undated but with autograph address 'Percy Nash / 2 Bristol Court West / Marine Parade. / Brighton. / Sussex'. From the Macqueen-Pope papers. See MP's entry in the Oxford DNB. Nash made around 70 films between 1912 and 1927 and was a key figure in the creation of Elstree Studios. His career as a film maker was effectively ended following the screening of his 1921 film 'How Kitchener was betrayed'. See Bernard Ince ' “For the Love of the Artâ€: The Life and Work of Percy Nash Film Producer and Director of the Silent Era’ ‘Film History’ September 2007. Both items in good condition lightly aged each with light rust staining at one corner from paper clip. LETTER: 1p 4to. Signed ‘Percy Nash’. He begins by stating that he has enjoyed 'immensely' MP’s ‘articles re the Theatre World’ as well as his book ‘Carriages at Eleven’. He continues: ‘I got quite a thrill when I read that you appreciated the dance in front of the Act drop in the “merry wives†production at His Majestys. I suggested the idea during rehearsals but Tree didn’t catch on to it at the time but when the Curtain was lowered and raised a dozen times at the end he screamed “Do what you wanted to doâ€. Naturally a thing like that required rehearsing but I risked it and luckily it came off all right.’ Although ‘past the age for personal publicity to attract me’ he is enclosing ‘a list of my various adventures in the World of Entertainment’. He will be happy to allow MP to consult his ‘good amount of data such as Programmes Private letters from many Stars of the bygone Firmament etc.’ TWO: Signed Typed CV: 2pp: the first a full single-spaced A4 page the second last five lines of typed text and autograph name and address on cut-down top part of A4 page now 1p landscape 8vo. Signed on p.2: ‘Percy Nash / 2 Bristol Court West / Marine Parade. / Brighton. / Sussex’. The list is headed ‘PERCY NASH. born December 5th 1868.’ Begins: ‘Began thetrical sic career as assistant at Theatre Royal Bournemouth in 1889. Whilst there Toured the West Country with John L. Toole The Gilbert and Sullivan Operas German Reeds George Grossmith on leaving the Savoy Theatre. Paderewski First Tour Sims Reeves and other famous Concert artistes.’ Contains the following: ‘Became a pioneer in the British Film World organised and Directed the first pictures for the original London Film Company. Built the first Film Studios at Elstree. Directed Pictures in Rome for the CINES and TIBER Film Companies and the UNIVERSAL Film Co of America’. / First President of the British Association of Film Directors / Film Producer for the Federation of British Industries / Production Manager of the British Lion Film Corporation’. Letter: 12 November 1948. On letterhead of 2 Bristol Court West, Marine Parade, Brighton. CV undated, but with autograph address unknown
1334147299.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
19272111902160201275Nagoya Communications Bureau 1927. Soft Cover. Fine. Volume: 1 Nagoya Communications Bureau paperback
1969NM-VENG-ISVM1969. Hardcover. Very Good. 1969 Da Capo facsimile reprint. Externally sun-faded otherwise moderate wear clean pages firm binding. hardcover
1390421554.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1334383154.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1527737268.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
6035890like new. unknown
6035890-nnew. unknown
4931469434.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0428160255.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0266137180.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2H-1F0U-2TBRThis is the OVERSIZED it barely fit in my scanner! magazine-sized softcover stated Issue Number Ten from 2004. Both the cover and the book are in excellent condition. There are no rips tears markings etc.---and the pages and binding are tight see photo. Note: All books listed as FIRST EDITIONS are stated by the publisher in words or number lines--or--only stated editions that include only the publisher and publication date. Check my feedback to see that I sell exactly as I describe. So bid now for this magnificent impossible-to-find ART COLLECTIBLE.Like New paperback
19782090502113718020Not Available 1978. Soft Cover. Fine. The book is in fine condition. Not Available paperback
2015<p>First English Language Edition. 897 pp. offset in stiff wrappers chiefly illustrated in black and white. 4to. Very good. 2015</p><p><em>Catalogue raisonné of the artist's books of Raymond Pettibon. From the library of translator and onetime member of the Situationist International Donald Nicholson-Smith inscribed to Nicholson-Smith by Pettibon at half-title page and additionally by editor Ohrt at title page. A nice association copy which suggests an affinity between Pettibon's illustrations and the graphic work of the Situationist International.</em></p> D.A.P.
19402110502150414612Nagoya Local Traffic Investigation Committee 1940. Soft Cover. Fine. Volume: 1 Nagoya Local Traffic Investigation Committee paperback
0260413542.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2025__3038630977Triest Verlag 2025. Paperback. New. 208 pages. 7.28x0.87x10.71 inches. Triest Verlag paperback
20252-3038630977Triest Verlag 2025. Paperback. New. 208 pages. 7.28x0.87x10.71 inches. Triest Verlag paperback
194624235New York: Avon Detective-Mysteries Inc. 1946. Light edge wear wear and small tear to base of spine a very good to nearly fine copy. 24235. Small octavo single issue printed wrappers. Digest sized magazine. This issue includes "They Can Only Hang You Once" a Sam Spade story by Dashiell Hammett and "Rats in the Walls" by H. P. Lovecraft. Other fiction by John Dickson Carr William Irish Dorothy Sayers and others. Reference: Cook Mystery Detective and Espionage Magazines pp. 451-453. Avon Detective-Mysteries, Inc. unknown
26050The draft of the meeting with Mehmet Ali after his return from his travels in April 1837 and published in November of that year. One of the other items dated 18 April 1841 from 103 Westbourne Terrace London. Another from Midhurst 20 June 1856. See his entry in the Oxford DNB. ONE: Autograph draft of conclusion of description of his meeting with Mehmet Ali ‘Mehemet Ali’. The ODNB states that in July 1836 Cobden produced a pamphlet ‘which analysed the Russo-Turkish dispute . attempting to play down the Turcophilia that was rife in Britain in the 1830s. In October Cobden embarked on a long tour sailing via Lisbon Gibraltar and Malta to the eastern end of the Mediterranean as far as Constantinople meeting Mehmet Ali in Egypt before returning via Greece in April 1837.’ The present text is the conclusion of the draft manuscript of the account he gave of that meeting and had published in Tait’s Edinburgh Magazine in November 1838. 1p foolscap 8vo. The page is headed ‘20’ and carries ten lines of text one and a half lines of which are deleted. Lightly aged worn and creased. On reverse in pencil in a contemporary hand: ‘Cobden / M. S. S His work in Turkey’. The text reads with deleted passage in square brackets: ‘Often in recurring to my interview with this extraordinary man - the spring-like elasticity of whose mind evinces its power in proportion as it is pressed - and recollecting the eagerness of his enquiries upon practical subjects - as well as the vehemence of manner with which he sustained his opinions - evincing the spring-like elasticity of mind which manifests its power in proportion as it is pressed - I think with pleasure of the refreshing & animating scene not unmixed with regret that I shall probably never again have the opportunity of chatting with old Mehemet Ali’. TWO: Slip of paper cut from the beginning of a letter in the third person with reverse blank. In fair condition lightly aged. Reads: ‘Mr Cobden presents his compliments to Mr Cornwall Lewis & begs to forward for presentation to the Lords of the Treasury a memorial’. THREE: Printed form response with thick black border. 1p 32mo. In fair condition on discoloured paper. Reads with manuscript text in square brackets: ‘Mr & Mrs Cobden return thanks for the favor of Mr Smiths kind enquiries. / Midhurst 20 June 1856’. The word ‘return’ has been altered from ‘returns’. The draft of the meeting with Mehmet Ali after his return from his travels in April 1837, and published in November of that year unknown
261608 February 1848; London. See his entry in the Oxford DNB. In fair condition aged and worn with slight loss to two of the corners and a trace of paper from the mount adhering on the reverse. Addressed to 'Jas Thomson Esq'. Reads: 'Dear Sir / I have forwarded your list of names to the Land Tax Office / & remain Dear Sir / faithfully Yours / Richd Cobden'. Pencil note in a contemporary hand at the foot of the letter: 'The Great Anti Corn Law man. / Mr. Thompson sic to whom it was written was proposed by Cobden & seconded by Bright of the Free Trade Club. A Club in St. James Square London of 400 or 500 members. Thompson got Dr. Lingard to become an Anti Corn law man & he subscribed 2 Guineas.' 8 February 1848; London. unknown
