510 résultats
196211119Viking Press NY 1962. HBDJ May 1962 1st edition 2nd printing stated on copyright page Pictorial color Boards reddish pink & Black Interior Nice Tight Clean DJ minor wear & tiny Chips scuff Extremities & light soil back DJ F-/NF AS-IS 46 pages Scuff rub Edge Extremities bottom & top Cover edge. First Edition. Hard Cover. Viking Press NY hardcover
19732090202118202811Ongaku no Tomosha 1973. Soft Cover. Fine. The book is in fine condition. Ongaku no Tomosha paperback
190816734New York: Dodd Mead & Co 1908. First edition. Hardcover. Very Good. Slightly under 8x11" unpaginated. Decorations by Theodore Hapgood Poetry by various poets. 22 full page color plates of Fisher's beautiful turn of the century women. Front free endpaper and half-title page have a 1" tear. Half-title page starting to separate at hinge. One-inch scrape on rear endpaper. Previous owner 1919 inscription on verso of frontis portrait. <br/><br/> Dodd, Mead & Co hardcover
100977<p>New York October 14 1976. 1976. Very good. - Over 110 words penned in two columns on his personal 7 inch high by 8-1/2 inch wide ruled "Message/Reply" stationery. John Cage writes to Sydney Cowell Henry Cowell's widow about Henry Cowell's compositions "Recv enclosed letter from my Japanese composer friend. Located piece in Ms. at Lincoln Center. It is actually 2 pieces called Set of Two but one was too difficult and the other was recorded in Japan under the title Prelude for Vn & Hapschd. I have given Kuniharu Akiyama's address to Mr. Jackson." He goes on to indirectly refer to his own compositions "Renga" and "Apartment House 1776" which were performed in Boston: "The Boston piece went very well. Seiji was marvelous. Now must wk with Boulez on it. Singers were great." Signed "John". There are minor annotations along the top edge in an unidentified hand and staple holes at top left. Else near fine.</p><p>John Cage's compositions "Renga" and "Apartment House 1776" were performed simultaneously by the Boston Symphony Orchestra under Seiji Ozawa on September 29 1976. Boulez performed the works with the New York Philharmonic on November 5th of that year.</p><p>The Japanese avant-garde composer Kuniharu Akiyama 1929-1996 was also a music critic and a poet. He was a founding member of the Jikken Kobo group of avant-garde artists.</p><p>The American avant-garde composer John Cage 1912-1992 was a pioneer in electroacoustic music and the unconventional use of instruments. An artist and music theorist he was Merce Cunningham's lover and influential in the development of modern dance. Henry Cowell and Arnold Schoenberg were both his teachers.</p><p>Henry Cowell's wife Sidney Robertson Cowell 1903-1995 was a pianist and an American ethnomusicologist and collector of folk songs.</p> New York, October 14, 1976.
188833058London U.K.: 22 June 1888. 1888. Very good. - Letter: small octavo 7-3/8 inches high by 4-3/4 inches wide. 128 words penned in black ink on all 4 sides of a folded 4-sided sheet of House of Commons letterhead with the Commons seal at the top of the first side. Signed "Yours sincerely / Edward Hamley". There is occasional very light foxing to the letterhead & 2 pieces of mounting tape adhere to the right margin of the 4th side where the letter has been removed from an album. Folded once for mailing. Very good.<p>Manuscript leaf: small quarto 9 inches high by 7 inches wide. 83 words penned in black ink on one side of a sheet of cream watermarked paper. Folded 3 times with slight darkening down the top end of 1 vertical fold. 2 small pieces of tape adhere to the verso of the sheet where it has been removed from an album. Very good. <p>The letter addressed to "My dear Mrs. Ford" expresses his regret that he missed her when he called on her. He congratulates her on becoming "the Mistress of Pencarrow" her family's estate and her childhood home. He goes on to complain about the House of Commons workload though "we are not quite such slaves as we were last year." <p>The manuscript leaf is from Hamley's novel "Lady Lee's Widowhood" and is headed "Chap. II." The page which ends in mid-sentence describes the morning toiletries of two women characters. The first sentence of the extract reads: "Rosa constitutionally an early riser used to be always up before Orelia in the morning until the latter took it into her head to have a shower-bath fitted up in the closet that opened from their room."<p>Sir Edward Bruce Hamley 1824-1893 served in the Crimean War. He was professor of military history at the Staff College Sandhurst from 1858 to 1877 and was Commandant of the College from 1870-1877. He was chief of the commission for the delimitation of the Balkan and Armenian frontiers 1879-80 and commanded a division in the Egyptian war of 1882. He was promoted to General in 1890. Hamley was Member of Parliament for Birkenhead from 1885 until his death in 1893.<p>In addition to works on the Crimean War and his military manual "The Operations of War" Hamley was a short-story writer and poet a translator of French verse and the author of a novel "Lady Lee's Widowhood". He was a valued contributor to Blackwood's Magazine wherein the novel first appeared in 1853. It was subsequently published in two volumes by William Blackwood and Sons in 1854. Sadleir 1103; Wolff 2949.<p>Both the letter and the manuscript come from the autograph collection of Mrs. Mary Ford widow of Richard Ford who wrote the popular "Handbook for Travellers in Spain". The autograph collection known as the Pencarrow Collection was formed from the 1850s onwards largely by Mary Ford in her long period of widowhood. [London, U.K.]: 22 June 1888. unknown
12476Ramsdon sic. 24 January 1822. 2pp. 12mo. In a windowpane mount on a leaf removed from an album. The letter itself very good on aged paper; the mount worn at extremities. He begins by informing the recipient that his 'last Letter has made ample atonement for the provocation of the preceding' and he has 'ever been the foremost both in word & deed to keep my wings in motion. I speak this seriously: my former note was only a temporary petulance'. The second paragraph begins: 'I must positively have another Paper for my Orators'. He has 'run to a fearful length & yet have cramped myself all the way. Besides what I enclose I shall have ready as much to forward in the shape of reflexion inferences &c before I enclose with my legal oratory. And then I have the Political Oratory on my hands'. He continues: 'I engage to bring Demosthenes upon the stage in a new manner & when I have him there I should like to shew him to as much advantage as I can'. The letter continues in the same vein with a postscript beginning: 'Let me hear as soon as you can that my time of gestation is extended.' Ramsdon [sic]. 24 January 1822. unknown
193133508New York: Readers' Guild Inc. 1931. Mild tanning to pages creasing to edges front cover reinforced around the edges with tape clear tape at upper spine corner a very good copy. 33508. Octavo single issue cover painting by Wessolowski pictorial wrappers. Pulp magazine. Fiction by Murray Leinster and others. The last issue with this masthead the next issue shortens to just Astounding Stories. Reference: Tymm and Ashley Science Fiction Fantasy and Weird Fiction Magazines pp. 60-103. Readers' Guild, Inc. unknown
193026360New York: Publishers' Fiscal Corporation 1930. Mild edge wear a nearly fine to fine copy. 26360. Octavo cover painting by Wessolowski pictorial wrappers. Pulp magazine. Stories by Victor Rousseau Ray Cummings L.A. Eshbach and others. Reference: Tymm and Ashley Science Fiction Fantasy and Weird Fiction Magazines pp. 60-103. Publishers' Fiscal Corporation unknown
193126184New York: The Clayton Magazines Inc. 1931. Covers trimmed tiny tear and crease to lower left front corner a fine copy. 26184. Octavo cover painting by Wessolowski pictorial wrappers. Pulp magazine. Stories by Ray Cummings Robert H. Wilson Murray Leinster and others. Reference: Tymm and Ashley Science Fiction Fantasy and Weird Fiction Magazines pp. 60-103. The Clayton Magazines, Inc. unknown
193127921New York: The Clayton Magazines Inc. 1931. Text paper tanned but supple mild wear to yapp edges a nearly fine to fine copy. 27921. Octavo single issue cover painting by Wessolowski pictorial wrappers. Pulp magazine. Features stories by Jack Williamson Nat Schachner Ray Cummings and others. Reference: Tymm and Ashley Science Fiction Fantasy and Weird Fiction Magazines pp. 60-103. The Clayton Magazines, Inc. unknown
193123814New York: Readers' Guild Inc. 1931. Reading crease edges trimmed crease to upper right corner small closed tears to right edge some edge rubs a very good to nearly fine copy. 23814. Octavo single issue cover painting by Wessolowski pictorial wrappers. Pulp magazine. Features a "Golden Atom" story by Ray Cummings other authors included are Jack Williamson and Harl Vincent. Reference: Tymm and Ashley Science Fiction Fantasy and Weird Fiction Magazines pp. 60-103. Readers' Guild, Inc. unknown
193020948New York: Publishers' Fiscal Corporation 1930. Edges trimmed tiny chip with small tear to right front edge some mild creases a very good to nearly fine copy. 20948. Octavo cover painting by Wessolowski pictorial wrappers. Pulp magazine. Stories by Captain S.P. Meek Harl Vincent and others. Reference: Tymm and Ashley Science Fiction Fantasy and Weird Fiction Magazines pp. 60-103. Publishers' Fiscal Corporation unknown
193020947New York: Publishers' Fiscal Corporation 1930. Some loss to contents page repaired with content notations covers trimmed reading crease a very good copy. 20947. Octavo cover painting by Wessolowski pictorial wrappers. Pulp magazine. Stories by Victor Rousseau Ray Cummings L.A. Eshbach and others. Reference: Tymm and Ashley Science Fiction Fantasy and Weird Fiction Magazines pp. 60-103. Publishers' Fiscal Corporation unknown
193120950New York: Readers' Guild Inc. 1931. Mild edge rubbing some stress creases small paper loss at base of spine a very good to nearly fine copy. 20950. Octavo single issue cover painting by Wessolowski pictorial wrappers. Pulp magazine. This issue the magazine shortens title to just ASTOUNDING STORIES. Features the first published story by Harry Bates "The Tentacles From Below" writing as Anthony Gilmore. Reference: Tymm and Ashley Science Fiction Fantasy and Weird Fiction Magazines pp. 60-103. Readers' Guild, Inc. unknown
193320968New York: The Clayton Magazines Inc. 1933. Upper and lower edges trimmed taped to inside edges of front cover an attractive very good to nearly fine copy. 20968. Octavo single issue cover painting by Wessolowski pictorial wrappers. Pulp magazine. Murray Leinster cover story. The penultimate Clayton issue. Tymm and Ashley Science Fiction Fantasy and Weird Fiction Magazines pp. 60-103. The Clayton Magazines, Inc. unknown
20042082702114602489Sogensha fixed 3000 yen 2004. Soft Cover. Fine. Number of books: 1 Sogensha fixed 3000 yen paperback
1334044570.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1332313604.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
026562892X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
197920827021146000925500 Yen Japanese Archaeological Association 1979. Soft Cover. Fine. Number of books: 1 5,500 Yen Japanese Archaeological Association paperback
0243130600.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0332575799.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0266131557.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
19782082702114610522Yoshikawakobunkan 1978. Soft Cover. Fine. The book is in fine condition. Yoshikawakobunkan paperback
1840148887London: Henry Hooper 1840. First edition of this essay highlighting George Cruikshank’s artistic skill and cultural significance in early Victorian Britain. Octavo bound in three-quarters morocco by J. McDonald of New York with gilt titles and tooling to the spine gilt ruling to the front and rear panels gilt stamped facsimile signature of Cruikshank on the front panel all edges gilt marbled endpapers tissue-guarded frontispiece illustrated with 17 tissue-guarded black and white etched plates by George Cruikshank. In near fine condition. An Essay on the Genius of Cruikshank published in The Westminster Review in 1840 is an early critical appraisal of George Cruikshank’s artistic achievements and cultural influence. Written at a time when caricature was often dismissed as ephemeral or merely humorous the essay situates Cruikshank’s work within a broader artistic and moral framework praising his sharp political insight his ability to capture the nuances of everyday life and his growing reputation as a serious illustrator of literature. By highlighting his transition from biting political satire to celebrated book illustration particularly his collaborations with authors such as Charles Dickens the review both legitimizes caricature as a form of social commentary and cements Cruikshank’s position as one of the most significant visual commentators of early Victorian Britain. Henry Hooper unknown