1 015 résultats
187044262Paris, Imprimerie Coulboeuf, 1870. Titre et 31 lithographies en couleurs en feuilles, sous chemise illustrée de l'éditeur.
188388750Otto Spamer | Berlin Leipzig 1883 | 14 x 20.8 cm | Reliure de l'éditeur
188055221880 Paris Maurice Dreyfous éditeur 1880 In12 bradel plein papier pièce de titre 412 pages couvertures conservées - Reliure signée (Armelle Guégant)
1829237131829 PARIS, Eymery, Fruger et Cie Editeurs, 1829 - EDITION ORIGINALE - Bien complet des 50 cartes couleurs (certaines fortes traces d'humidité) - In-folio, 52,5 x 37,5 cm - 1/2 Reliure -1 mors fatigué - Dos lisse orné - 4 + 100 pages de texte (mouillures) puis 50 cartes gravées par Lallemand, en double pages montées sur onglet et colorées à la main excepté les 2 premières : systemes Planétaires et Planispheres Célestes qui sont en noir - Envoi rapide et soigné
187016175Paris, Saillant, éditeur; lithographie Barousse, 1870. 16 lithographies en couleurs en 1 vol. in-4, cartonnage moderne.
185491304Gaume frères | Paris 1854 | 14.5 x 22.5 cm | 2 volumes brochés
184439585London: William Pickering pr. by Charles Whittingham 1844. Folio 35.1 cm 13.8". 260 pp. <br><br>Pickering's beautiful type facsimile of Robert Barker's 1604 edition a.k.a. the Hampton Court Book here in a Rivière binding. Charles Whittingham printed the work on handmade paper in black-letter type for Pickering who inspired by the printing of Aldus Manutius published in 1844 a series of six such facsimiles of important editions of the Book of Common Prayer each of which was => illustrated with wood-engraved initials and ornaments done by Mary Byfield and limited to => only 350 copies printed on paper with another two on vellum. The original title-pages were reproduced for each in => red and black and in the case of the present example the almanac pages likewise printed in red and black. Each book in this homage to important editions of the BCP was => an outstanding example of the Victorian-era Gothic design movement and Kelly notes that these volumes are "considered to be among the finest work of Whittingham."<br>Â Â Â Â Binding: Signed 19th-century dark brown morocco framed and panelled in single gilt and double blind fillets with gilt-tooled corner fleurons surrounding a central arabesque medallion; spine with raised bands gilt-stamped fleur-de-lis decorations in compartments and gilt-stamped publication information. All edges gilt. Front lower turn-in stamped by Rivière.<br>Â Â Â Â Provenance: Front free endpaper with small stamp of Basil M. Pickering who took over the business after his father's death; later in the library of American collector Albert A. Howard small booklabel "AHA" at rear. <br>Â Â Â Â <br>Â Â Â Â Brunet I 1108; Griffiths Bibliography of the Book of Common Prayer 1844:29; Kelly Checklist of Books Published by William Pickering 1844.4; Keynes William Pickering rev. ed. p. 85; McLean Victorian Book Design 13; Pickering & Chatto William Pickering catalogue 708 222. Bound as above joints and extremities showing moderate rubbing. Scattered spots of faint to mild foxing pages generally clean and fresh. William Pickering (pr. by Charles Whittingham) hardcover books
186789675Artus Bertrand Guillaumin | Paris 1867 | 14 x 22.5 cm | Relié
183988740Firmin Didot frères | Paris 1839 | 13.3 x 21.4 cm | Relié
186788599Imprimerie Impériale (1851-1870) | Paris 1867 | 18.5 x 26.5 cm | Broché
184513060ILLUMINATED THROUGHOUT BY OWEN JONES - IN A HANDSOME RED MOROCCO BINDING ALSO PROBABLY DESIGNED BY JONES <br />first edition thus large 8vo. 24.8 x 17 cms. xl 504 2 451-484 notespp. with the text on every page enclosed inside a very great variety changing every few pages of decorative borders which are printed in colours very often two and including red blue green mauve yellow and black numerous large decorative initial letters printed in colours ornaments some printed in colours all these decorations designed by Owen Jones 12 plates of which 8 are divisional title-pages chromolithographed in gold and colours by Owen Jones 3 engravings by J. C. Horsley 1 by Henry Warren 37 line engravings drawn from old master paintings by George Scharf jnr. under ther superintendence of Lewis Gruner final section of notes which has aberrant pagination with a simple parallel red and black line border elaborate publisher's binding of full rich morocco over very thick bevelled boards sides blocked with an elaborate border probably designed by Owen Jones and a central device composed of the interlaced letters I.H.S. smooth spine elaborately gilt decorated and lettered inner fold-ins and board edges gilt decorated all edges gilt neatly recased retaining the original pale blue glazed endpapers some trivial local foxing but a fine and most handsome copy. Preserved in a new marbled slipcase. <br /><br />R. McLean <i>Victorian Book Design</i> 1972 pp.88-90.<br />Owen Jones 1809-1874 architect and designer was interested in historical ornament as an inspiration for modern design and striving to determine universal principles of design studied both oriental and western arts. In this work Jones clearly echoed the hand-illuminated work of medieval breviaries psalters and books of hours. "The book was well printed by Vizetelly Brothers and must have been a considerable undertaking since it consisted of over 500 pages all printed in two or three colours" McLean. The complex wood-engraved borders were in widely varying styles and were printed in black blue and red combined or in such single colours as yellow green lilac blue red or brown. Additionally there were eight strikingly printed illuminated divisional 'title pages' chromolithographed in gold red blue and green. Additionally there are full-page woodcut plates by John C. Horsley and Henry Warren with engraved borders and a tint over the print. and 37 wood engravings after Raphael and others throughout the text. The result was "one of the most important examples of Owen's commercial decoration" McLean.The book was initially issued in eight parts and was later republished in 1850 and in 1863 in fewer colours and without the chromolithographed 'title pages'. The work is also "of great interest in tracing the work done by Baxter's apprentices" Lewis. Jones had his own press and with his co-worker H. N. Humphreys "developed several totally new binding styles using materials such as papier mâché terracotta and embossed leather which were more fitted to the sumptuous contents" O.D.N.B. It is likely that the binding of this copy was designed by Jones even if not created in his workshop.<br />C. T. Courtney Lewis <i>The Story of Picture Printing in England during the XIXth Century</i> 1928 p.63. John Murray [printed by Vizetelly Brothers and Co.] hardcover
187316450Paris, Lemerre (Imprimerie Claye), 1873 ; in-18 (188118 mm), broché ; (8), 258 pp., (1) f. blanc, couverture imprimée.
18737263Versailles CERF et Fils 1873 11 volumes In-4° Exceptionnel ensemble de 11 volumes, 3vol. in-4 pour l' enquête sur l'insurrection de (8)-633-(3) pp. ; (4)-589-(1) pp. ; (4)-XVIII-(4)-452 pp., Tome I : Rapports ; Tome II : Dépositions des Témoins ; Tome III : Pièces Justificatives. Document officiel de la plus grande importance et contestée par la suite par de nombreux historiens dont Lissagaray. Del Bo, p. 59 . + 8 volumes sur les actes de la défense nationale, 547 + 544 + 2 ff + (359 + 247) + (248 + 75 ) + pour le rapport et 687 pp + 574 + 596 ( + 1 ff) + 636 + 1ff ( Il manque des volumes dont les dépêches télégraphiques) , quelques coiffes élimées, et dos d'un volume avec accroc, très légères traces de frottement
1807096764London: John Reeves 1807. and administration of the sacraments and other rites and ceremonies of the church according to the use of the United Church of England and Ireland. Together with the Psalter or Psalms of David pointed as they are to be sung or said in churches. bound with A COMPANION TO THE ALTAR: Shewing the nature and necessity of a sacramental preparation in order to our worthy receiving the Holy Communion: wherein those fears and scruples about eating and drinking unworthily and incurring our own damnation thereby are proved groundless and unwarrantable. Unto which are added prayers and meditations suitable to a sacramental preparation according to what the Church of England requires from her communicants. and A NEW VERSION OF THE PSALMS OF DAVID fitted to the tunes used in churches by N. Brady and N. Tate. Pp. 49272492 11 engraved plates; f'cap. 12mo; nineteenth century black straight-grain morocco the spine lettered and decorated in gilt boards decorated in gilt & blind with a diamond shaped inlaid central panel of red morocco which is initialled and decorated in gilt the boards a trifle rubbed corners bruised edges lightly worn; a.e.g.; ribbon marker; marbled endpapers with a gilt lettered and decorated black morocco ownership label of Eliza Ann Crockford dated 1813 laid on the upper pastedown twentieth century bookplate on verso of upper free endpaper the preliminary blank loosening tiny inked annotation to one page of the Psalms a couple of corners creased scattered light foxing and browning; John Reeves/Scatcherd and Letterman London n.d. 1807. Griffiths 1807/3. John Reeves was gazetted King's Printer in 1800 and held the appointment for 29 years until his death. Between 1801 and 1815 he issued some 25 editions of the Book of Common Prayer each printed by others on his behalf. This edition was printed by C. Whittingham. The plates in this copy are all dated February 1807. The Companion to the Altar was printed for Scatcherd and Letterman by Rider and Webb by assignment from T. Beecroft and was issued 'in various sizes so as to bind up with the different editions of the Common Prayer Book' ref. note at foot of title page. The Irish poet hymnist and lyricist Nahum Tate 1652-1715 became England's poet laureate in 1692. He is best remembered for the New Version of the Psalms of David first published in 1696 in which he collaborated with Nicholas Brady. Tate wrote the words to a number of hymns of which the most famous is the Christmas carol known today by its opening line 'While shepherds watched their flocks by night'. He also wrote the libretto for Henry Purcell's opera Dido and Aeneas in 1689. Nicholas Brady 1659-1726 was an Anglican clergyman and poet also born in Ireland. John Reeves unknown
187144394Paris, , 1871. In-4 oblong, 20 photographies (15 x 21 cm) montées sur carton fort, table, toile rouge, titre doré sur le premier plat (reliure de l'éditeur).
1844311721London: Pickering 1844. hardcover. Title in red & black. Thick folio full brown morocco with raised bands gilt medallion decorations & dentelles top edge gilt by Riviere. London: Pickering 1844. Fine.<br/> <br/> Typographic facsimile of the original black letter edition with ornamental title page & initial letters. A church ex-libris on the end-paper indicates that the book was a gift from J.P. Morgan in 1905. On the fly-leaf opposite is the "ghost" of J.P. Morgan's own bookplate. A magnificently printed handsome book.<br/> <br/> Pickering unknown
1863303567London John Camden Hotten 1863. 1863. 8vo. Pictorial title page in red and black. Text within vignette borders. Finely bound in full navy blue morocco a.e.g.; marbled endpapers. Fine fresh. No foxing; No signatures or bookplates. Printed by Chiswick Press. Hardcover. Fine. London, John Camden Hotten, 1863. hardcover books
1893110821Folio. New York: Printed for the Committee 1893. Folio 28 566 2 pp. Original richly gold-stamped parchment over boards brass clasps gilt top small nick at the foot of the upper cover otherwise an excellent copy of a binding often found soiled. Bookplate of Syracuse Public Library at front. § Limited to 500 copies and one copy on vellum plus a few copies signed by Morgan and others. The first Updike prayer book printed by De Vinne with the binding and border designs throughout the book by Bertram Grosvenor Goodhue. Printed in red and black with borders to every page this stately folio in a striking binding is quite a contrast to Updike’s second prayer book of 1930. Page Common Prayer page LVIII. Griffiths Bibliography of the Book of Common Prayer 1893.7. Gewirtz But one Use 96. With a copy of the 1893 4pp. pamphlet: "On the Decorations of the Limited Edition of the Standard Prayer Book of 1892" by D. B. Updike printed at the De Vinne Press laid in as usual. Printed for the Committee hardcover books
1801WRCAM45238Brooklyn: Thomas Kirk 1801. 624pp. Contemporary tree calf gilt. Extremities lightly worn. Modern bookplate on front pastedown. Light scattered foxing. Very good. Scarce and interesting Brooklyn imprint bound here in a nice contemporary binding with the Psalms following the devotional text not always found in all copies. SHAW& SHOEMAKER 1196 184. GRIFFITHS BROOKLYN IMPRINTS 1801/16. Thomas Kirk unknown books
1893256923New York: Printed for the Committee by the De Vinne Press 1893. Large paper copy of the first edition of the Book of Common Prayer as accepted by the Church in General Convention October 1892. Text printed in black and red and with decorative margins. xxviii 220 of 566 pp. Folio. Bound by Lesort in contemporary full light brown straight-grain morocco covers triple-ruled and paneled in gilt gilt floral cornerpieces spine tooled and ruled in gilt in compartments five raised bands gilt board edges and turn-ins brown silk pastedowns and liners. Binding worn and dampstained mild foxing on first few and last few leaves. Very good. Large paper copy of the first edition of the Book of Common Prayer as accepted by the Church in General Convention October 1892. Text printed in black and red and with decorative margins. xxviii 220 of 566 pp. Folio. Inscribed by one of the members of the General Convention of the Church William R. Huntington Rector of Grace Church of New York City and with an autograph letter signed by him to Eleanor Blodgett godmother to Franklin Delano Roosevelt. Griffiths 1893.6 Printed for the Committee by the De Vinne Press unknown books
1848016745St. Louis: St. Louis Court of Common Pleas 1848. Book. Very good condition. Unbound. First Edition. Tall folio. Large broadside 11-3/4" x 18-1/4" announcing an auction. It reads "Sheriff's Sale! Jonathan W. King Daniel W. Corwin and William M. Cones Partners &c. vs. John Abbott and John C. Chadwick. Attachment in the St. Louis Court of Common Pleas returnable to Sep't Term 1848 of said Court. No. 184 to said term. By authority of an order of sale made by the St. Louis Court of Common Pleas on the 20th day of September 1848 ordering and directing the undersigned late Sheriff of the county of St. Louis to sell the property attached in the above entitled cause in the manner prescribed by law. I will on Tuesday the 10th day of October next between the hours of nine o'clock in the forenoon and five o'clock in the afternoon of that day at the State Tobacco Warehouse on corner of Washington Av. and Sixth street sell the said attached property to the highest bidder for cash pursuant to said order of sale which said property consists of the following articles of Dry Goods to wit: 1 piece Black Coburg; 2 pieces Mode do.; 3 Embroidered Delane Shawls; 1 Black Berage Shawl; 2 Thibet Wool do; 1 Delane Mode do.; 1 Black Embroidered do.; 1 Satin Stripe Berage do.; 6 Doz Thimbles silvered; 1 piece Florence Silk; 1 do. Black Cotton Lace; 1 do. do. do. do.; 1 do. White Silk do.; 1 Box Laces; 1 do. do.; Ladies' Gloves Silk Picknit and Cotton; Lot Embroidered handkerchiefs; Braid; Gents' Gloves Silk and Cotton; Buttons; Velvet Ribbon; Tuck Combs; Coat Binding; Lot Berage Dress Shawls; Lot Cravats for Ladies; Swiss Muslins; and 1 Black Leather Trunk. Samuel Conway Late Sheriff. St. Louis Sep't. 1848." Folded into 10 sections with some wear to folds; several small tears at edges. Minor foxing throughout; two minor water-stain marks in margin just touching text each about 2 square inches. Ephemera Broadsides Western Americana. St. Louis Court of Common Pleas Paperback
1848016745St. Louis: St. Louis Court of Common Pleas 1848. Book. Very good condition. Unbound. First Edition. Tall folio. Large broadside 11-3/4" x 18-1/4" announcing an auction. It reads "Sheriff's Sale! Jonathan W. King Daniel W. Corwin and William M. Cones Partners &c. vs. John Abbott and John C. Chadwick. Attachment in the St. Louis Court of Common Pleas returnable to Sep't Term 1848 of said Court. No. 184 to said term. By authority of an order of sale made by the St. Louis Court of Common Pleas on the 20th day of September 1848 ordering and directing the undersigned late Sheriff of the county of St. Louis to sell the property attached in the above entitled cause in the manner prescribed by law. I will on Tuesday the 10th day of October next between the hours of nine o'clock in the forenoon and five o'clock in the afternoon of that day at the State Tobacco Warehouse on corner of Washington Av. and Sixth street sell the said attached property to the highest bidder for cash pursuant to said order of sale which said property consists of the following articles of Dry Goods to wit: 1 piece Black Coburg; 2 pieces Mode do.; 3 Embroidered Delane Shawls; 1 Black Berage Shawl; 2 Thibet Wool do; 1 Delane Mode do.; 1 Black Embroidered do.; 1 Satin Stripe Berage do.; 6 Doz Thimbles silvered; 1 piece Florence Silk; 1 do. Black Cotton Lace; 1 do. do. do. do.; 1 do. White Silk do.; 1 Box Laces; 1 do. do.; Ladies' Gloves Silk Picknit and Cotton; Lot Embroidered handkerchiefs; Braid; Gents' Gloves Silk and Cotton; Buttons; Velvet Ribbon; Tuck Combs; Coat Binding; Lot Berage Dress Shawls; Lot Cravats for Ladies; Swiss Muslins; and 1 Black Leather Trunk. Samuel Conway Late Sheriff. St. Louis Sep't. 1848." Folded into 10 sections with some wear to folds; several small tears at edges. Minor foxing throughout; two minor water-stain marks in margin just touching text each about 2 square inches. Ephemera Broadsides Western Americana. St. Louis Court of Common Pleas Paperback books
1822172514Oxford: Printed at the Clarendon Press by Samuel Collingwood and Co. printers to the University; and sold by Edward Gardner and by Messrs. Whittaker London; H. Mozley Derby; and by Messrs. Wilson York 1822. Splendidly bound A very attractive large-format Prayer Book for lectern use in a resplendent sunburst binding composed of red morocco onlays and richly gilt. Folio 485 x 292 mm. Contemporary black straight-grain morocco spine lettered and tooled in gilt red and green morocco onlays to form sunburst on covers with gilt flames angels stars and cross centrepiece all within gilt and blind floral frame marbled endpapers gilt edges. Late-19th-century family register of the Powell family to rear and front free endpapers early correction of King George to William coronated 1830 and the queen to Queen Adelaide on relevant prayers. A few scratches to rear cover crease to title page slight spotting leaves 3D1 and 2 adhered together. A very good copy. unknown
181291309Galignani & Co | Paris 1812 | 12.7 x 21 cm | 2 volumes reliés