AnonymeLivre Rare Book
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13574inconnu inconnu vers 1750 1 dimensions 53x34 cm; couleurs vives.
10599Vue d’optique format 398x250mm hors marges, 475x340mm avec marges. Gravure en couleurs, du XVIIIème siècle. A Paris chez Basset rue St Jacques n°64 Vue destinée à être observée à travers un jeu de plusieurs miroirs, ou par le moyen du Zygrascope, constitué d’un miroir et d’une lentille.
10600Vue d’optique format 405x250mm hors marges, 493x342mm avec marges. Gravure en couleurs, du XVIIIème siècle. A Paris chez Basset rue St Jacques n°64 90€ Photos 2017-06-12 16 17 18.Vue destinée à être observée à travers un jeu de plusieurs miroirs, ou par le moyen du Zygrascope, constitué d’un miroir et d’une lentille.
10601. Vue d’optique format 410x252mm hors marges, 490x352mm avec marges. Gravure en couleurs, du XVIIIème siècle. A Paris chez Basset rue St Jacques n°64 Vue destinée à être observée à travers un jeu de plusieurs miroirs, ou par le moyen du Zygrascope, constitué d’un miroir et d’une lentille.
12549Vues de Cannes, suite de photographies dates de 1904. 1) Cannes vue prise de l’observatoire 300x235mm. 2) le mont Chevalier (pell 21a) 3) le poret (pell 19a) 4) Le port île Ste Marguerite (pell 18a) 4) Grasse( tirage 45’’ papier pell 20a) 5) le port( pell 15a 6) le port (pell 17a) 7) vue des fenêtres de l’hôtel (pell 16a) 8) vue du mont Chevalier (pell 26a) photos de format 115x85mm. Contrecollées sur carte.
In 8ø (cm. 19.5 x 12,5); pagg. 348, 16; leggera cartonatura originale Timbro. VG-. ** Traduzione e note di Federico Garlanda. Seconda edizione. Sono lettere scritte da un colto e facoltoso bostoniano che racconta ai familiari dell'Italia e degli italiani. Forse la sua franchezza Š "anche un po' troppo grande e le sue critiche un po' troppo aspre... ma egli critica, alza la voce e si arrabbia come farebbe per il suo paese. Non mi sono mai imbattuto -scrive il traduttore- in uno scrittore straniero pieno di tanto amore per il nostro paese." E in Italia evidentemente non erano pochi a pensare che lo yankee avesse ragione se venne avviata una sottoscrizione per far avere una copia del volume a ciascuno dei 508 nostri deputati dell'epoca.
Cm. 42,5x28 incluso il titolo che appare speculare, al contrario. Incorniciata con passepartout ornato a filetti oro sotto vetro, complessivi cm. 52x39. Piccola usura a alla modanatura della cornice in legno dorato. La "vue d'optique" è una veduta destinata ad essere proiettata con uno speciale apparecchio, (zograscope o « boîte d'optique »). pe rquesto ilo titolo è impresso a senso inverso. Di gran successo poplre dal 1740 all'1800 furono prodotte a Londra, Pqarigi, Augsburg e Bassano del Grappa.
8032EBo.J. Quer-8°. 20,5 x 21 cm. 14 Blatt. Fadengeheftete Broschur. [3 Warenabbildungen]
dimensions 53x34 cm; couleurs vives. Bords légèrement défraîchis.Montée sur carton fort ; incription de l'époque au dos. Peu fréquent. Voir la photo.
16201New York: E. Anthony. Ca. 1865. From Anthony's "Beauties of the Hudson" series no. 377. View from above the Dock House in Garrison towards the ret of the Landing with the Garrison Art Center Prescott's and the big Red House visible. Approx. 7 x 3.5" mounted on card with rubbed corners a little marked. E. Anthony unknown
16099New York: E. Anthony. From Anthony's "Beauties of the Hudson" series no. 392. Interesting for the stereopticon camera which is present in the front right corner of the photo. Sepia photograph faded especially in the distance so that West Point is not visible. Approx. 7 x 3.5" mounted on card with rubbed corners a little marked. E. Anthony unknown
804321795 / 1815. Engr.surface: 51 cm x 37 cm. Held in Ivory Mount with gold gilt line border. Size 50cm x 64cm There are 2 double-folds where plate was folded in the book. In very good condition. Very strong clear impression. Uncoloured. The picture shows Corfe Castle ruins close up with visitors approaching the gate and some others resting on a slope in the foreground. 1795 / 1815 unknown
804311795 / 1815. Engr.surface: 51 cm x 38 cm. Held in Ivory Mount with gold gilt line border. Size 50cm x 64cm There are 2 double-folds where plate was folded in the book. In very good condition. Very strong clear impression. Uncoloured. The picture shows Corfe Castle ruins in the centre with a herd of cows and a shepherd in the foreground and the Purbeck Hill in the back. 1795 / 1815 unknown
Mm 145x220 Collana "Didattica". Brossura editoriale di 242 pagine. Libro in condizioni di nuovo. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
20092090202118103522Otashuppan 2009. Soft Cover. Fine. The book is in fine condition. Otashuppan paperback
1894519101B.T. Batsford London 1894. 1st Edition. Unframed Photograph Print. Very Good Condition. Apethorpe Hall's courtyard was rebuilt c.1623 for royal visits; James I stayed here frequently. Charles Latham was one of the most influential architectural photographers of the late Victorian and Edwardian periods renowned for his evocative images of country houses and formal gardens across Britain and Italy. His work helped define the visual language of architectural publishing and preservation. His first major commission was for J. Alfred Gotch's Architecture of the Renaissance in England 1894 from which this photograph is taken where his collotype plates captured the texture and grandeur of Elizabethan and Jacobean houses with remarkable clarity. Latham later helped shape the visual identity of Country Life magazine which we always have in stock photographing both historic estates and newly built homes. His images became central to the magazine's appeal combining editorial elegance with technical innovation in print reproduction. Each of Charles Latham's architectural photographs captures a singular moment of craftsmanship patronage or domestic ambition from heraldic chimney-pieces to formal garden fronts. Whether collegiate civic or aristocratic these buildings speak to the stylistic confidence of their age. Many remain inhabited studied or preserved today making each image not just a historical record but a quietly resonant portrait of continuity. Published in 1894 this fine Victorian-period image has been carefully removed from Gotch's monumental work. Printed in Leipzig Germany by Sinsel & Co. on thick cream-coloured paper this image reflects the firm's hallmark clarity and tonal depth featuring the building's name in sepia ink below a ruled border with Latham's beautifully composed black-and-white photograph taking centre place. POSTED ROLLED. Size: 34 x 47 cms. Category: Architecture; English Country House Photographs; J. Alfred Gotch's Architecture; Charles Latham Photographs. This item may require more postage than the rates shown for delivery outside the UK. If extra postage is required we will contact you before processing your order and you will be given the details and option to decline the extra cost. B.T. Batsford unknown
1991243368PN. New. 1991. Soft Cover. Date is original print. This is a reprint edition . PN paperback
1 Vol. In-8 t. editoriale, piatto ill pag. XIV-382 numer. ill. in tavv. f.t PROG 40692 CATT_ATT 54
London, William Blackwood & Sons, Ltd., 1930. 4to.; XVII-270 pp., con 8 láminas fotográficas de Gaspar Sagarra y Torrents. Encuadernación original en tela azul. Una abierta apología de la Dictadura de Primo de Rivera y del bienestar de Cataluña y de Barcelona en particular, lugar de residencia a la sazón del autor, "especialista en eugenesia", la ciencia de moda de la época. En su juventud había escrito una curiosa utopía victoriana titulada "The Fate of the English Race. Being the Romance of a Monarchical Utopia", bajo el seudónimo de Charles Strongi'th'arm, y en años posteriores a esta su evidentemente agradabilísima estancia en España, publicaría libros como "Paradise Found, or Where the Sex Problem has been Solved", en 1936, en el que niega el derecho al voto a las mujeres, o el no menos interesante titulado "The Survival of the Unfittest", en el que debate sobre la excesiva prole de las madres de la clase obrera y caracteriza el socialismo como un movimiento contra natura. En 1933 planeó la fundación de la primera colonia eugenesica en Brasil.
304 pages including index. Paints a panoramic view of Toronto's history as it progressed from a French trading post and British Imperial garrison to the largest metropolis in Canada. Weaves the many strands of the city's past into a vivid tapestry - an appropriate gift for the city's 150th anniversary of incorporation. Gift greetings upon front endpaper else unmarked. Brown spotting to top edges of boards only. Dust jacket not included. A quality copy. Book
2083002116207187Around 1955 Bus boat ropeway etc. Station harbor view One scratched hole in bag mouse bite mark N.A. Soft Cover. Fine. The book is in fine condition. Around 1955 Bus boat ropeway, etc. Station, harbor view One scratched hole in bag mouse (bite mark) paperback
Mm 135x200 Prima edizione italiana. Brossura originale, 110 pagine con una introduzione di Paolo Rumiz. Traduzione di Alice Parmeggiani. Libro in condizioni di nuovo; spedizione in 24 ore dalla conferma dell'ordine.
63-0822Mountain View CA: Artichoke Press 1979. . Broadside. 7" x 11" Letterpress on Beige Wove Deckled Edges Black and Brown Ink. Very Good. Illustrated. Scarce. First Edition. This is the Prospectus for a book not the book itself. Mountain View, CA: Artichoke Press, 1979. unknown
