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Bonita · États-Unis51,28 $US≈ 43,39 €
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1972743057PN. New. 1972. Soft Cover. Date is original print. This is a reprint edition. . PN paperback
2080502106915076Not Available N.A. Soft Cover. Fine. The book is in fine condition. Not Available paperback
0331490137.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
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2080502106914121Not Available N.A. Soft Cover. Fine. The book is in fine condition. Not Available paperback
1333877137.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0243975791.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1333673930.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
19602080502106915070Not Available 1960. Soft Cover. Fine. The book is in fine condition. Not Available paperback
0331422018.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1332920810.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
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18603816<p>This probably just pre-Civil War view looks north with a rendering of the Washington Monument as designed but not completed dominating the foreground. Charles Magnus was a prolific producer of lithographed prints lettersheets patriotic envelopes and song sheets during the last half of the 19th century.</p><p><strong>Reference: </strong> Milgram <em>American Illustrated Letter Stationery 1819-1899</em>: WA-LS-8.</p><p><strong>Condition:</strong> Unused lithographed lettersheet in black and white. Expected age toning and some waviness to the paper especially at edges. Tiny chips to corners.</p><p>ICN 7727.2</p> Charles Magnus, 12 Frankfort Street, New York
1770241361770. A Coutances et se vend ˆ Paris chez Esnauts & Rapilly s.d. circa 1770. Dimensions ˆ vue : 528 x 352 mm passe-partout cadre. Rare et importante vue perspective - en coloris du temps - figurant l'ensemble de la citÂŽ. LÂŽgendes et adresse en marge infÂŽrieure. PrÂŽsentÂŽe sous cadre baguette dorÂŽ. Marges lÂŽgÂrement oxydÂŽes. DiscrÂtes plissures au centre de l'ÂŽpreuve. Encrage de la partie lÂŽgendÂŽe parfois un peu faible. Du reste belle condition. Rare. b42961 unknown
176014001London 1760. 315x445mm. 12½x17½". Grabado. London 1760. 287 x 448mm. Grabado al cobre. Coloreado a mano de época. Vista óptica de la ciudad de Lisboa Portugal desde el río. Publicado según acta del Parlamento en 1760. Se trata de la reedición de un grabado de Henry Overton II publicado originalmente en Londres por Robert Sayer en 1752. El mapa pertenece a una de las ediciones realizadas tras el terremoto de Lisboa de 1755. Suele identificarse como una edición londinense pero por sus características puede que haya sido impreso en París al estilo de Maillet de la misma época probablemente imitando las ediciones inglesas. Este mismo grabado fue copiado en muchas ediciones posteriores solo o en libros siendo una de las vistas más conocidas de Lisboa antes del Terremoto. unknown
176114002London & Paris: Wichnyther y Cherenau 1761. 315x445mm. 12½x17½". Grabado. London chés Wichnyther et à Paris chés Chereau 1761. 275 x 400mm. Grabado al cobre en talla dulce. Coloreado a mano de época. Vista óptica del Palacio Real de Aranjuez en Madrid. Copia invertida de una estampa publicada en París por Jacques-Gabriel Huquier. Aquí la leyenda está equivocada ya que la vista corresponde al palacio de Aranjuez y no al monasterio de los Jerónimos de Madrid. Wichnyther y Cherenau unknown
175014000Paris 1750. 315x445mm. 12½x17½". Grabado. Paris 1750. 315 x 445mm. Grabado al cobre. Coloreado a mano de época. Vista óptica del conjunto arquitectónico que mandó construir el Conde Duque de Olivares para retiro de Felipe IV y como un lugar de recreo para la corte. Compuesto por más de 20 pabellones bellos jardines suntuosas fuentes y un gran estanque hoy sólo se conserva el Salón de Baile Casón del Buen Retiro el Salón de Reinos Museo del Ejército y parte de los jardines Parque del Retiro. unknown
17883741<p><strong>Harvard College -- "the earliest engraving of the College</strong><strong> which one may reasonably hope to obtain"</strong></p><p>This engraving entitled "View of the ancient Buildings belonging to Harvard College Cambridge New-England" appeared in the December 1788 issue of <em>The Columbian Magazine.</em> Bail notes that the view is based on the Burgis-Price print of 1743 which in turn was a slight modification of the Burgis view of 1726. The view taken from a point in front of the present Johnston Gate shows three College buildings in 1726 from left to right: the second Harvard College the first Stoughton Hall and the still-standing Massachusetts Hall. Although unsigned the engraving is undoubtedly the work of James Trenchard a co-owner of <em>The Columbian</em> <em>Magazine </em>and the engraver of nearly all the plates which appeared in it. <br /><br />Of the<em> Columbian</em> <em>Magazine</em> view Bail states: "In spite of the fact that the print is solely an adaptation it is important because of its early appearance and relative scarcity. This is the earliest engraving of the College which one may reasonably hope to obtain."</p><p>The engraving is accompanied by a disbound example of the December 1788 <em>Columbian Magazine</em> in which it appeared. It includes a 5-page "An Account of the ancient Colleges of Cambridge in New-England." Most of this is a republication of material from "a very scarce and valuable pamphlet" printed in London in 1642. In addition to a description of the College "The edifice is very fair and comely within and without." the rules and curriculum of the College are provided.</p><p>A very desirable engraving of Harvard with an example of the magazine in which it originally appeared.</p><p><strong>References:</strong> For the engraving: Bail <em>Views of Harvard</em>: 13; Plate XVII illustrated. Fielding <em>American Engravers upon Copper and Steel</em>: 1819. <br /><br /><strong>Condition: </strong>Image is age-toned with some generally light foxing. Darkening to margins outside of platemark where previously matted; remnant of strip of masking tape at upper margin on verso. The <em>Magazine</em> is complete and quite bright and clean although several pages are detached from the balance of the text.<br /><br />ICN 3431. <br /><br /><br /><br /></p> Printed for the Proprietors by W. Spotswood.
1990223195No date. Circa1990s. Colour photograph of Preah Vihear mounted and framed. Photograph measures 12.5 x 17.5cm; frame measures 23 x 29cm. Frame a little worn though photograph in very good condition. A wistful scene taken at the site of the Khmer Rouge's symbolic "last stand" around a crucial time in Cambodia's modern history. Beyond the ruins of Preah Vihear in the foreground the densely forested plains of northern Cambodia one of the last strongholds of the Khmer Rouge can be seen stretching into the horizon. . unknown
52216Roepke Wiesbaden No date. Edition Unstated. Hardcover Original Cloth. Good Condition/No Dust Jacket. View book. Album von Zurich Wiesbaden: Ernst Roepke no date circa 1900. 12mo 20 cabinet cards bound accordion-style red cloth boards with gilt and olive decoration and lettering on upper panel. Photos are architectural streetscape and panoramic Condition of this book: Covers worn with spots of discoloration. Some photos show spotting no fading. Size: 12mo. Text body is clean and free from previous owner annotation underlining and highlighting. Binding is tight covers and spine fully intact. All edges clean neat and free of foxing. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Photography; Switzerland; 19th century; Travel & Places. Pictures of this item not already displayed here available upon request. Inventory No: 52216. . Roepke hardcover
19006631Dundee: Valentine & Sons Ltd 1900. Hardcover. Good. Oblong 8vo. Pp. 20. Illustrated with black & white heliogravure photo reproductions. Textured red cloth titles and decorations stamped in gilt on the cover saddle stapled. Covers moderately bowed and stained gilt darkened edges rubbed first leaves lightly foxed staples oxidized. Souvenir views of Scottish Borders sights mostly Abbotsford House inside and out plus Dryburgh and Melrose abbeys. The photos are exquisite. Uncommon. Valentine & Sons, Ltd hardcover
