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1942WRCLIT81255New York 1942. Second series number three. Small quarto. Pictorial wrapper. Illustrations. Some sunning to wrapper edges and spine shallow faint tidemark and ripple to fore-edge toward upper forecorner otherwise very good. Edited by Charles Henri Ford and eventually a large and impressive board of associate and advisory editors VIEW carried on in the tradition of the continental surrealists displaced by the war and featured many of the expatriated artists and writers as well as their American heirs in its often profusely illustrated pages. This is the special thematic "Vertigo" issue with contributions by Seligmann Tyler Calas Reeve W. C. Williams Ford Bayliss W. Stevens Jarrell Loy M. Moore MacLeish et al. unknown books
1942WRCLIT81252New York 1942. Second series number two. Small quarto. Pictorial wrapper. Illustrations. Trace of light soiling to pale pink pictorial wrapper otherwise near fine. Edited by Charles Henri Ford and eventually a large and impressive board of associate and advisory editors VIEW carried on in the tradition of the continental surrealists displaced by the war and featured many of the expatriated artists and writers as well as their American heirs in its often profusely illustrated pages. This is the special dual issue devoted to Tanguy and Tchelitchew with the sections bound dos-a- dos. Contributors include Tyler Soby Kirstein W.C. Williams Henry Miller Masson "O'Reilly" Calas Seligmann Breton et al. unknown books
1942WRCLIT81253New York 1942. Second series number one. Small quarto. Pictorial wrapper. Illustrations. Trace of light soiling to pale blue pictorial wrapper faint shallow tidemark at extreme fore-edge toward upper corner otherwise very good. Edited by Charles Henri Ford and eventually a large and impressive board of associate and advisory editors VIEW carried on in the tradition of the continental surrealists displaced by the war and featured many of the expatriated artists and writers as well as their American heirs in its often profusely illustrated pages. This is the special issue devoted to Max Ernst with contributions by Breton Janis Carrington Tyler Henry Miller Calas Levy et al. unknown books
1941WRCLIT81256New York 1941. Series one number six. Folio. Tabloid format printed self-wrappers. Folded across middle spine of outer bifolia partially split otherwise very good. Edited by Charles Henri Ford and eventually a large and impressive board of associate and advisory editors VIEW carried on in the tradition of the continental surrealists displaced by the war and featured many of the expatriated artists and writers as well as their American heirs in its often profusely illustrated pages. This early number includes contributions by Calas Tanguy Merton Tyler Seligmann et al. unknown books
1942WRCLIT81259New York 1942. Series one double number 11/12. Folio. Tabloid format printed self-wrappers. Folded across middle spine partially and neatly split otherwise very good. Edited by Charles Henri Ford and eventually a large and impressive board of associate and advisory editors VIEW carried on in the tradition of the continental surrealists displaced by the war and featured many of the expatriated artists and writers as well as their American heirs in its often profusely illustrated pages. This early double number includes contributions by Abel Seligmann H. Miller Duncan Durrell Jarrell Tyler Carrington et al. unknown books
1947WRCLIT81274New York 1947. Series Seven Number Three the final number published. Quarto. Pictorial wrappers. Heavily illustrated. Library stamp and ink serial designation mar the upper wrapper wrapper otherwise a bit dust-dimmed otherwise a very good copy. Edited by Charles Henri Ford and a large and impressive board of associate and advisory editors. VIEW carried on in the tradition of the continental surrealists displaced by the war and featured many of the expatriated artists and writers as well as their American heirs and other young writers. Contributors to this number include Tyler Goodman McLuhan Russell Atkins identified as his first publication et al. unknown books
1946WRCLIT81263New York 1946. Series seven number one. Quarto. Pictorial wrappers by Isamu Noguchi. Heavily illustrated. Faint dust tanning to white wrapper but very good or better. Edited by Charles Henri Ford and a large and impressive board of associate and advisory editors. VIEW carried on in the tradition of the continental surrealists displaced by the war and featured many of the expatriated artists and writers as well as their American heirs and other young writers. Contributors to this number include Schapiro Janis Seligmann Ford Tyler Sitwell Bowles "By the Water" Goodman W.C. Williams et al. MILLER C564. unknown books
66105CBo.J. [3 Warenabbildungen] (Émile Rouargue, geb. 07.08.1796 in Paris, gest. 11.01.1865 in Épone bei Mantes, gemeinsam mit seinem Bruder Adolphe als
Madrid, Silex, 2004. 4to.; 218 pp. Cubiertas originales.
Zaragoza, 1999. 4to. alargado; 400 pp. y 3 láminas. Cubiertas originales.
Madrid, Ediciones Castilla, 1949. 4to.; XL pp., 1534 pp. en impresión a doble columna. Con ilustraciones entre el texto y 151 láminas. Papel biblia. Primera edición en castellano. Encuadernación original en piel gofrada en seco con lacerías.
Madrid, Imprenta de Langa y Compañía, 1944. 4to. menor; 168 pp. y seis láminas, tres de ellas plegadas. Edición limitada y numerada de 510 ejemplares. Cubiertas originales.
ill., br. Se portate occhiali, può darsi che non ne abbiate bisogno. Peggio ancora, potreste finire in una spirale discendente, con l'ulteriore effetto di deteriorare la vostra vista al punto da rendere necessarie lenti sempre più forti. Sapete che il 75 per cento delle persone che ha provato il metodo Bates riscontra un significativo miglioramento della vista? Molti non hanno neppure più bisogno di occhiali. "Via gli occhiali!" propone il metodo Bates in modo semplice, conciso e pratico. Non è richiesta alcuna conoscenza specializzata, né complicate attrezzature. Tutto ciò che vi serve è in questo testo, compresa una serie di tabelle per misurare la vista e una serie di esercizi che vi aiuteranno a rieducare gli occhi in modo sicuro e naturale.
54631London: Printed & Sold by Robert Sayer Print & Map seller at the Golden Buck in Fleetstreet. n.d. c.1760. Original hand-coloured copper engraving. 410 x 215 mm. Vues d'optiques or perspective view prints were a fashionable entertainment in the elite drawing rooms of the eighteenth century and also a popular street entertainment at fairs and markets. Publishing houses in London Paris Augsburg and Bassano competed in their production. In total about 5000 vues d'optiques were produced. London: Printed & Sold by Rob(ert) Sayer Print & Map seller at the Golden Buck in Fleetstreet. [n.d., c.1760.] unknown
54629London: Printed & Sold by Robert Sayer Print & Map seller at the Golden Buck in Fleetstreet. n.d. c.1760. Original hand-coloured copper engraving. 435 x 190 mm. J. Tinney sculp. A prospect of the formal gardens and chateau at the Parc De Sceaux Paris; figures with dogs to foreground. The château depicted here demolished during the Revolution was built by Jean-Baptiste Colbert the minister of finance to Louis XIV and purchased by Louis' illegitimate son the duke of Maine in 1699. His duchesse held court in a salon at Sceaux in the first decades of the eighteenth century. The present château rebuilt 1856-62 in a Louis XIII style is now a museum. Vues d'optiques or perspective view prints were a fashionable entertainment in the elite drawing rooms of the eighteenth century and also a popular street entertainment at fairs and markets. Publishing houses in London Paris Augsburg and Bassano competed in their production. In total about 5000 vues d'optiques were produced. London: Printed & Sold by Rob(ert) Sayer Print & Map seller at the Golden Buck in Fleetstreet. [n.d., c.1760.] unknown
191853399ABVerdun, H. Fremont Imprimeur - Editeur, [ca. 1918]. 8°oblong (21x15), [2], 32, [2] p., avec 32 planches phototypiques, reliure d'editeur souple, reliure un peu tachee, sinon interieur propre,
028237552X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
20026172002 - cartonné - Editions Phaidon - Première édition française - 2002 - Fort in-4 (30 x 26 cm) reliure cartonnée, sous jaquette rempliée - 320 pages - Très nombreuses photographies et illustrations - ISBN : 9780714892658
br. Tv, telefonini e monitor ci mettono ogni giorno a dura prova: chi di noi, a fine serata, non ha gli occhi stanchi o arrossati? Per sentirci meglio bastano semplici esercizi quotidiani, preziosi anche per chi non porta gli occhiali. Scopri come salvarti... la vista con questo libro ricco di consigli pratici su ginnastica oculare, alimentazione, rimedi naturali e molto altro!
ill., br. Il metodo Bates promette il recupero totale o parziale della vista, qualunque sia il difetto che ci affligge, in base al principio secondo cui la maggior parte delle disfunzioni visive è causata da blocchi emozionali e, di conseguenza, da forti tensioni muscolari che si localizzano nella zona oculare. Per riconquistare la propria vista è pertanto necessario raggiungere uno stato di rilassamento fisico e mentale. A questo fine, il metodo Bates suggerisce la pratica di semplici esercizi - dal palming al sunning, dal blinking alla tecnica del punto nero - che Amalia Gorni analizza e spiega dettagliatamente, anche attraverso numerose illustrazioni. L'autrice ne consiglia poi altri, di sua concezione, che si prefiggono sempre lo scopo di sciogliere le tensioni, facendoci ritrovare l'equilibrio interiore. Tutti gli esercizi sono stati studiati per poter essere eseguiti anche nei ritagli di tempo e non mancano indicazioni di tipo alimentare, utili per conseguire un'armonia fisica ottimale.
ill., br. Il metodo Bates promette il recupero totale o parziale della vista, qualunque sia il difetto che ci affligge, in base al principio secondo cui la maggior parte delle disfunzioni visive è causata da blocchi emozionali e, di conseguenza, da forti tensioni muscolari che si localizzano nella zona oculare. Per riconquistare la vista è pertanto necessario raggiungere uno stato di rilassamento fisico e mentale. A questo fine, il metodo Bates suggerisce la pratica di semplici esercizi - dal palming al sunning, al blinking, fino alla tecnica del punto nero - che Amalia Gorni analizza e spiega dettagliatamente, anche attraverso numerose illustrazioni. L'autrice ne consiglia poi altri di sua concezione, anch'essi pensati per sciogliere le tensioni, facendoci ritrovare l'equilibrio interiore. Tutti gli esercizi possono essere eseguiti nei ritagli di tempo e non mancano indicazioni di tipo alimentare utili per conseguire un'armonia fisica ottimale. Arricchiscono questa nuova edizione un approfondimento relativo alla pratica del «movimento apparente» e alcune testimonianze di persone che hanno sperimentato con successo il metodo Bates proposto dall'autrice.
100314aafZürich, o.J., um 1754, 10.5x13.5 cm. (Bild mit Schrift), Original Kupferstich aus: die Neue und vollständige Topographie der Eydgenossenschaft in 3 Bden. 1754 - 1758 - 1773, 1 Blatt / 1 feuille (23x17.5 cm ).
128071aafBern, Verlag u. Lith. Anstalt v. J.F. Wagner, s.d. (1840), 24 x 19 cm (la feuille), getönt. Lithographie, aus: Ansichten sämtlicher Burgen, Schlösser und Ruinen der Schweiz. Kanton Freiburg,
136546aafBern, Verlag u. Lith. Anstalt v. J.F. Wagner, s.d. (1840), 24 x 19 cm (la feuille), getönt. Lithographie, aus: Ansichten sämtlicher Burgen, Schlösser und Ruinen der Schweiz. Kanton Freiburg, 1 feuille / 1 Blatt (cadre or 20.5 x 25 cm).
100146aafBern, Verlag u. Lith. Anstalt v. J.F. Wagner, s.d., (1840), 24 x 19 cm (la feuille), Lithographie originale teinté (série ‘Fribourg N° 9), 1 feuille / 1 Blatt (ca. 19x24 cm).
