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White octavo, pink-green-b&w cover, 181 pages ; 24 cm. Series: CultureTexts. || Seduction -- Psychological aspects.
Paperback with light wear on edges, leading corners and spine ends. Page block is a little marked, with a dent, causing creases to two or three page corners within. Pages are clean and sound, with all text clear. TS Used
Paperback. Unused shop stock with minor shelf wear. Like new. AD Used
A clean, unmarked book with a tight binding. Light wear/fading to gray cloth boards. 188 pages. "...the hero, a humble investigator for the New York City Welfare Department, finds himself married to Sophia Loren, seducing Elizabeth Taylor and seduced by Brigette Bardot all in one tortured weekend." Stated First Olympia Press edition.
A clean, unmarked book with a tight binding. Light wear/fading to gray cloth boards. 188 pages. "...the hero, a humble investigator for the New York City Welfare Department, finds himself married to Sophia Loren, seducing Elizabeth Taylor and seduced by Brigette Bardot all in one tortured weekend." Stated First Olympia Press edition.
Reliure demi-chagrin. 340 pages. Rousseurs. Dos r?par?.
Broch?. 280 pages. Rousseurs.
Spes. 1948. In-12 Carré. Broché. Etat d'usage. Couv. légèrement passée. Dos abîmé. Intérieur acceptable. 276 pages. Etiquette de code sur le dos. Tampons et annotation de bibliothèque sur le 1er plat et en page de titre. Jalons. Ceux qui ne se marient pas. Le mariage...
Clear and tight. Used
Broch?. 124 pages. 13,5 x 18 cm.
FAYARD.. 1976.. In-8 Carré. Broché. Bon état. Couv. convenable. Dos satisfaisant. Intérieur frais. 144 pages. Pour une claire information sexuelle.
ISBN : 2213004072. FAYARD. 1976. In-8 Carré. Broché. Bon état. Couv. convenable. Dos satisfaisant. Intérieur frais. 144 pages
Arthème Fayard. 1964. In-12 Carré. Broché. Etat d'usage. Couv. légèrement passée. Dos frotté. Intérieur frais. 116 pages. Illustré de dessins en noir et blanc dans le texte. Annotation en page de garde. 'Jalons', 'Je sais je crois'.
Premiere issue of the second series of this publication, originally published from 1916 until 1925 by Intercontinental. 82 pages. Approximately 9" x 6". Numerous black and white illustrations in text. Color cover photo of leggy female drawing nude illustration. Features include: Fires of Love; $10 Evidence - a Spicy Adventure in Crime; Love is a Game; Avenging Alibi; Centerfold photo of artist with topless model; Price on Love - Evening in a Modern Harem; Kate's Failure - Bare Bosom and Bearish Temper; Nude Dancing; Race for a Wife - Nora Stages a Competition; A Nude Rescue. Nice vintage ads. Moderate age-toning to periphery of pages. Unmarked with light wear and external soiling. Three-inch crease to top corner of front cover. One-inch x half-inch bit of peeling to radio ad on back cover, presumably from price tag removal. Binding sound. A high-quality copy. Magazine
français In-8 oblong de 143 pp.; broché à rabats de l'éditeur. Illustré par Fritz Drury, traduction de Louis Roger. Infimes coupures sur le second plat.
Broché. 322 pages.
Quarto in white, staplebound, color illustrated wrappers; 93 numbered pages. "WARNING: This AIDS Education Book contains explicit information about sex and drug use. This book is only to be used by adult gay and bisexual men."- cover "Dear Reader: This Activity Book was produced by the San Francisco AIDS Foundation and 18th Street Services for Gay and Bisexual injection drug users. We care about your health and well-being. In this book you will find helpful information about HIV prevention, testing, and treatment..."
Light blue duodecimo (pocketbook), 158 p Erotica Pornography. Sexually explicit, Adults Only. || Greenleaf Classics Very Scarce, no records found in WorldCat.
512 pages. Glossary. Index. Black and white illustrations in text. "Many of the wrecks of humanity which fill our public institutions owe their pitiful condition to the terrible exaggerations, the downright falsehoods, and the shameful sex thrills which pervade the so-called literature of the day. If, therefore, this book serves to wipe out some medieval bigotry, to disperse some entangling misunderstandings, and to increase to some extent, at least, the happiness of the human race, its purpose shall have been splendidly fulfilled." - Preface. Unmarked with moderate wear. Binding sound. One of the more intriguing titles we have handled. Something to please, offend or humor most folks on almost every page! Book
Hardcover. Minor wear to jacket's rear. A very good copy. TS Used
Broch?. 253 pages. Couverture d?fra?chie. Rousseurs.
BRANDT. 1969. In-12 Carré. Broché. Etat d'usage. Couv. légèrement passée. Dos frotté. Intérieur acceptable. 191 pages. Nombreuses photos en noir et blanc dans le texte et hors texte.
Very light bump to 1 corner. Minor shelfwear to book and DJ. ; This collection of essays seeks to establish Roman constructions of sexuality and gender difference as a distinct area of research, complementing work already done on Greece to give a fuller picture of ancient sexuality. By applying feminist critical tools to forms of public discourse, including literature, history, law, medicine, and political oratory, the essays explore the hierarchy of power reflected so strongly in most Roman sexual relations, where noblemen acted as the penetrators and women, boys, and slaves the penetrated. In many cases, the authors show how these roles could be inverted--in ways that revealed citizens' anxieties during the days of the early Empire, when traditional power structures seemed threatened. In the essays, Jonathan Walters defines the impenetrable male body as the ideational norm; Holt Parker and Catharine Edwards treat literary and legal models of male sexual deviance; Anthony Corbeill unpacks political charges of immoral behavior at banquets, while Marilyn B. Skinner, Ellen Oliensis, and David Fredrick trace linkages between social status and the gender role of the male speaker in Roman lyric and elegy; Amy Richlin interrogates popular medical belief about the female body; Sandra R. Joshel examines the semiotics of empire underlying the historiographic portrayal of the empress Messalina; Judith P. Hallett and Pamela Gordon critique Roman caricatures of the woman-desiring woman; and Alison Keith discovers subversive allusions to the tragedy of Dido in the elegist Sulpicia's self-depiction as a woman in love. ; 10.8 X 8.7 X 0.6 inches; 168 pages
