Brookshaw, GeorgeBiblio.com
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1817746London:: Longmans Hurst Rees Orme & Brown 1817. First edition. Fine with original hand-coloring. Fine original hand-colored stipple engraving. Pl. XXVII Duke of Marlborough's & Rumbullion Peaches. Large Quarto Edition 11 x 13.5 inches. Pomona Britannica is considered one of the most distinguished pomologies ever produced and is described as "one of the finest colour-plate books in existence." Prideaux. Named for Pomona the Roman Goddess of Fruit and Fruit Trees a pomology is simply a treatise on fruit culture. However there was nothing simple about the intent and execution of this fine work. In an effort to educate the landed country gentleman on the cultivation of fruit George Brookshaw 1751-1823 rendered and described the finest fruit under cultivation in the most esteemed gardens in London and the Royal Gardens particularly around Hampton Court and Kensington. Very little is known about the early years of Brookshaw's life and education. He was born in Birmingham and died an undistinguished death in London. However during the late 18th Century Brookshaw enjoyed significant notoriety as a talented cabinetmaker distinguished by royal patronage. Receipts from the Prince of Wales dating 1783 document the finely painted furniture commissioned from G. Brookshaw. Elegant cabinets tables and chimney pieces were painted with exquisite allegorical scenes bouquets of flowers and abundant cornucopias offering a glimpse into what was to become the hallmark of Brookshaw's talent; elegant and fluid renditions of fruit and flowers. George's talent as an engraver was perhaps influenced by Richard Brookshaw brother an established and talented mezzotint engraver in Paris during the 19th Century. Richard Brookshaw engraved several of the plates for the Folio edition of Pomona Britannica c.1812 however as the last of Richard's engravings are dated 1804 we conclude every one of the plates in this large Quarto edition were engraved by George Brookshaw himself. This edition should not be considered a miniature version of the Folio edition where the fruit is set on dark mezzotint grounds. This large Quarto edition features beautifully hand-colored stipple engravings which float on soft ivory backgrounds. Ref. Dunthorne 55 Christie's 4-97. Longmans, Hurst, Rees, Orme, & Brown, unknown
1817744London:: Longmans Hurst Rees Orme & Brown 1817. First edition. Fine with original hand-coloring. Fine original hand-colored stipple engraving. Pl. XXV Montauban Grosse Mignonne & Old Royal George Peaches. Large Quarto Edition 11 x 13.5 inches. Pomona Britannica is considered one of the most distinguished pomologies ever produced and is described as "one of the finest colour-plate books in existence." Prideaux. Named for Pomona the Roman Goddess of Fruit and Fruit Trees a pomology is simply a treatise on fruit culture. However there was nothing simple about the intent and execution of this fine work. In an effort to educate the landed country gentleman on the cultivation of fruit George Brookshaw 1751-1823 rendered and described the finest fruit under cultivation in the most esteemed gardens in London and the Royal Gardens particularly around Hampton Court and Kensington. Very little is known about the early years of Brookshaw's life and education. He was born in Birmingham and died an undistinguished death in London. However during the late 18th Century Brookshaw enjoyed significant notoriety as a talented cabinetmaker distinguished by royal patronage. Receipts from the Prince of Wales dating 1783 document the finely painted furniture commissioned from G. Brookshaw. Elegant cabinets tables and chimney pieces were painted with exquisite allegorical scenes bouquets of flowers and abundant cornucopias offering a glimpse into what was to become the hallmark of Brookshaw's talent; elegant and fluid renditions of fruit and flowers. George's talent as an engraver was perhaps influenced by Richard Brookshaw brother an established and talented mezzotint engraver in Paris during the 19th Century. Richard Brookshaw engraved several of the plates for the Folio edition of Pomona Britannica c.1812 however as the last of Richard's engravings are dated 1804 we conclude every one of the plates in this large Quarto edition were engraved by George Brookshaw himself. This edition should not be considered a miniature version of the Folio edition where the fruit is set on dark mezzotint grounds. This large Quarto edition features beautifully hand-colored stipple engravings which float on soft ivory backgrounds. Ref. Dunthorne 55 Christie's 4-97. Longmans, Hurst, Rees, Orme, & Brown, unknown
1817745London:: Longmans Hurst Rees Orme & Brown 1817. First edition. Fine with original hand-coloring. Fine original hand-colored stipple engraving. Pl. XXVI Late Admirable Double Mountain & Red Magdalen Peaches. Large Quarto Edition 11 x 13.5 inches. Pomona Britannica is considered one of the most distinguished pomologies ever produced and is described as "one of the finest colour-plate books in existence." Prideaux. Named for Pomona the Roman Goddess of Fruit and Fruit Trees a pomology is simply a treatise on fruit culture. However there was nothing simple about the intent and execution of this fine work. In an effort to educate the landed country gentleman on the cultivation of fruit George Brookshaw 1751-1823 rendered and described the finest fruit under cultivation in the most esteemed gardens in London and the Royal Gardens particularly around Hampton Court and Kensington. Very little is known about the early years of Brookshaw's life and education. He was born in Birmingham and died an undistinguished death in London. However during the late 18th Century Brookshaw enjoyed significant notoriety as a talented cabinetmaker distinguished by royal patronage. Receipts from the Prince of Wales dating 1783 document the finely painted furniture commissioned from G. Brookshaw. Elegant cabinets tables and chimney pieces were painted with exquisite allegorical scenes bouquets of flowers and abundant cornucopias offering a glimpse into what was to become the hallmark of Brookshaw's talent; elegant and fluid renditions of fruit and flowers. George's talent as an engraver was perhaps influenced by Richard Brookshaw brother an established and talented mezzotint engraver in Paris during the 19th Century. Richard Brookshaw engraved several of the plates for the Folio edition of Pomona Britannica c.1812 however as the last of Richard's engravings are dated 1804 we conclude every one of the plates in this large Quarto edition were engraved by George Brookshaw himself. This edition should not be considered a miniature version of the Folio edition where the fruit is set on dark mezzotint grounds. This large Quarto edition features beautifully hand-colored stipple engravings which float on soft ivory backgrounds. Ref. Dunthorne 55 Christie's 4-97. Longmans, Hurst, Rees, Orme, & Brown, unknown
1817747London:: Longmans Hurst Rees Orme & Brown 1817. First edition. Fine with original hand-coloring. Fine original hand-colored stipple engraving. Pl. XXIX Bourdine Nivette or Belle de Vitry Peaches. Large Quarto Edition 11 x 13.5 inches. Pomona Britannica is considered one of the most distinguished pomologies ever produced and is described as "one of the finest colour-plate books in existence." Prideaux. Named for Pomona the Roman Goddess of Fruit and Fruit Trees a pomology is simply a treatise on fruit culture. However there was nothing simple about the intent and execution of this fine work. In an effort to educate the landed country gentleman on the cultivation of fruit George Brookshaw 1751-1823 rendered and described the finest fruit under cultivation in the most esteemed gardens in London and the Royal Gardens particularly around Hampton Court and Kensington. Very little is known about the early years of Brookshaw's life and education. He was born in Birmingham and died an undistinguished death in London. However during the late 18th Century Brookshaw enjoyed significant notoriety as a talented cabinetmaker distinguished by royal patronage. Receipts from the Prince of Wales dating 1783 document the finely painted furniture commissioned from G. Brookshaw. Elegant cabinets tables and chimney pieces were painted with exquisite allegorical scenes bouquets of flowers and abundant cornucopias offering a glimpse into what was to become the hallmark of Brookshaw's talent; elegant and fluid renditions of fruit and flowers. George's talent as an engraver was perhaps influenced by Richard Brookshaw brother an established and talented mezzotint engraver in Paris during the 19th Century. Richard Brookshaw engraved several of the plates for the Folio edition of Pomona Britannica c.1812 however as the last of Richard's engravings are dated 1804 we conclude every one of the plates in this large Quarto edition were engraved by George Brookshaw himself. This edition should not be considered a miniature version of the Folio edition where the fruit is set on dark mezzotint grounds. This large Quarto edition features beautifully hand-colored stipple engravings which float on soft ivory backgrounds. Ref. Dunthorne 55 Christie's 4-97. Longmans, Hurst, Rees, Orme, & Brown, unknown
1817748London:: Longmans Hurst Rees Orme & Brown 1817. First edition. Fine with original hand-coloring. Fine original hand-colored stipple engraving. Pl. XXX Chancellor Catherine & Old Newington Peaches. Large Quarto Edition 11 x 13.5 inches. Pomona Britannica is considered one of the most distinguished pomologies ever produced and is described as "one of the finest colour-plate books in existence." Prideaux. Named for Pomona the Roman Goddess of Fruit and Fruit Trees a pomology is simply a treatise on fruit culture. However there was nothing simple about the intent and execution of this fine work. In an effort to educate the landed country gentleman on the cultivation of fruit George Brookshaw 1751-1823 rendered and described the finest fruit under cultivation in the most esteemed gardens in London and the Royal Gardens particularly around Hampton Court and Kensington. Very little is known about the early years of Brookshaw's life and education. He was born in Birmingham and died an undistinguished death in London. However during the late 18th Century Brookshaw enjoyed significant notoriety as a talented cabinetmaker distinguished by royal patronage. Receipts from the Prince of Wales dating 1783 document the finely painted furniture commissioned from G. Brookshaw. Elegant cabinets tables and chimney pieces were painted with exquisite allegorical scenes bouquets of flowers and abundant cornucopias offering a glimpse into what was to become the hallmark of Brookshaw's talent; elegant and fluid renditions of fruit and flowers. George's talent as an engraver was perhaps influenced by Richard Brookshaw brother an established and talented mezzotint engraver in Paris during the 19th Century. Richard Brookshaw engraved several of the plates for the Folio edition of Pomona Britannica c.1812 however as the last of Richard's engravings are dated 1804 we conclude every one of the plates in this large Quarto edition were engraved by George Brookshaw himself. This edition should not be considered a miniature version of the Folio edition where the fruit is set on dark mezzotint grounds. This large Quarto edition features beautifully hand-colored stipple engravings which float on soft ivory backgrounds. Ref. Dunthorne 55 Christie's 4-97. Longmans, Hurst, Rees, Orme, & Brown, unknown
1817749London:: Longmans Hurst Rees Orme & Brown 1817. First edition. Fine with original hand-coloring. Fine original hand-colored stipple engraving. Pl. XXXIV Murry & Newington Nectarine. Large Quarto Edition 11 x 13.5 inches. Pomona Britannica is considered one of the most distinguished pomologies ever produced and is described as "one of the finest colour-plate books in existence." Prideaux. Named for Pomona the Roman Goddess of Fruit and Fruit Trees a pomology is simply a treatise on fruit culture. However there was nothing simple about the intent and execution of this fine work. In an effort to educate the landed country gentleman on the cultivation of fruit George Brookshaw 1751-1823 rendered and described the finest fruit under cultivation in the most esteemed gardens in London and the Royal Gardens particularly around Hampton Court and Kensington. Very little is known about the early years of Brookshaw's life and education. He was born in Birmingham and died an undistinguished death in London. However during the late 18th Century Brookshaw enjoyed significant notoriety as a talented cabinetmaker distinguished by royal patronage. Receipts from the Prince of Wales dating 1783 document the finely painted furniture commissioned from G. Brookshaw. Elegant cabinets tables and chimney pieces were painted with exquisite allegorical scenes bouquets of flowers and abundant cornucopias offering a glimpse into what was to become the hallmark of Brookshaw's talent; elegant and fluid renditions of fruit and flowers. George's talent as an engraver was perhaps influenced by Richard Brookshaw brother an established and talented mezzotint engraver in Paris during the 19th Century. Richard Brookshaw engraved several of the plates for the Folio edition of Pomona Britannica c.1812 however as the last of Richard's engravings are dated 1804 we conclude every one of the plates in this large Quarto edition were engraved by George Brookshaw himself. This edition should not be considered a miniature version of the Folio edition where the fruit is set on dark mezzotint grounds. This large Quarto edition features beautifully hand-colored stipple engravings which float on soft ivory backgrounds. Ref. Dunthorne 55 Christie's 4-97. Longmans, Hurst, Rees, Orme, & Brown, unknown
042896835X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1332013872.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0266807690.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
19564893Kelowna BC: B.C. Tree Fruits Limited 1956. Map. Fine. Printed map showing the official growing districts of B.C. Tree Fruits Limited - from Keremeos in the southwest to Kamloops and Salmon Arm in the north and Creston in the southeast - on the verso of a 1956 BC Tree Fruits letterhead measuring 11 x 8.5 inches. B.C. Tree Fruits was created to curb "Fruitleggers" from expanding into larger city markets and other places farther afield than their allotted farm-gate sales. See "Fruitleggers Fruit Police and British Columbia's Black Market" Bradley & Hadlaw 2021 p. 363. It was compulsory - and onerous for orchardists producing within these districts to sell their tree fruit through B.C Tree Fruits. A single fold line crease else fine and unmarked. An uncommon Okanagan / Kootenay Mapback letterhead. Pub. date of 1956 from Kelowna Archives BC Tree Fruits fonds. B.C. Tree Fruits Limited unknown
020022THOMAS BARNES. A New Method of Propagating Fruit-trees and Flowering Shrubs: whereby the common kinds may be raised more expeditiously; and several curious exotics increased which will not take root from cuttings or layers confirmed by repeated and successful expeience. First edition 1759. With two engraved folding plates a bit foxed and slightly worn octavo pp 42 scattered foxing.Blanche Henrey 434. It seems little known; the system must have been well received as John Rutter mentions it in Modern Eden 1767 - "a very singular method of propagating fruit trees.lately revived by the very excellent gardener Mr Barnes of Elsham". bound with A COUNTRY GENTLEMAN. A New System of Agriculture; or A Plain and Easy and Demonstrative Method of Speedily Growing Rich: Proving by undeniable Arguments that Every Land-Owner in England may advance his Estate to a Double Value in the Space of One Year's Time together with several very curious instructions how to feed oxen cows and sheep to much greater profit than has ever yet been known in England. First edition 1755. pp 182 lacking a small corner from the last page without loss of text. Fussell does not identify the 'Country Gentleman' and is slightly credulous of the claim made on the title page. He notes that there was then no copy in the British Museum. bound with BENJAMIN STILLINGFLEET. Miscellaneous Tracts Relating to Natural History Husbandry and Physick translated from the Latin with notes. First edition 1759. pp xxx 230. Contains Linnaeus Oration concerning travelling in one's own country; Biberg's Oeconomy of Nature; Barck On the foliation of trees; Gedner Of the use of Curiosity; Beyerstein's Obstacles to the improvement of physic; Haffelgren's The Swedish Pan and the author's own Observations on Grasses which Fussell praises as an important paper. bound with FRANCIS HOME The Principles of Agriculture and Vegetation. Second edition 1759. pp viii 207 the last few pages foxed. Fussell observes that Home made a very real contribution to agricultural sciences; and Sir John Russell comments -"The book is a great advance on anything that had gone before it not only because it recognizes that plant nutrition depends on several factors but because it indicates so clearly the two methods to be followed in studying the problem - pot cultures and plant analysis". Generally quite clean and firm internally though with slight age-toning. Bound in a simple cheap full leather green and red labels on the spine rather rubbed but sound the rear hinge cracking but firm. . Full Leather. Good. Hardcover
021974Boston: Loring Small octavo not illustrated pp 345 a little used and marked internally original purple cloth decorated in gilt very faded and a little worn the spine slightly frayed at head and tail the upper joint cracking at the top. RARE Barnard appears to have been the compiler as he relates sometimes in the first person the experiences of three different people in their horticultural endeavours. Not dated 1869. Cloth. Fair. Loring Hardcover
18950218519 Eastcheap London: Sir Joseph Causton & Sons 1895. Very well illustrated very large horizontal octavo pp iv 260 a little age-toned internally a few corners creased otherwise very clean internally re-bound fairly recent in plain brown cloth slightly marked. RARE Despite the opening words of the title the whole book is devoted to an account of the business endeavours of Whiteley. Inspired by an early visit to Crystal Palace he was determined to create a shop where absolutely everything could be purchased and thus eventually was born London's first department store - "Whiteley's" of Bayswater. The book is a detailed account of the model farms created at Hanworth to provide jams potted meats pickles etc for the shop. It is an unsurpassed social and commercial record. Whiteley was shot dead in his shop in 1907. Part of the fortune left in his will was used to create Whiteley retirement village. RARE . First Edition. Cloth. Good. Sir Joseph Causton & Sons Hardcover
1396073167.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1786018124John Nichols; London. 1786. First impression. . Hard. Good. 4to. 11 1/2". Good. Contemporaneous papered binding; worn paper covering to spine missing exposing bands and quires. Lightly toned throughout. Uncut pages. A good solid copy. 1391pp. <br/> <br/> John Nichols; London. unknown
026745094X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0265807557.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1528437551.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1334558914.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0666818193.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0484199617.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1334277311.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1334277206.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
133438648X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1334271364.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
