8 223 résultats
.London, Printed by Taylor and Francis - Published by the Author, (1862-) 73. Folio. Papersize 54,5x36,5 cm. Lithographed and fully handcoloured. Two birds, female and male in natural surroundings, one on the nest, flowering plants, a butterfly. J. Gould & H.C. Richter, del. et lith. - Walter, Imp. Fine and clean. The plate is accompanied with the original textleaf. (2) pp.
London, Printed by Taylor and Francis - Published by the Author, (1862-) 73. Folio. Papersize 54,5x36,5 cm. Lithographed and fully handcoloured. Two adults at the nest, one feeding 4 baby birds.. J. Gould & H.C. Richter, del. et lith. - Walter, Imp. Fine and clean. The plate is accompanied with the original textleaf. (2) pp.
London, Printed by Taylor and Francis - Published by the Author, (1862-) 73. Folio. Papersize 54,5x36,5 cm. Lithographed and fully handcoloured. Two adults in a tree with flowers, the female on the nest and a wren beneath.Right margin (1 cm) neathly repaired.. J. Gould & H.C. Richter, del. et lith. - Walter, Imp. Fine and clean. The plate is accompanied with the original textleaf. (2) pp.
London, Printed by Taylor and Francis - Published by the Author, (1862-) 73. Folio. Papersize 54,5x36,5 cm. Lithographed and fully handcoloured. 2 adults in a trunk tree with nest, 1 baby bird shown. J. Gould & H.C. Richter, del. et lith. - Walter & Cohn, Imp. Fine and clean. The plate is accompanied with the original textleaf. (2) pp.
London, Printed by Taylor and Francis - Published by the Author, (1862-) 73. Folio. Papersize 54,5x36,5 cm. Lithographed and fully handcoloured. Showing 2 birds, one at the nest with 4 eggs, surrounded by flowers. J. Gould & H.C. Richter, del. et lith. - Walter, Imp. Fine and clean. The plate is accompanied with the original textleaf. (2) pp.
London, C. Davis, 1750. Bound to style in a fine later hcalf with raised bands and titlelabel in leather on back, gilt. VIII,470,(1) pp., 15 large folded engraved plates and 10 textengravings (as headpieces). A few scattered brownspots.
10809Neuchâtel, Delachaux & Niestlé 1933, 535x380mm, album de 135 aquarelles reproduites en quadrichromie contrecollées (92 planches), avec quatre fascicules monographique de texte. Reliure en toile verte, pièce de titre en cuir rouge sur le plat supérieur, reliure moderne. Planches en parfaites condition. Très bel exemplaire.
In 4° (cm 31x24), pp. 547, 20 tavv.; m/pelle con angoli, ds. (restaurato) con nervi, tit. in oro su tass., tagli rossi; opera ill. da 20 splendide tavv. (disegnare e litografate da J. Susini) e finemente acquerellate, l'ultima delle quali è il bellissimo "Cygne de Bewick", difficile da trovare; lieve alone al margine inf. che interessa quasi tutte le pp. del testo ma non le tavv. che sono poste in fine; qc. lieve fior., rinforzi alle sguardie, strappi riparati a 2 tavv. ma buon esemplare. 129/29
186243952London, Printed by Taylor and Francis - Published by the Author, (1862-) 73. Folio. Papersize 54,5x36,5 cm. Lithographed and fully handcoloured. Two adults in a tree. J. Gould & H.C. Richter, del. et lith. - Walter, Imp. Fine and clean. The plate is accompanied with the original textleaf. (2) pp.
London, Printed by Taylor and Francis - Published by the Author, (1862-) 73. Folio. Papersize 54,5x36,5 cm. Lithographed and fully handcoloured. Two adults in a tree. J. Gould & H.C. Richter, del. et lith. - Walter, Imp. Fine and clean. The plate is accompanied with the original textleaf. (2) pp.
1788ALDR0629Brünn, gedruckt bei Joseph Georg Traßler und im Verlage der Kompagnie (ab Bd 5: und im Verlage R. A. Schrämbls) 1786-1788. 5 Bde. 8°. 324 S., S. 333-421 (Ss. 325-332 fehlen), mit XXI gest., kol. Tafeln, 3 nn. Bll.; 324 S., mit XXII-LX (= 39) gest., kol. Taf., 4 nn. Bll.; 356 S., mit LXI-LXXVII (= 17) gest., kol. Taf., 4 nn. Bll.; Titelbl., 427 S, mit CII-CXL (= 38 v. 39) gest., kol. Tafeln (Taf. CCXVIII fehlt); 482 S., mit CCIII-CCXLIX (= 48) gest., kol. Taf., 5 nn. Bll., mit einigen Zierleisten. Marmorierte Lederbände der Zeit, Rückenschildchen und Rückenverzierung in Goldprägung, einige Bände mit großt. abgeriebenen kleinen Papierschildchen mit handschriftlicher Zählung, Einbanddeckel mit Streicheisenlinien gerahmt, Vorsätze rot marmoriert, Buchschnitte rot gefärbt, bestoßen und berieben, teilw. mit Kratzspuren u. etwas fleckig, an den Kapitalen meist schadhaft, Rückenleder rissig, Leder entlang der Gelenke eingerissen, Bindungen locker. Seiten insgesamt schwach gebräunt bzw. braunfleckig, selten stärker gebräunt, kaum fleckig, mit Randausriss ohne Textverlust im Titelblatt des zweiten Bandes, im siebenten Band fehlt die untere Hälfte des Titelblattes. Mit Bleistiftanmerkungen und -anstreichungen im Text, jeweils einer Zahl in alter Tintenschrift am vorderen Schmutzumschlagblatt oder fliegenden Vorsatzblatt verso. - Aus dem Nachlass des Architekten Johannes Spalt, der es aus der Bibliothek des Architekten Josef Hoffmann erhalten hatte. Mit Spalts Namenszug und dem handschriftlichen Zusatz 'Aus Josef Hoffmanns Bibliothek' mit Bleistift am vorderen Schmutzumschlagblatt avers. VD18 90176952. Vgl. Graesse 1,568 - altösterreichischer Nachdruck der ersten drei, des fünften und siebenten Bandes der umfassenden 'Naturgeschichte der Vögel' des bedeutenden französischen Naturforschers Buffon (1707-1788). Die französische Originalausgabe 'Histoire naturelle des oiseaux' in zehn Bänden erschien erstmals 1770-1786, die deutsche Ausgabe ab 1772. Übersetzer der vorliegenden ersten drei Bände war Friedrich Heinrich Wilhelm Martini (1729-1778), den fünften und siebenten Band übersetzte Bernhard Christian Otto (1745-1835). Ansehnliche Exemplare mit allen - nur Tafel CCXVIII fehlt - sorgfältig altkolorierten Tafeln. Das schadhafte Titelblatt und die fehlenden Seiten aus dem ersten Band liegen in Kopie bei. [3 Warenabbildungen]
Litografia tratta dal famoso The Birds of New Guinea and the Adjacent Papuan Islands, ultimo ed importantissimo lavoro di John Gould. L’opera, tirata a soli 250 esemplari, è molto rara; iniziata nel 1875, fu completata da Richard Bowdler Sharpe nel 1888 a causa della morte di Gould. John Gould (Lyme Regis, 14 settembre 1804 – Londra, 3 febbraio 1881) è stato un ornitologo e naturalista britannico. Destinato fin dalla giovinezza a seguire la carriera paterna di giardiniere presso il Castello di Windsor, grazie alle sue precoci conoscenze in tassidermia ebbe l'occasione di entrare a soli 23 anni (1827) nel Museo della Zoological Society di Londra, come conservatore. Gould affinò le sue conoscenze artistiche e scientifiche in ornitologia, consultando i migliori lavori del tempo, in particolari quelli di John James Audubon, William Swainson e Thomas Bewick. Tra il 1832 e il 1837 comparve The Birds of Europe, opera in 5 volumi e con ben 448 tavole litografate e colorate a mano. Per la gigantesca impresa Gould si valse della collaborazione della moglie e del celebre poeta e pittore inglese Edward Lear. Una prerogativa che salvò sin dall'inizio Gould dal tracollo economico fu quella di affrontare questi dispendiosi lavori facendoli uscire in sottoscrizione e a fascicoli. Dopo un viaggio in Australia e in Tasmania, pubblicò, con l'aiuto di Elizabeth per i primi volumi, The Birds of Australia (1840-1848) in ben 7 volumi e 600 tavole, cui seguì tra il 1851 e il 1869 un Supplement di 81 tavole. Tra il 1862 e il 1873 pubblica The Birds of Great Britain, in 5 volumi e con 367 tavole. Pubblicò ben 41 libri, per un totale di 2999 tavole litografate e dipinte a mano, quasi tutte dedicate agli uccelli, consacrandosi così fra i più noti ornitologi inglesi dell'età vittoriana Litografia, bellissima coloritura coeva, in ottimo stato di conservazione. Litograph taken form the famous The Birds of New Guinea and the Adjacent Papuan Islands, Gould’s last great work. With only about 250 sets made, it is amongst the rarest of all Gould's works and was completed after his death by Richard Bowdler Sharpe. Sharpe then in charge of the of the bird collection at the British Museum, assumed the authorship halfway through the series in 1881, after the twelfth part had been issued. Sharpe was more than forty years junior to Gould, whom he had meet when he was only fifteen, and they both shared a passionate interest in ornithology. In his last years, although an invalid and often in pain, Gould was always pleased when Sharpe visited him to look at his collection of skins and discuss the latest bird discoveries. John Gould (Lyme Regis, 14 September 1804 - London, 3 February 1881) was a British ornithologist and naturalist. Destined from his youth to follow his father's career as a gardener at Windsor Castle, thanks to his early knowledge in taxidermy had the opportunity to enter at only 23 years (1827) in the Museum of the Zoological Society of London, as a conservator. Gould refined his artistic and scientific knowledge in ornithology, consulting the best works of the time, in particular those of John James Audubon, William Swainson and Thomas Bewick. Between 1832 and 1837 appeared The Birds of Europe, a work in 5 volumes and with 448 plates lithographed and colored by hand. For this gigantic undertaking Gould availed himself of the collaboration of his wife and the famous English poet and painter Edward Lear. A prerogative that saved Gould from economic collapse from the very beginning was that of dealing with these expensive works by publishing them in subscriptions and in dossiers. After a trip to Australia and Tasmania, he published, with the help of Elizabeth for the first volumes, The Birds of Australia (1840-1848) in 7 volumes and 600 plates, followed between 1851 and 1869 by a Supplement of 81 plates. Between 1862 and 1873 he published The Birds of Great Britain, in 5 volumes and 367 plates. He published 41 books, for a total of 2999 plates lithographed and hand-painted, almost all dedicated to birds, thus establishing himself among the most famous English ornithologists of the Victorian age. Perfect condition.
Litografia tratta dal famoso The Birds of New Guinea and the Adjacent Papuan Islands, ultimo ed importantissimo lavoro di John Gould. L’opera, tirata a soli 250 esemplari, è molto rara; iniziata nel 1875, fu completata da Richard Bowdler Sharpe nel 1888 a causa della morte di Gould. John Gould (Lyme Regis, 14 settembre 1804 – Londra, 3 febbraio 1881) è stato un ornitologo e naturalista britannico. Destinato fin dalla giovinezza a seguire la carriera paterna di giardiniere presso il Castello di Windsor, grazie alle sue precoci conoscenze in tassidermia ebbe l'occasione di entrare a soli 23 anni (1827) nel Museo della Zoological Society di Londra, come conservatore. Gould affinò le sue conoscenze artistiche e scientifiche in ornitologia, consultando i migliori lavori del tempo, in particolari quelli di John James Audubon, William Swainson e Thomas Bewick. Tra il 1832 e il 1837 comparve The Birds of Europe, opera in 5 volumi e con ben 448 tavole litografate e colorate a mano. Per la gigantesca impresa Gould si valse della collaborazione della moglie e del celebre poeta e pittore inglese Edward Lear. Una prerogativa che salvò sin dall'inizio Gould dal tracollo economico fu quella di affrontare questi dispendiosi lavori facendoli uscire in sottoscrizione e a fascicoli. Dopo un viaggio in Australia e in Tasmania, pubblicò, con l'aiuto di Elizabeth per i primi volumi, The Birds of Australia (1840-1848) in ben 7 volumi e 600 tavole, cui seguì tra il 1851 e il 1869 un Supplement di 81 tavole. Tra il 1862 e il 1873 pubblica The Birds of Great Britain, in 5 volumi e con 367 tavole. Pubblicò ben 41 libri, per un totale di 2999 tavole litografate e dipinte a mano, quasi tutte dedicate agli uccelli, consacrandosi così fra i più noti ornitologi inglesi dell'età vittoriana Litografia, bellissima coloritura coeva, in ottimo stato di conservazione. Litograph taken form the famous The Birds of New Guinea and the Adjacent Papuan Islands, Gould’s last great work. With only about 250 sets made, it is amongst the rarest of all Gould's works and was completed after his death by Richard Bowdler Sharpe. Sharpe then in charge of the of the bird collection at the British Museum, assumed the authorship halfway through the series in 1881, after the twelfth part had been issued. Sharpe was more than forty years junior to Gould, whom he had meet when he was only fifteen, and they both shared a passionate interest in ornithology. In his last years, although an invalid and often in pain, Gould was always pleased when Sharpe visited him to look at his collection of skins and discuss the latest bird discoveries. John Gould (Lyme Regis, 14 September 1804 - London, 3 February 1881) was a British ornithologist and naturalist. Destined from his youth to follow his father's career as a gardener at Windsor Castle, thanks to his early knowledge in taxidermy had the opportunity to enter at only 23 years (1827) in the Museum of the Zoological Society of London, as a conservator. Gould refined his artistic and scientific knowledge in ornithology, consulting the best works of the time, in particular those of John James Audubon, William Swainson and Thomas Bewick. Between 1832 and 1837 appeared The Birds of Europe, a work in 5 volumes and with 448 plates lithographed and colored by hand. For this gigantic undertaking Gould availed himself of the collaboration of his wife and the famous English poet and painter Edward Lear. A prerogative that saved Gould from economic collapse from the very beginning was that of dealing with these expensive works by publishing them in subscriptions and in dossiers. After a trip to Australia and Tasmania, he published, with the help of Elizabeth for the first volumes, The Birds of Australia (1840-1848) in 7 volumes and 600 plates, followed between 1851 and 1869 by a Supplement of 81 plates. Between 1862 and 1873 he published The Birds of Great Britain, in 5 volumes and 367 plates. He published 41 books, for a total of 2999 plates lithographed and hand-painted, almost all dedicated to birds, thus establishing himself among the most famous English ornithologists of the Victorian age. Perfect condition.
187590301875 London, George Bell and Sons, 1875 ; 3 volumes in-4, pleine toile verte de l'éditeur illustrée d'un encadrement géométrique à froid et du décor doré d'un nid avec des oeufs orné d'une guirlande floral au 1er plat, décor, titre et tomaison dorés au dos; VIII, 164, 10pp.; IV, 164, 8pp.; IV, 171, 8pp.
1972RO40107279Non précisé. 1972. In-4. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Intérieur bon état. 27 plaques en métal gravé servant à l'impression de clichés photographiques. Avec planches photographiques (tirages) correspondantes (sur mauvais papier légèrement jauni). Avec Bon de livraison (Imprimerie Wallon, Vichy, n° 08674, 20 jan. 1972, à M. Jouventin).. . . . Classification Dewey : 598-Ornithologie
Non précisé. 1972. In-4 Carré. En feuillets. Bon état. Couv. convenable. Dos satisfaisant. Intérieur bon état. 27 plaques en métal gravé servant à l'impression de clichés photographiques. Avec planches photographiques (tirages) correspondantes (sur mauvais papier légèrement jauni). Avec Bon de livraison (Imprimerie Wallon, Vichy, n° 08674, 20 jan. 1972, à M. Jouventin). 'N° 4-71, Article Jouventin'. '5 clichés non utilisés'. Manchots. Graphiques. Tableaux.
191043180Berlin, Friedländer & Sohn, 1910-38. Small 4to. 4 orig. hcalf., gilt spines. Spine on vol. 1 very slightly rubbed. XLIX,2328,,602 pp. + Nachtrag I (1923) in orig. wrappers. 16 pp. Textillustrations.Bookplate of Lorenz Ferdinand.
Berlin, Friedländer & Sohn, 1910-38. Small 4to. 4 orig. hcalf., gilt spines. Spine on vol. 1 very slightly rubbed. XLIX,2328,,602 pp. + Nachtrag I (1923) in orig. wrappers. 16 pp. Textillustrations.Bookplate of Lorenz Ferdinand.
19105059ACa. 1910. Quer 8°. 24 Orig. Fotografien und 4 Beigaben. Pappalbum der Zeit mit Kordelheftung. [4 Warenabbildungen]
19272091502135419465Not Available 1927. Soft Cover. Fine. Number of books: 7 Not Available paperback
1889300Genève et Berne, Département fédéral de l’industrie et de l’agriculture (division des Forêts), 1889- 1939. 17 livraisons reliées en 16 volumes in-8 (15. 8x24. 3) demi veau rouge, dos à nerfs ornés de filets et de fers (2 types d’oiseaux) dorés, roulette dorée sur les plats et beau papier de recouvrement à motif d’oiseaux.En parfaite condition.
1931139631931 br. (qq. rousseurs au texte). 4 vol. in-8, 67 planches en couleurs, P. Exposition Coloniale 1931
18916357ALondon, Longmans, 1891. Gr. 8°. XVII, 658 S., 1 Bl., 17 S. Mit 1 ganzseitigen Holzschnitt und 18 teils handkolorierten Chromotafeln von J. Gerrard Keulemans. OLeinenband mit Rückentitel in Gold. Reihentitel, Titel und 2 Seiten Vorwort mit Bibliotheksstempel. Vorderer Deckel innen mit Schenkungsexlibris an das British Museum. 1. Ausgabe. Catalogue of the Birds in the British Museum Vol. XX.
186243962.London, Printed by Taylor and Francis - Published by the Author, (1862-) 73. Folio. Papersize 54,5x36,5 cm. Lithographed and fully handcoloured. Three birds shown, natural surroundings, flowers. J. Gould & H.C. Richter, del. et lith. - Walter, Imp. Fine and clean. .The plate is accompanied with the original textleaf. (2) pp.
190612198Kbhvn., 1906-63. 1.-44. årg. indbundet i 20 solide hldr.-og hshirtbd., rest i hefter.
