442 résultats
197941877GOLDMANN WILHELM 08/1979. 1. softcover. Deutsche Erstveröffentlichung! Nach einem Drehbuch von George Romero! Mit Filmfotos! Maloftege! GOLDMANN, WILHELM paperback
1981RO20242311Collins. 1981. In-8. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 263 pages. Texte en anglais. Jaquette en bon état. Avec Jaquette. . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
1976130525New York: Hacker Art Books 1976. Reissue. Hardcover. Good ex-library with minimal markings: spine label bookplate pencil notation behind title page one stamp. Slight foxing of text block. Pages clean. Yellow-green cloth with dark blue titles and ornamentation. 332 pp. 51 b/w plates and illustrations. Hacker Art Books hardcover books
19055388.1London: Hodder and Stoughton 1905. Softcover. Fair cover faded and showing wear near edges with some chips spine split several places including loss at tail of spine text block and pages near front and back foxed. Text pages slightly aged-darkened. Plates bright. Binding fragile. Ex-library-portfolio has label. Bookplate inside is unattached. Green paper on stiff paper. In stiff paper protective portfolio. Gray-on-white decorated endpapers. 332 pp. 7 color 44 bw plates. Chapters include: Women Painters in Italy Since the Fifteenth Century; Early British Women Painters; Modern Women British Painters; Women Painters In The United States of America; On Women Painters In France; Women Painters in Belgium and In Holland; Women Painters in Germany and Austria In Russia Switzerland and Spain; Some Finnish Women Painters. Top edge gilt. Not as much text as one would hope for but very nice plates and an index. Hodder and Stoughton paperback books
19055388New York: Frederick A. Stokes Company 1905. Hardcover. Fair ex-library with spine label and bookplate. Cover spotted scuffed edges show wear upper corner curved text pages aged-darkened. Plates bright. One plate separated from binding. Purple cloth bw photographic label glued to cover gilt cover ornamentation and titling. Gilt top gray-on-white decorated endpapers. 332 pp. 7 color 44 bw plates. Chapters include: Women Painters in Italy Since the Fifteenth Century; Early British Women Painters; Modern Women British Painters; Women Painters In The United States of America; On Women Painters In France; Women Painters in Belgium and In Holland; Women Painters in Germany and Austria In Russia Switzerland and Spain; Some Finnish Women Painters. Top edge gilt. Not as much text as one would hope for but very nice plates and an index. Frederick A. Stokes Company hardcover books
1905036266London: Hodder & Stoughton 1905. 332p. b/w and colored illus. deckle edges original grey cloth quarto format The art and life library 3. Hodder & Stoughton unknown books
1905stela1383London: Hodder & Stoughton 1905. 1905. 4to. pp. 332. profusely illus. including 6 colour & 6 Rembrant photogravures. illus. endleaves. index. cloth some spotting lower corners bumped nick to mid-spine. Hardcover. London: Hodder & Stoughton, 1905. Hardcover
1992Q-0876042892Are Pr 1992-04-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Are Pr hardcover
196293625Westbury NY: Howard Wohl Associates 1962. Hardcover. Very Good/No Jacket. Black covers with red & white front cover WASP lettering. Folio size 9-1/4" x12-1/4" 167 pages with photos & names of all crew members as well as photos from the cruise and ports of call. <br/> <br/> Howard Wohl Associates hardcover
1969130732Cambridge: Cambridge University Press 1969. First. hardcover. fine/very good. Illustrated. 152 pages 4to gray cloth d.w. d.w. worn at edges. Cambridge University Press 1969. First Edition. Very good .<br/><br/> Cambridge University Press unknown books
1969D6634Cambridge: at the University Press 1969. Hardcover. Fine/Very Good. Dark grey cloth lettering stamped in gilt on spine; dust jacket; 4to; pp. xvi 152. Spine tips very lightly rubbed otherwise book is fine. Dust jacket a little rubbed and dust-soiled; lightly wrinkled along the edges with a few small chips here and there; price-clipped. An excellent resource illustrated throughout. <br/><br/> at the University Press hardcover books
1969121587Cambridge: University Press 1969. cloth dust jacket. small 4to. cloth dust jacket. xvi 152 pages. First edition. Over 60 illustrations. Illustrated. Jacket price clipped and with chipping around edges with small pieces missing. University Press unknown books
196942123Cambridge: University Press 1969. cloth dust jacket. small 4to. cloth dust jacket. xvi 152 pages. First edition. Over 60 illustrations. Illustrated. Jacket price clipped. University Press unknown books
1969WRCLIT73022Cambridge: At the University Press 1969. Quarto. Gilt cloth. Plates. First edition. Near fine in good modestly dust spotted and rubbed dust jacket. At the University Press hardcover books
196981735Cambridge, 1969, in-4, 151pp, Reliure éditeur jaquette illustrée, Superbe exemplaire! De la bibliothèque d'André Crépin! Ex-Libris d'André Crépin! 151pp
1972RO60138368Victorian Book Club. 1972. In-8. Relié. Bon état, Couv. convenable, Dos fané, Intérieur acceptable. 151 pages. Dos et 1er plat (em partie) insolés. Jaquette manquante.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
19701020451970 Naples, septembre 1970, 230x155mm, 280 p., broché sous couverture imprimée.Revue de littérature et d’art, numéro consacré à la poésie.Participations et illustrations de Jochen Gerz, Pierre Garnier, Seiichi Niikuni, Henri Chopin, Ben, Jean Le Gac, Le Sidaner, Moineau, Bory, Michaud, Vodaine, Boltanski, Caruso, Martini, Marcheschi, Spagnoletti, Vicari, Palmieri, Piancastelli, entre autres.(102045)Texte en italien.
1999Q-0801860369Johns Hopkins University Press 1999-05-04. Paperback. New. In shrink wrap. Looks like an interesting title! Johns Hopkins University Press paperback
19982110502150905728Bijutsu shuppan 1998. Soft Cover. Fine. Number of books: 5 Bijutsu shuppan paperback
195112311TRIPTYCH OF ORIGINAL SCRATCHBOARDS FOR STEWARD'S UNPUBLISHED TRANSLATION OF JEAN GENET'S QUERELLE <br /> Three scratchboards two 12'x 15" the other 16" x 12" depicting critical scenes from Jean Genet's classic Querelle. Two are uniform in size and are matted and framed in the style of the oblong one which wads originally matted and framed by the artist. <br />The life of Sam Steward 1909 - 1983 the subject of Justin Spring's biography "Secret Historian: The Life and Times of Samuel Steward Professsor; Tattoo Artist and Sexual Renegade "Farrar Strauss Giroux 2010 took Steward from a small town Ohio upbringing to personal friendships with Gertrude Stein and Alice B. Toklas associations with George Platt Lynes Glenway Wescott and other literati and a close relationship with sex researcher Alfred Kinsey. Steward's life may well be most provocatively known for his explicit diaries journals photography and art that both recorded his sexual life in detail and which he shared with Kinsey. Starting out as an English professor at DePaul University with literary aspirations and after writing several commercially unsuccessful books Steward attempted mid-life in the early 1950s to seek approval from Jean Genet to publish his own English translation—with his own original illustrations - of Querelle de Brest. When it became clear to Steward that Genet was disinterested he dropped the project: these three scratchboards the art he he created for it. Steward's pursuit of "serious" literary expression ebbed and later in the 1960s under the pseudonym Phil Andros he authored a series of gay paperback novels STUD The Greek Way etc. regarded as the most literate of homoerotic fiction featuring his alter-ego hustler. He turned his artistic energies to tattooing operating parlors catering to naval and military servicemen in Chicago Milwaukee and finally Oakland. And his sexual activities increasingly involved sadomasochism in which he had always been interested All three of these drawings were reproduced in "An Obscene Diary: The Visual World of Sam Steward" Antonius Press/ Elysium Press 2010. During Steward's lifetime the "Lucky Strike" image was published in the Zurich-based Der Kries an early homophile publication introduced to Steward by Dr. Kinsey and also in the rare anthology of homoerotic art published by Der Kries in 1960 Der Mann in der Zeichnung under one of Steward's pseudonyms <br />Philip von Chicago. Spring writes: "Noteworthy among Steward's many illustrations for Der Kries is one that was originally created for Steward's 1951- 1952 English language translation of Querelle de Brest. Working form Polaroid photographs taken of himself in various poses Steward fashioned three scratchboard illustrations for the story. In the first a man lights a cigarette for a sailor; in the second Querelle strangles the Armenian pederast; in the third Querelle is penetrated by the bartender husband of Madame Lysiane. The illustration of the sailor having his cigarette lit subsequently appeared in Der Kreis under the caption "Lucky Strike." Indeed Steward etched "LUCKY STRIKE" in the cigarette in the picture on the verso it is signed "Sam Steward 1951 1952". The strangulation picture has in Steward's hand on the verso: "From Genet's Querelle de Brest. Querelle strangles the Armenian". In the picture itself Steward etched his signature and date in the design on the Armenian's shirtcuff: "Sparrow Phil 1951". The picture of Querelle and the bartender in sexual union hung on the wall of Steward's apartment for many years. It is pictured in one of Steward's sex Polaroids reproduced in "Obscene Diary". On the verso of it Steward wrote "L'Execution De Querelle 9-19-51" <br />Steward did not work in scratchboard alone. His art was quite versatile: murals in his apartments tempera watercolor pastel pen/ink and some wire sculpture and collage. These drawings could be regarded as the most important of his visual art. While they were motivated by literary aspiration they in effect represented a real turning point in his life. They combine a fascination with uniformed sailors and sadomasochism that was thematic to much of his art. And finally with their clear bold stroke of line these scratchboards capture intrinsically the violence and passion in Genet's landmark of 20th century erotic literature. <br /><i>NOTES ON THE IMAGES: The framed pictures are the orignals. The picture on the horizontal hung as framed on Seward's wall witness to his sexual activites as imaged in the cropped snapshot reproduced in Obscene Diary. The two original images on the vertical were reframed in the style that Seward framed the horizontal one. The close-ups of Seward's signature is from the verso of the horizontal image: the other two are photocopies taken from the versos before they were framed. The two reproduced images are as reproduced in the book Obscene Diary. </i> original art books
198686925Paris Audiovisuel - Espace Photo Paris, ville de Paris , Espace Photographique de Paris Malicorne sur Sarthe, 72, Pays de la Loire, France 1986 Book condition, Etat : Bon broché, sous couverture imprimée éditeur rouge blanche, illustrée d'une photographie floue In-4 1 vol. - 48 pages
19728787Pergamon Press. 1972. Hardcover. UsedGood. Hardcover; surplus library copy with the usual stampings; reference number taped to spine; light edge wear spot fading to cover; otherwise in good co ndition with clean text tight binding. . Pergamon Press hardcover
1927821A54London: Williams and Norgate 1927-9. First edition. Leather. Very Good Indeed. 11.5" by 9" . Henry Alken; George Stubbs; Ben Marshall. The first edition of 'The Sport of our Fathers' in uniform signed bindings containing biographical studies of sports illustrators Henry Alken George Stubbs and Ben Marshall The first edition of this work. Walter Shaw Sparrow's biographical studies of Henry Alken George Stubbs and Ben Marshall complete in two volumes forming the series 'The Sport of Our Fathers.' With an introduction to 'Henry Alken' by Sir Theodore Cook and by E. D. Cuming to 'George Stubbs and Ben Marshall'. Rebound in lovely quarter morocco by Craftsmen Binders. Illustrated with twelve plates in colour and numerous half-tone plates. Collated complete. Cazenove family bookplate to front pastedowns. Rebound in uniform quarter morocco bindings over cloth covered boards with five raise bands and titles in gilt to spine label renewed endpapers. Externally very smart with minor shelf wear. Cazenove family bookplate to front pastedowns. Internally firmly bound. Minor spotting scattered to the leaves with some cockling to plates between pp.8-9 due to damp damage. With twelve colour plates and numerous further half tone plates. Collated complete. Very Good Indeed Williams and Norgate hardcover
1905175440London: Hodder & Stoughton 1905. Softcover. Good overall wear to spine staining and shelfwear to wraps light tanning to pages but overall text pages and plates are clean. Tan canvas wraps with brown lettering on front cover and spine color frontispiece 22 text pages followed by 19 pages of plates some in color. With four lithographs four plates in colour twelve Rembrandt photogravures five woodcuts and a critical essay by Léonce Bénédite. Hodder & Stoughton paperback books
190556195London: Hodder & Stoughton. Good. 1905. First Edition. Hardcover. Oversized cloth TEG. 22 text pages plus 20 plates. Boards soiled and worn points bumped. Spine breaks; however pages are secure. Foxing to outer pages. Plates all present in good order. ; Folio 13" - 23" tall . Hodder & Stoughton hardcover
