29 914 résultats
202200503Paris, Grund, 1975 ; in-4, 96 pp., cartonnage de l'éditeur. Très bon état, avec jaquette.
201502670Paris, Grund, 1976 ; in-4, 96 pp., cartonnage de l'éditeur avec sa jaquette. Bon état avec sa jaquette.
201104689Paris, Grund, 1975 ; in-4, 96 pp., cartonnage de l'éditeur avec sa jaquette. Bon état.
201609822Paris, Albin Michel, 1948 ; in-8, 501 pp., br. Etiquette sur le dos , tampon sur la page de titre.
20006030New York: Harry N. Abrams Publishers 2000. First Edition. Cloth. As New/As New. William Blake Glossy B&W plates / June 2019. Quarto 12" x 9 1/2" x 1 1/4" gray cloth with gold lettering on spineprofusely illustrated with 250 images of William Blake's art 240 in full color with small frontispiece portait of WB in color by Thomas Phillips archival mylar-protected pictorial dust jacket unclipped with Blake's "Angel of Revelation" & jacket back with his "Dante & VIrgil" maroon endpapers 304 pages. Weight: 4 lbs. 1 oz. A very well illustrated reference with commentary on Blake's works. Catalogue for an important Blake exhibition at the Tate and then The Met. William Blake 1757 - 1827 was an English poet painter and printmaker. Blake is now considered a seminal figure in the history of the poetry and visual arts of the Romantic Age. Condition: As New: Tight very clean copies in a brilliant dust jacket unclipped. Bright plates without foxing. No remainder marks. Bentley Blake Books. Harry N. Abrams, Publishers hardcover
1975137063D.U.L.J.V.A, n° 2 1975 Tapuscrit ronéotypé. In-4 broché 30,4 cm sur 20,8. 185 pages. Bon état d’occasion.
29147Nantes, Université de Nantes, Editions Joca Seria, 1999. In-8, broché couverture imprimée et illustrée d'un portrait, 297-[6] pp.
9497Editions du Pont-Royal. 1961. In-4°, reliure pleine toile sous jaquette illustrée. Nombreuses illustrations in et hors texte. 128 pages. E.O.
17749355Paris: Valade 1774. First edition. 2 vols in 1 8vo in 12's 216 2; 200 6pp. Modern fine binding of quarter speckled calf over marbled boards brown morocco spine label marbled page edges. A fine clean copy. <br /> <br /> A rather scarce book on the origins of the Celtic race in Britain and France. Robin 1750-1794 examines the origins of the Celts and Gauls through etymology and biblical chronology with particular attention to the Druids and other early religious traditions. In volume 2 he focuses solely on the site of Mont-Glonne in pre-Christian times and its transition to an early center of monastic life. <br /> <br /> An uncommon title from the author who was more well-known for his American travel account Voyages dans l'Interieur de la Louisiane." 1807. <br /> <br /> OCLC seems to only cite 5 holdings for this set all in Europe. Valade unknown
2005LFA-126733150Revue spécialisée dans les camions anciens : 90 pages, format 210 x 295 mm, illustrée, brochée couverture couleurs, bon état
201004383Paris, Editions atlas, 1987 ; in-4, 98 pp., cartonnage de l'éditeur. État correct.
L7063Delagrave, 1953. In-4 cartonnage éditeur illustré. Adaptation d'H.-A. Régnier. Illustré de 76 photographies tirées du film de Michael Curtiz. E.O. collective.
201210057Paris, Fleuve noir, 1965 ; in-12, 252 pp., br.
196773179Vancouver: The Pacific Nation 1967 & 1969. 114 106 pp. Two issues both very good plus in illustrated wrappers. Work by Blaser Herndon Spicer Brautigan Olson Dull Artaud McClure and that’s just the first issue. For the pair: Vancouver: The Pacific Nation unknown
9284San Francisco: Arion Press 2022. Full Leather. Fine binding. Large quartos. 171 1; 27 pp. illus. Limited edition number 52 of 250 "Fine Press" copies 50 Deluxe copies were also issued. Both volumes finely bound by American design binder Robin Brandes. Phantasia in black straight-grained goatskin with crimson doublures and gray suede flyleaves; onlays of distressed mirror mylar composed with image transfers and exotic leathers. The Raven is inversely bound in crimson straight-grained goatskin with black doublures and gray suede flyleaves. Striking raven wing spans from fore-edge of the front board around the spine to midway on the rear board—"feathers" composed of textured fabric with a suede finish and distressed mirror mylar. Fine copies each in crimson cloth clamshell. Prospectus laid in. <br /> <br /> A remarkable production from the Arion Press presenting some of Poe's most recognizable tales and poems here illustrated by American artist Natalie Frank—color as well as black and white; both full page and in-text illustrations printed in offset lithography and overprinted by letterpress. Brandes's restrained bindings are perfectly suited to these books rendering visually the same experience one feels when reading Poe and navigating the uncertain terrain he creates—clear enough that one recognizes the landscape but subtly disquieting. The binder writes in her artist's statement: "In his short lifetime Edgar Allan Poe became the pre-eminent chronicler of the unquiet mind. A mixture of unusual materials and striking color palette were used to emanate an enigmatic yet dramatic presentation. The haunting cover portrait I created for Poe's Phantasia is a mosaic suggesting shapes of 2 ravens. Image transfers of Poe's eyes on distressed mirror mylar and onlays of exotic leathers evoke Poe's unquiet disturbed mind filled with illusions and wishing for the return of lost love. For the covers of The Raven I designed the raven wing feathers to be a bold presentation for one of the most translated poems in history." <br /> <br /> Brandes has been binding for nearly a decade and already has a notable resume having been exhibited at Arion Press The American Bookbinders Museum The Book Club of California Guild of Book Workers San Francisco Center for the Book and more. Brandes's binding of 2020 Vision was the First Place Winner of the Rocky Mountain Guild of Book Workers 2023 Traveling Exhibition. Arion Press unknown
19614618Villars les Dombes, 16 février 1961 ; in-4, broché ; (2) ff., 70 pp.
201800078Paris, La découverte / arte editions, 2008 ; in-8, 370 pp., br.
FORT723865Black Dog Publishing. Used - Very Good. Black Dog Publishing unknown
1974264301974 un catalogue d'exposition, broché in-quarto Editeur (paperback in-4 editor) (28 x 22 cm), dos blanc imprimé en noir, 1ère de couverture à rabat ornée d'une reproduction d'une peinture en couleur intitulée "Tête" par Kasimir Malévitch, orné de trés nombreuses illustrations in et hors-texte en noir et en couleurs, 287 pages, 1993 Paris : Réunion des musées nationaux ; Nantes : Musée des beaux-arts Editeurs,
19942090502113714830Not Available 1994. Soft Cover. Fine. The book is in fine condition. Not Available paperback
195553886Corona CA; Los Angeles CA; & Germany: Robin S. Ramsay 1955-1974; 1978. Fourteen parts in 2 vols. 8; 40; 26; 36; 34; 34; 22; 30; 24; 30; 80 pp. Illustrated manuscript title page 13 photographs sized 2.5 x 4 in. up to 8 x 10 in. with 105 colour plates colour text illustrations & drawings several large folding black & white text illustrations blueprints diagrams pen & ink drawings several blueprints colour manuscript endpapers. Gold linen manuscript paper label on spine wear to corners offsetting from glue marks on covers for adhering fabric to boards inner rear hinge starting many manuscript notes in ink & pencil VG; 4to. 8.5 x 12.25 in. shadowbox w/ mounted examples and actual samples of the barrel ramrod front & rear supports primer cartridges and hand-done manuscript illustrations of the weapon 1970 Mercury cougar signed and dated by Ramsay covered in blue-green couch cloth w/ hinges at gutter margin. These unique volumes containing manuscripts drawings cartoons and shadowbox combine elements of Rube Goldberg Joseph Cornell and dystopian “Steam Punk†were produced by a southern California gunsmith gun designer and arms enthusiast. His early manuscripts detail the armaments developed and invented by Hiram Maxim drawings of weighing scales in the Norco Hills CA under fire; 7.92 mm. German 43 machine gun; a series of machine guns and light machine guns he intended to be produced by a “Bwana Arms;†a series of proposed designed weapons for NATO including a Cal. 30 Zona 95-K machine gun with 900 rounds per minute rate of fire a Belcher BURP 9 mm machine gun a fanciful “Troop Lawn Mower Swath Cutter Zip 18-K 8000 rounds per minute and even a design for the Vampire Mk.IV light armored tank. His efforts also include multi-barreled crossbows pig guns and a 7 barrel muzzle loader first test fired by Ramsay at the Lake Mathews Area in August 1965. He also includes designs for a curious six-shot revolving cannon for black powder test-fired in March 1965; a design for a personal auto-gyro strapped to the back of the soldier; and an extensive illustrated manuscript of the Arabian .41 caliber revolving battery gun; as well as detailed notes and blueprints of what he termed an “Egyptian Revolving Battery Gun 10mm. Model 65-71;†as well as the “Hamm’s Beer Keg Can Rocket†fired in 1974. Ramsay has also included his correspondence with the National Rifle Association concerning which of his weapons could be classified as “machine guns†and that crank-operated gear-driven cam action weapons are classified as machine guns according to the California Penal Code. Some of these were just designs and renderings but others he appears to have actually constructed and test fired such as the .53 caliber Recoilless Pocket Artillery gun mounted in the trunk of a 1970 Mercury Cougar as reproduced in his shadowbox and numbered 1 of 1. Ramsay 1939-2016 was the adopted son of a Los Angeles steel worker a California native gunsmith and gun enthusiast attended Corona High School served in the US Army in German from 1960-1962 and appears to have experimented as cartoonist and gunsmith. Robin S. Ramsay, hardcover
197023400New York:: McGraw-Hill 1970. Later printing. A Near Fine copy in a Very Good price clipped dust jacket with several closed edge tears and edge wear. This culinary reference book contains over 2000 definitions on food preparation the use of herbs the buying storing and serving wines and liquors and much more. There are 600 line drawings and 64 pages of color illustrations. McGraw-Hill, unknown
2001757812001 Paris, Archives et Culture, 2001, in 8° broché, 383 pages ; couverture illustrée.
201505158Paris, Larousse, s.d. ; in-4, 329 pp., cartonnage de l'éditeur.
199132353AB1991. Aldershot Scolar Press 1991. Quarto 22.3 cm wide x 27.2 cm high. 126 pages with Colour Plates and many Black-and-White Illustrations throughout. Covering the period of 1920 - 1984. Hardcover / Original Hardcover with dustjacket. Excellent as new condition with only minor signs of wear. Includes the following chapters: Foreword by Michael Rothenstein / Anthony Gross - A Technical Note by Alan Windsor / Introduction to the Catalogue / Chronology / The Prints Anthony Imre Alexander Gross CBE RA 19 March 1905 8 September 1984 was a British printmaker painter war artist and film director of Hungarian-Jewish Italian and Anglo-Irish descent. Anthony Gross was born in 1905 at Dulwich London the son of the Hungarian cartographer and founder of Geographia Ltd Alexander Gross 18801958 and suffragette Isabelle Crowley 18861938. His sister was the artist writer and publisher Phyllis Pearsall. He attended Shrewsbury House School and later Repton School until 1922 and from the following year studied at the Slade School of Fine Art under Henry Tonks. Later studies were at the Central School of Art and Crafts London the École des Beaux-Arts Paris and the Academia de San Fernando Madrid. In 1925 he studied within life classes and as an engraver at Académie Julian and Académie de la Grande Chaumière Paris. Following study Gross painted and produced intaglio prints in Spain painted in Brussels and in 1928 returned to work in Paris and other parts of France working entirely from life. While in France he developed a working relationship with Józef Hecht and Stanley William Hayter. During the early 1930s he exhibited in Paris galleries becoming a member of the La Jeune Gravure Contemporaine designed costumes and settings for ballet and worked with composer Tibor Harsányi. He co-directed the short film 'La Joie de vivre' with Hector Hoppin in 1934. Returning to Britain in 1934 Gross worked on animated films illustrated a 1929 edition of Jean Cocteau's Les Enfants Terribles and became an art director for London Films. In 1937 he returned to work in Paris. Gross had married Villeneuve fashion artist Marcelle Marguerite Florenty in 1930; their children were Mary b. 1935 and Jean-Pierre b. 1937. In 1940 he brought his family from France to England to live at Flamstead Hertfordshire. Through advocacy by Eric Kennington to the War Artists' Advisory Committee Gross was offered and accepted the role of an official war artist and produced etchings and oil and watercolour paintings of English coastal defences and troop training. In 1941 with a temporary commission of captain Gross was attached to the 9th Army and painted within the Egyptian Syrian Palestinian Kurdistan Lebanese and Mesopotamian theatres of war sometimes accompanied by other war artists Edward Ardizzone and Edward Bawden and later documenting the 8th Army's North African Campaign. From 1943 he transferred to India and Burma to witness the front line battle against the Japanese; these works were the subject of a one-man exhibition at the National Gallery when he returned to England. Later in 1944 and 1945 an exhibition of 51 of these drawings entitled India in Action toured Australia New Zealand and the United States. Gross accompanied the D-Day invasion of Northern France wading ashore near Arromanches at 2pm on D-Day. He sketched the beachhead landings and spent the night in a slit trench on the beach before moving inland the next day. Gross recorded the devastation of Bayeux and Caen and followed the Allied armies to Paris and then into Germany. He witnessed the meeting of American and Russian forces at the River Elbe on 25 April 1945. Gross was at the time one of the many war artists who painted a portrait of General Montgomery. Following the war Gross returned to working in London in Chelsea Greenwich and Blackheath while in the mid-1950s working partly in Le Boulvé. He produced lithographs for J. Lyons and Co. and illustrated editions of Wuthering Heights and The Forsyte Saga. In 1954 he designed the dust jacket for the first edition of Lord of the Flies. From 1948 to 1954 he was a life drawing tutor at the Central School of Arts and Crafts afterwards becoming Head of Printing at the Slade School of Fine Art. From 1948 to 1971 Gross's work was exhibited in London and New York in one-man shows and as part of The London Group. In 1965 he became the first president of the Printmakers Council. He became an honorary member of the Royal Society of Painter-Etchers and Engravers in 1979 the same year being elected as an Associate of the Royal Academy; becoming a Senior Academician in 1981 and receiving an CBE in 1982. In 1965-66 Gross was a Minneapolis School of Art visiting professor. Wikipedia hardcover