28 résultats
1800333677arno publishing 1977 reprints an 1800 book hardcover. fine without dust jacket as printed arno publishing, 1977 hardcover
1800333676arno publishing 1977 reprints an 1800 book hardcover. fine without dust jacket as printed arno publishing, 1977 hardcover
1800333678arno publishing 1977 reprints an 1800 book hardcover. fine without dust jacket as printed arno publishing, 1977 hardcover
1750457151750. unknown
176281735Alemania: Gedruckt und zu finden 1762. Gedruckt und zu finden unknown
1777366766Paris : Chez Nyon l'aine librarie 1777. First Edition. Softcover. Poor copy in the original stiff-card wrappers; wear and tear as with age. Front wrapper missing with parts of the spine band missing. Text remains in fine condition and without blemish. Physical description; lxx 447 pages. Subjects; Maxims. Paris : Chez Nyon l'aine, librarie paperback
1765019130Amsterdam ma Paris: Arkstée & Merkus ma Hedis 1765 ma 1976. Riproduzione anastatica dell'EO di Amsterdam Arkstée e Merkus 1765. Due parti in un volume 23 cm di 4-165 e 4-136 pagine. In lingua francese. Legatura edioriale in finta pelle con titolo al dorso. Ottime condizioni. Reprint of this rare work edition limited to 150 numbered copies and 30 copies not destined for the trade. Communist utopian work in which the author made ridiculous the so-called progress resulting from private property and social circumstances of the time. Arkstée & Merkus (ma Hedis) unknown
1797A803981X02508London: Minerva Press 1797. Second Edition. Hardcover. Fair. Second Edition. Fair. Wear and staining to boards front cover nearly detached. Gilt blocked spine slightly faded. The binding is mostly tight though pages 151-154 are loose. The pages are mostly clean and completely unmarked save "1797" penciled beside the roman numerals on the title page. Expected age-toning and some fading to type. Volume Two only of original Four Volume release of Roche’s acclaimed gothic text. Fiction Minerva Press hardcover
1784115565Dublin Neuch‰tel : de lÕImprimerie de Wilson Et se trouve ˆ Paris chez les Libraires qui vendent des NouveautÂŽs Samuel Fauche pÂre & fils 1784. 185x115mm. VIII - marque de la STN sur page de titre cartonnage de lՎpoque piÂce de titre au dos et filets dorÂŽs. Ex libris Ernest Gloor. Bon ÂŽtat.Barbier IV-954. Michel Schlup - Un imprimeur dans lÕEurope des LumiÂres Samuel Fauche 392. 215 de lÕImprimerie de Wilson, Et se trouve ˆ Paris, chez les Libraires qui vendent des NouveautÂŽs (Samuel Fauche pÂre & fils) unknown
1789OB1042-7<p>Paris 1789. Soft Cover. 4 p.; 19 cm. Title continues: "Ã l'Église de la Paroisse." Caption title. Note p. 4 in contemporary manuscript: "le discourse est fait par M. De la Roche du Maire d'Auteuil¦ d'après le 14 Juillet 1789". The only copy of this significant letter by the Abbé Martin Lefebvre-Laroche editor of Helvetius and correspondent of Benjamin Franklin seems to be in the BN Paris. One of a collection of 40 Royalist and counter-revolutionary tracts of the French Revolution. Stock#OB1042-7. Very Good in marbled paper wrapper.</p> not identified paperback
176338819Amsterdam: Chez Marc-Michel Rey 1763. 2 parts in 1 vol. Small 8vo 14x8 cmContemporary leather spine gilt faded with morocco title-label covers with loss of small pieces of leather marbled endpapers. xl128;ii189iii pp. First title soiled otherwise good copy. Barbier I171 mentions 2 editions: This first edition and Londres 1789 Chez Marc-Michel Rey hardcover
178466690à Amsterdam: S. n. 1784. Fine. S. n. à Amsterdam 1784 9 x 14.7 cm relié Several editions appeared the same year in Paris London Berlin. Full brown flamed sheep binding late 19th century. Smooth spine richly decorated in Restoration style. Red morocco title label. Fine copy. Armorial bookplate engraved from a private library. Satirical and cynical description of Parisian life and customs. The author discusses theaters prisons fashions promenades the Tuileries. S. n. unknown
1749BCG 34706London: A. Miller 1749. Translated from the French with Notes; Polished calf gilt spine title & decorations raised bands all edges red & marbled endpapers/pastedown; A good copy with boards detached & small loss to head of spine; 198 pages Index. Size: 4"x6.5". Hardcover. A. Miller Hardcover
1799034509Dublin: William Porter 1799. Book. Good Book Condition. Full Leather. Vol. 1 only. Wear to extremities front cover almost detached light foxing throughout. Rare. Fair to Good Our rating system: 1.Fine; 2. Near fine; 3. Very good; 4. Good; 5. Fair. William Porter Hardcover
177825120Genève: Du Villard fils & Nouffer 1778. First edition 2 vols. 8vo pp. 272; 334; title within printed border; woodcut ornaments; contemporary full mottled calf red and black morocco labels on gilt-decorated spines; short crcaks in 2 joints else generally very good and sound. Quérard II p. 440. Du Villard fils & Nouffer unknown
179870527Paris: de l'Imprimerie de P. Didot l'Aine 1798. 16mo pp. 4 xxv 1 115 1; vignette title page; contemporary green morocco elaborate gilt rules on covers smooth gilt-decorated spine laid out in 6 compartments gilt-lettered direct in 1 a.e.g.; old gift inscription on title page else a very good sound and clean copy. Memorial bookplate of Caroline Furness Jayne. Not in Mills College Check List or Riedel-Horatiana. OCLC locates no copies in the U.S. de l'Imprimerie de P. Didot l'Aine unknown
1759262724Amsterdam: Arkstee & Merkus 1759. hardcover. very good. 2 parts bound in 1 volume 2 paginations xii 244 iv 294pp. Copperplate frontispiece with astrological globe.Part I Visions of Ibraim Arab Philposopher; Part II Travel to Limbo. 12mo full contemporary calf gilt spine chipped at the top front hinge dry. Amsterdam & Aleipssick: Arkstee & Merkus 1759. First Edition. Very good .<br/> <br/> The text highlights the interest in the occultist and naturalist in the second half of the 18th century and the authors interest in the Kabbalah and hermeticism. Bookplate and small neat handwriting on fly-leaf.<br/> <br/> Arkstee & Merkus unknown
179929728AB1799. Second Edition. Two Volumes complete set. Dublin Printed by William Porter 1799. Small-Octavo 115 cm x 175 cm. Volume I: 269 pages / Volume II: 326 of 329 pages 3 pages missing at the end. Hardcover / Modern very decorative half-leather bindings with replicated spinelabels in the style of the 18th century. Both Volumes in protective Mylar and now housed in a bespoke Solander Box. Name of Richard Meade of Ballymartle on titlepage of both Volumes. Minor lesion and tear to titlepage of Volume II. Overall very good ! Extremely scarce publication in first or second edition ! Regina Maria Roche 17641845 is gauged as a minor Gothic novelist who wrote in the shadow of the pioneering Ann Radcliffe. However she was a bestselling author in her own time. The popularity of her third novel The Children of the Abbey rivalled that of Ann Radcliffe's The Mysteries of Udolpho. Born Regina Maria Dalton in Waterford Ireland in 1764. Her father was a Captain in the British 40th Regiment. Her family moved to Dublin and after her marriage to Ambrose Roche in 1794 she moved to England. Her first two novels were published under her maiden name before the success of The Children of the Abbey and Clermont. Both these were translated into French and Spanish and went through several editions. However after her fifth novel The Nocturnal Visit appeared in 1800 Roche suffered financial difficulties having fallen afoul of a duplicitous solicitor and she did not write again until 1807 when she received aid from the Royal Literary Fund. She then wrote 11 more novels most of them set in the rural Ireland but none matched her earlier successes. After her husband's death in 1829 she returned to Wexford. After bouts of depression she died in relative obscurity in the town of her birth at the age of 81. Roche's obituary in The Gentleman's Magazine remembers her as a "distinguished writer who had retired from the world and the world had forgotten her. But many young hearts now old must remember the effect upon them of her graceful and touching compositions." The Children of the Abbey a sentimental Gothic Romance was one of the period's most popular novels of the 1790s. Her book Clermont was Roche's only full attempt at writing a truly Gothic novel. It has a decidedly darker in tone than anything else she wrote. Both novels went through several editions and were translated into both French and Spanish. Clermont was one of the Northanger Horrid Novels satirized by Jane Austen in her novel Northanger Abbey. Wikipedia hardcover
17821611170007A Paris chez l'auteur rue S. Andre-des-Arts vis-a-vis la rue de l'Eperon maison de M. Menissier marchand d'etoffes de soie. Froule libraire pont Notre-Dame. Nyon rue du Jardinet. Barrois le jeune rue du Hurepoix. M. DCC. LXXXII. Avec approbation et privilege du Roi 1782-01-01. Hardcover. Good. 3 tomes. 2nd ed. Octavo. XXII-340 p. 1 folding map 1 folding plate; 6-376 p. 2 folding plates; 6-362 p. 3 folding plates. Complete with 7 total folding plates. Bound in contemporary French mottled calf. Solid bindings. Gilt stamped spines. 5 raised bands. All edges red. Marbled end pages. Scattered minor dampstaining. Cordier Sinica 2102; Hill 578; Nissen IVB 886; Pritzel 8774. Lowendahl 631; Western Travellers in China 45. Engraved by Poissin. <br> "The French naturalist and explorer Pierre Sonnerat 1748-1814 was the nephew of the botanist Pierre Poivre. He made several voyages to Southeast Asia visiting the Philippines and Moluccas between 1769 and 1722 and India and China from 1744 to 1781. His work is considered a classic of natural history and discoveries in the Far East" Western Travellers in China. <br> <br> Full title: Voyage aux Indes Orientales et a la Chine: fait par ordre du roi depuis 1774 jusqu'en 1781. Dans lequel on traite des moeurs de la religion des sciences & des arts des Indiens des Chinois des Pegouins & des Madegasses; suivi d'observations sur le cap de Bonne-Esperance les isles de France & de Bourbon les Maldives Ceylan Malacca les Philippines & les Moluques & de recherches sur l'histoire naturelle de ces pays. <br> This is an oversized or heavy book that requires additional postage for international delivery outside the US. A Paris, chez l'auteur, rue S. Andre-des-Arts, vis-a-vis la rue de l'Eperon, maison de M. Menissier, marchand d'etof hardcover
176110491Dublin: G. Faulkner. Dublin G. Faulkner 1761. First edition first impression. Hardback. A good copy. First Dublin edition. An imaginary voyage ala Gulliver and a taproot for science fiction proto sf if you like. An important work presaging television and still photography in a manner; as important to the history of photography as to science fiction. An important book. There was a London edition too dated 1761 on the first part's title page and 1760 on the second part. The Dublin issue has 1761 on both title pages. That doesn't tell us much about which precedes. Contemporary calf heavily rubbed and worn. The endpaper has an inkstain with a collector's plate to the front pastedown. Prelims have some waterstaining but not too bad similar to the last few leaves. A nice copy overall. 10491 Hyraxia Books. . Good. Hardback. 1st Edition. 1761. G. Faulkner hardcover
1779K89BNAR73VU7Maastricht 1779. 8vo 22.5 x 13.5 cm. J.E. Dufour & P. Roux Contemporary decorated paper wrappers. 3 parts in 1 volume. 4 XXVII 1 232 pp. Very rare first edition printed in Maastricht of a mining manual by a French enlightened marquis who worked as chief librarian at the Hessen-Kassel court of Friedrich II 1720-1785. Although mentioned reference literature the book is very rare on the market and we found no copy in auction records. Luchet was an acquaintance of Voltaire and in fact had a letter of recommendation from him that helped him obtain his position at the Hessen-Kassel court. Luchet's other writings concerned literature and theatre which makes this mining manual a curious standout. It is unclear why this work was printed in Maastricht except that the Maastricht south Limburg region does have a long history of mining. In a lengthy discourse on mining in the preliminaries Luchet makes a strong pro-mining statement. This is followed by reflections on several aspects of mining often in a question and answer form. He goes into the medical consequences of mining and names several minerals and metals such as coal quartz lead tin gold silver copper and more.A second edition appeared in 1797 often bound with H. Struve Methode analytique des fossils Lausanne 1797.Bookplate on front paste-down owner's name on title-page small stamp on title-page and pages 9 99 199 and 232. First few pages with marginal stains. Binding worn. Otherwise in good condition and wholly untrimmed.l Geology emerging 1404; Hoover 549; Wellcome III p. 451; Worldcat 3 copies; not in Margerie. unknown
1761006246London: Robert Horsfield 1761. The title in French Giphantieis an anagram of the author's name. The book is compared with Swift's Gulliver's Travels and is considered to be an early work of science fiction. It is also held to be predictive of television and also the photographic process describing the "fixing" of an image as held by a mirror. This volume consists of the two parts of Giphantia bound together in one book each with seperate paginations and seperate title pages dated 1761 part 1 and 1760 part 2.Original full calf with five raised bands gilt decorated compartments and red title compartment with title in gilt spelled "Gibhantia". Marbled endpapers two blank leaves then the title page dated 1761 2 page dedication from the translator to Honourable Miss Ross then two page contents or "Table of Chapters. Then Giphantia part the first 130 pages. Then the title page to part 2 dated 1760 contents to part two 2 pages part two126 pages one page of publishers ads with the verso blank then two blank leaves. 4 X 6.5 inches approx.Overall the book is quite good with the outer hinges cracking boards holding well Intenally all complete and in good order and quite clean throughout with no foxing etc. First Edition. Full-Leather. Good/No Jacket. Robert Horsfield Hardcover
1760263025Babylon Paris 1760. First. hardcover. fine. Two parts in one volume. 16mo old calf later rebacked in leather; marbled end-leaves & edges. Babylon i.e. Paris 1760. First Edition. Fine.<br/> <br/> A fantasy voyage comparable to Gulliver's Travels and often considered an early work of science fiction predicting both photography and television. Early writing on the title page identifies the author as "M. Tiphaigne Medecin" and notes that the title is an anagram of his name.<br/> <br/> unknown
176188236London: Robert Horsfield 1761. First edition in English. Hardcover. 1761 First edition in English. 2 vols. 8vo. Main title printed in red & black part title with woodcut decoration. Uniformly bound by Glenn Malkin in modern speckled calf with geometric gilt design and blind-tooled roll & cogs decorations to covers spines with raised bands and gilt rules with contrasting leather title labels. Housed in leather-backed marbled board compartmentalised slipcase. A scarce imaginary voyage considered to be one of the earliest works of utopian science fiction. This work is also considered a cornerstone book in any collection of photographic literature and photography's first fictional work see Roosens & Salu <em>History of Photography</em> No. 10421. <br /><br />Originally published in France in 1760 as <em>Giphantie</em> an anagram of the author's name this work is credited with one of the earliest mentions of photography in Chapter 17: "That window that vast horizon those thick clouds that raging sea are all but a picture. Thou knowest that the ways of light reflected from different bodies make a picture and paint the bodies upon all polished surfaces on the retina of the eye for instance on water on glass. The elementary spirits have studied to fix these transient images; they have composed a most subtile matter very viscous and proper to harden and dry by the help of which a picture is made in the twinkle of an eye. the impression of the images is made the first instant they are received on the canvas which is immediately carried away into some dark place; an hour after the subtile matter dries and you have a picture so much the more valuable as it cannot be imitated by art nor damaged by time" pages 95-96.<br /><br />Glenn Malkin began binding professionally in 2008 and has since won numerous awards for his design bindings in national and international competitions. Some foxing and other marking all pages uncut; bindings and solander very good. ESTC T99917; Gernsheim History of Photography p. 26. No jacket Robert Horsfield hardcover
17603006485Babylone" in fact Paris: n.p. 1760. Octavo with four engraved plates by Cochin after Desfriches illustrating the second work "Mon Odyssée ou le Journal de Mon Retour de Saintonge"; contemporary mottled calfspine gilt with red label. <p><p>First edition: a marvellous imaginary work describing an utopian community and prefiguring the uses of photography television and the telephone.</p> <p>Tiphaigne de la Roche 1729-1774 was a physician polymath and much-published writer. In Giphantie an anagram of the author's name the protagonist is lifted semi-conscious and transported by air to a beautiful garden where a charming spirit guide shows him around a 'vaguely utopian society' Lewis. The book is a good example of the imaginary voyage genre using a quite plausible African setting but is more renowned for the fantastical series of technical advances that are discussed in striking detail including everything from prototype televisions to telephones. The discussion of the way in which the ruling spirits of the land have learnt to 'fix' the fleeting images formed by light is so detailed that the novel is considered a milestone in the pre-history of photography. A relevant passage in the subsequent English edition of 1761 is often quoted: 'You know that the rays of light reflected from different bodies form a picture and paint the image reflected on all polished surfaces for instance on the retina of the eye on water and on glass. The elementary spirits have sought to fix these fleeting images.'.</p> <p>This copy is bound together with Pierre Honoré Robbe de Beauveset's rococo poem in four verses Mon Odyssée ou le Journal de Mon Retour de Saintonge La Haye 1760 illustrated with four engraved plates. De Beauveset was an influential French writer known for his satires and erotic works.</p> </p> . n.p. unknown