16 813 résultats
201223375Paris, Armand colin, 1995 ; in-4, 160 pp., cartonnage de l'éditeur . Avec jaquette, bon état.
200608369Grenoble, Arthaud, 1952 ; in-8, 300 pp., broché, couverture illustr.
200508875Grenoble, Arthaud, 1952 ; in-8, 300 pp., broché, couverture illustr.
200618684Grenoble, Arthaud, 1948 ; grand in-8, 300 pp., broché(plats et dos ptes usures salis). Exemplaire signé del'auteur.
11842Toronto: Canadian Recording Industry Association 1978. Original Gold Record. Matted and framed behind glass. Very Good. 12-inch LP Gold Record matted and framed with plaque explaining significance. Slight fading to label on record and reproduction of the album cover. Frame measures 16.25 x 20.25 inches. Dated April 1978 this copy was presented to Heart drummer Michael Derosier. Awarded for Canadian sales of 50000 copies of the band's second album issued by Vancouver-based label Mushroom Records. The release of that album was embroiled in legal dispute after the label prematurely issued an unfinished version against the wishes of the band. The album was eventually certified "Platinum" in both the US 1000000 copies and Canada 100000 copies. Canadian Recording Industry Association unknown
1996List3140New York City: self-published 1996. Two stapled packets each with about twenty 8 ½ x 11 photocopied pages. Near Fine. The first two issues of Dee Dee Ramone’s fanzine “Taking Dope†from the collection of Ramones collaborator Daniel Rey. The zine was authored by Ramone his partner Barbara Zampini and cartoonist John Holmstrom who illustrated the covers for the Ramones’ Rocket to Russia 1977 and Road to Ruin 1978. The zines contain letters from Dee Dee lyrics descriptions of concerts and new bands that Dee Dee and Barbara were excited about and notes about Dee Dee’s intense dislike for Marky Ramone who—unlike the other Ramones—is always called by his real name Marc Bell; alongside doodles and photos of various figures in the scene. self-published unknown
197442452Flint: Brass Ring/WABX 1974. Fine. SUPPORT SUBURBAN ROCK AND ROLL!" The Dolls were presumably on tour to promote their recently released second album TOO MUCH TOO SOON while Kiss's self-titled debut album had been released only several months prior. An early record of KISS's career and their meteoric rise to fame alongside the Dolls who were one of their major precursors in glam rock. Broadside 17" by 11" approx. Purple sheet printed offset recto only in dark blue. Fine. Clean and vivid. Brass Ring/WABX unknown
1481Impression en sérigraphie. Dim: 104 x 77 cm. Traces de scotch. Rare.
1481Impression en sérigraphie. Dim: 104 x 77 cm. Traces de scotch. Rare.
6589A. Durand & fils, éditeurs. Sans date [vers 1925]. In-4° broché. Couverture illustrée d'un portrait d'Albert Roussel. 28 pages. Bon état.
LFA-126749464Une plaquette de 60 pages, format 215 x 300 mm, brochée, illustrée, s.d., Impr. Carle, bon état
200711526Paris, Edition ima, 1961 ; in-8, 114 pp., cartonnage de l'éditeur. Album vignette.
200228716Seattle:: R 'n' R Press 2002. First Printing of the First Edition. A Fine tight unread copy in a Fine bright dust jacket. Thbis is number 326 of an unspecified number of the Limited Edition with a laid in colophon signed by O'Day. Author Pat O'Day was at the center of the Northwest rock 'n roll scene in the 60s and 70s first as the dominant top-40 radio disc jockey in the Seattle market and then as a national concert promoter with Concerts West. During his reign O'Day brought everyone from The Beatles the Who and The Rollings to regional headliners like The Wailers Paul Revere and the Raiders and The Kingsmen to Northwest concert goers. This is an inside look at the good the bad and the ugly of the rock 'n roll world in radio and concert in the Northwest. Illustrated with over 32 pages of vintage photographs by Jini Dellaccio. R 'n' R Press, unknown
200229335<p>Seattle:: R 'n' R Press 2002. First Printing of the First Edition. A Fine tight unread copy in a Fine bright dust jacket. Author Pat O'Day was at the center of the Northwest rock 'n roll scene in the 60s and 70s first as the dominant top-40 radio disc jockey in the Seattle market and then as a national concert promoter with Concerts West. During his reign O'Day brought everyone from The Beatles the Who and The Rollings to regional headliners like The Wailers Paul Revere and the Raiders and The Kingsmen to Northwest concert goers. This is an inside look at the good the bad and the ugly of the rock 'n roll world in radio and concert in the Northwest. Illustrated with over 32 pages of vintage photographs by Jini Dellaccio.</p> R 'n' R Press, hardcover
201800663Paris, Dunod, 1967 ; in-8, 325 pp., cartonnage de l'éditeur.
201800664Paris, Dunod, 1964 ; in-8, 185 pp., cartonnage de l'éditeur.
19924893La Vérité / Lincoln 1992 In-8 broché, 308 pp. Illustrations en noir
239448Paris, Prévot [Imprimerie de Constant-Champie], 1831 in-8, 11 pp. (Introduction reliée par erreur avant les notices des prévenus), 268 pp., demi-chagrin noir, dos à nerfs, tranches mouchetées (rel. de la fin du XIXe). Rousseurs, des pages salies à certaines pièces.
1982160712Phoenix AZ: Calderon Ballroom 1982. Vintage flyer for a performance by Bad Brains with supporting acts Driftwood Soylent Green and Junior Achievement presented by Mersey Productons at the Calderon Ballroom in Phoenix Arizona October 24 1982.<br /> <br /> A forerunner of hardcore punk and adept at reggae heavy metal funk hip hop and soul Washington DC's acclaimed Bad Brains have been called "the mother of all black hard-rock bands" by Rolling Stone magazine. Formed in 1976 as the jazz fusion band Mind Power Bad Brains have gone through numerous line-up changes over their nearly 50 years performing released nine studio albums and have influenced countless other bands and musicians. The original line-up of H.R. Dr. Know Darryl Jenifer and Earl Hudson intact until 1987 is seen in the photograph on the 1982 flyer on offer here.<br /> <br /> 8.5 x 11 inches on goldenrod paper. Near Fine. Calderon Ballroom unknown
L8107San Francisco. Collection complète du n° 1 au n° 11, 1977-1979. In folio plié en deux de 16 à 24 pages pour la première série. Périodique punk fondé par V. Vale avec l'aide de certains écrivains de la Beat Generation. Les premiers numéros de Search & Destroy (1977), nommé ainsi d'après la chanson des Stooges , portait de la scène punk. Une seconde série prendra le nom de RE/Search Publications et sera publiée en 1980. Du n° 1 au n° 3, 1980-1981. In folio plié en deux de 16 à 24 p. Nombreuses contributions, interviews, chroniques, etc. Très rare collection complète de cette publication abondamment illustrée. Après le troisième numéro, les numéros 4 et 5, 1982, ont été réunis en un seul volume : numéro spécial sous forme de magazine, axé sur William S. Burroughs , Brion Gysin et Throbbing Gristle, que nous joignons à l'ensemble.
L9632Les Humanoïdes Associés, 1980. In-8 br. Coll. " Speed 17 ". Photographies hors-texte. E.O. Premier livre important consacré au mouvement et à la musique PUNK !
L8104Affiche 120 x 80 cm. Imprimée en offset en noir et blanc. Affiche du concert de 1977 du label Egg. Alain Kan est le chanteur du groupe Punk français Gazoline (1977-1978). E.O.
10801La Parisienne, n° 2-39 [sauf 19 et 21], février 1953 - décembre 1956. 36 fascicules in-8, brochés.
7496CAHIERS DE L'ÉNERGUMÈNE, N° 1, automne-hiver 1982. In-4, broché, illustrations.
9523Paris, Ethnie, Survival International, n° 11-12, printemps 1990. In-4, broché.