28 résultats
1759262724Amsterdam: Arkstee & Merkus 1759. hardcover. very good. 2 parts bound in 1 volume 2 paginations xii 244 iv 294pp. Copperplate frontispiece with astrological globe.Part I Visions of Ibraim Arab Philposopher; Part II Travel to Limbo. 12mo full contemporary calf gilt spine chipped at the top front hinge dry. Amsterdam & Aleipssick: Arkstee & Merkus 1759. First Edition. Very good .<br/> <br/> The text highlights the interest in the occultist and naturalist in the second half of the 18th century and the authors interest in the Kabbalah and hermeticism. Bookplate and small neat handwriting on fly-leaf.<br/> <br/> Arkstee & Merkus unknown
1760263025Babylon Paris 1760. First. hardcover. fine. Two parts in one volume. 16mo old calf later rebacked in leather; marbled end-leaves & edges. Babylon i.e. Paris 1760. First Edition. Fine.<br/> <br/> A fantasy voyage comparable to Gulliver's Travels and often considered an early work of science fiction predicting both photography and television. Early writing on the title page identifies the author as "M. Tiphaigne Medecin" and notes that the title is an anagram of his name.<br/> <br/> unknown
1765019130Amsterdam ma Paris: Arkstée & Merkus ma Hedis 1765 ma 1976. Riproduzione anastatica dell'EO di Amsterdam Arkstée e Merkus 1765. Due parti in un volume 23 cm di 4-165 e 4-136 pagine. In lingua francese. Legatura edioriale in finta pelle con titolo al dorso. Ottime condizioni. Reprint of this rare work edition limited to 150 numbered copies and 30 copies not destined for the trade. Communist utopian work in which the author made ridiculous the so-called progress resulting from private property and social circumstances of the time. Arkstée & Merkus (ma Hedis) unknown
1750457151750. unknown
179929728AB1799. Second Edition. Two Volumes complete set. Dublin Printed by William Porter 1799. Small-Octavo 115 cm x 175 cm. Volume I: 269 pages / Volume II: 326 of 329 pages 3 pages missing at the end. Hardcover / Modern very decorative half-leather bindings with replicated spinelabels in the style of the 18th century. Both Volumes in protective Mylar and now housed in a bespoke Solander Box. Name of Richard Meade of Ballymartle on titlepage of both Volumes. Minor lesion and tear to titlepage of Volume II. Overall very good ! Extremely scarce publication in first or second edition ! Regina Maria Roche 17641845 is gauged as a minor Gothic novelist who wrote in the shadow of the pioneering Ann Radcliffe. However she was a bestselling author in her own time. The popularity of her third novel The Children of the Abbey rivalled that of Ann Radcliffe's The Mysteries of Udolpho. Born Regina Maria Dalton in Waterford Ireland in 1764. Her father was a Captain in the British 40th Regiment. Her family moved to Dublin and after her marriage to Ambrose Roche in 1794 she moved to England. Her first two novels were published under her maiden name before the success of The Children of the Abbey and Clermont. Both these were translated into French and Spanish and went through several editions. However after her fifth novel The Nocturnal Visit appeared in 1800 Roche suffered financial difficulties having fallen afoul of a duplicitous solicitor and she did not write again until 1807 when she received aid from the Royal Literary Fund. She then wrote 11 more novels most of them set in the rural Ireland but none matched her earlier successes. After her husband's death in 1829 she returned to Wexford. After bouts of depression she died in relative obscurity in the town of her birth at the age of 81. Roche's obituary in The Gentleman's Magazine remembers her as a "distinguished writer who had retired from the world and the world had forgotten her. But many young hearts now old must remember the effect upon them of her graceful and touching compositions." The Children of the Abbey a sentimental Gothic Romance was one of the period's most popular novels of the 1790s. Her book Clermont was Roche's only full attempt at writing a truly Gothic novel. It has a decidedly darker in tone than anything else she wrote. Both novels went through several editions and were translated into both French and Spanish. Clermont was one of the Northanger Horrid Novels satirized by Jane Austen in her novel Northanger Abbey. Wikipedia hardcover
1800333677arno publishing 1977 reprints an 1800 book hardcover. fine without dust jacket as printed arno publishing, 1977 hardcover
1800333676arno publishing 1977 reprints an 1800 book hardcover. fine without dust jacket as printed arno publishing, 1977 hardcover
1800333678arno publishing 1977 reprints an 1800 book hardcover. fine without dust jacket as printed arno publishing, 1977 hardcover
173060026Lisboa Occidental na Officina de Joseph Antonio da Sylva 1730. Folio 29 x 195 mm. In recent green half calf with five raised bands and gilt lettering and ornamentation to spine. Title-page mounted and with repair to outer margin no loss of text. Last leaf with repair to lower outer corner also with no loss of text. First and least few leaves with brownspotting. Very light browning in margins throughout. Title printed in red and black woodcut initials and head-pieces. A fine and clean copy. 14 716 pp. Here with the often missing half title but wanting the final blank. <br/><br/><em>Rare first edition here with the often missing half title of the first general history of Brazil – “This work is extremely copious in the details of its foundation as a colony its successive governors its churches its monasteries and convents†Sabin. "This first edition is becoming rare and is much sought after by Brazilians . since it is the first history of Brazil to have been printed and since it was written by a Brazilian" Borba de Moraes. The author's purpose was to narrate the events that had taken place in Brazil with the help of "truthful reports" these largely from Jesuit sources and "modern information" given by those who had traveled in the vast Brazilian territory. This was the only history of Brazil available to Pitta’s contemporaries since most of the others composed in the first two centuries of colonization remained in manuscript form until the nineteenth century. Rocha Pitta was born in Bahia in 1660 and died in the year 1738. At the age of 22 he left the University of Coimbra where he took his degree to return to Bahia where he got married. He made up his mind to write a history of Brazil and he spent years in collecting documents in the Monasteries of Brazil and Portugal where he went in order to study French Dutch and Italian for the purposes of his history. “In 1728 after 40 years of study he began to print his history which appeared in 1730. It was universally well received and King John V. appointed him a member of the household in consequence yet in a few years the Portuguese government publicly prohibited its being read under the severest penalties.†Sabin.Sabin 72300 Borba de Moraes 1983 p. 748 </em> hardcover
1799034509Dublin: William Porter 1799. Book. Good Book Condition. Full Leather. Vol. 1 only. Wear to extremities front cover almost detached light foxing throughout. Rare. Fair to Good Our rating system: 1.Fine; 2. Near fine; 3. Very good; 4. Good; 5. Fair. William Porter Hardcover
1797A803981X02508London: Minerva Press 1797. Second Edition. Hardcover. Fair. Second Edition. Fair. Wear and staining to boards front cover nearly detached. Gilt blocked spine slightly faded. The binding is mostly tight though pages 151-154 are loose. The pages are mostly clean and completely unmarked save "1797" penciled beside the roman numerals on the title page. Expected age-toning and some fading to type. Volume Two only of original Four Volume release of Roche’s acclaimed gothic text. Fiction Minerva Press hardcover
1730176140Lisbon: Joseph Antonio da Sylva Impressor da Academia Real 1730. The first history of Brazil First edition "much sought after by Brazilians" Borba de Moraes. Sebastiao da Rocha Pitta 1660-1738 was himself Brazilian having been born in Bahia. This is an attractive copy of this rare and important work in a carefully restored contemporary binding. The last copy to appear at auction was in 1985. "Though scornfully dismissed by Robert Southey as being 'a meagre and inaccurate work which has been accounted valuable merely because there is no other' the Historia does not deserve such censure. For all its Gongoric turgidity it contains some valuable and authentic information being on some points more fair-minded and accurate than Southey's better written but more prejudiced work" Boxer p. 160. Thomas Lindley writing in his Narrative of a Voyage to Brazil 1805 is less dismissive and certainly more specific in his criticisms describing Pitta as "an intelligent and well-informed Brazilian" who compiled his history "from the chronicles of the Jesuits and other authorities and some valuable local knowledge of his own. This work is copious in its details of the foundation of Brazil as a colony its successive governors its churches its monasteries and convents". However Lindley was less enthusiastic about Pitta's coverage of natural history manufacturing and commerce but the Historia is evidently more of an old-style chronicle than a practical up-to-the-minute guidebook. Lindley also remarks that the Portuguese government "publicly prohibited its being read under the severest penalties and it is now only met with carefully secluded in the cabinets of the curious". Quarto 295 x 197 mm pp. xxvi ii blank 716. Title printed in red and black woodcut headpieces; bound with the half-title and the integral blank before the main body of the text which are frequently lacking. Contemporary sprinkled sheep new dark red morocco label compartments gilt with scrolled foliate corner-pieces floral lozenge central tools edges sprinkled red and blue. Binding a little rubbed and worn in some places some stripping from the front cover. Judicious restoration to spine ends and joints expert repair to head of front board occasional professional paper repairs to margins. Short closed tear to half-title page pale tidemark in margin of last few leaves; overall a very good copy. Borba de Moraes 1983 II 678; Sabin 72300. C. R. Boxer The Golden Age of Brazil 1695-1750: Growing Pains of a Colonial Society 1962. unknown
17821611170007A Paris chez l'auteur rue S. Andre-des-Arts vis-a-vis la rue de l'Eperon maison de M. Menissier marchand d'etoffes de soie. Froule libraire pont Notre-Dame. Nyon rue du Jardinet. Barrois le jeune rue du Hurepoix. M. DCC. LXXXII. Avec approbation et privilege du Roi 1782-01-01. Hardcover. Good. 3 tomes. 2nd ed. Octavo. XXII-340 p. 1 folding map 1 folding plate; 6-376 p. 2 folding plates; 6-362 p. 3 folding plates. Complete with 7 total folding plates. Bound in contemporary French mottled calf. Solid bindings. Gilt stamped spines. 5 raised bands. All edges red. Marbled end pages. Scattered minor dampstaining. Cordier Sinica 2102; Hill 578; Nissen IVB 886; Pritzel 8774. Lowendahl 631; Western Travellers in China 45. Engraved by Poissin. <br> "The French naturalist and explorer Pierre Sonnerat 1748-1814 was the nephew of the botanist Pierre Poivre. He made several voyages to Southeast Asia visiting the Philippines and Moluccas between 1769 and 1722 and India and China from 1744 to 1781. His work is considered a classic of natural history and discoveries in the Far East" Western Travellers in China. <br> <br> Full title: Voyage aux Indes Orientales et a la Chine: fait par ordre du roi depuis 1774 jusqu'en 1781. Dans lequel on traite des moeurs de la religion des sciences & des arts des Indiens des Chinois des Pegouins & des Madegasses; suivi d'observations sur le cap de Bonne-Esperance les isles de France & de Bourbon les Maldives Ceylan Malacca les Philippines & les Moluques & de recherches sur l'histoire naturelle de ces pays. <br> This is an oversized or heavy book that requires additional postage for international delivery outside the US. A Paris, chez l'auteur, rue S. Andre-des-Arts, vis-a-vis la rue de l'Eperon, maison de M. Menissier, marchand d'etof hardcover
1779K89BNAR73VU7Maastricht 1779. 8vo 22.5 x 13.5 cm. J.E. Dufour & P. Roux Contemporary decorated paper wrappers. 3 parts in 1 volume. 4 XXVII 1 232 pp. Very rare first edition printed in Maastricht of a mining manual by a French enlightened marquis who worked as chief librarian at the Hessen-Kassel court of Friedrich II 1720-1785. Although mentioned reference literature the book is very rare on the market and we found no copy in auction records. Luchet was an acquaintance of Voltaire and in fact had a letter of recommendation from him that helped him obtain his position at the Hessen-Kassel court. Luchet's other writings concerned literature and theatre which makes this mining manual a curious standout. It is unclear why this work was printed in Maastricht except that the Maastricht south Limburg region does have a long history of mining. In a lengthy discourse on mining in the preliminaries Luchet makes a strong pro-mining statement. This is followed by reflections on several aspects of mining often in a question and answer form. He goes into the medical consequences of mining and names several minerals and metals such as coal quartz lead tin gold silver copper and more.A second edition appeared in 1797 often bound with H. Struve Methode analytique des fossils Lausanne 1797.Bookplate on front paste-down owner's name on title-page small stamp on title-page and pages 9 99 199 and 232. First few pages with marginal stains. Binding worn. Otherwise in good condition and wholly untrimmed.l Geology emerging 1404; Hoover 549; Wellcome III p. 451; Worldcat 3 copies; not in Margerie. unknown
176611625Amsterdam and Paris: P.-F. Gueffier 1766. Contemporary cat’s paw sheep neatly restored slightly defective gilt spine and label red edges pink silk marker; interleaved throughout — a vertical crease divides the interleaves in two columns. <p>With: Jousse Daniel-Charles.       1742-1769.<br />        Lettre D’Un Orléanois…Sur La Nouvelle Histoire De L’Orléanois. Bruxelles and Paris E. Flon and J. Debure 1766. 12mo 173 x 110 mm. inlaid in blank quarto sheets for binding. 40p.</p> <br /> <p>      Ad I-II: This volume belonged to the local historian and Orléans Cathedral canon Louis-Eusèbe Loiseau 1721-95.<br />       Ad I: ALL PUBLISHED SUPPRESSED. Only Edition. Luchet believed “Good history is a long fable†p. iv tr. Immediately upon publication of this first volume of a projected five Luchet’s fanciful account of the history of Orléans and environs 52 B.C.E. to 1428 C.E. came under fire. He had manufactured personal information abandoned the facts cloven to the marvelous and doubted Jeanne d’Arc’s divine mission pp. 307-419. This last angered the clergy and THE DUC D’ORLÉANS FORCED THE AUTHOR TO BUY UP AND DESTROY THE EDITION.<br />       COUNTERING LUCHET’S FANTASIES LOISEAU COMPILED HIS OWN THIRTY THOUSAND WORD DOUBLE-COLUMN CHRONOLOGY filling 115 interleaf pages. Its preface summarizes Luchet’s History — “detestable in substance and form†tr. lists errors and sketches a damning biography of Luchet. One column of the manuscript chronology draws on Polluche’s Essais historiques sur Orléans 1778 and the other on articles in Calendrier historique d’Orléanois by the Orléans Maurist librarian Louis Fabre 1710-98.<br />       The longest and earliest inserted manuscript is A FIFTEEN-PAGE ESSAY UNFAVORABLE TO LUCHET’S HISTORY identifying still more inaccuracies nine concern Jeanne d’Arc. The Mémoire takes a statistical and economic perspective on Orléans its architecture and exports. Signed by Loiseau the Observations treats the by-laws of the new Orléans learned society born of the 1786 merger of two earlier groups. Loiseau was secretary of one for 25 years 1761-85.<br /> ¶Lanéry d’Arc Le Livre d’or de Jeanne d’Arc. Bibliographie 700; Lelong Bibliothèque historique de la France III: 35603-4; Brainne et al. Les Hommes illustres de l’Orléanais I: 250-2.<br />       Ad II: Only Edition the author’s sole book and the first published attack on Luchet’s History. Exposing 108 blunders with context and secondary source proof Jousse used material gathered by his father 1710-81 who supplied all the entries related to Orléans in Lelong’s Bibliothèque historique 1768-78.<br /> ¶Lanéry d’Arc 700; Lelong III: 35604; Conlon Le Siècle des Lumières 66:976.<br />       All items are in good condition.</p> P.-F. Gueffier unknown
179870527Paris: de l'Imprimerie de P. Didot l'Aine 1798. 16mo pp. 4 xxv 1 115 1; vignette title page; contemporary green morocco elaborate gilt rules on covers smooth gilt-decorated spine laid out in 6 compartments gilt-lettered direct in 1 a.e.g.; old gift inscription on title page else a very good sound and clean copy. Memorial bookplate of Caroline Furness Jayne. Not in Mills College Check List or Riedel-Horatiana. OCLC locates no copies in the U.S. de l'Imprimerie de P. Didot l'Aine unknown
1789OB1042-7<p>Paris 1789. Soft Cover. 4 p.; 19 cm. Title continues: "Ã l'Église de la Paroisse." Caption title. Note p. 4 in contemporary manuscript: "le discourse est fait par M. De la Roche du Maire d'Auteuil¦ d'après le 14 Juillet 1789". The only copy of this significant letter by the Abbé Martin Lefebvre-Laroche editor of Helvetius and correspondent of Benjamin Franklin seems to be in the BN Paris. One of a collection of 40 Royalist and counter-revolutionary tracts of the French Revolution. Stock#OB1042-7. Very Good in marbled paper wrapper.</p> not identified paperback
1777366766Paris : Chez Nyon l'aine librarie 1777. First Edition. Softcover. Poor copy in the original stiff-card wrappers; wear and tear as with age. Front wrapper missing with parts of the spine band missing. Text remains in fine condition and without blemish. Physical description; lxx 447 pages. Subjects; Maxims. Paris : Chez Nyon l'aine, librarie paperback
176281735Alemania: Gedruckt und zu finden 1762. Gedruckt und zu finden unknown
178466690à Amsterdam: S. n. 1784. Fine. S. n. à Amsterdam 1784 9 x 14.7 cm relié Several editions appeared the same year in Paris London Berlin. Full brown flamed sheep binding late 19th century. Smooth spine richly decorated in Restoration style. Red morocco title label. Fine copy. Armorial bookplate engraved from a private library. Satirical and cynical description of Parisian life and customs. The author discusses theaters prisons fashions promenades the Tuileries. S. n. unknown
1749BCG 34706London: A. Miller 1749. Translated from the French with Notes; Polished calf gilt spine title & decorations raised bands all edges red & marbled endpapers/pastedown; A good copy with boards detached & small loss to head of spine; 198 pages Index. Size: 4"x6.5". Hardcover. A. Miller Hardcover
177825120Genève: Du Villard fils & Nouffer 1778. First edition 2 vols. 8vo pp. 272; 334; title within printed border; woodcut ornaments; contemporary full mottled calf red and black morocco labels on gilt-decorated spines; short crcaks in 2 joints else generally very good and sound. Quérard II p. 440. Du Villard fils & Nouffer unknown
1761006246London: Robert Horsfield 1761. The title in French Giphantieis an anagram of the author's name. The book is compared with Swift's Gulliver's Travels and is considered to be an early work of science fiction. It is also held to be predictive of television and also the photographic process describing the "fixing" of an image as held by a mirror. This volume consists of the two parts of Giphantia bound together in one book each with seperate paginations and seperate title pages dated 1761 part 1 and 1760 part 2.Original full calf with five raised bands gilt decorated compartments and red title compartment with title in gilt spelled "Gibhantia". Marbled endpapers two blank leaves then the title page dated 1761 2 page dedication from the translator to Honourable Miss Ross then two page contents or "Table of Chapters. Then Giphantia part the first 130 pages. Then the title page to part 2 dated 1760 contents to part two 2 pages part two126 pages one page of publishers ads with the verso blank then two blank leaves. 4 X 6.5 inches approx.Overall the book is quite good with the outer hinges cracking boards holding well Intenally all complete and in good order and quite clean throughout with no foxing etc. First Edition. Full-Leather. Good/No Jacket. Robert Horsfield Hardcover
176110491Dublin: G. Faulkner. Dublin G. Faulkner 1761. First edition first impression. Hardback. A good copy. First Dublin edition. An imaginary voyage ala Gulliver and a taproot for science fiction proto sf if you like. An important work presaging television and still photography in a manner; as important to the history of photography as to science fiction. An important book. There was a London edition too dated 1761 on the first part's title page and 1760 on the second part. The Dublin issue has 1761 on both title pages. That doesn't tell us much about which precedes. Contemporary calf heavily rubbed and worn. The endpaper has an inkstain with a collector's plate to the front pastedown. Prelims have some waterstaining but not too bad similar to the last few leaves. A nice copy overall. 10491 Hyraxia Books. . Good. Hardback. 1st Edition. 1761. G. Faulkner hardcover
176188236London: Robert Horsfield 1761. First edition in English. Hardcover. 1761 First edition in English. 2 vols. 8vo. Main title printed in red & black part title with woodcut decoration. Uniformly bound by Glenn Malkin in modern speckled calf with geometric gilt design and blind-tooled roll & cogs decorations to covers spines with raised bands and gilt rules with contrasting leather title labels. Housed in leather-backed marbled board compartmentalised slipcase. A scarce imaginary voyage considered to be one of the earliest works of utopian science fiction. This work is also considered a cornerstone book in any collection of photographic literature and photography's first fictional work see Roosens & Salu <em>History of Photography</em> No. 10421. <br /><br />Originally published in France in 1760 as <em>Giphantie</em> an anagram of the author's name this work is credited with one of the earliest mentions of photography in Chapter 17: "That window that vast horizon those thick clouds that raging sea are all but a picture. Thou knowest that the ways of light reflected from different bodies make a picture and paint the bodies upon all polished surfaces on the retina of the eye for instance on water on glass. The elementary spirits have studied to fix these transient images; they have composed a most subtile matter very viscous and proper to harden and dry by the help of which a picture is made in the twinkle of an eye. the impression of the images is made the first instant they are received on the canvas which is immediately carried away into some dark place; an hour after the subtile matter dries and you have a picture so much the more valuable as it cannot be imitated by art nor damaged by time" pages 95-96.<br /><br />Glenn Malkin began binding professionally in 2008 and has since won numerous awards for his design bindings in national and international competitions. Some foxing and other marking all pages uncut; bindings and solander very good. ESTC T99917; Gernsheim History of Photography p. 26. No jacket Robert Horsfield hardcover