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20142080202102705358Okinawa Rock Association 2014. Soft Cover. Fine. Page size: 307 pages Size: A4 size Okinawa Rock Association paperback
2019BN191996CLASSIQUES GARNIER 2019. 2019. Softcover. Oeuvres Completes <br/><br/>Oeuvres Completes Charles-Francois Tiphaigne De La Roche CLASSIQUES GARNIER paperback
20191093031Classiques Garnier 2019. paperback. New. 94x25x138. Classiques Garnier paperback
20191093041Classiques Garnier 2019. paperback. New. 94x22x138. Classiques Garnier paperback
20201-3030317714Springer 2020. Hardcover. New. 1st edition. 715 pages. 11.00x8.25x1.75 inches. Springer hardcover
201254419We Love Music, 2012. CD CD
2008A17153aEdmond Montgomery Publications Limited 2008. 1st Edition. Soft cover. Very Good/Very Good. 8x5x0. Inside The Book Is Clean With No Remark Or Highlights. Soft Over. This Book Is Not Signed. 283 Pages With The Index.- Specializing in academic collectible and historically significant providing the utmost quality and customer service satisfaction. For any questions feel free to email us. Edmond Montgomery Publications Limited paperback
2010DADAX116543833XKessinger Publishing 2010-09-10. paperback. New. 6.00x1.24x9.00. Buy with confidence. Excellent Customer Service & Return policy. Kessinger Publishing paperback
20161-3841717306Novas Edições Acadêmicas 2016. Paperback. New. 328 pages. Portuguese language. 8.66x5.91x0.74 inches. Novas Edições Acadêmicas paperback
20161-3330743530Novas Edições Acadêmicas 2016. Paperback. New. 56 pages. Portuguese language. 8.66x5.91x0.13 inches. Novas Edições Acadêmicas paperback
2019__3330728175Novas Edições Acadêmicas 2019. Paperback. New. 172 pages. Portuguese language. 8.66x5.91x0.39 inches. Novas Edições Acadêmicas paperback
20191-3330728175Novas Edições Acadêmicas 2019. Paperback. New. 172 pages. Portuguese language. 8.66x5.91x0.39 inches. Novas Edições Acadêmicas paperback
20171-3330996234Novas Edições Acadêmicas 2017. Paperback. New. 208 pages. Portuguese language. 8.66x5.91x0.47 inches. Novas Edições Acadêmicas paperback
20192-6139749166Novas Edições Acadêmicas 2019. Paperback. New. 236 pages. 8.66x5.91x0.54 inches. Novas Edições Acadêmicas paperback
20192-6139781256Novas Edições Acadêmicas 2019. Paperback. New. 80 pages. 8.66x5.91x0.19 inches. Novas Edições Acadêmicas paperback
20192-6202189673Novas Edições Acadêmicas 2019. Paperback. New. 76 pages. 8.66x5.91x0.18 inches. Novas Edições Acadêmicas paperback
20192-6139777356Novas Edições Acadêmicas 2019. Paperback. New. 100 pages. 8.66x5.91x0.23 inches. Novas Edições Acadêmicas paperback
20161-3330750553Novas Edições Acadêmicas 2016. Paperback. New. 116 pages. Portuguese language. 8.66x5.91x0.27 inches. Novas Edições Acadêmicas paperback
2018110603São Paulo: Ikrek Edições 2018. b/w plates wrps. Matheus Rocha Pitta has the newspaper cutouts photos etc. as an essential source in his production. From the collection of images of demonstrations in different newspapers the collection collected by the artist is long-standing and is constantly expanding Matheus elaborates a calendar. But the artist extracts the phrases from the banners and banners and substitutes them for the inscription 1 April 2017. ENGLISH AND PORTUGUESE TEXT. LIMITED EDITION OF 1000 COPIES. <br /> Matheus Rocha Pitta Tiradentes MG 1980 lives and works Rio de Janeiro. He participated in numerous solo and collective exhibitions among which stand out: "The Fool's Year" Athena Contemporânea Rio de Janeiro RJ; and the 29th São Paulo Biennial. Currently he is currently exhibiting the individual exhibition "Minor Memory" at MAM Rio. <br /> <br /> "One of the first things that caught my eye on my arrival in Berlin in 2017 was the shop windows of the city. Instead of hiring professional designers store owners seem to decorate their own windows in a very amateurish spontaneous and fun way. A copier for example has a huge display of orchids whose relationship to the impression remains graciously incomprehensible unless you picture the owner's love for those flowers. My facilities at the exhibitors I rented at two subway stations for the exhibition at the Künstlerhaus Bethanien residence 1 were a tribute to these adorable handmade do-it-yourself modes of exposing. When invited by the SOX project 2 to occupy the shop window on Oranienstraße shortly after the opening of my exhibition I had to respond quickly. As opposed to the project To the winner the potatoes which I developed during my one-year residency I only had two weeks to create something new. The time was short so I decided to take time as a starting point to be precise opening day April 1 or Fool's Day. It is read on the Wikipedia page dedicated to the date: "In the Middle Ages New Year's Day was celebrated on 25 March in most European cities. In some areas of France the New Year was a holiday weekend that ended on April 1. Some writers suggest that the April fools originated because those who celebrated on January 1 had fun with those who celebrated on other dates. "So those who celebrated at one time were regarded as fools - but conversely they expose the conventions of measure of time. So on April 1st in a shop window on Oranienstraße I introduced The Fool's Year a calendar where every day is Fool's Day "Fool's Day" or as it is known the date in Brazil the "Day of the lie". All year condensed and frozen in a single day or a single initial day dilated and diluted in one year. Every day they are represented by a newspaper photograph of protesters holding posters banners or banners whose specific political claim I removed and replaced with the date 1 April 2017 as it was printed in the newspapers. These images come from my own archive which I feed almost every day with newspaper photographs. I love the language of protest you do not have to agree to the content to worship it. I have been collecting these images for almost eight years regardless of your political claim regardless of their place and date. It is a file of gestures of pure "mediality" without "purpose". Then you see 365 images of protests 365 days of the past that claim nothing but the consciousness of Today. To be regarded as a fool is only a matter of time-lag of breaking clocks as Benjamin quotes in his 15th thesis on the concept of history:".They shot the clocks to stop the day. ' Ikrek Edições unknown
20101-1405168080Blackwell Pub 2010. Paperback. New. 2nd edition. 456 pages. 9.69x7.32x0.94 inches. Blackwell Pub paperback
2024Adhya-9781119840237JOHN WILEY 2024. Paperback. New. JOHN WILEY paperback
2024Adhya-9781119840237JOHN WILEY 2024. Paperback. New. JOHN WILEY paperback
2024CBS-9781119840237John Wiley Np Original40 2024. New. John Wiley Np (Original)40 unknown
2024CBS-9781119840237John Wiley Np Original40 2024. New. John Wiley Np (Original)40 unknown
2012x-1468432540Springer 2012. Paperback. New. 375 pages. 9.90x7.10x1.10 inches. Springer paperback