10 706 résultats
1961236047Moskva, Akad. nauk, 1961. M. 1 Portr. u. zahlr. Abb. 276 S. (Trudy Inst. morfol. zivotnych 35).
1947ABE-174613747146716 PAGES-26,8 CM X 35,5 CM-UN PROBLEME DE L'UNION FRANCAISE: LA TUNISIE, 2 PAGES-A SAIGON IL Y A AUTANT DE FUMERIES D'OPIUM QUE DE CAFES A PARIS, SUR 2 PAGES, 6 PHOTOS-VIVANT SYMBOLE DE PARIS LA TOUR A TOUJOURS "LES PIEDS PAR TERRE", SUR 2 PAGES, 10 PHOTOS-DEBOUT, SEPT HEURES APRES L'ABLATION D'UN LOBE DU POUMON ANESTHESIE, SCIENCE NOUVELLE, 2 PAGES, 8 PHOTOS-NOS MUSICIENS SE FONT MELANGEURS DE SONS ET BRUITEURS DE FANTOMES, 1P, 5 PHOTOS-EN DERNIERE PAGE: MISTINGUETT VA FAIRE LE TOUR DU MONDE, 1P, 5 PHOTOS
1910248DGo.J. (um 1910). Farbige Lithographie. Bildformat: 89 x 65 cm.
1910248DGo.J. (um 1910). Farbige Lithographie. Bildformat: 89 x 65 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 248D-Gr
1948ABE-100426634238 PAGES FORMAT 43X56-FEROCITE EUROPEENNE,PAR ANDRE ROUBAUD-LE MAITRE DE SANTIAGO,DE HENRY DE MONTHERLANT,PAR THIERRY MAULNIER-EN UNE: PHOTO 16,5X19 JEAN SIMMONS-LA CHANTEUSE AUX GANTS NOIRS:YVETTE GUILBERT-NOEL NOEL DENONCE LES FACHEUX MODERNES,PHOTO-AU CIRQUE D'HIVER,PAR HENRY THETARD,BOUGLIONE-LES CABARETS DE PARIS,PHOTO HELENE COSTA-"L'IMPURE" EST-ELLE UNE PIECE "EDUCATIONNISTE",PAR ANDRE LANG-UN FILM DOIT-IL ETRE COMMERCIAL?,PAR MAURICE TOURNEUR-"L'OMBRE" DE FRANCIS CARCO VA ETRE PORTE A L'ECRAN,PHOTO FERNAND LEDOUX,PHOTO DECOR-CINEMA,LAURENCE OLIVIER 5e HAMLET,PHOTO-SUR LES CIMAISES,JACQUES VILLON,PHOTO-LA JEUNE PEINTURE ANGLAISE,GRAHAM SUTHERLAND,DAVID JONES,BEN NICHOLSON,PHOTOS-DEUX PRECURSEURS DU "CONDENSE" CHARLES ET MARY LAMB,PAR MAURICE GUY ALBERT
196398643The Hague: Mouton 1963. 211 Seiten. Gr. 8° (22,5-25 cm). Orig.-Broschur. [Softcover / Paperback].
2010ABE-1750364251470EN COUVERTURE: ROSE CORDERO, PHOTOGRAPHIE DE MERT ALAS ET MARCUS PIGGOTT-CRITIQUE POUR "L'HORIZON" DE PATRICK MODIANO, 3 PHOTOS-VICTORIA ET EDWARD TANG-BIJOUX GRANDEUR MILITAIRE-L'ALLURE, PAS LA GUERRE, LIGNE DE MIRE-LADY COPS BY BRUCE WEBER-SO IN LOVE-L'ART DE LA PHILO-PAS SI DINGUE, "CHICAS", EMMANUELLE SEIGNER-MISSION LANZAROTE, MODE
This is a wooden picture book made from four pieces of wood with color illustrations on both sides. The book is bound with leather straps and wooden beads. 8 1/2"w x 6 3/4"h. The animals pictured are geese, cows, a goat, pigeons, chickens, pigs, sheep, and rabbits. Publisher's order number 3981. No date of publication shown. No text.
Xilografia acquerellataestratta da "Petit Courrier des Dames"Paris - Boulevart des Italiens, 1 Modes de M.me Lasalle 37 Ch.sée d Antinmisure 19x27,5 cmE 4040
180142718(London, W. Bulmer and Co., 1801). 4to. No wrappers as extracted from ""Philosophical Transactions"" 1801 - Part I. Pp. 139-144 and 1 engraved plate.
8144Date and place not stated London; circa 1820. On upper half of a piece of quarto paper unevenly torn to make a piece roughly 11 x 18.5 cm. Fair: on aged paper. Part of address from previous letter to 'W. Jerdan <.> 267 Strand <.>' on reverse which is docketed 'Procter Miss Proby Cornwalls poems'. Reads 'I inclose you a note left here for you George says he will review the book for you next week - in the meantime give a flourish in your notice - 'The time does not admit of doing just to the vol. &c &c We are all a Party in this success -'. Jerdan acquired the premises at 267 Strand with his purchase of 'The Satirist' from George Manners and retained them during the early days of his editorship of the 'Literary Gazette' beginning circa 1819. Date and place not stated [London; circa 1820?]. unknown
187230583Paris, Librairie Générale 1872 et 1876. Deux volumes in-8 reliés de 234 et 288 pages au format 19,5 x 15 cm et 20,5 x 15,5 cm. Belles et élégantes reliures demi chagrin bordeaux à coins, avec plats et pages de garde en papier marbré. Dos rond avec nerfs avec filets et titre dorés, numérotés au bas. Couvertures conservées. Plats et intérieurs frais. Ce magistrat fut surtout un écrivain humoristique, abordant très souvent le fantastique et l'anticipation en faisant preuve d'un humour noir mordant. Son livre de référence étant " L'Invalide à la tête de bois " qui lui donnera la célébrité. Rarissime édition originale surtout dans un tel état superbe de fraicheur, en deux tomes, des 2 séries complètes des " Nouvelles et fantaisies humoristiques ".
2378Edinburgh: T. N. Foulis 1904. An oblong 8vo. 95 pages plus footnotes bound in original Japon vellum. Both the cover and spine of this exceptional example of Arts and Crafts period design have decorative ornaments and titles executed in light olive green and gilt. The design consists of stylized rose buds and foliage that replicate stenciled hand work. Top edge gilt. Elaborate ornamental title page in the Celtic tradition as well as several head and tail pieces in a mirroring design. A most unusual and handsome gift book produced by one of the leading publishers of the day. The book is notable also as the first volume to be produced in the highly regarded series the Library of English Prose. A fine copy. hardcover
1830ST15812London: Edward Moxon 1830. FIRST EDITION. 188 x 118 mm. 7 3/8 x 4 5/8". vii 1 150 pp. 1 leaf ads. <br/> SUPERB NAVY BLUE CRUSHED MOROCCO GILT AND INLAID BY DE SAMBLANX-WECKESSER stamp-signed on front turn-in covers with intricate gilt frame of trumpet vines bearing 36 inlaid scarlet flowers and buds raised bands spine gilt in compartments with inlaid trumpet flower at center gilt titling turn-ins framed with gilt vine navy blue moiré silk endleaves marbled flyleaves all edges gilt. In a slightly worn marbled paper slipcase. Title page with engraving of a putto composing verses. Front flyleaves with bookplates of Edwin Holden dated 1894 and John Whipple Frothingham. Wise Ashley Cat. III 52; Thomson p. 76. A hint of rubbing to front joint occasional mild browning due to paper quality but A FINE COPY clean and fresh internally and in a lustrous binding.<br/> <br/> In a lovely Art Nouveau binding by a Belle Époque master this is a collection of poems assembled by essayist Charles Lamb 1775-1834 to launch the publishing career of his friend and future son-in-law Edward Moxon 1801-58 to whom he dedicated the work. Composed of rather slight verses composed for the amusement of Lamb's friends and of more substantial works previously printed in periodicals this first book bearing Moxon's imprint did well enough to attract the business of other prestigious poets many of them friends of Lamb. Moxon who married Lamb's adopted daughter Emma Isola in 1833 went on to print the works of Wordsworth Shelley Tennyson and other luminaries of the Victorian era. The graceful binding is by Belgian master craftsman Charles de Samblancx or Samblanx 1855-1943 who began his binding career at age 11 as an apprentice to Coppens. He eventually established his own firm though from 1889-1909 his gilder Jacques Weckesser was in partnership with him. His binding career extended over several decades and he worked in a variety of period styles sensitively reproducing the bindings of previous centuries. His work often involving great complexity of design is invariably executed with the highest degree of skill. Our copy was once owned by American bibliophile and Grolier Club president Edwin Holden 1861-1906. Edward Moxon unknown
1823ST19567-072London: Taylor and Hessey 1823. FIRST EDITION First State imprint with single address for publisher. 200 x 125 mm. 8 x 5". 2 p.l. 341 1 pp. 3 leaves ads. <br/> VERY PRETTY DARK GREEN CRUSHED MOROCCO ELABORATELY GILT BY RIVIERE & SON stamp-signed on front turn-in covers with double frames formed of floral sprigs drawer handles and other small tools raised bands spine panels densely gilt with stippling floral tools radiating from small central flower gilt lettering turn-ins with floral garlands at corners olive green watered silk endleaves top edge gilt other edges untrimmed. Ashley III 50; Tinker 1457. Spine darker green than the covers though not at all noticeable in the four compartments that are almost solidly gilt front joint a little rubbed and with two-inch thin crack at top final leaf of ads with repaired curving two-inch tear into text isolated small stains or faint foxing but still very attractive--clean and fresh internally in a very lustrous binding sparkling with gilt.<br/> <br/> This is a handsomely bound copy of Lamb's largely autobiographical essays that embrace the broad subject of mankind at large as seen through the author's own experience and impressions. As Oxford Companion says Lamb's essays "present with exquisite humor and pathos and in a brilliant and inimitable style characters that the author has known . . . the productions of a playful or melancholy fancy . . . and general comments and criticism." The name "Elia" as Lamb says was "clapt down" on these essays in honor of a fellow clerk at South Sea House a building of commercial offices and the subject of the first essay. A second collection "The Last Essays of Elia" appeared in 1833. Charles Lamb 1775-1834 worked in the office of the East India Company and wrote poetry essays and plays. With his sister Mary he was the author of "Tales of Shakespeare" a flowing and lucid prose rendition of 20 of the bard's dramas that helped rekindle 19th century interest in the plays. The strikingly attractive binding done in an elaborately gilt style reminiscent of the Roger Payne era is the work of Riviere one of the foremost names among English binderies partly because the firm did consistently fine work and partly because it was so long in business. Robert Riviere began as a bookseller and binder in Bath in 1829 then set up shop as a binder in London in 1840; in 1881 he took his grandson Percival Calkin into partnership at which time the firm became known as Riviere & Son and the bindery continued to do business under the Riviere name until 1939 when it was acquired by Bayntun. Taylor and Hessey unknown
1900ST14309Boston: R. H. Hinckley Company ca. 1900. Edmonton Edition. No. 56 OF 100 COPIES on Japanese vellum. 240 x 150 mm. 9 3/8 x 5 7/8". 12 volumes. <br/> HANDSOME DARK PURPLE CRUSHED MOROCCO GILT triple gilt-ruled border with sprays of flowers in each corner and along the sides raised bands compartments with gilt lettering and tooling top edge gilt RED MOROCCO DOUBLURES bordered in purple border featuring several gilt rules and scrolling gilt tools in panel corners red watered silk endpapers. With portrait frontispieces and numerous gravure plates. Limitation statement of first volume with the initials of the printer D. B. Updike of the Merrymount Press; flyleaf of each volume with morocco ex-libris of Francis Kettaneh. Extremities with the occasional tiny nick spines slightly sunned covers with a few negligible scratches a few pages with light thumbing in the margins but all of these blemishes trivial. A FINE SET INSIDE AND OUT.<br/> <br/> This finely bound finely printed and strictly limited set includes the biography prose letters essays and poetry of "the prince of English essayists." According to Day Charles Lamb contributed to the essay form by concentrating on feeling rather than thought by projecting a fuller sense of self into the work and by imbuing his text with a poetic or lyrical quality. Lamb was also an accomplished poet writing in both rhyming and blank verse as well as a friend to many of the leading literary figures of the Romantic period--his correspondents include Wordsworth Southey Hazlitt and Coleridge whom he had known since childhood. Lamb's letters by turns witty and meditative reveal a life of intense reading and writing at a time when British literature was undergoing a radical transformation. Charles Lamb 1775-1834 was educated at Christ's Hospital and at 17 joined the East India House where he worked from 1792-1825. In 1796 Lamb's sister Mary stabbed and killed their mother with scissors in a fit of insanity. Charles took on her care as well as serving as sole support for a dying aunt and a prematurely senile father. Nonetheless Lamb and his sister were devoted to one another and lived long and productive lives publishing together the wildly popular "Tales from Shakespeare" 1807 and "Mrs. Leicester's School" 1809 both of which are included here. Though unsigned the bindings are extremely attractive and fittingly luxurious for the limited-edition contents--the thick gilt tooling luxurious doublures and red silk endpapers housing tactilely pleasing Japanese vellum make this set a delight both to have and to hold. R. H. Hinckley Company unknown
186648431George Routledge 1866. Early Edition. Hardcover Quarter Cloth. Good Condition. Newly rebound with green cloth spine with original label and marbled boards. With coloured illustrations by John Gilbert. Original but faded marbled decoration to edges and some light foxing throughout. Size: Small Octavo. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Children; Inventory No: 48431. . George Routledge hardcover
190248957Methuen 1902. First Edition. Hardcover Original Cloth. Very Good Condition. A. Garth Jones. Green Decorative Gilt Cloth. Interesting illustrations by A. Garth Jones. Slight fraying top top and bottom of spine corners a little bumped Size: Octavo standard book size. Illustrator: A. Garth Jones. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Fiction; Inventory No: 48957. . Methuen hardcover
181820674C& J Ollier 1818. First Edition. Hardcover. Good Condition/No Dust Jacket. First edition in two volumes raised bands on spine with black label and gilt lettering contemporary leather Quantity Available: 1. Category: Poetry; Inventory No: 20674. . C& J Ollier hardcover
29971Bibliothèque Archéologique et Historique (B.A.H.) t. 186 Beyrouth, 2009 IFPO 222 p., nombreuses illustrations N/B, broché. 22 x 28
19958858493Cambridge University Press 1995. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In good all round condition. Dust jacket in fair condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item1950grams ISBN:9780521496452 Cambridge University Press hardcover
74775First Edition. Hardcover. Good Condition/Good. Three first editions all warmly inscribed to the same person and with a small amateur photograph of the author laid into one of the books. Unfortunately the previous owner also covered and taped the jackets to the books neatly but irreversibly. Good clean copies. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Fiction; Inventory No: 74775. . hardcover
18378988Paris: P. C. Lehuby. Very Good. 1837. Fifth Edition. Hardcover. 285 pp.; 16mo; double titles with engraved title and frontis as II edition followed by title page and dated imprint 5th edition. Bound in full brown marbled calf; spine lettered and decorated in gilt; red leather spine label; all edges marbled; marbled endpapers & pastedowns; illustrated with four full page engravings in the text. Moderate rubbing at edges; some foxing to pages facing the last two plates. Text in French. Translation of the Lamb's Mrs. Leicester's School first published in 1809. . P. C. Lehuby hardcover
1905319315The Bibliophile Society 1905. Hardcover. Limited to 470 copies. Vol. II; 348 pp; Vol. III: 337 pp.; Vol. IV: 349 pp; Vol. V: 358 pp. Very good copies in paper covered boards. Volume II with frontispiece etching of Lamb by James Fagan after painting by Meyer. Volume III with signed etching of Russell Street Covent Garden. Volume IV without frontispiece. Volume V with frontispiece of signed etching of The Cottage at Edmonton. The artist is William Henry Warren Bickwell 1860-1947. Scuffing at corners to all volumes. Scattered foxing in all volumes. Artistic bookplate of William S. Morse 1856-1935 noted collector Americana in each volume.<br> The Bibliophile Society hardcover