1 625 résultats
200417608<p> Vancouver British Columbisa: Heavenly Monkey 2004 One of fifty-five copies printed as a Christmas keepsake. . Heathered pink stiff paper wrappers with green printed bird. Oblong miniature 4 x 2 ". Flipbook with a bird printed in black that "flies" across sixteen of the pages. Illustrated by Kara Seiveright. Text printed in green and red. A fine copy. The simple instructions direct the reader to "Flip the bird." The illustrated dove then "flies" toward the fore-edge and off the side of the page.</p> Heavenly Monkey,
201816541Vancouver: Heavenly Monkey Press 2018 One of forty-eight copies done in three different formats. Series 3 is one of twenty-four copies out of a total edition of forty-eight copies. Bound in cream-colored paper over boards at the HM Studio. Quarto. . Series 3 with a leaf from both Rollenhagen'a Nucleus Emblematum Selectissimorum and Winter's Collection of Emblemes Ancient & Moderne. Series 1 contained four leaves including leaves containing the same engravings from Rollenhagen and Winter; Series 2 contained a leaf from Rollenhaben paired with the same plate on a Wither leaf. With illustrations ornaments and decorative initials. A fine copy. From the publisher Rollin Milroy: "The focus of Labour Vertue Glorie however is not the content or interpretations of the two authors' emblems but the production and form of the books from which these sample leaves come. To that end the book reprints three of Wither's prefatory notes from A Collection: one about William Marshall's engraved frontispiece one about the game of lots included in the book and "To The Reader" in which he discusses at length the book's creation and intent. Each of these is appended with comments from a variety of sources discussing and sometimes disputing the author's words. The comments also provide some insights to how Wither adopted and more importantly adapted Rollenhagen's original work for his own purposes. While not exact facsimiles the reprinted texts follow the original's use of swash characters and seemingly random combinations of roman italic and majuscule types. But only the reprinted texts; the rest of the book is set in a more traditional and calming manner. Heavenly Monkey Press, hardcover
202217518<p> Vancouver British Columbia: HM 2022 One of thirty numbered copies. Six hors commerce copies were also produced. Signed on the colophon by Walter Bachinski. Bound in quarter yellow cloth over black paper boards with gold-printed paper onlay on one cover and black ink stamp pattern on the other. The dos-a-dos format allows the book to be read from one end then flipped over and read from the other. In a black board slipcase. With the prospectus. . Octavo. With two title-pages. Two pochoir frontispieces and nineteen vignettes by Walter Bachinski. Set in Weiss and American Uncial types and printed on dampened Barcham Green Canterbury handmade paper by Rollin Milroy. A fine copy as new. "The Lady or the Tiger was first published in The Century magazine in 1882. It was tremendously popular but readers did not like being left to draw their own conclusion. In a sly acquiescence to the incessant requests to know which came out the door in 1885 he published The Discourager of Hesitancy" colophon.</p> HM, hardcover
20054843Vancouver: Heavenly Monkey 2005. Octavo wrappers made of natural faux parchment paper by Reg Lissel set by hand in Garamond wood engraving frontispiece by George Kuthan iv 14 pp. ii one folding facsimile letter printed on vegetable parchment by David Clifford another facsimile letter. A beautiful copy. Copy number 20 out of 50 signed by Jeremy Wilson and Don Stewart. </p> <p>This publication comprises a preface by Jeremy Wilson a Lawrence scholar and an essay on Grainger's life in British Columbia by Don Stewart a bookseller. The focus of this publication is of course the unrecorded and never published before letter written by T.E. Shaw i.e. Lawrence in 1929 to British Columbia's first chief forested Martin Allerdale Grainger. Indeed Grainger had suggested that Lawrence should consider settling down in the British Columbia province. Heavenly Monkey unknown
201938340Vancouver: Heavenly Monkey 2019. Hardcover. Fine. Hardcover. Number 30 of 55 copies. This is one of the 30 standard copies numbered 21 - 50. There were also 20 deluxe copies and 5 copies hors de commerce. The Kelmscott Press founded by William Morris 1834 - 1896 and the Doves Press founded by T.J. Cobden-Sanderson 1840 - 1922 are two of the foremost private presses and their output was associated with an equisite attention to detail and fine letter printing. This beautifully produced leaf book begins with Pollard's essay that was written for the catalogue of William Andrews Clark Jr.'s renowned book collection published in 1921 by John Henry Nash. "Rather than a straight historical account of the two presses Pollard offers a meditation on their influences and influence particularly in matters of design and typography. It is embellished here with calligraphy by Martin Jackson and accompanied by a leaf from both of the presses: the Kelmscott's Golden Legend and the Doves English Bible." Publisher statement " Heavenly Monkey is the imprint of publisher Rollin Milroy who is dedicated to creating books for people interested in contemporary applications of traditional book crafts: handmade papers letterpress printing and bindings that emphasize both aesthetic and structural integrity. Our books are designed as objects to be experienced both intellectually and physically; innovative use of technology from any era and its skillful application are the studio's guiding principles." Publisher website Bound in blue paper covered boards with d dark blue cloth spine and with titling and cloth title label to front cover. Printed in Centaur type and with calligraphy in red by Martin Jackson taken from polymer plates on dampened Arches paper. In fine condition clean crisp as new. Measures 10 x 15 inches. 18 pages plus leaves and colophons. PRI/061226. Heavenly Monkey hardcover
189426622Paris, Édouard Rouveyre bzw. Librairie du Cazinographile A. Corroenne, 1878-1894. Kl.-8°. OBrosch.-Bde. in späterem marmor. Pp.-Schuber.
18849061<p>Scarce chromolithograph of Oscar Wilde published in Vanity Fair magazine on May 24th 1884 accompanied with a page of text. The page measures 10.5 x 15 in 27 x 38 cm.</p> Vanity Fair
193211192Paris, Boivin & Cie, 1932. In-4 de 70-[2] pages, cartonnage d'éditeur illustré en couleurs, dos de toile rouge. Bords et coins frottés, une jeune main a ajouté par ci par là de la couleur aux in-texte en noir, une étoile et une inscription au verso de la page de titre ainsi qu'une numérotation de page.
190311287Paris, Félix Juven, [1903]. In-4 de 70-[2] pages, cartonnage d'éditeur illustré en couleurs, dos de toile rouge. Cartonnage sali, bords et coins frottés, charnières ouvertes, inscriptions au second plat et sur gardes, tous les cahiers sont déboîtés mais solidaires. Quelques pages tachées. A restaurer.
18741262721874. London: Vanity Fair November 21 1874. <br /> <br /> Color lithographic portrait after a watercolor painting by Pellegrini. Image size: 12 x 7 inches 30.5 x 18cm. Matted in a museum board. Printed by Vincent Brooks Day & Son Lith. Fine.<br /> <br /> § This portrait of the English poet 1837-1909 emphasizes his diminutive stature oversized head and shambling posture. It is not generally known that the Italian-born Pellegrini 1836-1889 was the originator of the Vanity Fair series of weekly caricatures of individuals of distinction and that the better-known Sir Leslie Matthew Ward 1851-1922 known as "Spy" was his successor. unknown
19225769Paris, Chez l'auteur, 1922, in-8, Broché, 216 pages. Etat d'usage. Solide.
A clean, unmarked book with a tight binding. 308 pages.
A clean, unmarked book with a tight binding. Age-toned pages. 514 pages.
002-Wo.J. Aquarell und Feder in Schwarz, auf gelblichem Pauspapier, links oben signiert und datiert ?Loulou Albert-Lasard. 1931?. 28:35 cm. Loulou Albert-Lasard schreibt seit ihrem Berlin-Aufenthalt in den 20er Jahren ihren Namen mit s statt mit z. Vorzeichnung.
8535Presses de la cité 1976
75 pages. Great colour and black and white photos of the band, together and individually. Includes the following songs: Goodbye; Green Monkey; Hat Trick; It's Life; Molten Love; Muskrat Candlelight/Muskrat Love; Rainbow Song; She's Gonna Let You Down; Submarine Ladies; Willow Tree Lullaby; Wind Wave. Somewhat above-average wear. Unmarked. Binding intact. A sound copy. Book
Premessa, Giovanni Sartori, stampatore e librajo - Introduzione - Da Delle varie specie d'Api in un'arnia ...Lunario delle Alpi - XIV Capi 1 21x14 cm., cucitura editoriale muta, pp. 69 (3), su carta con barbe, ancora bianca e ben conservata, ampi margini, e 2 tavole con 10 e 7 figure disegnate e incise da P. Zuliani Prof. in Alvisopoli, prima edizione, in italiano, discrete condizioni, ma buon esemplare. RARO
2008Q-1556437617North Atlantic Books 2008-12-02. Paperback. New. In shrink wrap. Looks like an interesting title! North Atlantic Books paperback
62723Paris, Marc Minoustchine, 1976. Première Edition française, pt. in-4, br., couv. photo coul. éd., 96 pp., très nb. photos et dessins en noir, La présence des singes dans les films de science-fiction et d'horreur avec les grands classiques tel La planète des singes et King Kong. Très bon état; le coin gauche de la 4e de couverture plié
1997500052020Editions Gaies et Lesbiennes 1997 134 pages 10 6x0 8x16 2cm. 1997. mass_market. 134 pages.
In 16, cm 14,5 x 20, 5, pp. (12) interamente illustrate con immagini pittoriche. Vengono raffigurate tutte le versioni: con parabrezza, con cabina, con cabina e porte, furgone metallico, con parabrezza, cabina, cabina e porte, ribaltabile, calessino. Si acclude foglio in velina che riporta prezzi e rateizzazioni per le varie versioni
23012TAPUSCRIT original ,etude industrielle, de 32 P;avec illustrations,sd (vers/ avant ? 1920),non signé,devis et proposition d'affaire basée sur des brevets déposés,en 1913 et 1914 dans divers pays d'Europe
petit in-4 de 16 pp. Album cartonnage en couleurs découpe silhouettée de Pi-Oui. Parfait etat. [P-49] Pi-Oui est un petit singe tres gentil, presque comme un homme …
Deliziosa incisione colorata ad acquarello del 1770 circa che mostra una scimmia coaita e una scimmia cappuccino. Grandi dimensioni. Autore: Antonio Baratti (1724-1787) Atlante: Diderot et d’Alembert – Encyclopedie – Livorno, 1770-1778 Data: 1770 circa Tecnica: incisione a bulino acquarellata a mano Dimensione della pagina: 40,5x27 cm Dimensione dell'incisione: 35,5x22,5 cm Condizioni: ottime. Qualche fioritur. Segno di tarlo al margine inferiore. Nice print of 1770’s featuring a spider monkey and a capuchin monkey coloured with aquarello by hand. Big size. Author: Antonio Baratti (1724-1787) Atlas: Diderot et d’Alembert – Encyclopedie – Livorno, 1770-1778 Date: 1770 circa Technique: burin engraving Leaf Dimension: 40,5x27 cm Engraving Dimension: 35,5x22,5 cm Conditions: Very good conditions.
Deliziosa incisione colorata ad acquarello del 1770 circa che mostra un macaco e un langur duca. Grandi dimensioni. Autore: Antonio Baratti (1724-1787) Atlante: Diderot et d’Alembert – Encyclopedie – Livorno, 1770-1778 Data: 1770 circa Tecnica: incisione a bulino acquarellata a mano Dimensione della pagina: 40,5x27 cm Dimensione dell'incisione: 35,5x22,5 cm Condizioni: ottime. Qualche fioritura Segno di tarlo al margine inferiore Nice print of 1770’s featuring a macaque and a langur duca coloured with aquarello by hand. Big size. Author: Antonio Baratti (1724-1787) Atlas: Diderot et d’Alembert – Encyclopedie – Livorno, 1770-1778 Date: 1770 circa Technique: burin engraving Leaf Dimension: 40,5x27 cm Engraving Dimension: 35,5x22,5 cm Conditions: Very good conditions.
