102 résultats
197328332Fort Worth and Hastings-On-Hudson: Amon Carter Museum and Morgan & Morgan 1973. First edition. Paperback. Very Good. Nearly square paperbound book. With 44 full-page black and white photographs by De Cock with a forward by Ansel Adams. Very good condition. Published on the occasion of a 1973 exhibition. Amon Carter Museum and Morgan & Morgan paperback books
199514224Minneapolis: Hermetic Press 1995. Edition limited to 250 copies 8vo pp. 8; very fine in original printed wrappers designed and printed letterpress by Phil Gallo of the Hermetic Press for friends of Rob Rulon-Miller in celebration of the holiday season 1995. <br/><br/> Hermetic Press unknown books
199519751Minneapolis 1995. Edition limited to 250 copies 8vo pp. 8; very fine in orig. printed wrappers designed and printed letterpress by Phil Gallo of the Hermetic Press for friends of Rob Rulon-Miller in celebration of the holiday season 1995. <br/><br/> unknown books
2006119619New York New York: Salander-O'Reilly Galleries 2006. Softcover. VG. Red wraps; 83 pp.; 35 color plates. Accompanied an exhibition held January 19-February 25 2006 at Salander-O'Reilly Galleries in association with Galerie Lestranger; Contains thirty-five works with extensive annotations by artists such as Jean Briant Jean-Baptiste-Camille Corot Eugene Delacroix Thomas Fearnley Andre Giroux Pierre-Henri de Valenciennes and others. Salander-O'Reilly Galleries unknown books
1999032908Boca Raton Etc.: CRC Press 1999. xxiii 262p. original stiff printed boards Innovations in psychology. CRC Press unknown books
1981002517Roma: Edizioni Dell'Ateneo 1981. 200p. dj Filologia e critica 38. Edizioni Dell'Ateneo unknown books
1974171642New York: American Heritage 1974. First. hardcover. fine/near fine. Packed with 450 illustrations including 250 in color. 317pp. Short thick 4to natural cloth d.w. New York: American Heritage 1974. First American edition. A fine copy in a near fine dust wrapper.<br/><br/> With an essay on the development of poster art by Carlo Arturo Quintavalle.<br/><br/> American Heritage unknown books
1985823901985. Hardcover. Near Fine/Very Good. frontis photos index xv 167p. dj. Oblong 23cm. Jacket has a relatively short jagged tear and minor soiling. <br/><br/> hardcover books
1933265264London: The Houghton Publishing Co 1933. Hardcover. 224p. hardcover first edition in 7.5x5 inch pink cloth boards in dust jacket; spine panel of casing is mildly and evenly sunned top edge dust-soiled foredge flecked with foxing and ffep bears author's presentration inscription unsigned but he has autographed the titlepage using his birth name. The dust jacket on matte cream stock with illustration in monochrome red is somewhat edgeworn with a touch of silverfishing. A good to very good copy. Plotline elements suggest this to be a thriller. The Houghton Publishing Co hardcover books
1997175660Monaco: Maison d'Art 1997. Paperback. VG. Black and color-illustrated wraps with white lettering. cxxiv 164 pp. BW and color illustrations. Text in French and Italian. Catalogue of an exhibition from October 24 to November 24 1997. Maison d'Art paperback books
197227809New York: American Heritage Publishing Company. Very Good. 1972. Hardcover. 8.5x11.5" Tan cloth with black title on spine. 315 pages with over 300 color & black and white pictures. Excellent condition great pictures. . American Heritage Publishing Company hardcover books
197432443NY: American Heritage 1974. First American edn. 4to pp. 315. Massively illustrated most in color. With an essay on The developoment of poster art by Carlo Arturo Quintavalle. Translated by Alfred and Bruni Mayor. A nice copy in little scuffed dj. American Heritage unknown books
197225181Boston: New York Graphic Society. 1972. First Edition; First Printing. Hardcover. Fine in near fine dust jacket with a tiny tear and wrinkles at spine head. Extra shipping charges may apply to this oversize book.; Small 4to 9" - 11" tall; pp . New York Graphic Society hardcover books
198583081New Haven: Yale University Press 1985. 1st ed. Hardcover. Fine/Fine. photos index 168p. dj. Oblong 23cm. <br/><br/> Yale University Press hardcover books
19839027432Omaha: Abattoir / University of Nebraska 1983. Paperback. Fine. One of 192 copies. Printed by Harry Duncan and Alison Wilson on T. H. Saunders paper with Romulus type. Linecut from a drawing by the author on the title page. Uncut pages. Grey wrappers with the title stamped on the front cover. Abattoir editions. Fine condition. <br/><br/> Abattoir / University of Nebraska paperback books
197520479ELos Angeles: Universal 1975. First Edition. Paperbound folded 10 5/8†x 9 1/8â€. A special film program made by the studio for advance screenings of the film Rooster Cogburn directed by Stuart Millar written by Martin Julien Martha Heyer - suggested by the character from the novel ‘True Grit’ by Charles Portis starring John Wayne in the title role Katharine Hepburn Anthony Zerbe Richard Jordan and Strother Martin Fine in printed wrappers. Universal unknown books
1981121980Minneapolis MN: Bookslinger Editions - Toothpaste Press - Walker Art Center 1981. First edition. Broadside printed in two color that measures 9.5" x 13" with two deckle edges. Copy 28 from an edition of only 85 numbered copies. Signed by Gallo. Uncommon. Bookslinger Editions - Toothpaste Press - Walker Art Center unknown books
1998240791Santa Barbara: Spirium Press 1998. 6p. 5.5x8.5 inches signed by the poet fine first edition chapbook in stapled gray pictorial wraps. Published upon the death of the poet Octavio Paz. Excerpt from Paz's "The Labyrinth of Solitude" below a photo of Paz on rear cover. Gallo's father was from Nicaragua. Also of Italian lineage. No holdings located in OCLC as of 7/2019. Spirium Press unknown books
2007014536Colombia: Villegas Editores 2007. Hardcover. Near Fine/Near Fine. 4to - over 9¾" - 12" tall. Villegas Editores hardcover books
2007011746Bogota Columbia: Villegas Editores 2007. First Edition. Cloth. Oscar Monsalve Pino photography. Square Octavo. 163pp. Color plates line drawings and reproductions. Chronology. Bibliograohy. Bound in red cloth boards with illustrated dust jacket. Facsimile signature. Near Fine/Near Fine. Villegas Editores unknown books
1983WRCLIT32888Omaha: Abattoir Editions 1983. Printed wrappers. First edition. One of one hundred ninety-two copies printed by Harry Duncan and Alison Wilson. Fine. Abattoir Editions unknown books
2019113370Medellín: Universidad de Antioquia Facultad de Comunicaciones 2019. 24 cm. Colección Cine 336 pages color plates bibliographical references p.297-309 color pict. wrps. Originally presented as the author's thesis doctoral--Universitat Autonoma de Barcelona 2012. The author analyzes the main changes in cinema rhetorics of non-fiction in the era of the post-truth as an attempt to chart the blurry discursive boundaries of this cinematographic form which to respond to new ways to understand truth and reality in contemporaneity is exploring rhetoric territories that go way beyond the classic and modern paradigms so embedded in the centrality of the documentary institution. Likewise with the use of hermeneutics and an audiovisual specifically rhetorical analysis I seek to understand the situational contexts the intertextualities and the conception of reality behind the speeches of post-truth non-fiction cinema. Then I explore how these speeches are aware of their own history of their intrinsic subjectivity and the complexity that implies to represent the real on this era where the concept of truth has transformed and relativized answering to sensibilities and air of the current time. This is the reason why non-fiction cinema interacts inspiring and inspiring itself with actual discursive strategies like the ones developed in science the social movements arts or mass media giving place to own novel rhetoric that can be detected in audiovisual statement actio in style and in rhetoric auditive and visual figures elocutio the documentary structures dispositio the arguments and modalities inventio the projected world and context intellectio. As such this representation method has been expanded to even more complex forms that among its characteristics they suspect deconstruct satirize reflect recycle perfomatize fictionalize such reality constituting itself in one of the main sources of creativity innovation and auto reflection of current cinematography and an important speech about contemporaneity. CONTENTS: Presentación -- Metodologia -- La retórica y la hermeneutica en el analisis del cine de no ficción -- La retórica: un sistema integral de analisis y producción de discurso documentales -- Aproximacion de la retórica -- La nueva retórica -- Retórica posestructuralista -- La nueva retórica -- El canón retórico en el cine de no ficción -- Actio: la enunciación y enunciación -- Dispositio: la organización estructural de la imagen y el sonido -- Macroestructuras y superstructuras -- La partición del discurso en secciones -- Ordenación de las partes del discurso -- Inventio: busqueda de ideas y materiales en el desarrollo y preproducción -- La voz documental y el grado de autoridad -- Aproximación al dacumental y al cine de no ficción de la posverdad -- Documento y documental -- Las fronteras borrosas con la ficción y lo experimental -- Una frontera ambigua: documental y cine de no ficción -- Hacia una imposible delimitación del cine de no ficción -- El cine de no ficción en la era de la posverdad -- Retóricas de la era posverdad y cine de no ficción -- Cambio de paradigma y nuevas sensibilidades contemporaneas -- El giro retórico: la forma si importa -- Nuevos discursos cientificos y sus relaciones con el cine de no ficción -- La crisis de la historiagrafia retórico subjetividad y pequeños relatos -- Nuevos discursos de la subjetividad como estrategia autobiograficoas performativas poetico experimentales y ensayisticas de representación de la realidad -- Analisis retórico de algunas peliculas ejemplares del cine de no ficción de la posverdad -- Sin sol Chris Marker 1982 Francia -- Las playas de Agnes -- Harun Farocki 1988 Alemania -- Bien despierto -- Los rubios -- Fotografias -- Digital -- El cine como espejo del mundo -- Conclusiones -- Bibliografia citatada -- Bibliografia complementaria -- Indice analitico -- Indice Onomástico -- Ondice de titulos Listas de figuras -- Ejes retóricos -- Modelo de analisis retórico -- Voz y niveles del relato -- Punto de vista -- Distancia -- La superstructura -- Categorias de estructuracion tropologica -- Esquem de la forma filmico de Bordwell -- Generos y clasificaciones desde la retórica y la literatura -- Modelos de clasificacion del documental -- Esquemas de la intellectio -- Hibridaciones del cine de no ficción de la posverdad. Universidad de Antioquia, Facultad de Comunicaciones unknown books
2000264947Leiden The Netherlands: Hotei Publishing 2000. Hardcover. 133p. cloth-covered boards 7.75x11 inches profusely illus. very good condition in like dj. Blomhoff was the Dutch embassy to Japan from 1817 to 1823. Hotei Publishing hardcover books
19747354New York. American Heritage Publishing Co. 1974. Bound in titled cloth covered boards. 4to. Illustrated throughout with various colour and monochrome plates en texte. A Very Fine copy in a Fine price clipped dustwrapper. American Heritage Publishing Co. hardcover books
1995190771Easton Press 1995. Hardcover. Like New. 1995 Easton Press. Dark blue leather bound with 4 raised bands to the spine. Clean has a good binding no marks or notations. Never read. Collector's Edition. Easton Press hardcover books
